CALL for ENTRIES: The Art of Living Black

Posted on October 4, 2019October 24, 2019 by R.L. Gibson

sneaky SNACKS

Do you stop eating at a certain time at night? I have relapsed into late night snacking, and now I have a rock in my stomach every night when I am already struggling to sleep. Ahhhh. I go to sleep later, so I get up later, so I get into the studio later, so I get less done. If I could close my mouth, I could make more art. I think I’ve heard that before, ha.

I have been away from posting for a while because I have also been having a hard time keeping my mouth closed in this volatile poitical climate. It is helpful for me to remember that not everything is about me, and sometimes I just have to walk away. It is with that in mind that I remind you that this Call is not for all of you. I normally refrain from publishing regional calls; however, a significant number of AAAD subscribers live in this region. So, this Call isn’t for me, but it might be for you. This opportunity includes the main exhibit AND satellite exhibits. (And, please share this Call with your California friends and peers.)

Check out this Call for Entries from Richmond Art Center (Richmond, CA) for The Art of Living Black. This is a great multi-venue exhibition opportunity. $65/$75 entry & 40% commission. And, this is a great venue…

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CALL for ENTRIES:
The Art of Living Black
from Richmond Art Center

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ELIGIBILITY: Open to all artists of African descent, who are 16 years or older, and who reside/work within the nine counties of the California Bay Area (Alameda, Contra Costa, Marin, Napa, San Francisco, San Mateo, Santa Clara, Solano, Sonoma).

MEDIA: Open to all media

DEADLINE: October 31, 2019

NOTIFICATION: June 15, 2018

ENTRY FEE: $75 for 1, $65 for RAC members

CURATION: This event is organized by The Art of Living Black Steering Committee in partnership with the Richmond Art Center. The Steering Committee is a dedicated group of established Bay Area artists touched by the vision of founders Jan Hart-Shuyers and Rae Louise Hayward. The group’s mission is to preserve and expand the vision of their beloved founders by supporting emerging, mid-career and established artists of African descent.

AWARD: The Art of Living Black registration fee includes participation in the exhibition at the Richmond Art Center and open studios/satellite exhibitions. Artists without a space for open studios/satellite exhibitions can request to be offered a space. Artists who do not wish to participate in open studios/satellite exhibitions may choose to opt out at the time of registration (the fee remains the same).

SALES: 40% commission on all sales will go to The Richmond Art Center.

For complete details, Read the Full Call!

CALL for ENTRIES: Winter Solstice

Posted on August 1, 2019September 1, 2019 by R.L. Gibson

SPRING greens

Sweet potato pie is a family favorite. As we head into fall and the the pumpkin-spice vs no-pumpin-spice debate rages on endlessly, I’m over hear making sweet potato pies from fall all the way into winter. Sweet potatoes are available year ’round, take much less time to cook from scratch than sugar pumpkins and require far less added sugar. I know you think you don’t like them, but try them. Fall in love with them and you can be eating their beautiful orange goodness, from scratch instead of can, for the entire winter.

This next Call is centered around the mood and ambiance of winter and the work that it inspires. Winter tends to be productive for me, but it often produces darker work, literally and metaphorically. Are you affected by the change in the season? This show’s call deadline is in September, so you’ll either need to pull work from last winter or predict the oncoming season. If you’re looking for a museum show for your resume, investigate Marin MOCA, it is one of my favorites.

Check out this Call for Entries from Marin Museum of Contemporary Art (Novato, CA) for Winter Solstice. $35 entry, 40% commission. Delivery is nearly a month after notification, making shipping easier. Take a look…

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CALL for ENTRIES:
Winter Solstice from
Marin MoCA

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ELIGIBILITY: Open to all U.S. resident artists 18+

MEDIA: Open to all media

THEMES: Winter Solstice: “The short days and long nights of winter are imbued with moody ambiance and spiritual significance. It is a time for contemplation, but also for celebration. Show us what concepts emerge in your art practice during the winter months.“ MarinMOCA

DEADLINE: September 26, 2019 (PST)

NOTIFICATION: October 9, 2019 (posted on website)

ENTRY FEE: $35 for up to 3; $50 for 4-5 ($30/$45 for members)

JUROR: As owner of Andrea Schwartz Gallery in San Francisco for 25 years, Andrea Schwartz has supported work that is challenging and at the forefront of contemporary practice. Her gallery represents a select group of both emerging and mid-career artists from the Bay Area and throughout the country. The range of work includes paintings, works on paper, photography and sculpture. She is a graduate of the San Francisco Art Institute and is a board member of the San Francisco Art Dealers Association.

AWARDS: 1st Place $500, 2nd Place $300 & 3rd Place $100.

SALES: Marin MOCA will retain 40% commission (30% for members) on sales.

For complete details, Read the Full Call!

CALL for SUBMISSIONS: $1000 Artist Grant

Posted on July 15, 2019July 14, 2019 by R.L. Gibson

TOFU no, VEGGIES though

Testimonials and recommendations are great, but my taste buds choose for themselves. As a welcomed side-result of writing these posts, I receive a significant amount of unsolicitied recommendations for brands of food that are meant to change my mind about tofu, kale & collard greens. And, I diligently try most to of the suggests, just in case. On occasion I muse to myself, “that wasn’t half bad”, (never about tofu though), but the important thing for me is to not get stuck in a rut or trust a single encounter as the definitive one. Did you know that I avoided asparagus for 20 years because of my experiences with the canned variety as a child. I missed 20 years of green tree goodness. Never again. So, send me your food suggestions, and I’ll send you my art experience suggestions. Here’s one now.

Yesterday, I offered a Call that chose random winners for supplies in a specific media, but today I offer a Call with a juried winner of cash open to wide array of media. More accurately, this is a purchase award of sorts. You do not have to submit the work that will be exchanged for the $1000 –that can be negotiated later. They even pay shipping costs to get the work to them. I’ve been touting this opportunity for years, so there is a long, RESEARCHABLE history of winners. Draw your own conclusions about their taste, but it is worthy of consideration.

Check out this Call to Artists from WorkingArtist.org for the $1000 Artist Grant. $25 entry & an email. It doesn’t get any easier. Don’t miss this one…

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CALL to ARTISTS:
Artist Grant
from workingartist.org

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“The Working Artist Grant/Art Purchase Award is a meager one-time art award intended to disperse small but vitalizing bursts of funding to support an artist’s ongoing art making process.” –workingartist.org

ELIGIBILITY: Open to all artists

MEDIA: Open to visual media, including but not limited to drawing, painting, conceptual, installation, prints, sculpture, new media, mixed media, photography & video.

DEADLINE: July 31, 2019

NOTIFICATION: September 15, 2019 (approx. 45 days)

ENTRY FEE: $25 for up to 5

AWARDS: If selected as the winner, the award recipient must exchange one of their original works or smaller series of original works for inclusion into a collection, in return for the award. Work considered by the artist as of equal value, and available for acquisition can be negotiated upon receipt of the award. Shipping costs will be paid by workingartist.org.

For complete details, Read the Full Call!

CALL for ENTRIES: Chroma

Posted on July 1, 2019June 27, 2019 by R.L. Gibson

GREEN me up

I’ve always had a hankering for a rainbow assortment of foods, but my personal aesthetic has skewed black and white over the years. I was the kid that wore black, my work concentrated on black and white images for nearly 20 years. About 2 1/2 years ago, my work shifted, and color began to seep into what I had to say. Once the dam sprung a leak, the flood waters came. I did a complete media shift with more color than I can describe, occasionally venturing into neon territory. Then I spent a month in Scotland. I took all black clothing with a few colorful scarves and accessories just to simplify packing…

But, Scotland. It was awash with the most spectacular light, even when it was overcast. My lasting impression is of vivid blues and greens. My clothing became an issue. I felt like I was wearing a black hole. When my plane touched down in the U.S. again, one of my first stops was to buy a colorful shirt because I just couldn’t take the black anymore. This next Call is all about color, and I have the perfect work to submit. How about you?

Check out this Call for Entries from Fine Line Creative Arts Center (St. Charles, IL) for Chroma in the Kavanaugh Gallery. $35 entry & 30% commission. Another gorgeous venue in the Chicago area…

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CALL for ENTRIES:
Chroma
from Fine Line Creative Arts Center

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media

THEME: Chroma, the purity of color, or its freedom from white or gray.

DEADLINE: July 22, 2019

NOTIFICATION: July 27, 2019

ENTRY FEE: $35 up to 3

JUROR: The show will be curated by the Kavanagh Gallery Committee.

AWARDS: $100 Best of Show and 2 non-monetary Awards of Merit

SALES: 30% commission on all sales will go to the Fine Line Creative Arts Center.

For complete details, Read the Full Call!

CALL for ENTRIES: Cover Art

Posted on May 28, 2019May 28, 2019 by R.L. Gibson

a HUNGRY summer

I’ve had my head down working and planning and growing. How about you? Spring always makes me take a second look at my process, while summer makes me kick into production mode. What are you doing to support your work? I am contemplating meal kits and taking a day off from the studio. I know that doesn’t make a lot of sense at first glance. But lunch is the bane of my daily schedule. Just when I hit a creative stride, it is time for some sort of meal prep for lunch. I live in a house with folks with dietary restrictions, and everyone eats lunch at home. So, I’ve been exploring options. Take out takes just as much time to pick up, and delivery is cost prohibitive. A lot of meal kits are labor intensive despite arriving with pre-prepped foods, and many of them are the wrong quantity or, again, cost-prohibitive. I’ve found one (Hungryroot & no, this is not sponsored) I think I am going to give a try. The ingredients look good, the sizing is right, the cost is manageable. I am excited about getting lunch off my plate, so to speak.

One of the other big stumbling blocks for me is juggling my boring-but-necessary household tasks with my work schedule. Finding time. I find it hard to work creatively when I am encumbered with a list of non-creative tasks to do at home. My husband more than carries his half of the burden, but someone still has to do my half, ha. So, I’ve been practicing taking one day off from the studio and trying to cram all of the household tasks I can into that day –laundry, appointments, meal planning, grocery shopping. It is a work in progress. I’ll be sure to give you an update before summer’s end. In the meantime, I’ve had two acceptances for publication in two different magazines, and I am inspired by the positive attention it has drawn to my work and added to my social media reach. So, I am offering a few publication calls this week. I am running close on deadlines, so don’t delay in submitting your work.

Check out this Call for Entries from New England Review (Print & Digital Publication) for Cover Art. There is an additional call for artwork for use on their website on the same page. This is a reputable publication option, with artist payment (albeit tiny) and little to no risk. Is this a good fit for you?

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CALL for ENTRIES:
Cover Art
from New England Review

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to any genre (painting, photo, sculpture, etc.) that will reproduce well as cover art. “We strongly favor abstraction.”

DEADLINE: May 31, 2019

NOTIFICATION: Within 12 weeks, if possible.

ENTRY FEE: $2-$3 for writing submissions, but cover art submissions appear to be no charge. Fees are waived for current subscribers.

AWARD: $100 for cover art, plus two copies of the issue in which the work appears and a one-year subscription. The cover will be printed in full-color, full bleed, with the magazine’s logo in overprint and will be reproduced on the magazine’s website and electronic publications. The size of the printed cover is 6.75 inches wide by 9.75 inches tall, so the image may need to be adjusted to fit the trim size.

For complete details, Read the Full Call!

CALL for ENTRIES: Meltdown

Posted on April 12, 2019April 13, 2019 by R.L. Gibson

lost in TRANSLATION

It is no secret that I’m a little, well, let’s call it cheese “focused”. But we all have our priorities. After being seperated by an ocean for 4 weeks, my husband and I stopped by a local dairy farm less than 24 hours after reunited… to buy cheese. Priorities. Cheese glorious cheese. A few days later, I made summer squash au gratin also known as “squash makes all the melted cheese a legitimate choice”, au gratin for short. Melted cheese means I’m home, ha. Think of it as my oven’s welcome mat. It is the best kind of meltdown.

I have been known to indulge in an epic meltdown of a personal nature on occasion. The last U.S. presidential election put me in an ugly place for weeks. Every insuing attack on civil rights, environmental regulations, access to health insurance & the ability to govern the workings of my own body have warranted their own meltdowns. My work has changed. My life has changed. I worry about becoming numb to the suffering of others, to the loss of agency, to the restrictions on the ability to speak freely. Where is this planet’s population headed? While I was in Scotland recently, I was regularly engaged by locals about American politics. People want to understand what is going on in the United States. I couldn’t explain. I can’t explain. So, I just keep working. Right now, THAT is what I can do.

This next Call in interested wants to see how your work reflects a sense of meltdown, whatever your interpretation. What do you have to say? Could this be the place for you to say it? Check out this Call for Entries from Slow Art Productions for Meltdown at the Limner Gallery (Hudson, NY). $35 entry, 35% commission, open to all media and all artists. Take a look…

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CALL for ENTRIES:
Meltdown
at the Limner Gallery

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This exhibition will be held June 14 – July 13, 2019.

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media forms

THEME: “We are living in an age of global crisis – of catastrophic MELTDOWN, a crisis the proportions of which, sadly, needs no description. Historically artists have foreseen, described and been inspired by crisis. The subject of this exhibition is every aspect of the MELTDOWN crisis, be it global, personal, environmental, financial, psychological, scientific and/or spiritual.” — Limner Gallery

DEADLINE: April 30, 2019

NOTIFICATION: May 31, 2019

ENTRY FEE: $35 for up to 4, $5 ea. add’l

SALES: SlowArt Productions will retain 35% commission on sales. Prices set by the artist.

For complete details, Read the Full Call!

CALL for ENTRIES: On the Easel Magazine

Posted on March 18, 2019March 17, 2019 by R.L. Gibson

don’t paint with FISH SAUCE

Every week I manage to make a handful of Insta-worthy, perfectly staged lunches & dinners, completely by accident. More often, I conjure tasty dishes that are weirdly, mostly shades of brown due to carmelization, excessive de-glazing and a love for soy, fish, Worchestershire & all other sauces, brown & salty. As you might imagine, the brown food pics, outside of coffee & walnuts, aren’t really winners on social media, ha. My work is not brown or salty, but similar & not…

A few times per week I manage to pull off a perfectly Insta-worthy image of my work in progress –always at an off-kilter angle with short focus to blur unresolved issues and just the right light to allow a contrast-y filter to make me look like a rock star. It is deceptive and born out of equal measure of insecurity and social media pressure to look like I always have everything effortlessly under control. I have guilt, but not. I don’t like feeding into the notion that studio life needs to be glamourous, but I also don’t like exposing my vulnerability underbelly to nameless, faceless critics. Then enters this Call. As you might imagine, I read A LOT of Calls, and I like options for art publication. But THIS call is different. This call wants to see the mess. Finally, there is an option to show studio life, work-in-progress specifically. I think that this is the kind of aspirational we can feel good about –always real, likely messy & unresolved. Seeing yourself represented as an artist is important. This Call is the brainchild of one of our previously Featured Artists, Robyn Thompson. It is a project of her course work while working toward her Master of Arts in Social Practice, making this a great opportunity to lift up ourselves AND one of our very own.

Check out this Call for Entries from On the Easel Magazine (digital/print) for Works In Progress. No entry fee for this aspirational call for work in progress. There are no cash awards, but this Call is all pros, no cons for me. Take a look, and please contact me personally if you have concerns…

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CALL for ENTRIES:
Work in Progress
from On the Easel Mag

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“On The Easel (OTE), a new hybrid digital/paper magazine is seeking submissions of works in progress. We want to see the mess. We want to show the struggles.”

ELIGIBILITY: Open to all artists

MEDIA: Open to all media. Despite the name, this Call is not restricted to painting. They “want to show work during its awkward teen years in the hopes that it will inspire folks to push through to bring it to fruition.”

DEADLINE: Rolling. April 15, 2019 or until all spots have been filled.

NOTIFICATION: 1 week post submission.

ENTRY FEE: None

EDITOR: Robyn Thompson, visual artist who is working toward her M.A. in Social Practice program at the University of the Highlands and the Islands. This project is a part of Thompson’s course work. Your participation would be appreciated.

AWARD: Each page will include a full page image of your work in progress or a detail from it. We welcome submissions of either. Your name, links to your work and a paragraph about your process will also be included. The publication will be available for free online and you will be able to order print copies at cost if you wish.

For complete details, Read the Full Call!

CALL for ENTRIES: 47th Int’l Show

Posted on January 21, 2019January 19, 2019 by R.L. Gibson

focused and FARE

I cheated on my husband with shrimp tacos. He’s contact allergic to shellfish, and on the rare occasion I eat a meal without him, my radar is firmly set on shrimp. I feel guilty while eating them, like I’ve cheated, and then have to go through a hazmat-style sterilization process afterward. But, shrimp.

I had that shrimp-y luncheon with my a friend, an accomplished realist painter. We spent time talking about our plans for the next weeks and months. She paints prolifically and noted, “I haven’t even been looking at Calls because I can’t do anything until Fall”. Between work for galleries that represent her, a couple of invitational shows and a museum solo show that comes down this week, she can’t lose focus. Realizing that kind of focus has been my goal for months, and I am beginning to see results, but it requires tuning out the things that don’t serve my focused goal.

Are museum shows a part of your current plan? If yes, check out this Call for Entries from Brownsville Museum of Fine Art (Brownsville, TX) for 47th International Art Show. $45 entry & 30% commission, plus $3300 in cash awards. Both jurors’ work is well documented, so do your homework!

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CALL for ENTRIES:
47th Int’l Art Show
from Brownsville Museum of Fine Art

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to painting, drawing, water media, mixed media, printmaking, 3D sculpture, photography & digital media.

DEADLINE: February 20, 2019 (midnight CENTRAL time)

NOTIFICATION: February 26, 2019

ENTRY FEE: $45 up to 3, $5 ea. addl

JURORS: Joe Harjo, visual artist, MFA from the University of Texas San Antonio, and Professor of Photography at Southwest School of Art, San Antonio, TX. Mauricio Saenz, visual artist and filmmaker, MA in Artistic Production from Polytechnic University of Valencia, Spain.

AWARD: Best of Show $1000; Clara Ely Award $250 (limited to oil & acrylic), and Octavia Arneson Award $250 (limited to water media), Mayor’s Award: Commemorative Plate, First Place (in each of 8 categories) $150, 2nd Place (in each of 8 categories) $50, 3rd Place (in each of 8 categories) $25 and Honorable Mentions receive ribbons.

SALES: All art must be for sale and the BMFA will require 30% commission for any sale that was a direct result of the exhibition.

For complete details, Read the Full Call!

CALL for ENTRIES: Arte Natura 2019

Posted on January 16, 2019January 15, 2019 by R.L. Gibson

lost in TRANSLATION

What you do if your grocery option were cut by 90%? I recently read an article about the single largest threat to independent or regional grocers being small-box discount stores like Dollar General, Family Dollar & Dollar Tree. If you groceries could only come from one of these sources, can you imagine never eating fresh meat or vegetables again? Virtually every food you would consume would be pre-processed, significantly so. Nothing you ate would be as it exists in nature or even one step removed. My mind is really blown by that idea. It scares me. It that scenario, I would have to put my own health into the hands of the food processing industry. How does that sit with you? Yeah, me neither.

I live less than 5 miles from a regional grocer and another 10-15 miles from large-box retailers like Kroger, Publix, Walmart & Aldi. As much as I would like to buy local, my local grocer doesn’t make stock decision or employ pricing policies that allow me to make the best menu or the best financial decisions. Currently, Aldi gets the bulk of my formal grocery dollars. I want to make foods based on fresh fruits, vegetables, meats, seafood & diary –as close as I can find to their natural form as possible. If I eat poorly, I want it to be by my choice.

A similar desire prompted by media change. I wanted to work using supplies and/or products that I could find easily, or make myself if necessary. At the time, I was contemplating significant rural travel that would have made art supply deliveries less convenient. I’ve always been a closet painter, but always acrylics. Acrylics led me down the path to acrylic mediums, and then my supply load quadrupled. I slowly made my way to watercolor. Purchased paints last long periods & arrive in compact containers. I can make both paints & paper with very few supplies if necessary. Finished work can be stored flat, pressed. Small amounts of water can be found anywhere. It took me a long time to commit, but I’m here and I’m in love, naturally.

This next Call in interested in seeing your nature-oriented work. What do you have to show in this well-established gallery? Take your time, research the history of this show & venue and the curatorial choices that have shaped this space. Could this be a good fit for you? Check out this Call for Entries from Slow Art Productions for Arte Natura 2019 at the Limner Gallery (Hudson, NY). $35 entry open to all media and all artists. Take a look…

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CALL for ENTRIES:
Arte Natura 2019
at the Limner Gallery

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This exhibition will focus on art inspired by the natural world and will be held at the Limner Gallery from May 9 – June 1, 2019.

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media forms of painting, drawing, sculpture, photography, graphics, digital and installation art, video, etc.

DEADLINE: February 28, 2019

NOTIFICATION: March 31, 2019

ENTRY FEE: $35 for up to 4, $5 ea. add’l

SALES: SlowArt Productions will retain 35% commission on sales. Prices set by the artist.

For complete details, Read the Full Call!

CALL for ENTRIES: Scapes 2019

Posted on January 8, 2019January 5, 2019 by R.L. Gibson

WATER you up to?

It feels like it has been raining forever and may just never stop. Ever. I’ve never had a green thumb, but my grandmother tried to teach me the basic. I remember almost nothing she taught me except leaves turn yellow when you over water, and nothing is more exciting than the burst of the seed pod of a touch-me-not. So, while I can grow herbs on a windowsill, my dream of having a sustainable farming endeavor is a lost cause. But many of my friends are out there trying only to eat what they grow.

Realistically what do you grow end the land of never ending rain? Apparently taro thrives even in water logged conditions for up to weeks at a time. I could live on taro chips, right? Maybe not. Luckily I can still canoe to my local grocer. The rain is also making me hyperbolic, ha. I could paint the rain, I suppose, or gather rainwater to feed my watercolors for this next landscape call. I then I could use the prize money to buy aquaponic supplies.

Check out this Call for Entries from Art-Competition.net for Scapes 2019. $20 entry & no shipping. In addition to cash prizes, there are also marketing benefits. Take a look…

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CALL for ENTRIES:
Scapes 2019
from Art-competition.net

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ELIGIBILITY: All artists age 18+

MEDIA: Open to still media, including painting, drawing, photography, sculpture, digital, prints, fiber art, collage, etc.

THEME: ‘Scapes “…original interpretations of different types of landscapes, seascapes, or mindscapes from representational to abstract. The visual narrative of the work should transport the viewer to experience the beauty, uniqueness, or fantasy of these special places..”

DEADLINE: January 14, 2019

NOTIFICATION: January 18, 2019

ENTRY FEE: $20 for 1, $10 ea. add’l

AWARDS: $8,125 in cash & marketing prizes. (e.g. 1st place $500, 2nd Place $400, 3rd Place $300, etc) + helpful marketing. There will be 7 Winners and 10 Honorable Mentions.

Tag: drawing

sneaky SNACKS

CALL for ENTRIES: The Art of Living Black from Richmond Art Center

For complete details, Read the Full Call!

SPRING greens

CALL for ENTRIES: Winter Solstice from Marin MoCA

For complete details, Read the Full Call!

TOFU no, VEGGIES though

CALL to ARTISTS: Artist Grant from workingartist.org

For complete details, Read the Full Call!

GREEN me up

CALL for ENTRIES: Chroma from Fine Line Creative Arts Center

For complete details, Read the Full Call!

a HUNGRY summer

CALL for ENTRIES: Cover Art from New England Review

For complete details, Read the Full Call!

lost in TRANSLATION

CALL for ENTRIES: Meltdown at the Limner Gallery

For complete details, Read the Full Call!

don’t paint with FISH SAUCE

CALL for ENTRIES: Work in Progress from On the Easel Mag

For complete details, Read the Full Call!

focused and FARE

CALL for ENTRIES: 47th Int’l Art Show from Brownsville Museum of Fine Art

For complete details, Read the Full Call!

lost in TRANSLATION

CALL for ENTRIES: Arte Natura 2019 at the Limner Gallery

For complete details, Read the Full Call!

WATER you up to?

CALL for ENTRIES: Scapes 2019 from Art-competition.net

For complete details, Read the Full Call!

CALL for ENTRIES:
The Art of Living Black
from Richmond Art Center

CALL for ENTRIES:
Winter Solstice from
Marin MoCA

CALL to ARTISTS:
Artist Grant
from workingartist.org

CALL for ENTRIES:
Chroma
from Fine Line Creative Arts Center

CALL for ENTRIES:
Cover Art
from New England Review

CALL for ENTRIES:
Meltdown
at the Limner Gallery

CALL for ENTRIES:
Work in Progress
from On the Easel Mag

CALL for ENTRIES:
47th Int’l Art Show
from Brownsville Museum of Fine Art

CALL for ENTRIES:
Arte Natura 2019
at the Limner Gallery

CALL for ENTRIES:
Scapes 2019
from Art-competition.net