CALL for ENTRIES: Unique Abstractions

Posted on May 5, 2019February 19, 2020 by R.L. Gibson

abstractly DRINKING SPEAKING

The notion of eating healthy is an abstract one. Even putting ethical concerns aside, there are health benefits (and disadvantages) to embracing vegetarianism, veganism and even raw diets. Sugar is the devil, but artificial sweetners are differently malicious. An excessively fatty diet can lead to heart disease but when coupled with an near absence of carbohydrates puts the body in ketosis that effectively treats diabetes in many. Chocolate and red wine and coffee and kale, all abstractions of a healthy diet.

In art, abstraction takes a lot of forms. At it’s broadest, abstraction is work that is non-representational. But, that begs the question, non-representational of what? From that we get non-figurative & non-linear styles that are often included in surrealism, dadaism, cubism, fauvism, suprematism, art informel, neo-plasticism, de stijl & others. This next Call wants to see all of your abstract creations. My heart lies with abstraction, although I find reactions to it frustrating. What’s your experience? Are you insulated enough not to hear the voices of those that would dismiss the non-representational? My mantra is ‘process not product’. Excerise your muscle memory. Lose yourself in process. It works for me. What works for you?

Check out this Call for Entries from the Las Laguna Gallery (Laguna Beach, CA) for Unique Abstractions, a show of abstract work in a wide range of media. $35 entry & 35% commission. Don’t miss this opportunity…

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CALL for ENTRIES:
Unique Abstractions
from Las Laguna Gallery

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ELIGIBILITY: Open to all artists

THEME: Abstraction. “True abstract art not only utilizes flexibility and freedom; it also employs bold uses of color, line, pattern, form, process and composition.” — laslagunagallery.com

MEDIA: Open to acrylic, airbrush, assemblage, charcoal, color pencil, collage, digital art, drawings, encaustic, fiber art, araphite, illustration, mixed media, new media, oil, painting, pastel, photography & watercolor.

DEADLINE: June 7, 2019

NOTIFICATION: June 12, 2019. If accepted, delivery of work is June 26th to July 2nd.

ENTRY FEE: $35 for up to 3

SALES: The gallery will retain 35% commission on all sales.

For complete details, Read the Full Call!

CALL for ENTRIES: Meltdown

Posted on April 12, 2019April 13, 2019 by R.L. Gibson

lost in TRANSLATION

It is no secret that I’m a little, well, let’s call it cheese “focused”. But we all have our priorities. After being seperated by an ocean for 4 weeks, my husband and I stopped by a local dairy farm less than 24 hours after reunited… to buy cheese. Priorities. Cheese glorious cheese. A few days later, I made summer squash au gratin also known as “squash makes all the melted cheese a legitimate choice”, au gratin for short. Melted cheese means I’m home, ha. Think of it as my oven’s welcome mat. It is the best kind of meltdown.

I have been known to indulge in an epic meltdown of a personal nature on occasion. The last U.S. presidential election put me in an ugly place for weeks. Every insuing attack on civil rights, environmental regulations, access to health insurance & the ability to govern the workings of my own body have warranted their own meltdowns. My work has changed. My life has changed. I worry about becoming numb to the suffering of others, to the loss of agency, to the restrictions on the ability to speak freely. Where is this planet’s population headed? While I was in Scotland recently, I was regularly engaged by locals about American politics. People want to understand what is going on in the United States. I couldn’t explain. I can’t explain. So, I just keep working. Right now, THAT is what I can do.

This next Call in interested wants to see how your work reflects a sense of meltdown, whatever your interpretation. What do you have to say? Could this be the place for you to say it? Check out this Call for Entries from Slow Art Productions for Meltdown at the Limner Gallery (Hudson, NY). $35 entry, 35% commission, open to all media and all artists. Take a look…

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CALL for ENTRIES:
Meltdown
at the Limner Gallery

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This exhibition will be held June 14 – July 13, 2019.

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media forms

THEME: “We are living in an age of global crisis – of catastrophic MELTDOWN, a crisis the proportions of which, sadly, needs no description. Historically artists have foreseen, described and been inspired by crisis. The subject of this exhibition is every aspect of the MELTDOWN crisis, be it global, personal, environmental, financial, psychological, scientific and/or spiritual.” — Limner Gallery

DEADLINE: April 30, 2019

NOTIFICATION: May 31, 2019

ENTRY FEE: $35 for up to 4, $5 ea. add’l

SALES: SlowArt Productions will retain 35% commission on sales. Prices set by the artist.

For complete details, Read the Full Call!

CALL for ENTRIES: On the Easel Magazine

Posted on March 18, 2019March 17, 2019 by R.L. Gibson

don’t paint with FISH SAUCE

Every week I manage to make a handful of Insta-worthy, perfectly staged lunches & dinners, completely by accident. More often, I conjure tasty dishes that are weirdly, mostly shades of brown due to carmelization, excessive de-glazing and a love for soy, fish, Worchestershire & all other sauces, brown & salty. As you might imagine, the brown food pics, outside of coffee & walnuts, aren’t really winners on social media, ha. My work is not brown or salty, but similar & not…

A few times per week I manage to pull off a perfectly Insta-worthy image of my work in progress –always at an off-kilter angle with short focus to blur unresolved issues and just the right light to allow a contrast-y filter to make me look like a rock star. It is deceptive and born out of equal measure of insecurity and social media pressure to look like I always have everything effortlessly under control. I have guilt, but not. I don’t like feeding into the notion that studio life needs to be glamourous, but I also don’t like exposing my vulnerability underbelly to nameless, faceless critics. Then enters this Call. As you might imagine, I read A LOT of Calls, and I like options for art publication. But THIS call is different. This call wants to see the mess. Finally, there is an option to show studio life, work-in-progress specifically. I think that this is the kind of aspirational we can feel good about –always real, likely messy & unresolved. Seeing yourself represented as an artist is important. This Call is the brainchild of one of our previously Featured Artists, Robyn Thompson. It is a project of her course work while working toward her Master of Arts in Social Practice, making this a great opportunity to lift up ourselves AND one of our very own.

Check out this Call for Entries from On the Easel Magazine (digital/print) for Works In Progress. No entry fee for this aspirational call for work in progress. There are no cash awards, but this Call is all pros, no cons for me. Take a look, and please contact me personally if you have concerns…

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CALL for ENTRIES:
Work in Progress
from On the Easel Mag

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“On The Easel (OTE), a new hybrid digital/paper magazine is seeking submissions of works in progress. We want to see the mess. We want to show the struggles.”

ELIGIBILITY: Open to all artists

MEDIA: Open to all media. Despite the name, this Call is not restricted to painting. They “want to show work during its awkward teen years in the hopes that it will inspire folks to push through to bring it to fruition.”

DEADLINE: Rolling. April 15, 2019 or until all spots have been filled.

NOTIFICATION: 1 week post submission.

ENTRY FEE: None

EDITOR: Robyn Thompson, visual artist who is working toward her M.A. in Social Practice program at the University of the Highlands and the Islands. This project is a part of Thompson’s course work. Your participation would be appreciated.

AWARD: Each page will include a full page image of your work in progress or a detail from it. We welcome submissions of either. Your name, links to your work and a paragraph about your process will also be included. The publication will be available for free online and you will be able to order print copies at cost if you wish.

For complete details, Read the Full Call!

CALL for ENTRIES: 47th Int’l Show

Posted on January 21, 2019January 19, 2019 by R.L. Gibson

focused and FARE

I cheated on my husband with shrimp tacos. He’s contact allergic to shellfish, and on the rare occasion I eat a meal without him, my radar is firmly set on shrimp. I feel guilty while eating them, like I’ve cheated, and then have to go through a hazmat-style sterilization process afterward. But, shrimp.

I had that shrimp-y luncheon with my a friend, an accomplished realist painter. We spent time talking about our plans for the next weeks and months. She paints prolifically and noted, “I haven’t even been looking at Calls because I can’t do anything until Fall”. Between work for galleries that represent her, a couple of invitational shows and a museum solo show that comes down this week, she can’t lose focus. Realizing that kind of focus has been my goal for months, and I am beginning to see results, but it requires tuning out the things that don’t serve my focused goal.

Are museum shows a part of your current plan? If yes, check out this Call for Entries from Brownsville Museum of Fine Art (Brownsville, TX) for 47th International Art Show. $45 entry & 30% commission, plus $3300 in cash awards. Both jurors’ work is well documented, so do your homework!

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CALL for ENTRIES:
47th Int’l Art Show
from Brownsville Museum of Fine Art

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to painting, drawing, water media, mixed media, printmaking, 3D sculpture, photography & digital media.

DEADLINE: February 20, 2019 (midnight CENTRAL time)

NOTIFICATION: February 26, 2019

ENTRY FEE: $45 up to 3, $5 ea. addl

JURORS: Joe Harjo, visual artist, MFA from the University of Texas San Antonio, and Professor of Photography at Southwest School of Art, San Antonio, TX. Mauricio Saenz, visual artist and filmmaker, MA in Artistic Production from Polytechnic University of Valencia, Spain.

AWARD: Best of Show $1000; Clara Ely Award $250 (limited to oil & acrylic), and Octavia Arneson Award $250 (limited to water media), Mayor’s Award: Commemorative Plate, First Place (in each of 8 categories) $150, 2nd Place (in each of 8 categories) $50, 3rd Place (in each of 8 categories) $25 and Honorable Mentions receive ribbons.

SALES: All art must be for sale and the BMFA will require 30% commission for any sale that was a direct result of the exhibition.

For complete details, Read the Full Call!

CALL for ENTRIES: Saturated

Posted on January 6, 2019January 6, 2019 by R.L. Gibson

oh, KALE no!

Somebody help me love kale. I want to love love kale (in some other manner than deep fried kale chips, ha)., but I just don’t. If I’m gonna eat a leafy green, I’m gonna choose spinach every time. Give me arugula or chard. Meanwhile, organic kale was 99¢ a pound this week. It is a gorgeous color though. I’ve been toying with making my own watercolors. Maybe THAT is how I learn to love kale.

For years I worked in black and white, and I loved the big, bold graphic nature of that work. But, color. Color has turned my work around. I fell so in love with color that I changed media after TWENTY years. Like any grade schooler, I get that yellow + blue = green. But, when you find the right gambogue hue & add just a touch of thalo blue, you get to watch them bloom into a gorgeous shade of peacock. This newly found watercolor magic gives power & voice to what I tried to represent literally with typography and b&w symbolism for all those years.

I’ve tried to be more transparent over the past weeks about my own “which” & “why” & “what” questions because I am hoping my answers will help you formulate your own questions and discover your own answers. The Barrett Arts Center is a “yes” for me. Beautiful venue, great jurors, superb curatorial history, excellent resume builder. I have been working on a piece for months that would be the perfect piece to enter. If I can just keep myself on track to finish, I am entering this one. Do you have color you want to strut out like a proud peacock? Then THIS is a great call.

Check out this Call for Entries from Barrett Art Center (Poughkeepsie, NY) for Saturated: An Eye for Color. $45 entry fee & 30% commission. Plus, this juror has a well-documented history. Take a look…

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CALL for ENTRIES:
Saturated: An Eye for Color
from Barrett Art Center

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ELIGIBILITY: Open to all U.S. artists 18+

MEDIA: Open to drawing, painting, pastel, printmaking, photography, sculpture, fiber, mixed-media, new media & installation

THEME: Color. “Barrett Art Center seeks artworks in which color is the primary instrument of expression for this national juried exhibition to be held April 6 through May 18, 2019. The French painter Eugene Delacroix said, ‘I can paint you the skin of Venus with mud, provided you let me surround it as I will’. Delacroix was referring to the power of color dynamics. This call for works is looking for submissions in which which color plays a transformative role.”

DEADLINE: January 19, 2019

NOTIFICATION: by February 2, 2019

ENTRY FEE: $45 for up to 3, $5 ea. add’l ($35 for members)

JUROR: Michael Rooks joined the High Museum of Art as Wieland Family Curator of Modern and Contemporary Art in January 2010. Besides his responsibilities at the High, Rooks was appointed Commissioner and co-curator of the U.S. Pavilion at the 12th International Architecture Exhibition, La Biennale di Venezia in 2010 and is a member of ActArt, the President’s committee for contemporary art and social action. Prior to joining the High Museum, Mr. Rooks held curator positions at the Museum of Contemporary Art Chicago, The Contemporary Museum Honolulu, and the Honolulu Academy of Arts. At Chicago’s Museum of Contemporary Art, Rooks curated several group exhibitions and solo projects in addition to survey exhibitions of work by Roy Lichtenstein (1999) and H. C. Westermann (2001) for which he co-authored Westermann’s catalogue rasionné.

AWARDS: $825 in cash prizes –$500 Juror’s Prize, $200 2nd Prize, $125 Honorable Mention.

SALES: Barrett Art Center will retain a 30% commission for sales (20% for members).

For complete details, Read the Full Call!

CALL for ENTRIES: Women Artists

Posted on December 29, 2018January 6, 2019 by R.L. Gibson

COLD complication

As winter approaches, I am more & more distracted. I buy a handful of pantry items for single recipes. For example, I use canned cream-style corn in one indulgent corn pudding recipe and buttermilk only in cornbread. But, the problem arises because they look like similar items in the cupboard –anything canned or my regular milk. You only have to put buttermilk on one bowl of cereal to not want to make that mistake again. My solution? Organization. A simple letter or two scrawled on the container top has stopped me from wasting time and food over and over again.

In the studio, I am always walking the line between organized and over-planned. My instincts run toward scheduling, pre-planning, color-coding and efficiency. But, I also know that when I over plan, I have guilt when I stray from my original design that sometime keeps me on a path (that often isn’t really working) longer than I should. But if I don’t schedule at all, I end up procrastinating, the stereotypical downfall of beret-wearing artists in movies everywhere. This next Call is a perfect example. I love this publication. It is gorgeous. The art is phenomenal. Even their Insta feed is fun and inspiring. I keep thinking that the right work to submit will speak to me. As a result, here we are a year or two later, I’ve managed not to enter yet. So, let’s make a plan, be organized; enter early…

Check out this Call for Entries from Create! Magazine (print publication) for the Women Artists March Edition. $30 entry for this gorgeous magazine. Don’t miss this chance…

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CALL for ENTRIES:
March Women Artist Edition
of Create! Magazine

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ELIGIBILITY: Open to all women artists. “We are passionate about highlighting work by contemporary female (identifying as female) creatives and are dedicating the entire march edition to this group.” –Create! Magazine

MEDIA: Open to all media, i.e.: painting, sculpture, digital, printmaking, fiber, mixed media, photography, installation & more.

DEADLINE: January 27, 2019

NOTIFICATION: December 20, 2018

ENTRY FEE: $30 for up to 3, $35 for 5, $40 for 10. *There is also an optional $20 for online review, if selected by curator.

JURORS: Ekaterina Popova Artist, Curator, Podcaster, Editor and Founder of Create! Magazine, Alicia Puig Curator, Art Historian and Director of Business Operations at Create! Magazine, Shelby McFadden Artist, Designer and Editor of Pikchur Magazine, & Christina Nafziger Arts Writer, Journalist and Gallery Assistant.

AWARDS: Artists selected by the guest juror will receive a 2-page spread including a brief bio, website, and 2 images in print and digital formats. Published artists will receive a complimentary digital issue and will be listed on Create! Magazine’s website/social media & will be listed with images, details and information on their website/social media for life. All featured artists will automatically be considered for any upcoming curatorial projects & exhibitions organized by the Create! team.

SALES: The March 2019 Edition will be available online, in global retail locations in London, New York, Amsterdam, Stockholm, Wilmington (DE), Philadelphia & more.

For complete details, Read the Full Call!

CALL for ENTRIES: New Contemporary

Posted on December 15, 2018December 16, 2018 by R.L. Gibson

real SMOOTH

I have pureed everything today. I made black bean soufflé early in the day to go with the slaw-topped taco my husband made later. I cooked & pureed extra beans to put up in the freezer as a soup base for next week. Lunch was delivery pizza. Our mid-afternoon snack was a mango-peach-guava-banana smoothie. While my husband made apple-pepper slaw for our tacos, I processed a half-bushel of apples for applesauce. I have washed my food processor four times today. (Just a reminder, no dishwasher in my house.) I am trying to keep busy.

I mean, I did finish framing a commission while I am waiting for THREE past-due notifications. I need mindless busy. How do venues take our money and not notify on time? Why not just under-promise? Why not five themselves and extra week then surprise us all with an early notification? Of course, my imagination and insecurities ramp up to a 14 & I begin to assume that I haven’t gotten an email because I have been rejected, or, that I was so bad that I didn’t warrant a response. When left with too much time to dwell on it, I start to become paranoid like an 1990s sitcom and wonder if my phone is working or if email is out-of-order. Ridiculous. So, soufflé, soup, smoothie & applesauce. Noisy. Delicious. Busy.

This next Call is screaming my name. I’ve not been interested in a lot of galleries lately because I am looking to build a very specific profile for my resume. I am trying to patiently wait for the academic & publicly funded shows I really want. But I am digging this space. There are a number of great art hot spots in New Mexico, like Satan Fe. In fact, New Mexico is on my new short list of relocation possibilities. This gallery supports a reassuringly diverse art aesthetic and range of media. I like the unapologetic nature of this Call too. I’m hoping to get my crap together & enter. Let me know how it sounds to YOU.

Check out this Call for Entries from Keep Contemporary (Santa Fe, NM) for New Contemporary. This is a great looking venue that also includes “….artists who have a limited voice in an otherwise conservative art market”. I want to show here; how about you?

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CALL for ENTRIES:
New Contemporary
from Keep Contemporary

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“We are looking for art that pushes the boundaries in a variety of genres including but not limited to: High Brow, Low Brow, Pop Surrealism, Hyperrealism, Graffiti Art, and Abstract Art.” –keepcontemporary.com

ELIGIBILITY: Open to all artists 18+

MEDIA: Open to painting, printmaking, drawing, mixed media, digital, collage, sculpture, & photography.

DEADLINE: January 14, 2019

NOTIFICATION: January 28. 2019

ENTRY FEE: $40 up to 3, $5 ea. addl

JUROR: Jared Antonio-Justo Trujillo is an artist and the gallery director at Keep Contemporary. He has curated exhibitions and public programming for a diverse set of art institutions across the US. His work has been exhibited nationally and internationally and is held in private and institutional collections.

SALES: The gallery will retain a 35% commission on all sales.

For complete details, Read the Full Call!

CALL for ENTRIES: Art Olympia 2019

Posted on November 19, 2018November 14, 2018 by R.L. Gibson

wholly MINE

I’ve spent a lifetime drinking 2% & skim milk without concern to its origin, only the expiration date. As the world has become more conscious of what we put in our bodies, I continued to drink lower fat options from dairies employing more healthful methods of production. But even those varieties are often too sweet and are ineffective in adding flavor and consistency to my cooking. I have finally given into the value of organic, whole milk products. Value-driven shopping isn’t always the cheapest route. This next Call costs more to enter than some others, but it offers HUGE cash award options. Is this the right value for you? Only you can decide.

Check out this Call for Entries from Art Olympia (Japan) for International Open Art Competition. $60 Entry. $120K cash award for first place plus a full range of additional cash awards from $500 to $30,000. Interested?

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CALL for ENTRIES:
Int’l Open Art Competition
from Art Olympia

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to 2D work including oil, acrylic, watercolor, pastel, mineral pigments, print, charcoal, digital/multimedia art, mixed media, photography, etc. (Calligraphy, video, sculpture, and group/collaboration works are not accepted.)

DEADLINE: March 15, 2019

NOTIFICATION: June 2019

ENTRY FEE: $60 for 1, $100 for 2, $140 for 3. (Student fees: $40 for 1, $70 for 2, $100 for 3.)

JUROR: At the primary screening, a panel of five (5) jurors will evaluate the works as digital images in March 2019. Ten (10) jurors will conduct the final review by evaluating the actual works in Tokyo in June 2019. In order to have a fair competition, all artworks will be judged without disclosing the name of the artists. Art Olympia also adopts a clear point system for their judging. Click HERE for a complete list of jurors. (Remember, research your jurors.)

AWARD: Approximately 160 artworks (80 from Japan and 80 worldwide) will be selected and undergo a final review in Tokyo by a panel of esteemed judges invited from around the world. In addition, 1,000 artists will be honored. The first place winner will receive $120,000. Add’l cash awards range from $500 to $30,000. 1,000 artists will be featured on the Art Olympia website as well as art magazines.

For complete details, Read the Full Call!

CALL for ENTRIES: Art of Darkness

Posted on October 7, 2018October 7, 2018 by R.L. Gibson

BITE me

The darker my mood, the darker the chocolate needs to be. The past few days have given me many reasons to eat emotionally, none of them good, but I cannot seem to find a chocolate with a bite dark enough match my roar. I’m going to have to make art instead, clearly. This next Call wants your darkest art. Send them your best…

Check out this Call for Entries from Soulard Gallery (St. Louis, MO) for Art of Darkness. Don’t miss the early bird deadline to save on entry fees. This is a great venue…

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CALL for ENTRIES:
Art of Darkness
from Soulard Gallery

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media

THEME: Darkness — “work that is creepy, macabre morbid, surreal, unnerving, weird, ghastly, grotesque, hideous, grim, eerie, spook, gothic, sinister or disturbing.” — Soulard Art Gallery

DEADLINE: October 14, 2018 at 5pm

NOTIFICATION: October 15, 2018

ENTRY FEE: No fee to submit (up to 3); however, there is a $30 “operational cost” fee.

AWARD: Awards of Excellence & Merit will be awarded by guest judge, St. Louis artist Cindy Royal.

SALES: No commission taken by the gallery.

For complete details, Read the Full Call!

CALL for ENTRIES: Moment in Time 2018

Posted on October 6, 2018October 7, 2018 by R.L. Gibson

the PLATE truth

Where are the beautifully plated foods? I have been home from my residency for 3 days, and I miss my housemates, my studio, the time to focus solely on creation, and honestly, I miss the sauce swirls and flower garnishes on every meal. So bratty, I know. Even the goulash was stunning. Fear not, I’ll publish the Call for that residency another day. In the meantime, here’s a Call for your best still life work. Investigate…

Check out this Call for Entries from Art-Competition.net for Moment in Time 2018 & the Christopher E. Burke Fine Art Grant. $25 entry & no shipping. Remember that “still life” need only be life that is still, no basket of fruit required. And, one artist now receives a $500 grant. Take a look…

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CALL for ENTRIES:
Moment in Time 2018
from Art-competition.net

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ELIGIBILITY: All artists age 18+ (int’l)

MEDIA: Open to work in any medium including digital and experimental mediums

THEME: STILL LIFE “can be a very personal view of an artist’s daily life. . . . The magic of still life imagery is that they [sic] can show us a new way of looking at the ordinary objects around us. Once they are placed into a specific arrangement and then captured in paint, ink, pastel, photography or any other medium – the objects take on a whole new meaning. They are imbued with a life beyond the ordinary. Their existence becomes recorded in time. The objects chosen for a still life painting often have a special meaning, either on a personal, cultural, societal, religious or philosophical level. The themes surrounding the artwork often provoke introspection and reflection in the viewer. The way that the objects are depicted can evoke a wide variety of emotions“. –art-competition.net

DEADLINE: October 15, 2018

NOTIFICATION: October 20, 2018

ENTRY FEE: $25 for up to 3, $5 ea. add’l

AWARDS: 20 artists will be selected for an online group exhibit, “MOMENT IN TIME 2018” at Gallery25N; the exhibit and artists will be extensively marketed worldwide to over 26,000 people including art buyers, gallery owners, curators, collectors, etc. One artist will be selected to receive the “Christopher E. Burke Fine Art Grant“ of $500. That artist’s work will become the image of the exhibition and will be used on the invitation, video title screen and on all online marketing.

Tag: Mixed Media

abstractly DRINKING SPEAKING

CALL for ENTRIES: Unique Abstractions from Las Laguna Gallery

For complete details, Read the Full Call!

lost in TRANSLATION

CALL for ENTRIES: Meltdown at the Limner Gallery

For complete details, Read the Full Call!

don’t paint with FISH SAUCE

CALL for ENTRIES: Work in Progress from On the Easel Mag

For complete details, Read the Full Call!

focused and FARE

CALL for ENTRIES: 47th Int’l Art Show from Brownsville Museum of Fine Art

For complete details, Read the Full Call!

oh, KALE no!

CALL for ENTRIES: Saturated: An Eye for Color from Barrett Art Center

For complete details, Read the Full Call!

COLD complication

CALL for ENTRIES: March Women Artist Edition of Create! Magazine

For complete details, Read the Full Call!

real SMOOTH

CALL for ENTRIES: New Contemporary from Keep Contemporary

For complete details, Read the Full Call!

wholly MINE

CALL for ENTRIES: Int’l Open Art Competition from Art Olympia

For complete details, Read the Full Call!

BITE me

CALL for ENTRIES: Art of Darkness from Soulard Gallery

For complete details, Read the Full Call!

the PLATE truth

CALL for ENTRIES: Moment in Time 2018 from Art-competition.net

For complete details, Read the Full Call!

CALL for ENTRIES:
Unique Abstractions
from Las Laguna Gallery

CALL for ENTRIES:
Meltdown
at the Limner Gallery

CALL for ENTRIES:
Work in Progress
from On the Easel Mag

CALL for ENTRIES:
47th Int’l Art Show
from Brownsville Museum of Fine Art

CALL for ENTRIES:
Saturated: An Eye for Color
from Barrett Art Center

CALL for ENTRIES:
March Women Artist Edition
of Create! Magazine

CALL for ENTRIES:
New Contemporary
from Keep Contemporary

CALL for ENTRIES:
Int’l Open Art Competition
from Art Olympia

CALL for ENTRIES:
Art of Darkness
from Soulard Gallery

CALL for ENTRIES:
Moment in Time 2018
from Art-competition.net