Juried Photography Exhibit – Page 3 – Art and Art Deadlines.com

CALL for ENTRIES: 12 12 International

Posted on September 3, 2012September 3, 2012 by R.L. Gibson

CRAZY
’bout
SNAILS

There are a few things that I simply can’t feed my friends, in-laws, and co-workers. If I were to show up at a party with escargot, the rumors of my impending insanity would abound. In the art world, I have learned that I simply can’t show my work in an area where fine artisan crafts are what sells. Well, this next Call has a juror that I suspect you can’t freak out. Investigate for yourself…

Check out this Call for Entries for the 2012 International Photo Exhibition from the 12 12 Gallery (Richmond, VA). This juror is known for his own visually provocative work, and I know I have work I can’t show ANYWHERE that I plan to enter. How about you?

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 12 12 International, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
International Photo Exhibition

ELIGIBILITY: Artists around the world age 18+ may submit up to 3 images for consideration. Additional images may be submitted at an additional cost for up to a total of 5 works. Work previously exhibited at 12 12 Gallery is not eligible.

MEDIA: Any photographic process

DEADLINE: September 24, 2012

NOTIFICATION: October 5, 2012

ENTRY FEE: Each entrant will pay a non-refundable $25 (US) entry fee for 3 images. Additional images, at $5 (US) each, for up to 5 total images, may be submitted.

JUROR: Ignatius Widiapradja, Associate Professor of Art and Design, has been teaching at Drake University since 1985. He has taught studio courses in Painting, Drawing, 2 Dimensional Design, and Digital Photography and Editing.

Professor Widiapradja’s current creative works are primarily in painting and digital print. In his works, the articulation of images and spatial construction form a cohesive multidimensional reality that exhibits a state of constant flux.

It is the mapping of overlapping memories, future projections and multidimensional processes of awareness. In our memories, images, events, feelings, desire, and space happen simultaneously and are inseparable and intertwined. Riveting, provocative, and meticulously articulate in their design, Professor Widiapradja’s digital compositions combine artist-captured images that represent landscape, travel, nature, portrait, studio, commercial, and fine art photography.

His international aesthetic represents the majestic Himalayas, the peoples of Indonesia, Nepal, Bhutan, Buddhist temples, and much more; electronically sewn together to bring new perspective and juxtaposition to familiar objects of nature and human form.

AWARDS: Cash and prizes up to $1000 will be awarded solely at the discretion of the exhibition juror. Recognition of work by Professor Widiapradja may also be designated to the extent he deems appropriate. These designations may not include a cash prize. Also, 12 12 Gallery Director, Martin McFadden, will award a Director’s Choice Award.

SALES: All work must be for sale. 12 12 Gallery will receive a 35% commission.

For complete details, Download the Prospectus!

CALL for ENTRIES: The Unreal

Posted on September 2, 2012 by R.L. Gibson

PATTY pan CAKE

I just returned from my local apple orchard which also serves as a farmer’s market. I bought what you would expect: peaches, apples, tomatoes. But I also came home with patty pan squash. Some folks call them custard squash, and that should tell you how decadent they taste–out of this world, surreal, defying all logic. I have to admit that the fact that they are shaped like flying saucers doesn’t hurt their appeal either. This next Call is looking for your view of the unreal. Investigate further…

Check out this Call for Entries for The Unreal from the Kiernan Gallery (Lexington, Virginia). The entry is very reasonable, and the juror is well-documented. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: The Unreal, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
The Unreal

Our dreams combine the ordinary and the seemingly nonsensical, where rules of physics and logic do not apply. Artists exploring this realm depict remembered fantasies or create new ones from their waking imaginations. Their work is a distortion of reality, making everyday objects and environments alien and magical. In photography, optical illusions and modern digital tools have allowed artists to create new visual worlds that blur the line between the real and fantastic. For The Unreal, The Kiernan Gallery seeks images that explore the surreal and otherworldly.

ELIGIBILITY: Open to all artists

MEDIA: All photographic media are encouraged.

DEADLINE: September 18, 2012

NOTIFICATION: Artists will be notified of accepted work via email approximately eight days after the submission deadline.

ENTRY FEE: 5 for $25, each add’l $5

JUROR: Ken Rosenthal received a BA in still photography from the University of Southern California School of Cinema-Television, and an MFA from the School of the Art Institute of Chicago in 1993. His work is represented by KLOMPCHING Gallery, Etherton Gallery, Gerald Peters Gallery, Dolby Chadwick Gallery, and De Santos Gallery. Rosenthal’s photographs are in many public and private collections internationally including but not limited to Southwest and Mexican Photography Collection, which recently established a major collection of his work.

Since 2002 his work has been featured in more than 150 solo and group exhibitions internationally. Recent solo exhibitions have been held at the Griffin Museum of Photography, Centro Cultural Recoleta, El Cabildo de la Ciudad de Cordoba, Espacio Foto, Etherton Gallery, Wall Space Gallery, De Santos Gallery, and KLOMPCHING Gallery. Rosenthal’s first monograph, Ken Rosenthal: Photographs 2001-2009 was released in 2011.

AWARDS: For this exhibition, juror Ken Rosenthal will select up to 30 images for display in the main gallery, and up to an additional 40 to be included in the online gallery. All images will be reproduced in an exhibition catalogue available for purchase. A Juror’s Choice and Director’s Choice will also be announced.

SALES: Artists exhibiting at the gallery may offer their work for sale. The Kiernan Gallery retains 30% of the sale price as commission.

For complete details, Read the Full Call!

CALL for ENTRIES: Spontaneous

Posted on January 12, 2012 by R.L. Gibson

BEAM me
DOWN
an EGGLPLANT
please

I dislike the lack of spontaneity involved in home-cooking. I am fairly certain that I am not the only one that thinks Pastitsio (one of my favorite Greek dishes) is a weekends-only meal. What I really need is one of those Star Trek food replicators. Oops. Did I just unfurl my geek flag? Oh Well. At least we can count on this next show to be spontaneous. Investigate…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Spontaneous. The entry fee at Darkroom is always low ($20), and I love that they will provide free matting and framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
Spontaneous

Spontaneity is the hallmark for great documentary and street photography where the moments of life, often ironic, poignant, emotionally charged, tragic or absurd are frozen.

Photography provides the means to capture a moment but which moment makes all the difference. Well known masters include Henri Cartier-Bresson and W. Eugene Smith with recent discoveries such as Vivian Maier and Frank Oscar Larson adding to a long list of great photographers.

Many of the scenes captured by practitioners of this art, with the possible exception of war and extreme sports documentary, pass before us every day, but we do not see.

This exhibit is dedicated to those who strive to see, realize and then manifest vision and moment into an image so that we can all see what is right in front of us or inaccessible in some other way. Showing us the remarkable moments that make up the, often unconscious, Human Experience.

ELIGIBILITY:
Entrants must be at least 18 years old. If you are younger, you must have a parent or legal guardian make the submission for you.

MEDIA:
Photography.

DEADLINE: Feb 22, 2012

NOTIFICATION: Feb. 28, 2012

JUROR: Nikos Economopoulos began his photography career inn 1988 with a long-term project in Greece and Turkey. He photographed whatever he came across on his daily walks: street scenes, public gatherings, solitary meanderers, or deserted landscapes.

In 1990, Economopoulos’ photographs began to appear in newspapers and magazines worldwide. In the same year he started to take photographs in Albania, Bulgaria, Romania and the former Yugoslavia, investigating the territorial, ethnic and religious tensions of the region, as well as the endurance of traditional social and religious rites. This work earned him the Mother Jones Award in 1992.

Subsequent work includes lignite miners and the Muslim minority in Greece, people living along the Green Line dividing southern and northern Cyprus; illegal immigrants at the Greek-Albanian border; and young residents of Tokyo, mass emigration of ethnic Albanians fleeing Kosovo. He was given the Abdi Ipektsi Award for peace and friendship between Greece and Turkey in 2001.

Nikos has published ten books and his work is in the permanent collections of Centre Méditerranéen de la Photographie and the Benaki Museum. He organizes a series of photography workshops in locations in eastern Europe, Asia and Africa.

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

REMINDER: Monochromatic

Posted on January 6, 2012 by R.L. Gibson

LATER TATER

If you’re looking for a food goal for the year–swear off most things beige or brown. Let’s face it, we can all live with deep-fried-everything from potato chips to chicken, and all those tater, rice and white bread aren’t helping us either. I am not suggesting it will help you lose any extra pounds, but you might feel a little better. This next show is interested in the monochromatic issues as well. Investigate…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Monochromatic. The entry fee at Darkroom is always low ($20), and I love that they will provide free matting and framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
Monochromatic

“The term accessories has come to include a host of photographic gadgets of questionable value…“Ansel Adams, The Camera

“A good daguerreotype was as perfect a kind of photograph as was ever made.” Edward Steichen

These two masters enriched the history of photography by being some of the first to experiment with new technologies in a relatively new art medium. They were also traditionalists and truly embraced manual and old photography processes. The hundred and fifty photographers from Steichen’s world is millions today, and finding “as perfect a kind of photograph as was ever made” is no longer as simple.

Digital cameras and editing software have transformed the medium and opened up whole new worlds for the 21st century photographer. We have dozens of “apps” that help us tweak a digital image to “perfection” in minutes. A vast repertoire of image resources we look to for inspiration and meaning still brings us to the same point of reflection as photographers of the early 20th century: what is the art of photography?

Black and white photography, a genre that many would claim made them fall in love with image-making in the first place, has remained completely relevant and contemporary despite it’s ancient roots. It is timeless, sometimes soft, sometimes dramatic and brings new perspective to images and image making. Whether you are a darkroom purist or a Photoshop craftperson, show us your love for hue-less images. The Darkroom Galllery wants to see YOUR best black and white or alternative process images for an exhibit that will pay tribute to the origins of photography and praise it’s development.

ELIGIBILITY: Entrants must be at least 18 years old. If you are younger, you must have a parent or legal guardian make the submission for you.

MEDIA: Photography. Monochrome images from traditional silver black and whites to cyanotypes, sepia toned photographs and anything else in the color-less spectrum.

DEADLINE: Jan. 25, 2012

NOTIFICATION: Feb. 1, 2012

JUROR: Growing up in southern Poland, Rafal Maleszyk spent his childhood and early years in post-communist Poland. He first started exploring photography using a 35mm Kiev on his fourteenth birthday. Maleszyk’s photography is rooted in his interest in natural landscapes. For him, photography is the ultimate artistic form that captures one’s encounter or oneness with nature. His style focuses on simplifying and expressing with intimacy the perspectives in nature.

In 2009, he moved to the Oahu island of Hawaii, where he now works as a professional fine art black and white landscape photographer, specializing in large format prints series using a digital medium format Hasselblad camera. Maleszyk has received numerous awards for his work.

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

CALL for ENTRIES: Absence of Color

Posted on December 21, 2011December 17, 2011 by R.L. Gibson

CABBAGE,
not KRAUT

People tell me the wackiest food facts. I love hearing them, and I usually assume I am being told the truth. But, just to be certain, I always verify the facts if I can. Recently someone told me that the black and white cookie, that I alway think of as German in orgin, IS actually German, but it is called an Amerikaner. There has to be some cyclical humor in the fact that an American who thought she was a fan of German cookies is really only a fan of cookies that Germans refer to as American cookies. Funny. This next call is all about Black and White, too. Take a look…

Check out this Call for Entries for Black & White: Absence of Color from MPLS Photo Center (Minneapolis, MN). This is a great venue and a great juror. Don’t miss this opportunity!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Absence of Color, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Black & White: Absence of Color

The world’s first photographic images were made in shade of gray, black, and white, and the black and white photograph continues to be an important palette for photographers today. The beauty of a well-printed black and white photograph is undeniable—it is striking, unearthly, and can be life changing.

Some of the world’s most memorable photographs are black and white—the rich blacks, glowing whites, and silvery grays of a strong, black and white photograph leave a lasting impression on the mind. For photographers, those deep blacks hold a special significance, as it is the black tones that reveal themselves first in photographic chemistry and communicate the magic, mystery, and possibility of the photographic process.

Black and white photographs can have painterly, etching-like qualities, which were celebrated by photography’s inventors and early adopters. Photography as art was first championed with The Photo-Secessionists who celebrated the pictorial aspect of the black and white image. Today photography is widely accepted as an art form and as a key medium within contemporary and conceptual art.

The choice of using black and white versus color is the photographer’s choice, and the reasons for that choice can be personal, theoretical, or aesthetic. This call for entry—Black and White—The Absence of Color—looks to grays and blacks and whites to tell the story and make the picture that color would often muddy.

ELIGIBILITY: Open to all artists.

MEDIA: Photography

DEADLINE: Jan. 21st, 2012

NOTIFICATION: Jan. 29th, 2012

ENTRY FEE: $35 for five, $10 ea. add’l

JUROR: Bevin Bering Dubrowski is Executive Director of Houston Center for Photography, a nonprofit organization founded in 1981 offering year-round exhibitions, workshops, publications, outreach programs, lectures, and classes. HCP’s mission is to increase society’s understanding and appreciation of photography and its evolving role in contemporary culture, and produces 15 – 20 exhibitions annually on and off-site, balancing work by regional and internationally acclaimed emerging, mid-career, and established artists. Bevin curates exhibition for HCP and is also editor of spot magazine, a bi-annual journal of photography that includes artist portfolios, interviews, exhibition and book excerpts, and highlights on HCP members’ work.

Prior to joining HCP as Executive Director, Bevin founded the photography division of Bering & James and served as gallery director. Bevin is also a practicing photographer and received her BA in Art History and Visual Arts from Emory University. Bevin has reviewed portfolios for FotoFest, Lens Culture/ FotoFest Paris, Photo Nola, and Photo Lucida. She has also recently served as a juror for Critical Mass and the Lens Culture International Exposure Awards and serves on the FotoFest Art Board.

AWARDS: First Place – $400, Second Place – $300, Third Place – $200 and Three Honorable Mentions. Prizes and Awards include a free Black & White Exhibition Book.

For complete details, Visit the Website!

CALL for ENTRIES: Monochromatic

Posted on December 18, 2011December 17, 2011 by R.L. Gibson

BEET me PURPLE

I prefer my foods on the edge of extreme–from color to taste. My newest favorite are little purple, fingerling potatoes. Yum. In addition to being beautiful, those brightly colored foods tend to be higher in iron and anti-oxidants that your body needs to be healthy. I have sworn of the beige potato chip or two, but I’ll take beets instead on most days. This next show is interested in the black and white extremes. Investigate…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Monochromatic. The entry fee at Darkroom is always low ($20), and I love that they will provide free matting and framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
Monochromatic

“The term accessories has come to include a host of photographic gadgets of questionable value…“Ansel Adams, The Camera

“A good daguerreotype was as perfect a kind of photograph as was ever made.” Edward Steichen

These two masters enriched the history of photography by being some of the first to experiment with new technologies in a relatively new art medium. They were also traditionalists and truly embraced manual and old photography processes. The hundred and fifty photographers from Steichen’s world is millions today, and finding “as perfect a kind of photograph as was ever made” is no longer as simple.

Digital cameras and editing software have transformed the medium and opened up whole new worlds for the 21st century photographer. We have dozens of “aps” that help us tweak a digital image to “perfection” in minutes. A vast repertoire of image resources we look to for inspiration and meaning still brings us to the same point of reflection as photographers of the early 20th century: what is the art of photography?

Black and white photography, a genre that many would claim made them fall in love with image-making in the first place, has remained completely relevant and contemporary despite it’s ancient roots. It is timeless, sometimes soft, sometimes dramatic and brings new perspective to images and image making. Whether you are a darkroom purist or a Photoshop craftperson, show us your love for hue-less images. The Darkroom Galllery wants to see YOUR best black and white or alternative process images for an exhibit that will pay tribute to the origins of photography and praise it’s development.

ELIGIBILITY: Entrants must be at least 18 years old. If you are younger, you must have a parent or legal guardian make the submission for you.

MEDIA: Photography. Monochrome images from traditional silver black and whites to cyanotypes, sepia toned photographs and anything else in the color-less spectrum.

DEADLINE: Jan. 25, 2012

NOTIFICATION: Feb. 1, 2012

JUROR: Growing up in southern Poland, Rafal Maleszyk spent his childhood and early years in post-communist Poland. He first started exploring photography using a 35mm Kiev on his fourteenth birthday. Maleszyk’s photography is rooted in his interest in natural landscapes. For him, photography is the ultimate artistic form that captures one’s encounter or oneness with nature. His style focuses on simplifying and expressing with intimacy the perspectives in nature.

In 2009, he moved to the Oahu island of Hawaii, where he now works as a professional fine art black and white landscape photographer, specializing in large format prints series using a digital medium format Hasselblad camera. Maleszyk has received numerous awards for his work.

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

CALL for ENTRIES: Imagination

Posted on December 17, 2011 by R.L. Gibson

OLIVES in ORANGE

Last night I imagined my self in a white chef’s coat and orange clogs while dozing off on the couch. I must have been channeling Mario Batali, or maybe it was just eating antipasto a little to late in the evening. This next show is all about imagination, but then again–shouldn’t EVERY show be about imagination?

Check out this Call for Entries for Imagination brought to you by the A. Smith Gallery (Johnson City, Texas). The entry fee is low, and you can’t ask for a better theme. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Imagination, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES: Imagination

i-mag-i-na-tion: fabrication, fantasy, illusion, imagery, insight, inspiration, originality, thought, vision, creation, creativity, inventiveness realization.

“A rock pile ceases to be a rock pile the moment a single man contemplates it, bearing within him the image of a cathedral”. –Antoine de Saint Exupery

“I paint objects as I think them, not as I see them.” –Pablo Picasso

“Imagination feeds the need to photograph. Since I can remember, I have loved to create with my mind and my hands. This desire was instilled by a mother and grandmother who shared the same compulsion. These imaginative women taught me to dream and experiment. ‘I-mag-i-na-tion’ is your opportunity to imagine and create. Get outside the conventional with this one. Don’t just photograph the pear; hide it underneath a cloth napkin and see what happens.” — from the A. Smith Gallery website.

ELIGIBILITY: Open to all artists. Entries must not have been exhibited previously in an exhibition at A Smith Gallery.

MEDIA: Photography

DEADLINE: January 9, 2012

ENTRY FEE: A non-refundable entry fee of $25 for the first 5 images and $5 for each additional image is required. The Paypal link is on the Entry Form.

JUROR: The juror for “I-mag-i-na-tion” will be Aline Smithson. After a career as a New York Fashion Editor and working along side the greats of fashion photography, Aline discovered the family Rolleiflex and never looked back. Now represented by galleries in the U.S. and Europe and published throughout the world, Aline continues to create her award-winning photography with humor, compassion, and a 50-year-old camera. Her work has been featured in numerous publications including a recent cover of PDN, the PDN Photo Annual, Communication Arts Photo Annual, Eyemazing, and others. She has exhibited widely. Aline writes and edits the blogzine, Lenscratch, has been the Gallery Editor for Light Leaks Magazine, a contributing writer for Diffusion ,Too Much Chocolate, Lucida, and F Stop Magazines, and has been curating exhibitions for a number of galleries and on-line magazines. Though she was nominated for The Excellence in Photographic Teaching Award in 2008, 2009, and 2010 and for The Santa Fe Prize in Photography in 2009 by Center, she considers her children her greatest achievement.

AWARDS: Cash prizes of $250 each will be awarded for The Juror’s Award and The Director’s Award, along with a $100 prize for the Visitors’ Choice Award. There will also be five Honorable Mentions.

SALES: A Smith Gallery will retain 40% commission out of the sales price.

For complete details, Visit the Website!

CALL for ENTRIES: Earth Through a Lens

Posted on December 14, 2011 by R.L. Gibson

PASS the LOAM

Earthy foods are yummy. I know that is obvious to many of you. But, I have to say that learning to appreciate earthy foods is the biggest change in my palate over the years. I’m still not a fan of what I call “dirt crackers.” I DO have my earthy limits, but I am in love with whole grains, whole foods, in fact. And the earthiness of merlot doesn’t exactly hurt my feelings. Food should taste like itself, not the over-refined, processed version of itself that is so cheaply and readily available these days. This next show wants to see earthy through your eyes. Interesting…

Check out this Call for Entries for Earth Through a Lens, a dual media photography show–both camera and cell-phone based. The camera work entry fee is high, but the prizes are great. The cell work entry fee is low, but the exhibit isn’t as exciting. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Earth Through a Lens, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Earth Through a Lens

Earth Through a Lens (ETAL) is pleased to announce its third annual photo competition and display focused on promoting a sustainable environment. Photographers living in North America are invited to submit up to 3 cell phone derived images or up to 4 digital images produced by a camera. Photos should be of the natural environment and/or human impact on the environment.

ELIGIBILITY:
Artists living in North America.

MEDIA: Photography
(cell or camera-based)

DEADLINE: January 6, 2012

NOTIFICATION: February 6, 2012

ENTRY FEE: Entry fee is $35 for the first camera image and $10 for each additional image. Please check www.callforentry.org for possible discount coupons. Entry fee is $10 per cell image using the coupon “CELL” available on the checkout page at www.callforentry.org.

JUROR: Camera Work – A professional jury will select 30 – 50 images for public exhibition at the Rancho Mirage Public Library from April 1 – June 30, 2012 and electronically at the Museum of Photographic Arts (MOPA) in San Diego for 1 month. Judging is conducted anonymously. All cell phone images will be accepted into a Power Point presentation to be shown on Earth Day.

AWARDS: Camera Work – Cash prizes ranging from $500 – $1,000 will be awarded. The top three print images will be published in the April issue of Palm Springs Life magazine. All of the finalists will have their photographs published in the ETAL2012 catalog. Cell Work – All cell phone images will be accepted into a Power Point presentation to be shown on Earth Day. Audience favorites will be selected and prizes up to $300 will be awarded.

For complete details, Visit the Website!

CALL for ENTRIES: Environmental

Posted on December 2, 2011December 2, 2011 by R.L. Gibson

CHEESY
BOOTS

Trail mix is another reason that I don’t hike. Well, that and the shoes. My girlfriends and I are scheduled to hike up to LeConte Lodge in May of 2012. At an elevation of 6593′, I’m clearly going to have to give up the stilettos, but I’m still hoping I can smuggle some brie and pate in my backpack. Maybe the folks sponsoring this next Call might have some suggestions. Maybe I’ll ask…

Check out this Call for Entries from the Bradford Washburn American Mountaineering Museum (Golden, CO) for 2012 Environmental Photography Exhibition. You don’t have to frame these entries which is a cost saver both on the framing AND shipping. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Environmental, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Environmental

From avant-garde to f64 images, the Environmental Photography Exhibition hopes to represent the shared vision of world communities that are concerned about environmental issues. The common theme of this environmental exhibition is the images’ ability to inform, convey, motivate or passionately move its viewer.

ELIGIBILITY: Open to all artists.

MEDIA: Photography

DEADLINE: Monday, December 31, 2011

NOTIFICATION: January 17, 2012

ENTRY FEE: $30 for up to 3 images. Add’l entries $10 each.

JUROR: Kim Hubbard is a senior photo editor for National Geographic magazine where she works primarily on natural history and environmental stories. Prior to that she was the photo editor of Audubon magazine for 11 years.

Wendy Erickson, editor of Photo Technique Magazine, is a New Jersey based photographer, writer and teacher. She seamlessly blends together traditional and digital imaging, and uses both in her art. Her photographs and writings have been widely exhibited, and published in numerous books and articles.

Stephen Weaver is an award winning photographer with over 35 years experience making images of the natural world. Formally educated as a geologist, Steve combines his scientific knowledge with his photographic abilities to produce stunning images that illustrate the beauty of the structure and composition of the earth and its natural systems.

AWARDS: Best of Show will win a $500 grand prize.

For complete details, Read the Guidelines!

CALL for ENTRIES: Gallery Photographica

Posted on November 19, 2011November 28, 2011 by R.L. Gibson

HUMBLE PIE

There is more to San Francisco cuisine than Rice-A-Roni. The last time I used the rice/San Francisco food reference, I got more than a few emails from readers that thought it was a bit on the shallow side. My apologies. San Francisco is noted for being home to some of the best restaurants in the US, like Perbacco (no, they are not a sponsor). So, if you find yourself looking for a dinner reservation before the opening of the show for this Call, consider it recommended. Next…

Check out this Call for Entries for the 2012 San Francisco International Photography Competition & Exhibition at the Michelle O’Connor Gallery (San Francisco, CA) brought to you by Gallery Photographica. Great juror. Take a Look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Gallery Photographica, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Gallery Photographica

ELIBILITY: Open to all artists.

MEDIA: Photography

DEADLINE: January 20, 2012, Midnight PST

NOTIFICATION: February 1, 2012

ENTRY FEE: Registration is $45 (USD) for the first 3 images, and $10 for each additional image.

JUROR: Photographer Jeff Curto is Professor of Photography at College of DuPage in Glen Ellyn, Illinois, where he has taught since 1984. He was awarded a Bachelor of Fine Arts degree from Illinois Wesleyan University and a Master of Fine Arts degree from Bennington College in Vermont. He attended Ansel Adams’ last workshop in Carmel, California in 1983. Curto hosts two popular podcasts on photography, one that records his History of Photography lectures from College of DuPage and another that discusses photography’s creative aspects.

A portfolio of Curto’s photographs of Italy was published in LensWork magazine in the spring of 2005 and an editioned LensWork Folio was produced in 2009. His work is held in numerous private and corporate collections. In addition to teaching and producing fine art photography, Curto has specialized in event and public relations photography, architectural interiors and exteriors, portrait, and product photography. He is on the board of the Society for Photographic Education.

AWARDS: The juror will select 40 photographs for the Exhibition. The decision of the juror is final. $6,000 (USD) in awards will be granted as follows: 1st Place $3,000, 2nd Place $2,000 and 3rd Place $1,000.

SALES: All work in the Exhibition will be offered for sale. Gallery Photographica retains a 40% commission on sold works.

Tag: Juried Photography Exhibit

CRAZY ’bout SNAILS

CALL for ENTRIES: International Photo Exhibition

For complete details, Download the Prospectus!

PATTY pan CAKE

CALL for ENTRIES: The Unreal

For complete details, Read the Full Call!

BEAM me DOWN an EGGLPLANT please

CALL for ENTRIES: Spontaneous

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LATER TATER

CALL for ENTRIES: Monochromatic

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CABBAGE, not KRAUT

CALL for ENTRIES: Black & White: Absence of Color

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BEET me PURPLE

CALL for ENTRIES: Monochromatic

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OLIVES in ORANGE

CALL for ENTRIES: Imagination

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PASS the LOAM

CALL for ENTRIES: Earth Through a Lens

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CHEESY BOOTS

CALL for ENTRIES: Environmental

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HUMBLE PIE

CALL for ENTRIES: Gallery Photographica

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CRAZY
’bout
SNAILS

CALL for ENTRIES:
International Photo Exhibition

CALL for ENTRIES:
The Unreal

BEAM me
DOWN
an EGGLPLANT
please

CALL for ENTRIES:
Spontaneous

CALL for ENTRIES:
Monochromatic

CABBAGE,
not KRAUT

CALL for ENTRIES:
Black & White: Absence of Color

CALL for ENTRIES:
Monochromatic

CALL for ENTRIES:
Earth Through a Lens

CHEESY
BOOTS

CALL for ENTRIES:
Environmental

CALL for ENTRIES:
Gallery Photographica