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Tag: farmers market

CALL for ENTRIES: In Gold We Trust

Learn more about the In Gold We Trust Exhibit from the Ashton Gallery at Art on 30th!

come home, HONEY

My local farmer’s market is almost done for the season.  Because the market uses the parking lot between the American Legion and the post office, it is only available to us from late Spring to early Fall.  The worst of it is that it will likely cut off my supplie of golden goodness, local honey.  

My work has prominently featured golden hues lately, and I’ve fallen in love with some metallic Japanese watercolors.  I’ve even spent some time making my own metallic watercolors, using honey as a humectant.  Luckily, my paints don’t require Mason jars from the local farmer’s market.  Have you fallen under the spell of the glint of gold, the glow of gamboge hue, or the warmth of yellow ocre?  If so, here’s a great opportunity in San Diego.  Take a look…

Check out this Call for Entries from Ashton Gallery @ Art on 30th (San Diego, CA) for In Gold We Trust.  $35 Entry and 50% commission. I could find work for this call, could you?

Learn more about the In Gold We Trust Exhibit from Ashton Gallery @ Art on 30th!CALL for ENTRIES:
In Gold We Trust 
from Ashton Gallery

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all 2-D & 3-D artwork that fits on a pedestal. Photography, fabric & journal pages are welcome if prepared for hanging.

THEME:  Gold.  “Do you have the ‘Midas touch’ with gold in your artwork? Let’s see what you have been creating. All that glitters is not gold… any of the metallic paints are eligible as well as golden colors (mustard, yellow oxide, yellow ochre, etc) . . . . makes it eligible.”

DEADLINE:  September 22, 2018

NOTIFICATION:  September 30, 2019

ENTRY FEE: $35 for the 1st, $5 ea. addl 

JUROR:  Leonardo Bravo, Director at Palm Springs Art Museum. He is the founder and organizer of Big City Forum, an interdisciplinary, social practice and curatorial research project that brings attention to emergent practices across design, architecture, and the arts. It provides an ongoing exploration of the intersections between these creative disciplines and new ways of knowledge making within the context of public space and social change. Over the last three years he has been the Director of Education and Public Programs wfth the Palm Springs Art Museum

AWARD:  $1,000 in cash prizes

SALES:  Ashton Gallery retains 50% commission for sale of artwork.

For complete details, Read the Full Call!

Learn more from the Ashton Gallery at Art on 30th!

CALL for ENTRIES: Transience

Learn more about the Transience exhibit from L.A. Photo Curator!TO-MAY-TO to-mah-to

Here today, gone tomorrow –ah, transient tomatoes.  Just last week I was lamenting how many ways I could quickly preserve the abundance of tomatoes I brought home from the farmers market.  Now?  I have a handful of tiny Romas left before I have to suffer the grocer’s sad selection of hard, hot house harlots that pass as tomatoes. This next Call wants your take on transience, physical, mental or ethereal.  Take a look…

Check out this Call for Entries from L.A. Photo Curator for the Transience exhibit. $20 entry, no shipping, great prizes plus art publication for ALL entrants. Great opportunity…

Learn more about the Transience exhibit from L.A. Photo Curator!CALL for ENTRIES:
Transience
from L.A. Photo Curator

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“. . . photography itself is transient, so I think the transient aspects of photographs remain relevant and interesting. This call for entries seeks images that relate in some way to physical or psychic movement, the nature of being and non-being, aspects of our various experiences, the retelling and visualization of dreams, expressions of spirituality, or any other interpretation of the word transience- both material and ethereal.” –from Adam Finkelston via laphotocurator.com

ELIGIBILITY: Open to all artists

MEDIA: Photography

DEADLINE: September 23, 2016 (Midnight PST)

NOTIFICATION: (and opening date) October 5, 2016

ENTRY FEE: $20 for up to 3. 15% of artist fees go to 2 charities per competition. 7.5% to the curator’s choice of charity and 7.5% to the first place winner’s chosen charity.  Finkelston has chosen the charity Change The Truth

CURATOR: Adam Finkelston is an artist, art educator, and magazine publisher based in Roeland Park, KS. Finkelston is also the owner, publisher, and co- editor of an internationally- recognized quarterly art magazine called, The Hand Magazine: A Magazine For Reproduction-based Arts, through which he has also curated exhibitions of international artists. As an educator, Mr. Finkelston has received numerous awards and grants, including the 2016 ArtsKC Education Award, recognizing his multi- disciplinary student project, Creative Co/Lab.

SALES: All sales are conducted between the artist & buyer. L.A. Photo Curator does not handle any part of sales. There is no commission.

For complete details, Read the Full Call!

Learn more about the Transience exhibit from L.A. Photo Curator!

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