CALL for ENTRIES: mon-o-chrome

Posted on January 20, 2020February 19, 2020 by R.L. Gibson

CULINARY tour

I spent 15 days on vacation –one week in Arizona, one week in New Mexico. Adjusting to the elevation was no joke. I’ve spent most of my life living at or around sea level. My homes for the past 10 years have been at around 2000 feet in elevation near the base of the Great Smoky Mountains. Bisbee, AZ has an elevation of approx 5500 feet and Silver City, NM has an elevation of 5800 feet, both higher than Denver, CO. Plus, Bisbee is known as the city of 1000 steps. We hear you get used to it after 3 weeks, but we only had two. We survived, but it was eye-opening. On an unrelated note, I think we took as many bites of food as we did steps. That’s a lot of forks folks. We’ve decided to start calling our vacations “culinary tours”. It seems more purposeful, less gluttonous, ha.

Now that I’m back, I am hard at work planning my year, including a residency (or three), a solo show, some juried shows, some invitationals. I have some announcements, but we’ll save those for another day. I am also looking to expand my “comfort” galleries to new areas. You know those galleries that you show in time and time again because you like the people, you like the space, you like the curation, you like the sales. You’re comfortable. I have a handful of those, but I am always looking to freshen my resume. This next call is a great way to try on a new gallery or, if you’ve shown at Las Laguna Gallery before, continue to develop that relationship. Take a look.

Check out this Call for Entries from the Las Laguna Gallery (Laguna Beach, CA) for mon-o-chrome, $35 entry & 35% commission, most media accepted. Don’t miss this opportunity…

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CALL for ENTRIES:
mon-o-chrome
from Las Laguna Gallery

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ELIGIBILITY: Open to all artists

MEDIA: Open to most media, including acrylic, airbrush, assemblage, charcoal, color pencil, collage, digital art, drawings, encaustic, etching, fiber art, graphite, illustration, mixed media, new media, oil, painting, pastel, photography, screen print, serigraph, and watercolor.

THEME: mon-o-chrome. The term monochrome describes paintings, drawings, design, or photograph or prints in one color or values of one color. For this call for art Las Laguna Gallery challenges artists to explore not only the range of tones of black and white, but also explore the range of a single color.

DEADLINE: March 8, 2020

NOTIFICATION: March 15, 2020. If accepted, delivery of work is January 30-February 4.

ENTRY FEE: $35 for up to 3

SALES: The gallery will retain 35% commission on all sales.

For complete details, Read the Full Call!

CALL for ENTRIES: Winter Solstice

Posted on August 1, 2019September 1, 2019 by R.L. Gibson

SPRING greens

Sweet potato pie is a family favorite. As we head into fall and the the pumpkin-spice vs no-pumpin-spice debate rages on endlessly, I’m over hear making sweet potato pies from fall all the way into winter. Sweet potatoes are available year ’round, take much less time to cook from scratch than sugar pumpkins and require far less added sugar. I know you think you don’t like them, but try them. Fall in love with them and you can be eating their beautiful orange goodness, from scratch instead of can, for the entire winter.

This next Call is centered around the mood and ambiance of winter and the work that it inspires. Winter tends to be productive for me, but it often produces darker work, literally and metaphorically. Are you affected by the change in the season? This show’s call deadline is in September, so you’ll either need to pull work from last winter or predict the oncoming season. If you’re looking for a museum show for your resume, investigate Marin MOCA, it is one of my favorites.

Check out this Call for Entries from Marin Museum of Contemporary Art (Novato, CA) for Winter Solstice. $35 entry, 40% commission. Delivery is nearly a month after notification, making shipping easier. Take a look…

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CALL for ENTRIES:
Winter Solstice from
Marin MoCA

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ELIGIBILITY: Open to all U.S. resident artists 18+

MEDIA: Open to all media

THEMES: Winter Solstice: “The short days and long nights of winter are imbued with moody ambiance and spiritual significance. It is a time for contemplation, but also for celebration. Show us what concepts emerge in your art practice during the winter months.“ MarinMOCA

DEADLINE: September 26, 2019 (PST)

NOTIFICATION: October 9, 2019 (posted on website)

ENTRY FEE: $35 for up to 3; $50 for 4-5 ($30/$45 for members)

JUROR: As owner of Andrea Schwartz Gallery in San Francisco for 25 years, Andrea Schwartz has supported work that is challenging and at the forefront of contemporary practice. Her gallery represents a select group of both emerging and mid-career artists from the Bay Area and throughout the country. The range of work includes paintings, works on paper, photography and sculpture. She is a graduate of the San Francisco Art Institute and is a board member of the San Francisco Art Dealers Association.

AWARDS: 1st Place $500, 2nd Place $300 & 3rd Place $100.

SALES: Marin MOCA will retain 40% commission (30% for members) on sales.

For complete details, Read the Full Call!

CALL for ENTRIES: Chroma

Posted on July 1, 2019June 27, 2019 by R.L. Gibson

GREEN me up

I’ve always had a hankering for a rainbow assortment of foods, but my personal aesthetic has skewed black and white over the years. I was the kid that wore black, my work concentrated on black and white images for nearly 20 years. About 2 1/2 years ago, my work shifted, and color began to seep into what I had to say. Once the dam sprung a leak, the flood waters came. I did a complete media shift with more color than I can describe, occasionally venturing into neon territory. Then I spent a month in Scotland. I took all black clothing with a few colorful scarves and accessories just to simplify packing…

But, Scotland. It was awash with the most spectacular light, even when it was overcast. My lasting impression is of vivid blues and greens. My clothing became an issue. I felt like I was wearing a black hole. When my plane touched down in the U.S. again, one of my first stops was to buy a colorful shirt because I just couldn’t take the black anymore. This next Call is all about color, and I have the perfect work to submit. How about you?

Check out this Call for Entries from Fine Line Creative Arts Center (St. Charles, IL) for Chroma in the Kavanaugh Gallery. $35 entry & 30% commission. Another gorgeous venue in the Chicago area…

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CALL for ENTRIES:
Chroma
from Fine Line Creative Arts Center

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media

THEME: Chroma, the purity of color, or its freedom from white or gray.

DEADLINE: July 22, 2019

NOTIFICATION: July 27, 2019

ENTRY FEE: $35 up to 3

JUROR: The show will be curated by the Kavanagh Gallery Committee.

AWARDS: $100 Best of Show and 2 non-monetary Awards of Merit

SALES: 30% commission on all sales will go to the Fine Line Creative Arts Center.

For complete details, Read the Full Call!

CALL for ENTRIES: Unique Abstractions

Posted on May 5, 2019February 19, 2020 by R.L. Gibson

abstractly DRINKING SPEAKING

The notion of eating healthy is an abstract one. Even putting ethical concerns aside, there are health benefits (and disadvantages) to embracing vegetarianism, veganism and even raw diets. Sugar is the devil, but artificial sweetners are differently malicious. An excessively fatty diet can lead to heart disease but when coupled with an near absence of carbohydrates puts the body in ketosis that effectively treats diabetes in many. Chocolate and red wine and coffee and kale, all abstractions of a healthy diet.

In art, abstraction takes a lot of forms. At it’s broadest, abstraction is work that is non-representational. But, that begs the question, non-representational of what? From that we get non-figurative & non-linear styles that are often included in surrealism, dadaism, cubism, fauvism, suprematism, art informel, neo-plasticism, de stijl & others. This next Call wants to see all of your abstract creations. My heart lies with abstraction, although I find reactions to it frustrating. What’s your experience? Are you insulated enough not to hear the voices of those that would dismiss the non-representational? My mantra is ‘process not product’. Excerise your muscle memory. Lose yourself in process. It works for me. What works for you?

Check out this Call for Entries from the Las Laguna Gallery (Laguna Beach, CA) for Unique Abstractions, a show of abstract work in a wide range of media. $35 entry & 35% commission. Don’t miss this opportunity…

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CALL for ENTRIES:
Unique Abstractions
from Las Laguna Gallery

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ELIGIBILITY: Open to all artists

THEME: Abstraction. “True abstract art not only utilizes flexibility and freedom; it also employs bold uses of color, line, pattern, form, process and composition.” — laslagunagallery.com

MEDIA: Open to acrylic, airbrush, assemblage, charcoal, color pencil, collage, digital art, drawings, encaustic, fiber art, araphite, illustration, mixed media, new media, oil, painting, pastel, photography & watercolor.

DEADLINE: June 7, 2019

NOTIFICATION: June 12, 2019. If accepted, delivery of work is June 26th to July 2nd.

ENTRY FEE: $35 for up to 3

SALES: The gallery will retain 35% commission on all sales.

For complete details, Read the Full Call!

CALL for ENTRIES: On the Easel Magazine

Posted on March 18, 2019March 17, 2019 by R.L. Gibson

don’t paint with FISH SAUCE

Every week I manage to make a handful of Insta-worthy, perfectly staged lunches & dinners, completely by accident. More often, I conjure tasty dishes that are weirdly, mostly shades of brown due to carmelization, excessive de-glazing and a love for soy, fish, Worchestershire & all other sauces, brown & salty. As you might imagine, the brown food pics, outside of coffee & walnuts, aren’t really winners on social media, ha. My work is not brown or salty, but similar & not…

A few times per week I manage to pull off a perfectly Insta-worthy image of my work in progress –always at an off-kilter angle with short focus to blur unresolved issues and just the right light to allow a contrast-y filter to make me look like a rock star. It is deceptive and born out of equal measure of insecurity and social media pressure to look like I always have everything effortlessly under control. I have guilt, but not. I don’t like feeding into the notion that studio life needs to be glamourous, but I also don’t like exposing my vulnerability underbelly to nameless, faceless critics. Then enters this Call. As you might imagine, I read A LOT of Calls, and I like options for art publication. But THIS call is different. This call wants to see the mess. Finally, there is an option to show studio life, work-in-progress specifically. I think that this is the kind of aspirational we can feel good about –always real, likely messy & unresolved. Seeing yourself represented as an artist is important. This Call is the brainchild of one of our previously Featured Artists, Robyn Thompson. It is a project of her course work while working toward her Master of Arts in Social Practice, making this a great opportunity to lift up ourselves AND one of our very own.

Check out this Call for Entries from On the Easel Magazine (digital/print) for Works In Progress. No entry fee for this aspirational call for work in progress. There are no cash awards, but this Call is all pros, no cons for me. Take a look, and please contact me personally if you have concerns…

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CALL for ENTRIES:
Work in Progress
from On the Easel Mag

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“On The Easel (OTE), a new hybrid digital/paper magazine is seeking submissions of works in progress. We want to see the mess. We want to show the struggles.”

ELIGIBILITY: Open to all artists

MEDIA: Open to all media. Despite the name, this Call is not restricted to painting. They “want to show work during its awkward teen years in the hopes that it will inspire folks to push through to bring it to fruition.”

DEADLINE: Rolling. April 15, 2019 or until all spots have been filled.

NOTIFICATION: 1 week post submission.

ENTRY FEE: None

EDITOR: Robyn Thompson, visual artist who is working toward her M.A. in Social Practice program at the University of the Highlands and the Islands. This project is a part of Thompson’s course work. Your participation would be appreciated.

AWARD: Each page will include a full page image of your work in progress or a detail from it. We welcome submissions of either. Your name, links to your work and a paragraph about your process will also be included. The publication will be available for free online and you will be able to order print copies at cost if you wish.

For complete details, Read the Full Call!

CALL for ENTRIES: Fantastic Fibers 2019

Posted on January 9, 2019January 6, 2019 by R.L. Gibson

I YAM what I yam

I make fantastic mashed potatoes. No, really, I do. My husband wants to know why I refuse to share my technique, but he secretly suspects it is the volume of butter involved. I can neither confirm or deny. My favorites to mash are these tiny little orange sweets I get from Aldi. I bake them (that’s the real secret) before adding butter & other goodies. I prefer to puree them in my food processor, but I am usually too lazy to wash it afterwards, so I whip them with my hand mixer instead. Whatever variety of sweet potato that Aldi has been carrying lately seems to have almost no stringy fibers to untangle from my beaters. Add a hint of nutmeg, and it is like a spoonful of Thanksgiving every time. They are great in place of rice for bowl full of stir fried root vegetables on a rainy day.

I am hyper aware of fiber lately, I suppose because of the embroidery or mark making with thread that has become a defining characteristic in my work. The work I am loving most these days is fiber. Rug tufting. Ombré string instillation. Simply over-stitched paper collages. I come from a family of quilters, and I love to sew. It isn’t a huge leap. I honestly can’t believe my own work didn’t “go there” before now. I think I felt that I couldn’t measure up as a quilter (imposter syndrome again). I still don’t know how it developed; one day I just started stitching over my paintings. Now they are incomplete without stitching. In the meantime, no one, including me, really considers my work fiber art; therefore, I may be stuck in the mixed media category forever. This next show is fiber specific. I’ve been to this show multiple years, and it is awe inspiring. Thousands of people flock to this show, and it features an ever-evolving range of work both aesthetically and narratively challenging. I want to be a part of this evolution someday. If you do this work, please be sure to do this show.

Check out this Call for Entries from Yeiser Art Center (Paducah, KY) for Fantastic Fibers 2019. $25 Entry & 40% commission. This is a great venue…

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CALL for ENTRIES:
Fantastic Fibers 2019
from Yeiser Art Center

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to fiber art –contemporary & innovative works created with fiber as the primary medium or concept.

DEADLINE: February 15, 2019

NOTIFICATION: March 1, 2019

ENTRY FEE: $25 for up to 3 images of ONE piece

JUROR: Professor and chair of the Fiber Department, Pauline Verbeek-Cowart, has been on the faculty of the Kansas City Art Institute since 1997. A native of the Netherlands, she received her BFA (1982) in Fine Art from the Maryland Institute and her MFA in textile design from the University of Kansas (1995). Ms Verbeek-Cowart’s academic and Fine Art careers have garnered her numerous awards. She is one of the leaders in the use of new technologies in hand-weaving and has also conducted research using industrial looms in The Netherlands and the US. Her industrially woven work crosses boundaries between Fine Art and applied textiles and is directed toward structurally textured fabrics for apparel as well as home-furnishings. Her work has been exhibited extensively in both national and international venues including France, Austria, Germany, Japan, Korea and Australia.

AWARD: $1,900 will be awarded: $1,000 Best of Show, $500 First Place, $250 Second Place & $150 Third Place

SALES: Yeiser Art Center will keep a 40% commission on all gallery sales.

For complete details, Read the Full Call!

CALL for ENTRIES: Scapes 2019

Posted on January 8, 2019January 5, 2019 by R.L. Gibson

WATER you up to?

It feels like it has been raining forever and may just never stop. Ever. I’ve never had a green thumb, but my grandmother tried to teach me the basic. I remember almost nothing she taught me except leaves turn yellow when you over water, and nothing is more exciting than the burst of the seed pod of a touch-me-not. So, while I can grow herbs on a windowsill, my dream of having a sustainable farming endeavor is a lost cause. But many of my friends are out there trying only to eat what they grow.

Realistically what do you grow end the land of never ending rain? Apparently taro thrives even in water logged conditions for up to weeks at a time. I could live on taro chips, right? Maybe not. Luckily I can still canoe to my local grocer. The rain is also making me hyperbolic, ha. I could paint the rain, I suppose, or gather rainwater to feed my watercolors for this next landscape call. I then I could use the prize money to buy aquaponic supplies.

Check out this Call for Entries from Art-Competition.net for Scapes 2019. $20 entry & no shipping. In addition to cash prizes, there are also marketing benefits. Take a look…

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CALL for ENTRIES:
Scapes 2019
from Art-competition.net

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ELIGIBILITY: All artists age 18+

MEDIA: Open to still media, including painting, drawing, photography, sculpture, digital, prints, fiber art, collage, etc.

THEME: ‘Scapes “…original interpretations of different types of landscapes, seascapes, or mindscapes from representational to abstract. The visual narrative of the work should transport the viewer to experience the beauty, uniqueness, or fantasy of these special places..”

DEADLINE: January 14, 2019

NOTIFICATION: January 18, 2019

ENTRY FEE: $20 for 1, $10 ea. add’l

AWARDS: $8,125 in cash & marketing prizes. (e.g. 1st place $500, 2nd Place $400, 3rd Place $300, etc) + helpful marketing. There will be 7 Winners and 10 Honorable Mentions.

For complete details, Read the Full Call!

CALL for ENTRIES: Blue 2019

Posted on December 31, 2018January 5, 2019 by R.L. Gibson

CUCUMBER and berries

Between granola and smoothies, I am on a constant hunt for decent fruit. This time of year, it is a challenge. The strawberries are horrific, fibrous little lumps. Bananas are great for smoothies but don’t dry well without sulfites. Cucumbers & pineapples are rocking my smoothies, but FRESH fruit is a struggle. (Yes, I can hear how that sounds.) Blueberries have saved me lately. They are relatively cheap and work in cereal and for pancakes & smoothies. If anyone has recommendations on how to dry them, I’m open to ideas. This next Call wants your blue solutions…

So why do you consider this online gallery, art publication opportunity? Well, here are some questions: Do you need a low risk, low cost way to test new, experimental work? Are you looking to drive traffic to your website and create organic content for social media posts? And, there’s the grant money. Do you want the opportunity to be awarded grant money? ha. Is this opportunity right for you? Only you can know. The deadline looms VERY CLOSE — January 7th.

Check out this Call for Entries from Art-Competition.net for Blue 2019. $25 entry & no shipping. Do you have work in blue? You know you want the $500 grant. Take a look…

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CALL for ENTRIES:
Blue 2019
from Art-competition.net

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ELIGIBILITY: All artists age 18+ (int’l)

MEDIA: Open to still media, including painting, drawing, photography, sculpture, digital art, printmaking, fiber art, collage, etc.

THEME: Blue “The art created of any subject that is enhanced by the use of the color blue, whether it is a single dot of blue or a completely blue image. The color blue should enhance the narrative of the works subject as blue can imply many emotions, symbolisms or feelings, from the blue marble we call earth to our emotions expressed in Blues music. Blue can express the future, good feelings, happiness, prosperity, ocean or sky, and we can feel blue, etc. It can be used to enhance, emphasize or be a focal point in the art.” –art-competition.net

DEADLINE: January 7, 2019

NOTIFICATION: January 14, 2019

ENTRY FEE: $25 for up to 3, $5 ea. add’l

AWARDS: 20 artists will be selected for an online group exhibit, “BLUE 2019” at Gallery25N; the exhibit and artists will be extensively marketed worldwide to over 26,000 people including art buyers, gallery owners, curators, collectors, etc. One artist will be selected to receive the “Christopher E. Burke Fine Art Grant“ of $500. That artist’s work will become the image of the exhibition and will be used on the invitation, video title screen and on all online marketing.

For complete details, Read the Full Call!

CALL for ENTRIES: Portraits 2018

Posted on December 3, 2018December 3, 2018 by R.L. Gibson

chuh-chuh-chuh-CHIA

I’ve often spoken of my emotional eating & closeted love for junk food. I occasionally comfort myself with the notion of artisinal junk food like lovingly, hand-made beautiful doughnuts. But, truth be known, I have an ugly Totino’s habit. I admitted here in writing once about 5 years ago, but as I push spinach salads and chia seed smoothies like a health food pimp, I like to believe that no one holds me accountable for my addiction to frozen pizza. (You can find the complete ingredient list here, OMG, assuming I can convince you I only eat the cheese variety. *lying*) I have faith in my better instincts, but I admittedly have worse ones too.

A lot of people have gut instincts about shows. Some artists are completely turned off by the concept of online shows. Some artists only want to show where they can hand-deliver work. I try to evaluate opportunities based on how they fulfill MY current needs. I don’t need resume fluff right now, so I am submitting to fewer shows and just trying to get the work DONE. I get asked about online galleries all the time, and whether or not they are scams. The easy answer is “sometimes”. You & I both need to submit work to shows that WORK for us. So what are the pros to online shows? I like them as a great way to test new, experimental work. they help me see how I stack up against other work in a more objective atmosphere than the bubble of my already engaged fan and peer base. Online shows can drive traffic to your website and give you organic social media posts. Online exhibits can force you to create themed work that gets you out of rut or unstuck. Depending upon the venue, they can help you reach a different audience. And, there’s the prize money. Is this opportunity right for you? Only you can know. I have faith in your better instincts.

Check out this Call for Entries from Art-Competition.net for Portraits 2018. $25 entry & no shipping. The theme is open to broader interpretation than you might think, and you know you want the $500 grant. Take a look…

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CALL for ENTRIES:
Portraits 2018
from Art-competition.net

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ELIGIBILITY: All artists age 18+ (int’l)

MEDIA: Open to still media, including painting, drawing, photography, sculpture, digital art, printmaking, fiber art, collage, etc.

THEME: Portraits “The curators are looking for a portrait showing the inner essence of the subject or a flattering representation, not just a literal likeness.” –art-competition.net

DEADLINE: December 10, 2018

NOTIFICATION: December 20, 2018

ENTRY FEE: $25 for up to 3, $5 ea. add’l

AWARDS: 20 artists will be selected for an online group exhibit, “PORTRAITS 2018” at Gallery25N; the exhibit and artists will be extensively marketed worldwide to over 26,000 people including art buyers, gallery owners, curators, collectors, etc. One artist will be selected to receive the “Christopher E. Burke Fine Art Grant“ of $500. That artist’s work will become the image of the exhibition and will be used on the invitation, video title screen and on all online marketing.

For complete details, Read the Full Call!

CALL for ENTRIES: Mind, Spirit & Emotion 2018

Posted on November 24, 2018November 26, 2018 by R.L. Gibson

I love you a LATKE!

The holiday season is upon us. What are you doing to see yourself through? Whether you are a fanatic for latkes or sufganiyot, ribbon candy or fruitcake, jerk chicken or Tofurky®, chances are good your holidays involve more than glad tidings & good will. It is a hard time of year for everyone, some more than others. Be mindful, be kind, and please, take care of yourself. This next Call wants to you to reveal your mind, spirit or emotion. Do you have work to enter?

Check out this Call for Entries from Art-Competition.net for Mind, Spirit & Emotion 2018. $20 entry & no shipping. The considered media is wide open too. Take a look…

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CALL for ENTRIES:
Mind, Spirit & Emotion 2018
from Art-competition.net

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ELIGIBILITY: All artists age 18+

MEDIA: Open to still media, including painting, drawing, photography, sculpture, digital, prints, fiber art, collage, etc.

THEME: Mind, Spirit & Emotion “The visual narrative of the artist’s work should reveal their mind, spirit and emotion in the artwork. The work should express the subject through the artist’s emotions, whether it is bold energy, subtle expression, mystery deepened or revealed, inner beauty, or a unique vision.”

DEADLINE: December 3, 2018

NOTIFICATION: December 14, 2018

ENTRY FEE: $20 for 1, $10 ea. add’l

AWARDS: $8,125 in cash & marketing prizes. (e.g. 1st place $500, 2nd Place $400, 3rd Place $300, etc) + helpful marketing. There will be 7 Winners and 10 Honorable Mentions.

Tag: fiber art

CULINARY tour

CALL for ENTRIES: mon-o-chrome from Las Laguna Gallery

For complete details, Read the Full Call!

SPRING greens

CALL for ENTRIES: Winter Solstice from Marin MoCA

For complete details, Read the Full Call!

GREEN me up

CALL for ENTRIES: Chroma from Fine Line Creative Arts Center

For complete details, Read the Full Call!

abstractly DRINKING SPEAKING

CALL for ENTRIES: Unique Abstractions from Las Laguna Gallery

For complete details, Read the Full Call!

don’t paint with FISH SAUCE

CALL for ENTRIES: Work in Progress from On the Easel Mag

For complete details, Read the Full Call!

I YAM what I yam

CALL for ENTRIES: Fantastic Fibers 2019 from Yeiser Art Center

For complete details, Read the Full Call!

WATER you up to?

CALL for ENTRIES: Scapes 2019 from Art-competition.net

For complete details, Read the Full Call!

CUCUMBER and berries

CALL for ENTRIES: Blue 2019 from Art-competition.net

For complete details, Read the Full Call!

chuh-chuh-chuh-CHIA

CALL for ENTRIES: Portraits 2018 from Art-competition.net

For complete details, Read the Full Call!

I love you a LATKE!

CALL for ENTRIES: Mind, Spirit & Emotion 2018 from Art-competition.net

For complete details, Read the Full Call!

CALL for ENTRIES:
mon-o-chrome
from Las Laguna Gallery

CALL for ENTRIES:
Winter Solstice from
Marin MoCA

CALL for ENTRIES:
Chroma
from Fine Line Creative Arts Center

CALL for ENTRIES:
Unique Abstractions
from Las Laguna Gallery

CALL for ENTRIES:
Work in Progress
from On the Easel Mag

CALL for ENTRIES:
Fantastic Fibers 2019
from Yeiser Art Center

CALL for ENTRIES:
Scapes 2019
from Art-competition.net

CALL for ENTRIES:
Blue 2019
from Art-competition.net

CALL for ENTRIES:
Portraits 2018
from Art-competition.net

CALL for ENTRIES:
Mind, Spirit & Emotion 2018
from Art-competition.net