CALL for ENTRIES: Works on Paper

Posted on April 13, 2016May 15, 2016 by R.L. Gibson

LEFTOVERS rock

We intentionally create leftovers by overcooking dinner so that we have a few easy options for lunch on hand. But, left over veggies that didn’t get fully used in salads or stir frys become the best fillings for spring rolls. We’re a little addicted. Have I mentioned that rice paper is my newest obsession? As much as I appreciate their function, I’ll admit that how little room they take up in the pantry and the fact that they seemingly never expire may very well make them the perfect bread replacement. Yum. This next call wants your paper, but it doesn’t have to be rice paper…

Check out this Call for Entries from LBIF (Beach Haven, NJ) for their 18th Annual Juried: Works on Paper. $35 Entry, cash awards & the juror is fantastic. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Works on Paper, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Works on Paper fm LBIF

ELIGIBILITY: Open to U.S. artists 18+

MEDIA: Works on paper can include, but are not limited to: drawing, painting on paper, hand-pulled prints, photography, digital pieces displayed as prints, photographic prints & paper construction that are wall hung.

DEADLINE: May 19, 2016

NOTIFICATION: May 31, 2016

ENTRY FEE: $35 for up to 3

JUROR: Carter E. Foster is the Curator of Drawing at the Whitney Museum of American Art in New York City. In a museum career spanning 20+ years, Foster has specialized in the history of drawing & continuities of artistic practice in Europe & America from the Renaissance to the present. He has held curatorial positions at the Philadelphia Museum of Art, the Cleveland Museum of Art, the L.A. County Museum of Art, & Whitney Museum of American Art, where he is currently the Curator of Drawing. A specialist on the work of Edward Hopper, he recently organized the exhibition Hopper Drawing. Foster also writes extensively on post-war and contemporary American art.

SALES: All work must be for sale. The Long Beach Island Foundation of the Arts & Sciences will retain a 40% commission of the purchase price on all works sold during the exhibition.

AWARDS: Cash Awards will be announced at the reception $500 1st prize, $250 2nd prize, $100 3rd prize + 2 honorable mentions

For complete details, Read the Full Call!

CALL for ENTRIES: Digital Works

Posted on March 19, 2012 by R.L. Gibson

THE
JUICE of it ALL

I have moved to a house with more cabinets space. This means trouble for my kitchen gadget budget. Typically, I stick to simple kitchen utensils; even my can opener is manual. However, I am giving up diet Coke, and I am seriously contemplating a juicer. Okay, it isn’t exactly a high-tech purchase, but you say potato, I say pa-tah-to. This next call will require use of slightly more advanced technology that a juicer. Take a look…

Check out this Call for Entries for the 2012 National Juried Competition featuring Digital Works from the Long Beach Island foundation of the Arts and Sciences (LBIF). As you may be aware, shows for digital work can be hard to find. So, don’t miss this opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Digital Works, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Digital Works

ELIGIBILITY: All emerging and established artists residing in the US.

MEDIA: The purpose of the exhibition is to showcase works created through digital processes, display distinctive characteristics of the digital, and reflect on the language and aesthetics of digital media (such as new forms of image creation and manipulation, connectivity, or participatory and generative qualities). Submissions may include all forms of digital media, such as digital prints and photography, sculpture, video, software art, online and mobile projects etc.

DEADLINE:
Postmarked by April 7, 2012

NOTIFICATION:
May 5, 2012

ENTRY FEE:
$35.00 for up to four submissions.

Fee will be received in U.S funds only, payable by check, money order, or credit card to LBIF. All fees are NON-REFUNDABLE.

JUROR: Christiane Paul is the Director of the Media Studies Graduate Programs and Associate Prof. of Media Studies at The New School, NY, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art.

She has written extensively on new media arts and lectured internationally on art and technology.

An expanded new edition of her book, Digital Art was published in spring 2008 and her edited anthology, New Media in the White Cube and Beyond – Curatorial Models for Digital Art, was published by UC Press in December 2008.

At the Whitney Museum, she curated the shows “Profiling” (2007) and “Data Dynamics” (2001); the net art selection for the 2002 Whitney Biennial; the online exhibition “CODeDOC” for artport, the Whitney Museum’s online portal to Internet art for which she is responsible; as well as “Follow Through” by Scott Paterson and Jennifer Crowe (2005).

AWARDS: Best in Show $1000, 2nd Place $500, 3rd Place $200, and Two Honorable Mentions $100 ea.

SALES: The LBIF takes 33% commission on all sales.

For complete details, Download the Prospectus!

Call for Entries: Small Works Exhibition

Posted on October 17, 2011October 4, 2015 by R.L. Gibson

DIVE-EN

Why is it that small foods seem more fragile and light? They aren’t, necessarily. Carrots are hearty root vegetables that are a staple of winter favorites like chicken noodle soup and beef stew. However, slice them thin and ring a head of belgian endive, and I suddenly feel like I’m having delicate French food. Size matters. This next call for small works would be confirmation of that theory. Take a look…

Check out this Call for Entries for the Small Works Exhibition from the Long Beach Island Foundation of the Arts and Sciences (Long Beach Island, NJ). The entry fee is only $20. Favorite about small works? Cheap shipping. Don’t miss out on this opportunity to shine…

*Editor’s Note: If you read the personal portion of the post CALL for ENTRIES: Small Works Exhibition anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES: Small Works Exhibition

The Long Beach Island Foundation of the Arts & Sciences encourages emerging artists & established artists to participate in the Small Works Exhibition. The purpose of the exhibition is to showcase small works that reflect personal vision.

ELIGIBILITY: Open to U.S. Residents only, 18 years and older.

MEDIA: 2-D work max size 12” x 12” sq. 3-D work max size 8” x 8” x 8”.

DEADLINE: November 1, 2011

ENTRY FEE: There is an entry fee of $20.00 for up to four works. Works in series count as separate works if they take up more than 12” x 12” square. U.S funds only, payable by check, money order or credit card (MasterCard or Visa only). All fees are NON-REFUNDABLE.

JUROR: Michael Cagno – Executive Director of the Noyes Museum of Art in Oceanville, NJ. Michael recieved his BFA from Rowan University and Masters in Museum Management from Seton Hall University. He is also currently an adjunct professor at the Richard Stockton College of NJ.

AWARDS: Cash awards will be announced at the exhibition’s opening reception: Best in Show – $250, Second Place – $100, Honorable Mention (2) – $25. Note: Artists who win a prize and are not in attendance of the opening reception will receive their check by mail.

SALES: A commission of 33 1/3% to the Long Beach Island Foundation of the Arts and Sciences is required. The artist’s retail price should reflect this commission. All works must be priced accordingly or marked NOT FOR SALE (NFS).

For complete details, Download the Prospectus!

CALL for ENTRIES: Digital Works

Posted on December 27, 2010 by R.L. Gibson

THE
“CUBIST”
EGG

I live a fairly rural existence, but no one loves technology more than me. Kitchen technology is even better. CUTE technology is the best. Check out this not-so-tech-savvy egg cuber at Amazon. I am fascinated by technology and art too. I love new media. iPhone pics, digital drawings and more. This next Call give you an opportunity to let your pixels shine.

Check out this Call for Entries for the 2011 National Juried Competition featuring Digital Works from the Long Beach Island foundation of the Arts and Sciences (LBIF). Browse, enjoy and enter…

CALL for ENTRIES:
Digital Works

The Long Beach Island Foundation of the Arts and Sciences (LBIF) encourages emerging artists as well as those with established reputations to participate in the National Juried Competiton. The purpose of the exhibition is to showcase works created through digital processes that reflect artistic merit, sophisticated use of media, and personal vision. Work may include any digitally produced presentations. All entries must be original and must have been executed since 2008.

ENTRY FEE: There is an entry fee of $35.00 for up to four submissions. Fee will be received in U.S funds only, payable by check, money order, or credit card (MasterCard or Visa only) payable to LBIF. All fees are NON-REFUNDABLE.

DEADLINE:
Postmarked by March 18, 2011

NOTIFICATION:
May 6, 2011

IMAGES: Entries will be juried from digital files on CD or DVD (these will not be returned). Up to four (4) digital files (images must be in .jpg format not smaller than 1280×1024 and not larger than 4MB per image) may be submitted. Images should be labeled as follows: Last_First_Number on entry form_Title of Work (Example: Doe_John_1_Untitled). Audio & video files should not exceed 10 min or 20MB each. Label CD or DVD with artist’s first & last name.

AWARDS: Best in Show $1000, 2nd Place $500, 3rd Place $200, and Two Honorable Mentions $100 ea.

JUROR: Christiane Paul is the Director of the Media Studies Graduate Programs and Associate Prof. of Media Studies at The New School, NY, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art. She has written extensively on new media arts and lectured internationally on art and technology.

An expanded new edition of her book, Digital Art was published in spring 2008 and her edited anthology, New Media in the White Cube and Beyond – Curatorial Models for Digital Art, was published by UC Press in December 2008.

At the Whitney Museum, she curated the shows “Profiling” (2007) and “Data Dynamics” (2001); the net art selection for the 2002 Whitney Biennial; the online exhibition “CODeDOC” for artport, the Whitney Museum’s online portal to Internet art for which she is responsible; as well as “Follow Through” by Scott Paterson and Jennifer Crowe (2005).

Tag: LBIF