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Tag: functional art

CALL for ENTRIES: Tabletop

Learn more about the Tabletop Exhibit from The Art League of Alexandria, VA!

clean your PLATE

Eating is a roving action at my house.  Sometimes breakfast is consumed at the kitchen counter.  Lunch often ends up as a living room picnic.  If I’m lucky, dinner is eaten at the kitchen table twice per week, and it isn’t because I love eating on the go.  The reality is, my tabletop is generally covered by paperwork that should be on my desk or art that should be in my studio space or music equipment undergoing cleaning or repair.  Tonight it holds a prom tuxedo (don’t ask).  I need a more functional tabletop landscape –just like this next call.  The deadline is rapidly approaching…

Check out this Call for Entries from The Art League (Alexandria, VA) for The Tabletop Exhibit. $35 entry & not restricted to ceramics.  The deadline is MAY 6th.  Don’t miss this…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Tabletop, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Tabletop Exhibit from The Art League of Alexandria, VA!CALL for ENTRIES:
Tabletop Exhibit
from The Art League

 

ELIGIBILITY: Open to all artists

MEDIA:  Open to ceramics & other functional art forms designed for food, drink & the table.  Ceramic work may not be larger than 16” x 16” x 16”.  Other Functional Artwork must be no larger than 16” x 16” x 16” with exceptions made for fiber work (such as tablecloths or runners). Note: for artists who wish to enter furniture (such as tables or dining chairs), please contact the Gallery.

DEADLINE:  May 6, 2016

Learn more about the Tabletop Exhibit from The Art League of Alexandria, VA!NOTIFICATION:  May 20, 2016

ENTRY FEE:  $35 for up to 2

JURORS:  All work will be seen by both jurors, McKenzie Smith & Kate Lydon. Ceramics work will be juried for final acceptance and awards by McKenzie Smith, and non-ceramics will be juried for final acceptance and awards by Kate Lydon.

SALES:  All artwork must be for sale.  No single piece of artwork may exceed $6,000 in value.  Artists will pay a 40% commission to the Gallery on all sales.

AWARDS:  Ceramics: $1,000 for Best in Show; two, $400 Equal Merit awards. Functional Art Forms: $1,000 for Best in Show; two, $400 Equal Merit awards.

For complete details, Read the Full Call!

Learn more about the Tabletop Exhibit from The Art League of Alexandria VA!

CALL for ENTRIES: NICHE Awards

Learn more about the NICHE Awards!ALL YOLKING
aside

Your mayonnaise is a great judge of character.  No, really, I haven’t lost my mind.  If you’re not vegan, and you hate mayonnaise, it is probably because you’ve never had anything but the homogenized, bland, store-bought variety.  Real mayonnaise, if fresh, is made of three simple ingredients: egg yolks, oil & acid.  I prefer farm-fresh eggs, olive oil and lemon.  The are hundreds of combinations each with their own quirks and complexities.  Mayo-making is an foodie’s artisan craft, and this next Call is a celebration of fine craft from basketry to furniture and everything in between.  Take a look…

Check out this Call for Entries from NICHE Magazine for the 2015 Niche Awards-Professional.  This is a celebration of fine craft at its very best.  I this one for you?

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: NICHE Awards, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the NICHE Awards!CALL for ENTRIES:
NICHE Awards

 

Sponsored by NICHE magazine, the NICHE Awards program began in 1989 to celebrate excellence and innovation in American and Canadian fine craft.

ELIGIBILITY:  Open to all artists age 21+ residing in U.S. or Canada.  All work must have been made and finished in the United States or Canada.

MEDIA:  Categories include:  Basketry, Ceramics, Fashion Accessories (not jewelry), Fiber, Furniture, Glass, Home Furnishings, Jewelry, Judaica, Metal, Mixed Media & Miscellaneous, Polymer Clay, Recycled, and Wood

Learn more about the NICHE Awards!DEADLINE:  August 18, 2014

NOTIFICATION:  October 2014

ENTRY FEE:  $40 for up to 3

JUDGING:  Images are judged on the following:  1) Technical excellence, both in surface design and form, 2) A distinct quality of unique, original and creative thought and 3) Market viability (professional entries only)

AWARDS:  Finalists receive an awards certificate, a listing in NICHE magazine (professionals only), and a listing in the Buyers Guide of the American Made ShowWinners will receive an awards certificate, trophy, a listing on the NICHE Awards website and a listing in NICHE magazine.

For complete details, Read the Full Call!

Learn more about the NICHE Awards!

FEATURED ARTIST: A. Laura Brody

Learn more about AAAD Featured Artist A Laura Brody!

‘NUTTY bliss

While reviewing work, I searched through entries for something contemplative but with a sense of humor to feature this month.  A little something that would spice up my winter, combating the inevitable doldrums, as well as help me find a different angle on my the serious nature of my own current work.  We are proud to Feature the work of  A. Laura Brody. I find this work organic but mechanized, self-evident but not obvious. Inspired…

• 

Featured Artist A Laura Brody - photo courtesy of Jon Meredith
Photo courtesy of Jon Meredith

FEATURED ARTIST:
A. Laura Brody

A. Laura Brody is a costume creator by trade and a functional artist by design and desire.  You’ve seen her recent work for designer Michael Schmidt on LMFAO at the Superbowl 46 halftime show, the last 2 Black Eyed Peas tours, in Fergie’s LEGO dress and on Rhianna’s bottom.“I love bringing out discarded items and materials and making them the center of attention. Zipper teeth become lace edgings, ball bearings act as pendants and centerpieces, remnant snap tape becomes footlights and old tablecloths are reborn into upholstered cushions and deconstructed finery.  My creations help people tap into childhood dreams of becoming heroines, kings, rock stars and super villains.” — A. Laura Brody

Rocking Duck Boat by Featured Artist A Laura Brody and Alan deForest - photo courtesy of Heidi Marie Photography
Rocking Duck Boat by Featured Artist A Laura Brody and Alan deForest – photo courtesy of Heidi Marie Photography

Are you self taught or formally instructed? “I’m both. I’m a costume maker and designer by trade, and my years of costume craft work have really made it possible for me to make the art. The upholstery is self taught and so is the carpentry. But I’ve got a longtime habit of tinkering. I get to use my technical skills in really different ways when I construct my artwork. It’s also pushed me to learn to weld and curve metal, how to refurbish stainless steel and silver plate, a little about wiring… Mostly, it’s teaching me patience, which I’m not so good at.”

The work for which many artists know you is mobility-centric.  What brought you to that passion?  I don’t self-identify as disabled. I have friends who do, though, and I’ve worked around quite a few folks who use disability and mobility devices. When a former boyfriend had a stroke, I spent a lot of time with his recovery and got really fascinated by all the devices you can get to help with food prep and getting around in the bathroom and such, but I was shocked at how uniformly ugly they all were. 3 years ago, I cracked my tailbone and then went through a nasty bout of tendinitis, which started me working on my own posture issues and thinking about what I would do if I couldn’t use my hands.  It was pretty terrifying, since my hands are a large part of how I make my living.

Rocking Duck Boat by Featured Artist A Laura Brody and Alan deForest - photo courtesy of Heidi Marie Photography

Those tendinitis braces
are hideous.

 

Re-making a wheelchair into something amazing was in the back of my mind for a long time, and I finally got the guts to approach a wheelchair using friend of mine about redoing his old electric one. (Thank you, Peter Soby, for kick starting this idea!)  One of the responses I get with my mobility artwork is how impractical the pieces are. People will go on at great lengths to tell me why they won’t and don’t work. But then, they start thinking about what might work. This is the whole point. How else do we get that conversation started? If we’re lucky enough to live through age and injuries and infirmity, wheelchairs or walkers or crutches or prosthetic limbs are going to be in our future. For some people, these devices are a part of their everyday lives. Why not make them amazing? And who said design was only about being practical?

Le Flaneur by Featured Artist A Laura Brody - photo courtesy of Heidi Marie Photography
Le Flaneur by Featured Artist A Laura Brody – photo courtesy of Heidi Marie Photography

Is sustainability a purposeful choice in your work or a by product of what you do?   It’s a flat-out fascination and a longtime practice. I grew up in Alaska and was surrounded by people who took a lot of pride in figuring out how to make and fix things themselves with whatever they had around. I compost, I reuse in my artwork and everyday life, and I’m finding ways to do better with reducing my waste. I just read Junkyard Planet by Adam Minter (all about his travels in the global trash trade) and was fascinated and horrified. Check it out. You may never use another plastic water bottle.

Part of it comes from how much waste I see in the entertainment industry, which I’m a little horrified to be a part of.  Yes, I know, this is biting the hand that feeds me. But you should see the waste that comes out of a TV show.  Truthfully, though, it’s hard for me to go past a salvage yard or a thrift store or a junk pile without some piece calling out to me and begging me to take it home.

Le Flaneur DETAIL by Featured Artist A Laura Brody - photo courtesy of Heidi Marie Photography

Talk to me about what media you consider the mobility-inspired work?  “I call it over-the-top functional art. The works aren’t conveniently functional, which is kind of the point. The wheelchair and the walker’s GPS unit works (as long as I’ve charged all of the batteries), the walker rolls and the rocking chair rocks. They’re even pretty comfy. ”

What style or school of art do you think your mobility-inspired work fits into? And why do you think so?  Apparently I fall into a Steampunk category.  I guess I see why, even though a lot of Steampunk seems to be about smacking a gear or goggles onto your clothes and calling it Art.  But I like to think of my work as being like a mad scientist, poring over old junk and fitting it together in odd ways to bring it new life.  Is that Reconstructivism?”

Driven by Featured Artist A Laura Brody - photo courtesy of Heidi Marie Photography
Driven by Featured Artist A Laura Brody – photo courtesy of Heidi Marie Photography

I can’t wait to hear about your favorite food.  “There are so so many of them! Truffle oil on cooked veggies is a recent find (so good), so are bison burgers and home-cured bacon (both pork and lamb) and just about anything in spicy coconut cream curry. I love fresh herbs and berries and almost all veggies. I cut out wheat a while ago. It was hard at first, and now I feel a lot better.” Editor’s Note: Spicy coconut cream curry?  That sounds so good I could take a bath in it.  I vote we make that the food of the year.  Yum.

What style or school of art do you think your work fits into and why? “I’m comfortable with the surreal label, since Surrealism is an effective umbrella term for unusual artwork. I also feel that certain artworks of mine have Abstract and Visionary elements to them, though I don’t align myself with those movements.”

What about snack foods? “All things crunchy. I could eat a whole bunch of celery. Hearts of palm, cheese of many kinds and pickles and olives of many kinds, especially the spicy Sicilian blends. Mmm. Pickled foods.” I have a newly acquired addition to pickled foods–beets, in particular.

Driven DETAIL by Featured Artist A Laura Brody - photo courtesy of Heidi Marie Photography

So, what’s coming up next for you?  “I’m looking for a gallery to put up a 2014 Opulent Mobility, together with many more artists who want to re-imagine mobility. If anyone knows of a space that’s really chair and walker accessible, I’d love to hear about it! I’m also putting together a piece to submit to the World of Wearable Art in New Zealand.  I want to make expanding nebula wings come off the back of a wheelchair (idea in process), and I just shot some video to put together into online tutorials for staple draping.  At some point I may get it all done.”

Laura, thank you for being our mad scientist! 

You have probably worsened my desire to salvage beautiful discarded treasures.  My husband calls it hoarding.  I’ll send him to this post for a better understanding of how it all works.  I am inspired.

Learn more about A. Laura Brody online!

Learn more about Featured Artist A Laura Brody!

Save

CALL for ENTRIES: Eco Art Awards

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!CHEESY
CENTER

I refuse to be pigeon-holed as a “foodie.”  It isn’t bad.  I just think I wandered out of “foodie” territory across the border into “crazy-food-lady” land long ago.  I dream about the perfect head of garlic.  I would rather sit down eat cheese than do almost anything else in the world.  Dare I say it…I probably love food more than art.  I am so sorry.  I didn’t mean it.  Well, maybe just a little.  This next call doesn’t want to pigeon-hole your talents by labeling it all art.  Get a load of the categories…

Check out this Call for Entries from the Eco Art Awards.  I love that there are multiple categories you can enter.  The entry fee is expensive per piece, but the cash prize is nice.  At least take a look…

*Editor’s Note:  If you have read the personal portion of this post, CALL for ENTRIES: Eco Art Awards, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES: Eco Art Awards

 

Learn more about the EcoArtAwards!“E-col-o-gy – the totality or pattern of relations between organisms and their environment.  It has been said that art is an expression of what we aspire to be…It is also true that art is a powerful catalyst for new thinking and cultural values!

“In our present world, ecology and the balance of humanity with nature is the most important challenge we face. Being ‘green’ is becoming mainstream and top of mind.  Eco Arts Awards has created a platform of self-expression that reflects our passions for deep ecological balance in the world, together with the joy and happiness that art brings us in our daily lives.” –from EcoArtAwards.com

ELIGIBILITY:  Open to all artists.

Learn more about the EcoArtAwards!CATEGORIES:  Songwriting, Literature, Photography, Fine Art, Functional Art and Short Videos.

MEDIA:  The Fine Art categories includes paintings, mixed media, drawings with any medium, sculpture, installations, and of course environmental interactions.

DEADLINE:  January 31, 2012

NOTIFICATION:  The First Place Winner’s, and People’s Choice award will be announced in early Spring of 2012.

ENTRY FEE:  $30 per work

JUROR: Each of the six categories has its own panel of expert jurors who will evaluate and select the winners of that particular category.

AWARDS:  There will be a $1,000 cash prize per category to the first place winner.

For complete details, visit www.EcoArtAwards.com!

Learn more about the EcoArtAwards!

CALL for ENTRIES: Sugarloaf

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!PLAN AHEAD

My family is on a savings spree.  We sat down the first week of the year and decided on goals for the year.  Many of those goals require cash.  Cash necessitates saving.  Saving, in my house, means cutting the food budget.  Grocery shopping is now preceeded by a menu and detailed grocery list and eating out has been cut to one sit-down meal and one fast-food meal a week.  This next Call gives you an opportunity to plan ahead.

This Call for Entries is for the 13 Sugarloaf Fine Art & Crafts festivals.  I don’t publish many festival calls, but Sugarloaf is among the country’s finest.  Take a look, and find a festival for you…or enter them all.

Wheel Thrown Pottery by Helen WeichmanCALL for ENTRIES:  Sugarloaf Festivals

Sugarloaf Crafts Festival, one of the nation’s most popular and most recognized juried shows of contemporary crafts and fine art, is now accepting applications from artists for its 2011 shows.

MEDIA:  Artists may apply for the 2011 shows in categories including ceramics and pottery, fiber and fashion, fine art, furniture, blown and leaded glass, leather, metalsmithing, photography and functional and decorative wood crafts.  Sugarloaf is no longer accepting applications for jewelry artists for Spring 2011 shows. Jewelry remains open for Fall 2011.

Glass Vessel by Henry LevineABOUT SUGARLOAF:  Sugarloaf enters its 36th year among the most respected shows in the country. In 2010, nine of Sugarloaf’s 13 shows were ranked in the Top 200 nationally by Sunshine Artist magazine. 

This past fall, attendance at the seven Sugarloaf shows increased by12%, and artists’ sales increased over 8%, totaling $9.7 million. Artists whose work is exhibited at Sugarloaf shows are jury-selected and are represented in the nation’s finest galleries, private collections, and museums.

APPLICATION PROCESS:  Artists interested in exhibiting at Sugarloaf Craft Festivals candownload applications from www.sugarloafcrafts.com. Applications must include slides representing artists’ work and their display space. Artists who wish to apply online can complete their application and submit digital images via www.zapplication.org, using the search term “Sugarloaf.” Potential exhibitors may also request printed applications and additional information by calling (800) 210-9900.

JEWELRY by Steve StamasThe Spring 2011 season of
Sugarloaf Festivals includes:

Chantilly, VA (Northern Virginia), January 28-30

Somerset, NJ, March 11-13

Oaks, PA (outside Philadelphia), March 18-20

Hartford, CT, March 25-27

Gaithersburg, MD (outside Washington, DC), April 8-10

Timonium, MD (outside Baltimore), April 29-May 1

Furniture by Michael WeneckThe fall 2011 season of
Sugarloaf Craft Festivals includes:

Timonium, MD, September 30 – October 2, 2011

Gaithersburg, MD, October 14 – 16, 2011

Somerset, NJ, October 28 – 30, 2011

Oaks, PA, November 4 – 6, 2011

Jewelry by Jeannette MullarkeyHartford, CT, November 11 – 13, 2011

Gaithersburg, MD, November 18 – 20, 2011

Chantilly, VA, December 9 – 11, 2011

For more information,
visit the
Sugarloaf website!

CALL FOR ENTRIES: Functional Art

Click Here to Subscribe to ArtAndArtDeadlines.com by email!I know a large number of artists that take great pride in the fact that their work is not “retail art,” and I know quite a handful of artists are proud to have their work sell in retail galleries because they can make a living doing what they love. If you are looking for a way to bridge the gap between fine art and the retail world, consider functional art as an option. Here’s a great call for functional art:

Call for entries

The Art of Applied Design is open to all applied artists age 18 or above, working in the U.S. and abroad.  There is no limit on the number of objects that may be entered.  Entries must be original one-of-a-kind works of the submitter, completed within the preceding three years (2007 to 2010), and be represented by high quality digital images. 

Click Here for the full Call for Entries!Evaluation will be based upon the creative uniqueness and originality of the work, evidence of excellence in craftsmanship, and quality of the photographic images provided by the artist/designer. 

Exhibition of accepted work will include notation of the artist’s name, country of residence, and e-mail address to facilitate the independent sales of exhibited work. 

One entry in each material category will be selected for recognition as Best of Show for that category.

Eligibility:

All submitted works must be functional objects typically used within interior spaces that also exhibit unique, innovative, inspirational, creative artistry.  Submitters must identify the primary material from which a work is constructed.  Entries will be evaluated against others made from that same material. 

Click Here for the full Call for Entries!Acceptable material categories are fiber (including paper), wood, metal, clay, and glass/plastic.  Examples of appropriate objects include furnishings (hard and soft), utensils, containers, fixtures, and other objects that enhance function and physical comfort within interior spaces.  Works selected for display within the DHM Digital Gallery will exhibit nontraditional, innovative design.

Not eligible for submission are the fine arts (painting, drawing, sculpture, etc.); objects that are purely decorative; works that are representative of functional objects but are not, themselves, functional; photography; video; architecture or architectural drawings; graphic designs; lighting designs (i.e., the projection of illumination in space); or functional objects not typically used within interior spaces.

Images:

Only high quality digital jpg images will be accepted. We recommend at least 300 dpi, with no more than 2048 pixels (and no less than 900 pixels).  Only one image per submission, illustrating the total object, should be submitted.  Additional images of any one submitted object will not be viewed. 

The DHM Digital Gallery will retain and modify the submitted images of accepted artwork for the purpose of using those images in publications and gallery publicity.  Submission of images to this exhibit constitutes permission for future use (and modification, when necessary) of those images by the DHM Digital Gallery for the above stated purposes. 

CD submissions will not be returned.  Each digital image should be identified in the following manner:

lastname.firstname.abbreviatedtitle.numberonentryform

Example:   Smith.Jane.HeartfeltSong.6.jpg

Click Here for the Functional Art Call for Entries!Entry Rules:

All entered works must be one-of-a-kind original creations by the artist, produced in the year 2007 or later.  Entry may be made via the mailing of digital images on a CD, or submission of digital images to the provided e-mail address.  The entry form accompanying this prospectus may be submitted as an e-mail attachment, or printed and mailed. 

All submissions must be accompanied by an entry fee of $25 (U.S. dollars) for the first two objects submitted for consideration, and $10 for each additional object.  The entry fee must be paid by check or money order made payable to DHM Digital Gallery, or by credit card via the link at the end of the online entry form. 

If submitting an entry by e-mail attachment, the entry form and all digital images must be attached to the same e-mail transmission.

Juror:

June Gilliam Worthington, with degrees focused on Business and Interior Design, has worked with architects, builders, interior designers, landscape architects, technical consultants and artists for more than 35 years to carry out her belief that through creative effort all things are possible. 

For nearly 20 of those years, she also owned and operated the es Posible Galleries in Scottsdale, Arizona,  specializing in one of a kind art, accessories and functional art furnishings.  The Galleries featured the works of numerous artists and craftspeople in addition to creations by her design associates. 

June Gilliam Worthington has taught at universities, jurored art shows, and mentored many in search of expressing their creativity.  Her clients and customers are from across the United States and many countries abroad.  In recognition of this outstanding career in the arts, June Gilliam Worthington is a recipient of the Hall of Fame Award from Oklahoma State University.

Calendar:

  • July 15, 2010:   Entries must be received by the DHM Digital Gallery
  • August 15, 2010:  Notification of the juror’s decisions sent to artists by e-mail messaging
  • September 15, 2010:  The Art of Applied Design exhibit opening
  • December 1, 2010:  Closing of the exhibit

Entry Checklist:

If paying the entry fee by on-line credit card, click on the payment button below and enter the needed transaction information, after which you will receive a confirmation e-mail with instructions about how to proceed with the entry process. If paying by check and postal mail, click on the entry form, below, and print the entry form for submission with a check or money order and a CD of images by mail.

  1. Completed entry form (submission via e-mail attachment is highly preferred).  To save the entry form on your computer, right click on this link, and click “Save As”.
  2. Check, money order (payable to DHM Digital Gallery) or credit card fee.  Click here for online credit card payment.
  3. Digital images formatted and labeled as directed (e-mail attachment or mailed CD).  Detailed instructions can be found on the entry form.

For the full Applied Art Call for Entries,
please visit the
DHM Digital Gallery Website.