CALL for ENTRIES: mon-o-chrome

Posted on January 20, 2020February 19, 2020 by R.L. Gibson

CULINARY tour

I spent 15 days on vacation –one week in Arizona, one week in New Mexico. Adjusting to the elevation was no joke. I’ve spent most of my life living at or around sea level. My homes for the past 10 years have been at around 2000 feet in elevation near the base of the Great Smoky Mountains. Bisbee, AZ has an elevation of approx 5500 feet and Silver City, NM has an elevation of 5800 feet, both higher than Denver, CO. Plus, Bisbee is known as the city of 1000 steps. We hear you get used to it after 3 weeks, but we only had two. We survived, but it was eye-opening. On an unrelated note, I think we took as many bites of food as we did steps. That’s a lot of forks folks. We’ve decided to start calling our vacations “culinary tours”. It seems more purposeful, less gluttonous, ha.

Now that I’m back, I am hard at work planning my year, including a residency (or three), a solo show, some juried shows, some invitationals. I have some announcements, but we’ll save those for another day. I am also looking to expand my “comfort” galleries to new areas. You know those galleries that you show in time and time again because you like the people, you like the space, you like the curation, you like the sales. You’re comfortable. I have a handful of those, but I am always looking to freshen my resume. This next call is a great way to try on a new gallery or, if you’ve shown at Las Laguna Gallery before, continue to develop that relationship. Take a look.

Check out this Call for Entries from the Las Laguna Gallery (Laguna Beach, CA) for mon-o-chrome, $35 entry & 35% commission, most media accepted. Don’t miss this opportunity…

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CALL for ENTRIES:
mon-o-chrome
from Las Laguna Gallery

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ELIGIBILITY: Open to all artists

MEDIA: Open to most media, including acrylic, airbrush, assemblage, charcoal, color pencil, collage, digital art, drawings, encaustic, etching, fiber art, graphite, illustration, mixed media, new media, oil, painting, pastel, photography, screen print, serigraph, and watercolor.

THEME: mon-o-chrome. The term monochrome describes paintings, drawings, design, or photograph or prints in one color or values of one color. For this call for art Las Laguna Gallery challenges artists to explore not only the range of tones of black and white, but also explore the range of a single color.

DEADLINE: March 8, 2020

NOTIFICATION: March 15, 2020. If accepted, delivery of work is January 30-February 4.

ENTRY FEE: $35 for up to 3

SALES: The gallery will retain 35% commission on all sales.

For complete details, Read the Full Call!

CALL for ENTRIES: Animalz 2020

Posted on December 3, 2019November 6, 2020 by R.L. Gibson

a sleepy SIP

Ginger ale has offered me clarity, of sorts. As a 40-year insominiac, I have tried everything from warm milk to herbal remedies and tryptophan-laden foods to no avail. For the last few years my only manner of sleep has been pharmaceutical, taken in half-doses to fend off side effects. But in the end, long term use of sleep aids has side effects, the worst has been fogginess & some memory loss. Six weeks ago, I started taking a double-strength, full spectrum CBD oil. It took 5 days to build up in my system before I started magically falling asleep in 15 minutes instead of 3+ hours. The pros a gentle lifting of my fog; I can hear the birds’ chatter outside my studio window again, even with this morning’s snowfall. I am experiencing a gradual but noticeable improvement in my day to day memory which makes working in series flow easier. I am getting nearly twice as much sleep per night, on average, as I have since I was in elementary school. The cons? The taste of CBD oil. Ginger ale has ridden to the rescue and is an easy and obvious trade for chirping birds and living color. What trade will you make?

With my newly-found sleep has come reduced anxiety surrounding my trajectory as an artist. I know the paths, where they converge, where they change priority, if you’ll let them. I cannot say this often enough. Enter the shows that serve you. Use them to determine your audience, test your narrative and create your own story. The creative process will serve you if you let it. This next Call is for a small gallery in California with a prolific show history and a straightforward curatorial approach. Does this show offer an outlet that serves your work? Investigate.

Check out this Call for Entries from the Las Laguna Gallery (Laguna Beach, CA) for Animalz, a show of depicting animals, real or imagined. $35 entry & 35% commission. Don’t miss this opportunity…

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CALL for ENTRIES:
Animalz 2020
from Las Laguna Gallery

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ELIGIBILITY: Open to all artists

THEME: Animalz. “Las Laguna Gallery invites . . . . artwork depicting animals (real or imagined)” — laslagunagallery.com

MEDIA: Open to all media, including acrylic, airbrush, assemblage, charcoal, color pencil, collage, digital art, drawings, encaustic, fiber art, araphite, illustration, mixed media, new media, oil, painting, pastel, photography & watercolor.

DEADLINE: December 7, 2019

NOTIFICATION: December 14, 2019. If accepted, delivery of work is December 26-31.

ENTRY FEE: $35 for up to 3

SALES: The gallery will retain 35% commission on all sales.

For complete details, Read the Full Call!

CALL for ENTRIES: 2 Shows at Limner

Posted on October 11, 2019October 25, 2019 by R.L. Gibson

this is how we STEW IT

I making stew in the slow cooker today. *cues the Fall music* Like clockwork, soups and stews suddenly appear several times a week once the temperature outside drops 10 or 15 degrees. Old habits die hard, and I have no motivation to change this one since it only leads to easier dinners and more studio time. Other habits are worth changing though. Late night snacking has to stop (for me), and breakfast has got to get less boring. What norms do you want to change?

My studio habits are already on the move. I have been slowly shifting my work toward the studio work that will be my future. I’ve worked hard to change my thinking about the expected artist career arc, and the effect I allow the perception of others to have on my work. It started with a media change and progressed to extricating myself from multiple arts organizations that were all take and no give. It has now moved to considering opportunites based on desired outcomes versus how I feel about entering. I will still enter shows whose themes excite me, but I am better equipped to say “no” to shows that don’t serve my purposes.

With that process in mind, I am breaking another of my rules by publishing two calls in one post. They both come from the same gallery, Limner, that has a long curatorial and sales history to be dissected and interpreted by you. But these opportunities couldn’t be more different. One show is a more traditional juried show with standard risk, fees & commission with the possibility of a bonus publication award. The other show is a lightly juried, retail-oriented show that has no entry fee, but front loads the risk of no sales onto you with a hanging fee. The commission skews sightly less as the pieces get more expensive. Depending where you are in your career and what your current goals are, one or both of these shows can work for you. But you have to do the work to figure it out. No more auto-pilot. Let’s make that next year’s theme… no more auto-pilot.

These calls cover a wide spectrum of show options in one place. Check out these Calls for Entries from Slow Art Productions for Emerging Artists and Holiday Smallworks at the Limner Gallery (Hudson, NY). $35 & 35% for the Emerging Artist show. No entry fee & 35% after the first $100 on the Holiday Smallworks show. Both are open to all media and all artists. Carefully examine these opportunities…

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CALL for ENTRIES:
Emerging Artists and Holiday Smallworks
at the Limner Gallery

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media. Note: Work submitted to smallworks show must be 18″ or under.

DEADLINE: October 31, 2019

NOTIFICATION: December 30, 2019 for Emerging Artists. Rolling Notifications for Holiday Smallworks.

ENTRY FEE: $35 for up to 4, for the Emerging Artists exhibit; no entry fee for the Holiday Smallworks, but there is a hanging fee. Do not waste your time or the gallery’s time applying for the Holiday show if you haven’t read the fine print.

SALES: SlowArt Productions will retain 35% commission on sales. The Holiday Smallworks show is commission free for the first $100. Note: Please do the math. The commission of the Holiday Smallworks show is calculated differently, and you should be aware BEFORE you submit work.

For complete details, Read the Full Calls!

CALL for ENTRIES: Chroma

Posted on July 1, 2019June 27, 2019 by R.L. Gibson

GREEN me up

I’ve always had a hankering for a rainbow assortment of foods, but my personal aesthetic has skewed black and white over the years. I was the kid that wore black, my work concentrated on black and white images for nearly 20 years. About 2 1/2 years ago, my work shifted, and color began to seep into what I had to say. Once the dam sprung a leak, the flood waters came. I did a complete media shift with more color than I can describe, occasionally venturing into neon territory. Then I spent a month in Scotland. I took all black clothing with a few colorful scarves and accessories just to simplify packing…

But, Scotland. It was awash with the most spectacular light, even when it was overcast. My lasting impression is of vivid blues and greens. My clothing became an issue. I felt like I was wearing a black hole. When my plane touched down in the U.S. again, one of my first stops was to buy a colorful shirt because I just couldn’t take the black anymore. This next Call is all about color, and I have the perfect work to submit. How about you?

Check out this Call for Entries from Fine Line Creative Arts Center (St. Charles, IL) for Chroma in the Kavanaugh Gallery. $35 entry & 30% commission. Another gorgeous venue in the Chicago area…

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CALL for ENTRIES:
Chroma
from Fine Line Creative Arts Center

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media

THEME: Chroma, the purity of color, or its freedom from white or gray.

DEADLINE: July 22, 2019

NOTIFICATION: July 27, 2019

ENTRY FEE: $35 up to 3

JUROR: The show will be curated by the Kavanagh Gallery Committee.

AWARDS: $100 Best of Show and 2 non-monetary Awards of Merit

SALES: 30% commission on all sales will go to the Fine Line Creative Arts Center.

For complete details, Read the Full Call!

CALL for ENTRIES: Strange Figurations 2019

Posted on June 22, 2019June 22, 2019 by R.L. Gibson

future FOOD

Netflix & popcorn nights have accompanied my new revelation… the phrase “I had no choice” may be the most commonly uttered line written for television. We always have a choice. The choice may be unthinkable, unspeakable and emotionally-devasting, but it is still a choice. I have made glorious choices and horrific ones. Those choices have allowed me to follow my heart and have fueled my creativity, but they have also created an unsustainable physical reality for me. My body is betraying me; I’m not terminal, just infuriatingly chronic.

I have created bodies of work surounding how our bodies betray us. But really, I made many of the choices. So, thanks to Netflix #jokingnotjoking I am making new choices. I am trying to gently strengthen my body and make healthier food choices. Trying. I love my life, and I’ve come to love the physicality of the figure I inhabit, so it is time to fight to keep it. I’m not having a mid-life crisis or looking for immortality, I just want a chance to have a productive future. I don’t think kale or avocado are miracle cures, but clean food & more movement have to be a start. Like I said, trying.

This next Call wants your figurative work, whatever your take. Are you fighting for a figure? Your own? Another’s? Check out this Call for Entries from Slow Art Productions for Strange Figurations at the Limner Gallery (Hudson, NY). $35 entry, 35% commission, open to all media and all artists. Take a look…

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CALL for ENTRIES:
Strange Figurations
at the Limner Gallery

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This exhibition will be held September 5-28, 2019.

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media forms

THEME: “This exhibition is open to all interpretations of the concept, Strange Figurations. Included are all forms of surreal, visionary and extraordinary figurative art. All interpretations of the theme “Strange Figurations” will be reviewed and considered.” — Limner Gallery

DEADLINE: June 30, 2019

NOTIFICATION: July 30, 2019

ENTRY FEE: $35 for up to 4, $5 ea. add’l

SALES: SlowArt Productions will retain 35% commission on sales. Prices set by the artist.

For complete details, Read the Full Call!

CALL for ENTRIES: Meltdown

Posted on April 12, 2019April 13, 2019 by R.L. Gibson

lost in TRANSLATION

It is no secret that I’m a little, well, let’s call it cheese “focused”. But we all have our priorities. After being seperated by an ocean for 4 weeks, my husband and I stopped by a local dairy farm less than 24 hours after reunited… to buy cheese. Priorities. Cheese glorious cheese. A few days later, I made summer squash au gratin also known as “squash makes all the melted cheese a legitimate choice”, au gratin for short. Melted cheese means I’m home, ha. Think of it as my oven’s welcome mat. It is the best kind of meltdown.

I have been known to indulge in an epic meltdown of a personal nature on occasion. The last U.S. presidential election put me in an ugly place for weeks. Every insuing attack on civil rights, environmental regulations, access to health insurance & the ability to govern the workings of my own body have warranted their own meltdowns. My work has changed. My life has changed. I worry about becoming numb to the suffering of others, to the loss of agency, to the restrictions on the ability to speak freely. Where is this planet’s population headed? While I was in Scotland recently, I was regularly engaged by locals about American politics. People want to understand what is going on in the United States. I couldn’t explain. I can’t explain. So, I just keep working. Right now, THAT is what I can do.

This next Call in interested wants to see how your work reflects a sense of meltdown, whatever your interpretation. What do you have to say? Could this be the place for you to say it? Check out this Call for Entries from Slow Art Productions for Meltdown at the Limner Gallery (Hudson, NY). $35 entry, 35% commission, open to all media and all artists. Take a look…

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CALL for ENTRIES:
Meltdown
at the Limner Gallery

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This exhibition will be held June 14 – July 13, 2019.

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media forms

THEME: “We are living in an age of global crisis – of catastrophic MELTDOWN, a crisis the proportions of which, sadly, needs no description. Historically artists have foreseen, described and been inspired by crisis. The subject of this exhibition is every aspect of the MELTDOWN crisis, be it global, personal, environmental, financial, psychological, scientific and/or spiritual.” — Limner Gallery

DEADLINE: April 30, 2019

NOTIFICATION: May 31, 2019

ENTRY FEE: $35 for up to 4, $5 ea. add’l

SALES: SlowArt Productions will retain 35% commission on sales. Prices set by the artist.

For complete details, Read the Full Call!

CALL for ENTRIES: Content Matters

Posted on April 8, 2019April 9, 2019 by R.L. Gibson

SPRING greens

It is time for my seasonal obsession with ginger. I love ginger all of the time; however, about 4 to 6 weeks at the beginning of Spring, I am obsessed. I find ways to work it into every salad, entree & dessert. My family just smiles & nods, knowing that the ship will right itself soon. I think it happens because the weather has just warmed up enought to inspire thoughts of light and fresh fare, but our local harvest hasn’t quite made it to summertime bounty yet. High-quality ginger is available year ’round, and content matters.

This next Call has a deadline just around the corner (sorry for that), and it meets my resume criteria for this year (museums, publicly-funded galleries, collections or libraries). But the theme of “Content Matters” is what really pushed me to want to enter — achingly relevant. I am finishing a piece now that I think would be perfect, but, you know… jurors. We’ll see. If you are interested in a museum show and have work to offer, take a look at the details.

Check out this Call for Entries from Marin Museum of Contemporary Art (Novato, CA) for Content Matters. $35 entry, 40% commission. Delivery is nearly a month after notification, making shipping easier. Take a look…

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CALL for ENTRIES:
Content Matters from
Marin MoCA

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ELIGIBILITY: Open to all U.S. resident artists 18+

MEDIA: Open to all media

THEMES: Content Matters ” ‘Content’ is the meaning conveyed by a piece of artwork – a message portrayed through images, symbols, marks, or stylistic treatment. Content communicates the artist’s point of view, their thoughts, beliefs and experiences, and it creates a response on the part of the viewer. “ MarinMOCA

DEADLINE: April 18, 2019 (PST)

NOTIFICATION: May 1, 2019 (posted on website)

ENTRY FEE: $35 for up to 3; $50 for 4-5 ($30/$45 for members)

JUROR: This exhibit will be juried by well-known San Francisco gallerist Jack Fischer, who has been exhibiting artists for over 15 years. According to Mr. Fischer, “The work I exhibit is from the heart and the gut.” Jack Fischer Gallery shows work from a diverse group of artists working in many genres including contemporary, visionary, self-taught, and intuitive.

AWARDS: 1st Place $500, 2nd Place $300 & 3rd Place $100.

SALES: Marin MOCA will retain 40% commission (30% for members) on sales.

For complete details, Read the Full Call!

CALL for ENTRIES: Loss, Redemption & Grace

Posted on March 19, 2019March 17, 2019 by R.L. Gibson

I’ll take the PIE to go

There are a lot of customs surrounding death & food. Most people are familiar with people trying to feed the living by bringing the ubiquitous casserole to the living, but I’ve recently learned that many cultures feed the dead by leaving food on graves, from leaving a pie on the gravestone at Easter to pouring wine on the burial site. I don’t have a real understanding of the symbolism (if you do, LMK) behind the traditions, but I love the love it takes to want to feed someone pie and wine, even after death. THAT is devotion.

My work has centered around human bones for a while now. Bones indicate a pattern for me, both for the living and the lost. I prowl cemeteries with a sense of joy, not mourning. Gravestones are monuments for the living of the best in those no longer able to create new memories. They are, without doubt, often erected out of obligation, but even in obligation, they document a lifespan as an accomplishment, no matter how brief. If they include additional details, they are rare ugly, even if the truth is ugly. This next Call speaks to me because if offers the opportunity to react to loss from a place of truth, not obligation or memorialization. I am also excited about an open opportunity in Atlanta, a rarity.

Check out this Call for Entries from EBD4 (Atlanta, GA) for Loss, Grace & Redemption. $40 Entry & 50% commission. The jurors are researchable, and this venue offers a rare Atlanta opportunity. Take a look…

CALL for ENTRIES:
Loss, Redemption & Grace
from EBD4

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“a platform to examine edgy, daring and thought-provoking contemporary artwork, which traditionally may not be available in a commercial setting”

ELIGIBILITY: Open to American artists 18+

MEDIA: Open to all media.

THEME: What is your response to grief? Have you spoken to loss through artistic expression? Have you been inspired to answer injustice with the energy of creation? Share your interpretation & response to loss, redemption & grace.

DEADLINE: March 31, 2019

NOTIFICATION: April 15, 2019

ENTRY FEE: $40 up to 3, $10ea. addl

JUROR: Elyse Defoor, director of EBD4, will serve as curator. Jerry Cullum, Ph.D. & Teresa Bramlette Reeves, Ph.D., will serve as jurors.

AWARD: 3 cash awards totaling $800 –for Best in Show, 1st place & 2nd place.

SALES: EBD4 will retain 50% commission.

For complete details, Read the Full Call!

CALL for ENTRIES: Wide Open 10

Posted on January 24, 2019January 24, 2019 by R.L. Gibson

a-PEELING

My mother doesn’t own a vegetable peeler. Well, didn’t. While I have the benefit of a knife skills class in culinary school, I am not great a peeling vegetables. I can tourne a potato, but if I peel potatoes for mash, you’d better hope I have a vegetable peeler… or a LOT of potatoes. When my mother requested vegetable soup over the holidays, I refused unless she let me buy a peeler. She agreed with disdain, and I spent $3 on the most generic “Domestix” variety available at the local grocer. CHANGED MY LIFE, well, my cooking anyway. With one swoop across a potato, I realized how dull my home peeler was. I put the gadget on my holiday list, and it showed up under the tree. Suddenly I have zucchini ribbons in salad & shaved carrots in my coleslaw. The possibilities are wide open, ha.

I’ve done the same with paint recently. I had access to some more highly pigmented tube watercolors recently, and it affected my approach to the work I did with them. My nature is to “make do” with what I have. It is taught as a virtue in the South. Don’t get me started on all the evils of making do. It is a mindset meant to make children grateful for what they have, but it often squashes ambition and self-value in adults. That mindset combined with all the guilt I have associated with spending money, has kept me “making do” with some watercolors that are not working for me. Now when I finish a tube that doesn’t behave in a way that serves my work, I re-order that hue or something similar from a different maker. I am exploring variations & dispersal patterns & saturation unknown. The adventure has left me open to the possibilities. Vegetable peeler & watercolors. Variations on a theme.

This next Call is also looking for variations on the theme of “Wide Open”. BWAC is one of my favorite venues, known for great jurors, reliable curatorial vision, a non-profit format & even artist run. Interested? Then check out this Call for Entries from BWAC (Brooklyn, NY) for Wide Open 10. There is a distinct discount for early entry, so don’t delay. Take a look…

CALL for ENTRIES: Wide Open 10

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ELIGIBILITY: Open to U.S. artists 18+

MEDIA: Open to all media

THEME: Wide Open “encompasses all the possibilities of knowledge and freedom & love – wide open spaces…arms wide open…eyes wide open ‐ but as with all things, there is the inevitable opposite ‐ wide open to attack…corruption…failure. What kind of fantasy is this? What does it really indicate? This juried show looks to explore the idea of “wide open” in all the hidden niches of our collective psyche.” –bwac.org

ENTRY FEE: $50 up to 3, $6 ea add’l (early) or $70 up to 3, $6 ea add’l after Jan. 19th

DEADLINE: February 4, 2019 (early bird) or February 24, 2019 (final)

NOTIFICATION: March 15, 2019

JUROR: Ylinka Barotto is an Assistant Curator at the Guggenheim Museum and has assisted on such large-scale modern and postwar retrospective exhibitions as Alberto Burri: The Trauma of Painting (2015); Moholy-Nagy: Future Present (2016); Visionaries: Creating a Modern Guggenheim, which showcased masterworks from the Guggenheim’s modern collection (2017); and Mystical Symbolism; The Salon de la Rose+Croix in Paris, 1892-1897 (2017, for which she contributed to the catalog with entries on many of the show’s artists. Barotto is also one of the organizing curators for the museum’s Young Collectors Council, which acquires the work of emerging artists for the museum’s permanent collection. Barotto received an MA in curatorial and museum studies at Accademia de Belle Arti di Brera in Milan and is currently working toward an MA in art history at Hunter College of the City University of New York with a focus on postwar and contemporary feminism.

AWARDS: Best of Show Gold $1000, Best of Show Silver $500, People’s Choice $250, Curator’s Choice $250 & ten (10) $100 (ea.) Certificates of Recognition.

SALES: BWAC will retain a 30% commission on all exhibition sales.

For full details, Read the Full Call!

CALL for ENTRIES: 28th Nat’l OPA

Posted on December 19, 2018December 19, 2018 by R.L. Gibson

celebratory EDIBLES

Do you make food resolutions? No, I don’t mean diets. Do you make promises to eat healthier or cleaner? Or maybe to cut some food that makes you itchy, grouchy or gas-y? Yeah, me neither. Not anymore. My eating habits go with the flow. I eat a lot of whole, fresh foods, punctuated by occasional, terribly-crappy junk food, and it seems to work for me, ha. This year, I am resolved to drink more bubbly. I love Prosecco. I like the sense of celebration, and I want to spend more time celebrating the little stuff. What is your go-to drinkable or edible celebratory treat? Chocolate? Guac? Join me for my year of Yay! We deserve it.

My last major change was the abandoning of all dairy except whole milk options, and a complete, mid-career left turn in media. Yikes. Until my change of media a couple of years ago, I was working, almost exclusively, as a xerographist. There is no Xerography Association, locally, nationally or internationally, to my knowledge. So, I never had the ability to take advantage of media-specific membership. Now that I am a watercolorist, I have more options. However, because I embroider over my paintings, my work is typically considered mixed media by painters and painting by fiber artists. I’m not sure if I’ll ever find a watercolor or fiber art society to call home. Do you have a media association that you love?

One of the benefits of association shows is the prestige. Because they are almost always juried by working master artists, the recognition of your work is meant to be a stamp of approval on your dedication to developing your skills, plus, they often have large cash prizes. There are frequently multiple show opportunities throughout the year as well as educational & critique options that can’t be found anywhere else. THOSE are all great arguments for the next Call, but I’m not an oil painter. If you are, this is a great show.

Check out this Call for Entries for the 28th Annual Nat’l Exhibition from Oil Painters of America to be exhibited at the Illume Gallery of Fine Art (Saint George, UT). $100,000 in awards including $25K Best of Show. Don’t wait…

CALL for ENTRIES:
28th Nat’l Juried
from Oil Painters of America

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ELIGIBILITY: Open to artists residing in the U.S., Canada & Mexico

MEDIA: Representational oil painting

DEADLINE: January 25, 2019

NOTIFICATION: February 22, 2019

ENTRY FEE: $30 for 1, $15 ea. add’l (plus membership fee of $70). More membership information can be found on the OPA website, under the Member Services tab.

JURORS: OPA Master Signature member Kenn Backhaus OPAM

AWARDS: The total awards will be approximately $100,000, including a $25,000 Best In Show.

SALES: Commission of 40% is required by the gallery for all paintings sold.

Tag: Juried Art Show

CULINARY tour

CALL for ENTRIES: mon-o-chrome from Las Laguna Gallery

For complete details, Read the Full Call!

a sleepy SIP

CALL for ENTRIES: Animalz 2020 from Las Laguna Gallery

For complete details, Read the Full Call!

this is how we STEW IT

CALL for ENTRIES: Emerging Artists and Holiday Smallworks at the Limner Gallery

For complete details, Read the Full Calls!

GREEN me up

CALL for ENTRIES: Chroma from Fine Line Creative Arts Center

For complete details, Read the Full Call!

future FOOD

CALL for ENTRIES: Strange Figurations at the Limner Gallery

For complete details, Read the Full Call!

lost in TRANSLATION

CALL for ENTRIES: Meltdown at the Limner Gallery

For complete details, Read the Full Call!

SPRING greens

CALL for ENTRIES: Content Matters from Marin MoCA

For complete details, Read the Full Call!

I’ll take the PIE to go

CALL for ENTRIES: Loss, Redemption & Grace from EBD4

For complete details, Read the Full Call!

a-PEELING

CALL for ENTRIES: Wide Open 10

For full details, Read the Full Call!

celebratory EDIBLES

CALL for ENTRIES: 28th Nat’l Juried from Oil Painters of America

For complete details, Read the Full Call!

CALL for ENTRIES:
mon-o-chrome
from Las Laguna Gallery

CALL for ENTRIES:
Animalz 2020
from Las Laguna Gallery

CALL for ENTRIES:
Emerging Artists and Holiday Smallworks
at the Limner Gallery

CALL for ENTRIES:
Chroma
from Fine Line Creative Arts Center

CALL for ENTRIES:
Strange Figurations
at the Limner Gallery

CALL for ENTRIES:
Meltdown
at the Limner Gallery

CALL for ENTRIES:
Content Matters from
Marin MoCA

CALL for ENTRIES:
Loss, Redemption & Grace
from EBD4

CALL for ENTRIES:
28th Nat’l Juried
from Oil Painters of America