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Tag: printmaking

CALL for ENTRIES: 2019 Miami Art Basel Edition

Learn more about the 2019 Miami Art Basel Edition from Create! Magazine.

fair FARE

When’s the last time you ate a candied apple?  I haven’t had one in a while either.  Every year I am tempted at the Tennessee Valley Fair to at least have a caramel apple, but I chicken out every time.  I mean, I’m not afraid of the sugar-draped fruit, but it seem like a commitment.  It’s not like I can eat it with a knife and fork in deliberate portions; you have to sink into it teeth first, knowing you may end up wearing it face, fingers, clothing and all.  I’m not ready.

This next call is a worthy pursuit on its own, but it is also a measured solution to the art fair.  When’s the last time you contemplated participating in an art fair like Art Basel?  One option is to venture out on your own, which can be very expensive & risky if you aren’t in the right place for that opportunity.  Another possibility is going as a part of a group or gallery, which still involves costly production like framing and shipping with no guarantee of sales.  If you’re not ready for either of those options, this call from Create! Magazine gives you an opportunity to reach the Miami art week audience without the commitment to a booth.  Their curatorial history proves you’ll be in excellent company.  Think about it.

Check out this Call for Entries from Create! Magazine (print publication) for the Miami Art Basel Edition.  The 3rd Annual Art Miami Edition will be released during 2019 Miami Art Week in December, available in international shop locations & during VIP preview night at Art Miami Fairs.  Don’t miss this chance…

CALL for ENTRIES:
Miami Art Basel Edition of Create! Magazine

Learn more about the 2019 Miami Art Basel Edition from Create! Magazine.ELIGIBILITY:  Open to all artists

MEDIA:  Open to all media, i.e.: painting, sculpture, digital, printmaking, fiber, mixed media, photography, installation & more.

DEADLINE:  September 30, 2019

ENTRY FEE:  $35 for up to 3

JUROR:  The Director of 3 galleries in central London and New York, Rebecca Hossack was born in Melbourne in 1955.  Following degrees in Law and in History of Art, Hossack studied at Christie’s and at The Guggenheim in Venice. She set up her own gallery in Windmill Street, Fitzrovia, in March 1988. Hossack’s business, despte the economic climate, has not only survived, but thrived. From 1993-7, Hossack served as the Australian cultural attaché in London, initiating literary links between Australian and British writers and organising a series of exhibitions of Australian art in London.

AWARDS:  Artists selected by the guest juror will receive a 2-page spread including a brief bio, website, and 2 images in print and digital formats. Published artists will receive a complimentary digital issue and will be listed on Create! Magazine’s website/social media & will be listed with images, details and information on theirr website/social media for life. All featured artists will automatically be considered for any upcoming curatorial projects & exhibitions organized by the Create! team.  

SALES: The 3rd Annual Art Miami Edition will be released during 2019 Miami Art Week in December, available in international shop locations & during VIP preview night at Art Miami Fairs

For complete details, Read the Full Call!

Learn more from Create! Magazine.

CALL for ENTRIES: MFA Print Editon

Learn more about the MFA Print Edition from Create Magazine!

COLD complication

The school year returns soon.  Many of you know I have a kid in college, so his impending exit will mark a change in my house like so many of you with students.  My grocery bill will shrink, and his eating habits will change.  At home, my son eats whatever is put in front of him.  At school, he can choose to fuel himself on pizza and coffee 6 out of 7 days.  I choose to believe not, but a quick glance at the bucks he spends on ‘bucks reveals the ugly truth… his degree will be sugar & caffeine-fueled.

What gets you through a work day?  Do you have a routine or a vice?  Is there a difference, or is the label just a way to guilt yourself into less-frequent indulgence?  After a hard day in the studio recently, I picked up my keys and headed out, making a quick pitstop in my husband’s studio to let him know I was going.  “I’m headed to the liquor store.  Want anything?” I asked.  “Day that good, huh?”  *blink blink blink* “How about I work on dinner while you’re gone?”  Smart man.  This next Call is for those of you whose memory of late night projects & exam cramming are still directly behind you.  

It is no secret that this is one of my all time favorite art publications.  Check out this Call for Entries from Create! Magazine (print publication) for the 2019 MFA Print Edition.  $30 entry for this gorgeous magazine.  Don’t miss this chance…

Learn more about the MFA Print Edition from Create Magazine!CALL for ENTRIES:
MFA Print Edition
of Create! Magazine

ELIGIBILITY:  Open to MFA graduates from the past 2 years (2017-19) & current candidates from both the US & abroad

MEDIA:  Open to all media, i.e.: painting, sculpture, digital, printmaking, fiber, mixed media, photography, installation & more.

DEADLINE:  July 31, 2019

ENTRY FEE:  $30 for up to 3

JURORS:  Kate Mothes is founder and curator of Young Space, an independent, itinerant, online-offline contemporary art platform emphasizing early career & emerging artists.  Kate received a Masters in Art History, Theory & Display from Edinburgh College of Art at the University of Edinburgh, and a Bachelors in Art History from the University of Wisconsin-Madison.  She has recently participated as a guest juror for BEERS London’s Contemporary Visions 2019, and was curator-in-residence at AucArt LAB, London, UK, in March 2019, and at PADA Studios in Lisbon, Portugal, in April 2019. When not traveling for exhibitions and projects, she is based in Northeast Wisconsin.

AWARDS:  Artists selected by the guest juror will receive a 2-page spread including a brief bio, website, and 2 images in print and digital formats. Published artists will receive a complimentary digital issue and will be listed on Create! Magazine’s website/social media & will be listed with images, details and information on their website/social media for life. All featured artists will automatically be considered for any upcoming curatorial projects & exhibitions organized by the Create! team.  

SALES:  The MFA Print Edition will be available online, in global retail locations in London, New York, Los Angeles, San Francisco, Amsterdam, Stockholm, Chicago, Ft. Lauderdale, Wilmington (DE) & more.

For complete details, Read the Full Call!

Learn more from Create! Magazine.

CALL for ENTRIES: Summer 2019 Print Issue

COLD complication

For years, popcorn was the ultimate summer food.  Popcorn with a hint of olive oil, parmesan and cracked black pepper was my idea of the perfect snack food. Then, there was some weird shift for me.  Stovetop popped was too greasy.  Microwave-popped was always singed.  Air-popped was always tough.  I just quit eating it — for nearly two years.  I missed my daily snack favorite, but was resigned to the absence of popcorn. 

Then one day Facebook started feeding me ads for an Amazon listing a silicone popcorn popper (not a sponsored ad) for the microwave.  I’m guessing I did something online that Google’s algorithm decided meant I needed popcorn, and, well, it was right.  That $10 product arrived, and it was ridiculous, a floppy, ridiculous concept.  It came without instructions.  I searched and found an equally ridiculous video. Holy popcorn!  It is soft like stove-topped but without that queasy overly greasy aftertaste.  So what’s the lesson?  No lesson, except maybe… all hail Summer.  

Continuing with this week’s publication theme, here’s a call for one of my all time favorite art publications.  Check out this Call for Entries from Create! Magazine (print publication) for the Summer 2019 Print Issue.  $30 entry for this gorgeous magazine.  Don’t miss this chance…

CALL for ENTRIES:
Summer 2019 Print Issue
of Create! Magazine

ELIGIBILITY:  Open to all artists. 

MEDIA:  Open to all media, i.e.: painting, sculpture, digital, printmaking, fiber, mixed media, photography, installation & more.

DEADLINE:  May 31, 2019

ENTRY FEE:  $30 for up to 3

JURORS:  Nina Blumberg is a full-time art consultant at the New York City-based firm Samuels Creative. Outside of work, she fills her time with freelance social media contemporary art clientele and projects, most recently engaging with the art technology space. Nina received her BA in Art History from the University of Virginia and her MA from FIT’s “Art Market: Principles & Practices” program.  Nina is also the founder of @Artstagram__,the contemporary art world Instagram account that covers art happenings and exhibitions in NYC and beyond. 

AWARDS:  Artists selected by the guest juror will receive a 2-page spread including a brief bio, website, and 2 images in print and digital formats. Published artists will receive a complimentary digital issue and will be listed on Create! Magazine’s website/social media & will be listed with images, details and information on their website/social media for life. All featured artists will automatically be considered for any upcoming curatorial projects & exhibitions organized by the Create! team.  

SALES:  The Summer 2019 Print Issue will be available online, in global retail locations in London, New York, Amsterdam, Stockholm, Wilmington (DE), Philadelphia & more.

For complete details, Read the Full Call!

Learn more from Create! Magazine.

CALL for ENTRIES: Meltdown

Learn more about the Meltdown Call from the Limner Gallery

lost in TRANSLATION

It is no secret that I’m a little, well, let’s call it cheese “focused”. But we all have our priorities.  After being seperated by an ocean for 4 weeks, my husband and I stopped by a local dairy farm less than 24 hours after reunited… to buy cheese. Priorities.  Cheese glorious cheese.  A few days later, I made summer squash au gratin also known as “squash makes all the melted cheese a legitimate choice”, au gratin for short.  Melted cheese means I’m home, ha.  Think of it as my oven’s welcome mat. It is the best kind of meltdown.

I have been known to indulge in an epic meltdown of a personal nature on occasion.  The last U.S. presidential election put me in an ugly place for weeks.  Every insuing attack on civil rights, environmental regulations, access to health insurance & the ability to govern the workings of my own body have warranted their own meltdowns.  My work has changed.  My life has changed.  I worry about becoming numb to the suffering of others, to the loss of agency, to the restrictions on the ability to speak freely.  Where is this planet’s population headed?  While I was in Scotland recently, I was regularly engaged by locals about American politics.  People want to understand what is going on in the United States.  I couldn’t explain.  I can’t explain.  So, I just keep working.  Right now, THAT is what I can do. 

This next Call in interested wants to see how your work reflects a sense of meltdown, whatever your interpretation.  What do you have to say?  Could this be the place for you to say it?  Check out this Call for Entries from Slow Art Productions for Meltdown at the Limner Gallery (Hudson, NY). $35 entry, 35% commission, open to all media and all artists.  Take a look…

Learn more about the Meltdown Exhibit from the Limner Gallery!CALL for ENTRIES:
Meltdown
at the Limner Gallery

This exhibition will be held June 14 – July 13, 2019.

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all media forms

THEME:  “We are living in an age of global crisis – of catastrophic MELTDOWN, a crisis the proportions of which, sadly, needs no description.  Historically artists have foreseen, described and been inspired by crisis. The subject of this exhibition is every aspect of the MELTDOWN crisis, be it global, personal, environmental, financial, psychological, scientific and/or spiritual.” — Limner Gallery

DEADLINE: April 30, 2019

NOTIFICATION: May 31, 2019

ENTRY FEE: $35 for up to 4, $5 ea. add’l 

SALES:  SlowArt Productions will retain 35% commission on sales.  Prices set by the artist.

For complete details, Read the Full Call!

Learn more from SlowArt Productions and the Limner Gallery!

CALL for ENTRIES: 47th Int’l Show

Learn more about the 47th International Art Show from the Brownsville Museum of Fine Art!

focused and FARE

I cheated on my husband with shrimp tacos.  He’s contact allergic to shellfish, and on the rare occasion I eat a meal without him, my radar is firmly set on shrimp.  I feel guilty while eating them, like I’ve cheated, and then have to go through a hazmat-style sterilization process afterward.  But, shrimp.

I had that shrimp-y luncheon with my a friend, an accomplished realist painter.  We spent time talking about our plans for the next weeks and months. She paints prolifically and noted, “I haven’t even been looking at Calls because I can’t do anything until Fall”.  Between work for galleries that represent her, a couple of invitational shows and a museum solo show that comes down this week, she can’t lose focus.  Realizing that kind of focus has been my goal for months, and I am beginning to see results, but it requires tuning out the things that don’t serve my focused goal. 

Are museum shows a part of your current plan?  If yes, check out this Call for Entries from Brownsville Museum of Fine Art (Brownsville, TX) for 47th International Art Show.  $45 entry & 30% commission, plus $3300 in cash awards.  Both jurors’ work is well documented, so do your homework!

Learn more about the 47th International Art Show from the Brownsville Museum of Fine Art!CALL for ENTRIES:
47th Int’l Art Show 
from Brownsville Museum of Fine Art

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to painting, drawing, water media, mixed media, printmaking, 3D sculpture, photography & digital media.

DEADLINE:  February 20, 2019 (midnight CENTRAL time)

NOTIFICATION:  February 26, 2019

ENTRY FEE: $45 up to 3, $5 ea. addl 

JURORS:  Joe Harjo, visual artist, MFA from the University of Texas San Antonio, and Professor of Photography at Southwest School of Art, San Antonio, TX.  Mauricio Saenz, visual artist and filmmaker, MA in Artistic Production from Polytechnic University of Valencia, Spain.

AWARD: Best of Show $1000; Clara Ely Award $250 (limited to oil & acrylic),  and Octavia Arneson Award $250 (limited to water media), Mayor’s Award: Commemorative Plate, First Place (in each of 8 categories) $150, 2nd Place (in each of 8 categories) $50, 3rd Place (in each of 8 categories) $25 and Honorable Mentions receive ribbons.

SALES:  All art must be for sale and the BMFA will require 30% commission for any sale that was a direct result of the exhibition.

For complete details, Read the Full Call!

Learn more from the Brownsville Museum of Fine Art!

CALL for ENTRIES: Saturated

Learn more about the Saturated An Eye for Color exhibit from the Barrett Art Center! oh, KALE no!

Somebody help me love kale.  I want to love love kale (in some other manner than deep fried kale chips, ha)., but I just don’t.  If I’m gonna eat a leafy green, I’m gonna choose spinach every time.  Give me arugula or chard.  Meanwhile, organic kale was 99¢ a pound this week.  It is a gorgeous color though.  I’ve been toying with making my own watercolors.  Maybe THAT is how I learn to love kale.

For years I worked in black and white, and I loved the big, bold graphic nature of that work.  But, color.  Color has turned my work around.  I fell so in love with color that I changed media after TWENTY years.  Like any grade schooler, I get that yellow + blue = green.  But, when you find the right gambogue hue & add just a touch of thalo blue, you get to watch them bloom into a gorgeous shade of peacock.  This newly found watercolor magic gives power & voice to what I tried to represent literally with typography and b&w symbolism for all those years.

I’ve tried to be more transparent over the past weeks about my own “which” & “why” & “what” questions because I am hoping my answers will help you formulate your own questions and discover your own answers.  The Barrett Arts Center is a “yes” for me.  Beautiful venue, great jurors, superb curatorial history, excellent resume builder.  I have been working on a piece for months that would be the perfect piece to enter.  If I can just keep myself on track to finish, I am entering this one.  Do you have color you want to strut out like a proud peacock?  Then THIS is a great call.

Check out this Call for Entries from Barrett Art Center (Poughkeepsie, NY) for Saturated: An Eye for Color.   $45 entry fee & 30% commission. Plus, this juror has a well-documented history.  Take a look…

Learn more about the Saturated: An Eye for Color exhibit from the Barrett Art Center!CALL for ENTRIES:
Saturated: An Eye for Color
from Barrett Art Center

ELIGIBILITY:  Open to all U.S. artists 18+

MEDIA: Open to drawing, painting, pastel, printmaking, photography, sculpture, fiber, mixed-media, new media & installation

THEME: Color.  “Barrett Art Center seeks artworks in which color is the primary instrument of expression for this national juried exhibition to be held April 6 through May 18, 2019. The French painter Eugene Delacroix said, ‘I can paint you the skin of Venus with mud, provided you let me surround it as I will’. Delacroix was referring to the power of color dynamics.  This call for works is looking for submissions in which which color plays a transformative role.”

DEADLINE:  January 19, 2019

NOTIFICATION:  by February 2, 2019

ENTRY FEE: $45 for up to 3, $5 ea. add’l ($35 for members)

JUROR:  Michael Rooks joined the High Museum of Art as Wieland Family Curator of Modern and Contemporary Art in January 2010. Besides his responsibilities at the High, Rooks was appointed Commissioner and co-curator of the U.S. Pavilion at the 12th International Architecture Exhibition, La Biennale di Venezia in 2010 and is a member of ActArt, the President’s committee for contemporary art and social action. Prior to joining the High Museum, Mr. Rooks held curator positions at the Museum of Contemporary Art Chicago, The Contemporary Museum Honolulu, and the Honolulu Academy of Arts.  At Chicago’s Museum of Contemporary Art, Rooks curated several group exhibitions and solo projects in addition to survey exhibitions of work by Roy Lichtenstein (1999) and H. C. Westermann (2001) for which he co-authored Westermann’s catalogue rasionné. 

AWARDS:  $825 in cash prizes –$500 Juror’s Prize, $200 2nd Prize, $125 Honorable Mention.

SALES:  Barrett Art Center will retain a 30% commission for sales (20% for members).

For complete details, Read the Full Call!

Learn more from the Barrett Art Center!

CALL for ENTRIES: Blue 2019

Learn more about Blue 2019 from art-competition.net!

CUCUMBER and berries

Between granola and smoothies, I am on a constant hunt for decent fruit.  This time of year, it is a challenge.  The strawberries are horrific, fibrous little lumps. Bananas are great for smoothies but don’t dry well without sulfites.  Cucumbers & pineapples are rocking my smoothies, but FRESH fruit is a struggle. (Yes, I can hear how that sounds.)  Blueberries have saved me lately.  They are relatively cheap and work in cereal and for pancakes & smoothies.  If anyone has recommendations on how to dry them, I’m open to ideas.  This next Call wants your blue solutions…

So why do you consider this online gallery, art publication opportunity?   Well, here are some questions:  Do you need a low risk, low cost way to test new, experimental work? Are you looking to drive traffic to your website and create organic content for social media posts?  And, there’s the grant money.  Do you want the opportunity to be awarded grant money? ha. Is this opportunity right for you?  Only you can know. The deadline looms VERY CLOSE — January 7th.

Check out this Call for Entries from Art-Competition.net for Blue 2019. $25 entry & no shipping.  Do you have work in blue? You know you want the $500 grant.  Take a look…

Learn more about Blue 2019 from art-competition.net!CALL for ENTRIES:
Blue 2019
from Art-competition.net

ELIGIBILITY: All artists age 18+ (int’l)

MEDIA:   Open to still media, including painting, drawing, photography, sculpture, digital art, printmaking, fiber art, collage, etc.

THEME: Blue “The art created of any subject that is enhanced by the use of the color blue, whether it is a single dot of blue or a completely blue image.  The color blue should enhance the narrative of the works subject as blue can imply many emotions, symbolisms or feelings, from the blue marble we call earth to our emotions expressed in Blues music. Blue can express the future, good feelings, happiness, prosperity, ocean or sky, and we can feel blue, etc. It can be used to enhance, emphasize or be a focal point in the art.” –art-competition.net

DEADLINE:  January 7, 2019

NOTIFICATION: January 14, 2019

ENTRY FEE: $25 for up to 3, $5 ea. add’l

AWARDS:  20 artists will be selected for an online group exhibit, “BLUE 2019” at Gallery25N; the exhibit and artists will be extensively marketed worldwide to over 26,000 people including art buyers, gallery owners, curators, collectors, etc.  One artist will be selected to receive the “Christopher E. Burke Fine Art Grant of $500. That artist’s work will become the image of the exhibition and will be used on the invitation, video title screen and on all online marketing.

For complete details, Read the Full Call!

Learn more from art-competition.net!

CALL for ENTRIES: Women Artists

Learn more about the March Women Artists edition of Create! Magazine!

COLD complication

As winter approaches, I am more & more distracted.  I buy a handful of pantry items for single recipes.  For example, I use canned cream-style corn in one indulgent corn pudding recipe and buttermilk only in cornbread.  But, the problem arises because they look like similar items in the cupboard –anything canned or my regular milk.  You only have to put buttermilk on one bowl of cereal to not want to make that mistake again.  My solution? Organization. A simple letter or two scrawled on the container top has stopped me from wasting time and food over and over again. 

In the studio, I am always walking the line between organized and over-planned.  My instincts run toward scheduling, pre-planning, color-coding and efficiency.  But, I also know that when I over plan, I have guilt when I stray from my original design that sometime keeps me on a path (that often isn’t really working) longer than I should.  But if I don’t schedule at all, I end up procrastinating, the stereotypical downfall of beret-wearing artists in movies everywhere.  This next Call is a perfect example.  I love this publication.  It is gorgeous.  The art is phenomenal. Even their Insta feed is fun and inspiring.  I keep thinking that the right work to submit will speak to me.  As a result, here we are a year or two later, I’ve managed not to enter yet.  So, let’s make a plan, be organized; enter early…

Check out this Call for Entries from Create! Magazine (print publication) for the Women Artists March Edition.  $30 entry for this gorgeous magazine.  Don’t miss this chance…

Learn more about the March Women Artists edition of Create! Magazine!CALL for ENTRIES:
March Women Artist Edition
of Create! Magazine

ELIGIBILITY:  Open to all women artists. “We are passionate about highlighting work by contemporary female (identifying as female) creatives and are dedicating the entire march edition to this group.” –Create! Magazine

MEDIA:  Open to all media, i.e.: painting, sculpture, digital, printmaking, fiber, mixed media, photography, installation & more.

DEADLINE:  January 27, 2019

NOTIFICATION:  December 20, 2018

ENTRY FEE:  $30 for up to 3, $35 for 5, $40 for 10. *There is also an optional $20 for online review, if selected by curator.

JURORS: Ekaterina Popova Artist, Curator, Podcaster, Editor and Founder of Create! Magazine, Alicia Puig Curator, Art Historian and Director of Business Operations at Create! Magazine, Shelby McFadden Artist, Designer and Editor of Pikchur Magazine, & Christina Nafziger Arts Writer, Journalist and Gallery Assistant.

AWARDS:  Artists selected by the guest juror will receive a 2-page spread including a brief bio, website, and 2 images in print and digital formats. Published artists will receive a complimentary digital issue and will be listed on Create! Magazine’s website/social media & will be listed with images, details and information on their website/social media for life. All featured artists will automatically be considered for any upcoming curatorial projects & exhibitions organized by the Create! team.  

SALES:  The March 2019 Edition will be available online, in global retail locations in London, New York, Amsterdam, Stockholm, Wilmington (DE), Philadelphia & more.

For complete details, Read the Full Call!

Learn more from Create! Magazine.

CALL for ENTRIES: New Contemporary

Learn more about the New Contemporary Call from Keep Contemporary in Santa, Fe NM!

real SMOOTH

I have pureed everything today.  I made black bean soufflé early in the day to go with the slaw-topped taco my husband made later.  I cooked & pureed extra beans to put up in the freezer as a soup base for next week.  Lunch was delivery pizza.  Our mid-afternoon snack was  a mango-peach-guava-banana smoothie.  While my husband made apple-pepper slaw for our tacos, I processed a half-bushel of apples for applesauce.  I have washed my food processor four times today. (Just a reminder, no dishwasher in my house.) I am trying to keep busy

I mean, I did finish framing a commission while I am waiting for THREE past-due notifications. I need mindless busy. How do venues take our money and not notify on time? Why not just under-promise? Why not five themselves and extra week then surprise us all with an early notification? Of course, my imagination and insecurities ramp up to a 14 & I begin to assume that I haven’t gotten an email because I have been rejected, or,  that I was so bad that I didn’t warrant a response. When left with too much time to dwell on it, I start to become paranoid like an 1990s sitcom and wonder if my phone is working or if email is out-of-order. Ridiculous. So, soufflé, soup, smoothie & applesauce.  Noisy. Delicious. Busy. 

This next Call is screaming my name.  I’ve not been interested in a lot of galleries lately because I am looking to build a very specific profile for my resume.  I am trying to patiently wait for the academic & publicly funded shows I really want.  But I am digging this space.  There are a number of great art hot spots in New Mexico, like Satan Fe.  In fact, New Mexico is on my new short list of relocation possibilities.  This gallery supports a reassuringly diverse art aesthetic and range of media.  I like the unapologetic nature of this Call too.  I’m hoping to get my crap together & enter.  Let me know how it sounds to YOU.

Check out this Call for Entries from Keep Contemporary (Santa Fe, NM) for New Contemporary.  This is a great looking venue that also includes “….artists who have a limited voice in an otherwise conservative art market”.   I want to show here; how about you?

Learn more about the New Contemporary Call from Keep Contemporary in Santa Fe, NM!CALL for ENTRIES:
New Contemporary 
from Keep Contemporary

“We are looking for art that pushes the boundaries in a variety of genres including but not limited to: High Brow, Low Brow, Pop Surrealism, Hyperrealism, Graffiti Art, and Abstract Art.” –keepcontemporary.com

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to painting, printmaking, drawing, mixed media, digital, collage, sculpture, & photography.

DEADLINE:  January 14, 2019

NOTIFICATION:  January 28. 2019

ENTRY FEE: $40 up to 3, $5 ea. addl 

JUROR:  Jared Antonio-Justo Trujillo is an artist and the gallery director at Keep Contemporary.  He has curated exhibitions and public programming for a diverse set of art institutions across the US.    His work has been exhibited nationally and internationally  and is held in private and institutional collections. 

SALES:  The gallery will retain a 35% commission on all sales. 

For complete details, Read the Full Call!

Learn from Keep Contemporary in Santa Fe, NM!

CALL for ENTRIES: Portraits 2018

 

Learn more about the Portraits 2018 exhibit at Gallery 25N from art-competition.net!

chuh-chuh-chuh-CHIA

I’ve often spoken of my emotional eating & closeted love for junk food.  I occasionally comfort myself with the notion of artisinal junk food like lovingly, hand-made beautiful doughnuts.  But, truth be known, I have an ugly Totino’s habit.  I admitted here in writing once about 5 years ago, but as I push spinach salads and chia seed smoothies like a health food pimp, I like to believe that no one holds me accountable for my addiction to frozen pizza.  (You can find the complete ingredient list here, OMG, assuming I can convince you I only eat the cheese variety. *lying*)  I have faith in my better instincts, but I admittedly have worse ones too.

A lot of people have gut instincts about shows.  Some artists are completely turned off by the concept of online shows.  Some artists only want to show where they can hand-deliver work.  I try to evaluate opportunities based on how they fulfill MY current needs.  I don’t need resume fluff right now, so I am submitting to fewer shows and just trying to get the work DONE. I get asked about online galleries all the time, and whether or not they are scams.  The easy answer is “sometimes”.  You & I both need to submit work to shows that WORK for us.  So what are the pros to online shows?  I like them as a great way to test new, experimental work.  they help me see how I stack up against other work in a more objective atmosphere than the bubble of my already engaged fan and peer base.  Online shows can drive traffic to your website and give you organic social media posts.  Online exhibits can force you to create themed work that gets you out of rut or unstuck.  Depending upon the venue, they can help you reach a different audience.  And, there’s the prize money. Is this opportunity right for you?  Only you can know.  I have faith in your better instincts.

Check out this Call for Entries from Art-Competition.net for Portraits 2018. $25 entry & no shipping.  The theme is open to broader interpretation than you might think, and you know you want the $500 grant.  Take a look…

Learn more about the Portraits 2018 exhibit at Gallery 25N from art-competition.net!CALL for ENTRIES:
Portraits 2018
from Art-competition.net

ELIGIBILITY: All artists age 18+ (int’l)

MEDIA:   Open to still media, including painting, drawing, photography, sculpture, digital art, printmaking, fiber art, collage, etc.

THEME: Portraits “The curators are looking for a portrait showing the inner essence of the subject or a flattering representation, not just a literal likeness.” –art-competition.net

DEADLINE:  December 10, 2018

NOTIFICATION: December 20, 2018

ENTRY FEE: $25 for up to 3, $5 ea. add’l

AWARDS:  20 artists will be selected for an online group exhibit, “PORTRAITS 2018” at Gallery25N; the exhibit and artists will be extensively marketed worldwide to over 26,000 people including art buyers, gallery owners, curators, collectors, etc.  One artist will be selected to receive the “Christopher E. Burke Fine Art Grant of $500. That artist’s work will become the image of the exhibition and will be used on the invitation, video title screen and on all online marketing.

For complete details, Read the Full Call!

Learn more from art-competition.net!