Darkroom Gallery – Page 6 – Art and Art Deadlines.com

REMINDER: Night Light

Posted on March 6, 2012March 6, 2012 by R.L. Gibson

I’M BAD,
Yeah, I’m Bad…

Expiration dates on food should be BIGGER! I moved this week and found coconut milk that expired in 2008. That means I have probably consumed some expired food unknowingly because I rarely check the dates. This next call is going to expire soon. Consider this your public health announcement..

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Night Light. The entry fee at Darkroom is always low ($20), and I love that they will provide free matting and framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
Night Light

Night photography reveals a world that we do not consciously see and offers photographers unique creative opportunities.

Night and day, dark and light – one implies the absence of the other. But like yin yang, each has a bit of the other. The surprising thing to first time night photographers is how their images reveal things that the mind’s eye does not see. Different light sources reveal their true colors. Compared to daylight, directed and weaker light creates drama, contrast, mystery and mood.

The dynamic range of light at night tends to be more in line with our tools abilities. Of course there are technical challenges with shooting in low light, but also tremendous creative opportunities. That’s what Darkroom Gallery wants to show with this exhibit.

Do you work with existing light – or do you introduce your own? Maybe you paint with light emitting light brushes. How have you approached shooting at night to express your vision? They want to see.

ELIGIBILITY: Entrants must be at least 18 years old. If younger, you must have a legal guardian make the submission for you.

MEDIA:
Photography.

DEADLINE:
March 21, 2012

NOTIFICATION:
March 27, 2012

JUROR: Linda Rutenbergm, a Montreal-born native, who has been a photographer for 30 years. Her MFA in Photography is from Concordia University. She’s taught photography and worked as a freelance photographer for thirty years.

Rutenbergm’s fine art work has been exhibited internationally. She has produced several series:- Urban Visions, Sacred Sites, Terre Caliente, One Island – Many Cities, Mont Royal – A World Apart, The Spiritual Landscape and is presently working on a nocturnal garden series.

Linda has become particularly known for her striking images of flowers taken at night, revealed in a series of books, starting with The Garden at Night: Private Views of Public Edens (2007),After Midnight (2008)and The English Garden at Night (2009).

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

REMINDER: Spontaneous

Posted on February 21, 2012February 21, 2012 by R.L. Gibson

a BERRY in a BASKET
worth TWO in a BUSH?

I still dislike the lack of spontaneity involved in home-cooking. What I am I going to do with all the extra food I grow this year? My neighbors would say “can it.” Mmmhmm. Need I remind you of how little time I have as it is? Maybe I will spontaneously leave baskets of home-grown goodies on strangers’ doorsteps. This next show expects spontaneity from YOU. TIME IS RUNNING OUT…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Spontaneous. The entry fee at Darkroom is always low ($20), and I love that they will provide free matting and framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
Spontaneous

Spontaneity is the hallmark for great documentary and street photography where the moments of life, often ironic, poignant, emotionally charged, tragic or absurd are frozen.

Photography provides the means to capture a moment but which moment makes all the difference. Well known masters include Henri Cartier-Bresson and W. Eugene Smith with recent discoveries such as Vivian Maier and Frank Oscar Larson adding to a long list of great photographers.

Many of the scenes captured by practitioners of this art, with the possible exception of war and extreme sports documentary, pass before us every day, but we do not see.

This exhibit is dedicated to those who strive to see, realize and then manifest vision and moment into an image so that we can all see what is right in front of us or inaccessible in some other way. Showing us the remarkable moments that make up the, often unconscious, Human Experience.

ELIGIBILITY:
Entrants must be at least 18 years old. If you are younger, you must have a parent or legal guardian make the submission for you.

MEDIA:
Photography.

DEADLINE: Feb 22, 2012

NOTIFICATION: Feb. 28, 2012

JUROR: Nikos Economopoulos began his photography career inn 1988 with a long-term project in Greece and Turkey. He photographed whatever he came across on his daily walks: street scenes, public gatherings, solitary meanderers, or deserted landscapes.

In 1990, Economopoulos’ photographs began to appear in newspapers and magazines worldwide. In the same year he started to take photographs in Albania, Bulgaria, Romania and the former Yugoslavia, investigating the territorial, ethnic and religious tensions of the region, as well as the endurance of traditional social and religious rites. This work earned him the Mother Jones Award in 1992.

Subsequent work includes lignite miners and the Muslim minority in Greece, people living along the Green Line dividing southern and northern Cyprus; illegal immigrants at the Greek-Albanian border; and young residents of Tokyo, mass emigration of ethnic Albanians fleeing Kosovo. He was given the Abdi Ipektsi Award for peace and friendship between Greece and Turkey in 2001.

Nikos has published ten books and his work is in the permanent collections of Centre Méditerranéen de la Photographie and the Benaki Museum. He organizes a series of photography workshops in locations in eastern Europe, Asia and Africa.

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

CALL for ENTRIES: Night Light

Posted on January 22, 2012 by R.L. Gibson

Muncha,
Muncha, Yawn…

How does the older generation eat at 4:30 in the afternoon? I am hoping it is just a Golden-Girls-esque stereotype. I prefer to eat late night, but then again, I prefer to do everything at night. Everything tastes better after 8pm, but that may account for the reality of my lifelong struggle with the size of my rear end. My husband likes to jokingly refer to me as his “vampire-honey,” but that is clearly untrue…vampires don’t eat food. But I would look cute as Countess Chocula. Well, we all know I am a little hyper-focused on eating. Anyhoo, I digress. This next call wants to see your vision of the night. Investigate…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Night Light. The entry fee at Darkroom is always low ($20), and I love that they will provide free matting and framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
Night Light

Night photography reveals a world that we do not consciously see and offers photographers unique creative opportunities.

Night and day, dark and light – one implies the absence of the other. But like yin yang, each has a bit of the other. The surprising thing to first time night photographers is how their images reveal things that the mind’s eye does not see. Different light sources reveal their true colors. Compared to daylight, directed and weaker light creates drama, contrast, mystery and mood.

The dynamic range of light at night tends to be more in line with our tools abilities. Of course there are technical challenges with shooting in low light, but also tremendous creative opportunities. That’s what Darkroom Gallery wants to show with this exhibit.

Do you work with existing light – or do you introduce your own? Maybe you paint with light emitting light brushes. How have you approached shooting at night to express your vision? They want to see.

ELIGIBILITY: Entrants must be at least 18 years old. If younger, you must have a legal guardian make the submission for you.

MEDIA:
Photography.

DEADLINE:
March 21, 2012

NOTIFICATION:
March 27, 2012

JUROR: Linda Rutenbergm, a Montreal-born native, who has been a photographer for 30 years. Her MFA in Photography is from Concordia University. She’s taught photography and worked as a freelance photographer for thirty years.

Rutenbergm’s fine art work has been exhibited internationally. She has produced several series:- Urban Visions, Sacred Sites, Terre Caliente, One Island – Many Cities, Mont Royal – A World Apart, The Spiritual Landscape and is presently working on a nocturnal garden series.

Linda has become particularly known for her striking images of flowers taken at night, revealed in a series of books, starting with The Garden at Night: Private Views of Public Edens (2007),After Midnight (2008)and The English Garden at Night (2009).

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

CALL for ENTRIES: Spontaneous

Posted on January 12, 2012 by R.L. Gibson

BEAM me
DOWN
an EGGLPLANT
please

I dislike the lack of spontaneity involved in home-cooking. I am fairly certain that I am not the only one that thinks Pastitsio (one of my favorite Greek dishes) is a weekends-only meal. What I really need is one of those Star Trek food replicators. Oops. Did I just unfurl my geek flag? Oh Well. At least we can count on this next show to be spontaneous. Investigate…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Spontaneous. The entry fee at Darkroom is always low ($20), and I love that they will provide free matting and framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
Spontaneous

Spontaneity is the hallmark for great documentary and street photography where the moments of life, often ironic, poignant, emotionally charged, tragic or absurd are frozen.

Photography provides the means to capture a moment but which moment makes all the difference. Well known masters include Henri Cartier-Bresson and W. Eugene Smith with recent discoveries such as Vivian Maier and Frank Oscar Larson adding to a long list of great photographers.

Many of the scenes captured by practitioners of this art, with the possible exception of war and extreme sports documentary, pass before us every day, but we do not see.

This exhibit is dedicated to those who strive to see, realize and then manifest vision and moment into an image so that we can all see what is right in front of us or inaccessible in some other way. Showing us the remarkable moments that make up the, often unconscious, Human Experience.

ELIGIBILITY:
Entrants must be at least 18 years old. If you are younger, you must have a parent or legal guardian make the submission for you.

MEDIA:
Photography.

DEADLINE: Feb 22, 2012

NOTIFICATION: Feb. 28, 2012

JUROR: Nikos Economopoulos began his photography career inn 1988 with a long-term project in Greece and Turkey. He photographed whatever he came across on his daily walks: street scenes, public gatherings, solitary meanderers, or deserted landscapes.

In 1990, Economopoulos’ photographs began to appear in newspapers and magazines worldwide. In the same year he started to take photographs in Albania, Bulgaria, Romania and the former Yugoslavia, investigating the territorial, ethnic and religious tensions of the region, as well as the endurance of traditional social and religious rites. This work earned him the Mother Jones Award in 1992.

Subsequent work includes lignite miners and the Muslim minority in Greece, people living along the Green Line dividing southern and northern Cyprus; illegal immigrants at the Greek-Albanian border; and young residents of Tokyo, mass emigration of ethnic Albanians fleeing Kosovo. He was given the Abdi Ipektsi Award for peace and friendship between Greece and Turkey in 2001.

Nikos has published ten books and his work is in the permanent collections of Centre Méditerranéen de la Photographie and the Benaki Museum. He organizes a series of photography workshops in locations in eastern Europe, Asia and Africa.

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

REMINDER: Monochromatic

Posted on January 6, 2012 by R.L. Gibson

LATER TATER

If you’re looking for a food goal for the year–swear off most things beige or brown. Let’s face it, we can all live with deep-fried-everything from potato chips to chicken, and all those tater, rice and white bread aren’t helping us either. I am not suggesting it will help you lose any extra pounds, but you might feel a little better. This next show is interested in the monochromatic issues as well. Investigate…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Monochromatic. The entry fee at Darkroom is always low ($20), and I love that they will provide free matting and framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
Monochromatic

“The term accessories has come to include a host of photographic gadgets of questionable value…“Ansel Adams, The Camera

“A good daguerreotype was as perfect a kind of photograph as was ever made.” Edward Steichen

These two masters enriched the history of photography by being some of the first to experiment with new technologies in a relatively new art medium. They were also traditionalists and truly embraced manual and old photography processes. The hundred and fifty photographers from Steichen’s world is millions today, and finding “as perfect a kind of photograph as was ever made” is no longer as simple.

Digital cameras and editing software have transformed the medium and opened up whole new worlds for the 21st century photographer. We have dozens of “apps” that help us tweak a digital image to “perfection” in minutes. A vast repertoire of image resources we look to for inspiration and meaning still brings us to the same point of reflection as photographers of the early 20th century: what is the art of photography?

Black and white photography, a genre that many would claim made them fall in love with image-making in the first place, has remained completely relevant and contemporary despite it’s ancient roots. It is timeless, sometimes soft, sometimes dramatic and brings new perspective to images and image making. Whether you are a darkroom purist or a Photoshop craftperson, show us your love for hue-less images. The Darkroom Galllery wants to see YOUR best black and white or alternative process images for an exhibit that will pay tribute to the origins of photography and praise it’s development.

ELIGIBILITY: Entrants must be at least 18 years old. If you are younger, you must have a parent or legal guardian make the submission for you.

MEDIA: Photography. Monochrome images from traditional silver black and whites to cyanotypes, sepia toned photographs and anything else in the color-less spectrum.

DEADLINE: Jan. 25, 2012

NOTIFICATION: Feb. 1, 2012

JUROR: Growing up in southern Poland, Rafal Maleszyk spent his childhood and early years in post-communist Poland. He first started exploring photography using a 35mm Kiev on his fourteenth birthday. Maleszyk’s photography is rooted in his interest in natural landscapes. For him, photography is the ultimate artistic form that captures one’s encounter or oneness with nature. His style focuses on simplifying and expressing with intimacy the perspectives in nature.

In 2009, he moved to the Oahu island of Hawaii, where he now works as a professional fine art black and white landscape photographer, specializing in large format prints series using a digital medium format Hasselblad camera. Maleszyk has received numerous awards for his work.

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

CALL for ENTRIES: Monochromatic

Posted on December 18, 2011December 17, 2011 by R.L. Gibson

BEET me PURPLE

I prefer my foods on the edge of extreme–from color to taste. My newest favorite are little purple, fingerling potatoes. Yum. In addition to being beautiful, those brightly colored foods tend to be higher in iron and anti-oxidants that your body needs to be healthy. I have sworn of the beige potato chip or two, but I’ll take beets instead on most days. This next show is interested in the black and white extremes. Investigate…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Monochromatic. The entry fee at Darkroom is always low ($20), and I love that they will provide free matting and framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
Monochromatic

“The term accessories has come to include a host of photographic gadgets of questionable value…“Ansel Adams, The Camera

“A good daguerreotype was as perfect a kind of photograph as was ever made.” Edward Steichen

These two masters enriched the history of photography by being some of the first to experiment with new technologies in a relatively new art medium. They were also traditionalists and truly embraced manual and old photography processes. The hundred and fifty photographers from Steichen’s world is millions today, and finding “as perfect a kind of photograph as was ever made” is no longer as simple.

Digital cameras and editing software have transformed the medium and opened up whole new worlds for the 21st century photographer. We have dozens of “aps” that help us tweak a digital image to “perfection” in minutes. A vast repertoire of image resources we look to for inspiration and meaning still brings us to the same point of reflection as photographers of the early 20th century: what is the art of photography?

Black and white photography, a genre that many would claim made them fall in love with image-making in the first place, has remained completely relevant and contemporary despite it’s ancient roots. It is timeless, sometimes soft, sometimes dramatic and brings new perspective to images and image making. Whether you are a darkroom purist or a Photoshop craftperson, show us your love for hue-less images. The Darkroom Galllery wants to see YOUR best black and white or alternative process images for an exhibit that will pay tribute to the origins of photography and praise it’s development.

ELIGIBILITY: Entrants must be at least 18 years old. If you are younger, you must have a parent or legal guardian make the submission for you.

MEDIA: Photography. Monochrome images from traditional silver black and whites to cyanotypes, sepia toned photographs and anything else in the color-less spectrum.

DEADLINE: Jan. 25, 2012

NOTIFICATION: Feb. 1, 2012

JUROR: Growing up in southern Poland, Rafal Maleszyk spent his childhood and early years in post-communist Poland. He first started exploring photography using a 35mm Kiev on his fourteenth birthday. Maleszyk’s photography is rooted in his interest in natural landscapes. For him, photography is the ultimate artistic form that captures one’s encounter or oneness with nature. His style focuses on simplifying and expressing with intimacy the perspectives in nature.

In 2009, he moved to the Oahu island of Hawaii, where he now works as a professional fine art black and white landscape photographer, specializing in large format prints series using a digital medium format Hasselblad camera. Maleszyk has received numerous awards for his work.

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

REMINDER: The Human Form

Posted on November 27, 2011 by R.L. Gibson

BERRY me
in BRIE

I believe that I am what I have eaten. I have learned that the contents of my diet directly informs my mood, energy level, and even my creative tendencies. I love fried chicken as much as the next sad and depressed person, but I have learned that fried chicken doesn’t make it better. A crusty loaf, ripe wedge of brie and a handful of raspberries can transform my body and my mind. If you believe that people are what they eat, then this next Call is a smorgasboard. Investigate…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for The Human Form. The entry fee at Darkroom is always low ($20), and I love that they will provide free matting and framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
The Human Form

Our bodies:
forbidden, subverted, suppressed.

Our bodies:
elevated, venerated, and sanctified.

The human form is unceasingly beautiful, complex, and remarkable. It is one of the very few things that all of us has in common, and yet is a source of perpetual cultural, spiritual, and scientific dissension. What better proof of this diversity than through the Photographic Arts; the Human Form has been its eternally devoted, perpetual muse. The body insights love, loss, envy and greed, devotion and esteem – as one of our most valued photographic subjects, our images do the same.

The Human Form,
simple yet subtly complex,
always present yet hidden,
expose your vision.

ELIGIBILITY: Entrants must be at least 18 years old. If you are younger, you must have a parent or legal guardian make the submission for you.

MEDIA:
Photography

DEADLINE:
Midnight EST, December 28, 2011

NOTIFICATION:
January 4, 2012

JUROR: The work of Elizabeth Opalnik has been featured in Zoom, Camera Arts, Black and White Magazine, Silvershotz, Photo District News, Collectors Photography and Progresso Fotografico, among others. Commercial clients including Life Magazine, Gossard Lingerie, Coty Perfume, Michael Good Design, Sea Air Holidays and ongoing campaigns for The Ladies Professional Golf Association and Nancy Lopez Golf. She is exhibited, collected and published internationally and recently published her first monograph “Poetic Grace: Elizabeth Opalenik Photographs 1979-2007”.

She uses the Mordançage darkroom process, hand painting, and contemporary digital imaging in mix, utilizing their combined boundless creative possibilities. Between imagination and dreams, she believes all great photographs are an extension of the photographer – in essence, self-portraits. Her darkroom skills, photo therapeutic approach, and the inspiration from her work, make her a popular facilitator. She conducts photography workshops internationally, in partnership with the Santa Fe Photographic Workshops, the Maine Media Workshops, the British Guild of Portrait Photographers, National Geographic Expeditions, The Rencontres d’Arles, and others.

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

*Editor’s Note: If you have read the personal portion of this post, REMINDER: The Human Form, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

For complete details, Read the Full Call!

REMINDER: The Built Environment

Posted on November 22, 2011 by R.L. Gibson

GLORIOUS
GÂTEAUX!

Build it, and I will eat. I stand in awe of pastry chefs. Most of the ones I know are delightfully batty (industry rumor is that the flour makes you a little off center). I love that their creations are often part art, part architechture. If you don’t think how something looks affects how it tastes, you are clearly eating ugly food. This next Call wants to see the built environment that inspires you. But HURRY, the deadline is fast approaching…

Check out this Call for Entries from Darkroom Gallery in Vermont called The Built Environment. Enter your work for as little as $20. Don’t forget Darkroom offers free framing & matting on accepted work!

* Editor’s Note: You guys always knock it out of the park with this gallery. Please make sure that you tell them that you found the show on Art & Art Deadlines so they know that all the talent is here at AAAD.

CALL FOR ENTRIES:
The Built Environment

Images that capture a vision of the man made world around us.

We’ve been documenting the built environment since the beginnings of photography. It’s natural – our lives are entwined with and dependent upon structures of all kinds. Let us examine the genius designs, abundant materials both found and fabricated, engineering feats, beauty and function, of our constructed environments. Technical mastery has much to do with a great architectural photograph, but also an understanding of the architect’s vision, and/or the humanity that invigorates and utilizes its spaces.

Whether a skyscraper or a shed, chasm span or walking bridge, from convenience store to industrial complex, public or personal (heck, an outhouse is a pertinent structure), and even the remains of such, Darkroom Gallery is looking forward to featuring your built environments.

JUROR: With an engineering degree from Trinity College (Dublin) and an Architect/Author father (Raymond McGrath), Norman McGrath was primed for educated view of his subject. He has been photographing architecture and interiors for decades, capturing the work of major architects and designers and their well-known works. His images have been featured in the foremost architectural publications, as well as his popular book, “Photographing Buildings Inside Out”. The American Institute of Architects selected McGrath for its Institute Honor award. McGrath continues to author and co-author books illustrated with architectural photography (“Manhattan Skyscrapers”, “Skyscraper Rivals”, and New York’s Pennsylvania Station”) as well as educate and inspire students of photography at the Maine Photographic Workshops, the Palm Beach Photo Workshops, and the Calumet Institute of the University of Maryland.

PHOTO
SUBMISSIONS:

Age: Entrants must be 18+ years old. If younger, a guardian may submit for you.

Ownership: All photos must have been taken by the entrant. If you are a guardian submitting for a minor, please make it clear on the submission.

Digital Submissions: All submissions must be made by digital files through:

1. Upload on the Dark Room Gallery website or

2. Sent via email to submissions (at) VermontPhotoSpace.com. This e-mail address is being protected from spambots. You need JavaScript enabled to view it along with an application form. There is a $5.00 surcharge for email entries.

3. Images should be as large as possible but no larger than 1280 pixels on the longest side, type jpg – set to the highest quality. DPI can be set to any number, but if you must specify something to go with 72 dpi.

FEES: Up to 3 images may be submitted for a fee of $20 US for on-line submission and $25 for email submission. Add’l images $5 US per image.

DEADLINE:
Midnight (EST) on December 1, 2011.

NOTIFICATION: December 7, 2011

Darkroom Gallery provides free matting & framing of work for the duration of the exhibition, subject to standard sizes. Photographers set their own prices if they wish to sell their work, and retain all rights.

For the full Call for Entries,
visit the website.

*Editor’s Note: If you have read the personal portion of this post, REMINDER: The Built Environment, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES: The Human Form

Posted on November 12, 2011 by R.L. Gibson

A SOUL of SALMON

I believe that I am what I have eaten. I have learned that the contents of my diet directly informs my mood, energy level, and even my creative tendencies. I love fried chicken as much as the next sad and depressed person, but I have learned that fried chicken doesn’t make it better. Beet salad and blanched ‘n’ chilled asparagus and the perfect piece of salmon can transform my body and my mind. If you believe that people are what they eat, then this next Call is a smorgasboard. Investigate…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for The Human Form. The entry fee at Darkroom is always low ($20), and I love that they will provide free matting and framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
The Human Form

Our bodies:
forbidden, subverted, suppressed.

Our bodies:
elevated, venerated, and sanctified.

The human form is unceasingly beautiful, complex, and remarkable. It is one of the very few things that all of us has in common, and yet is a source of perpetual cultural, spiritual, and scientific dissension. What better proof of this diversity than through the Photographic Arts; the Human Form has been its eternally devoted, perpetual muse. The body insights love, loss, envy and greed, devotion and esteem – as one of our most valued photographic subjects, our images do the same.

The Human Form,
simple yet subtly complex,
always present yet hidden,
expose your vision.

ELIGIBILITY: Entrants must be at least 18 years old. If you are younger, you must have a parent or legal guardian make the submission for you.

MEDIA:
Photography

DEADLINE:
Midnight EST, December 28, 2011

NOTIFICATION:
January 4, 2012

JUROR: The work of Elizabeth Opalnik has been featured in Zoom, Camera Arts, Black and White Magazine, Silvershotz, Photo District News, Collectors Photography and Progresso Fotografico, among others. Commercial clients including Life Magazine, Gossard Lingerie, Coty Perfume, Michael Good Design, Sea Air Holidays and ongoing campaigns for The Ladies Professional Golf Association and Nancy Lopez Golf. She is exhibited, collected and published internationally and recently published her first monograph “Poetic Grace: Elizabeth Opalenik Photographs 1979-2007”.

She uses the Mordançage darkroom process, hand painting, and contemporary digital imaging in mix, utilizing their combined boundless creative possibilities. Between imagination and dreams, she believes all great photographs are an extension of the photographer – in essence, self-portraits. Her darkroom skills, photo therapeutic approach, and the inspiration from her work, make her a popular facilitator. She conducts photography workshops internationally, in partnership with the Santa Fe Photographic Workshops, the Maine Media Workshops, the British Guild of Portrait Photographers, National Geographic Expeditions, The Rencontres d’Arles, and others.

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

CALL for ENTRIES: FREE Photo Contest

Posted on November 10, 2011 by R.L. Gibson

PUMPKIN
eater!

I am frugal, or cheap, depending on your viewpoint. I tend to love for so many reason, but mainly because the weather is much cooler. And, winter produce is much cheaper. I love root vegetables and squash of all sorts. Maybe I’ll take a trip to the pumpkin farm. Pumpkin isn’t just for pies and pancakes, you know? Try it in beef tangine instead of butternut squash. I’ll miss the fresh greens by Spring time, but that we make them taste all the better. This next call invites you to share a single image or your agricultural influence. Make me proud…

Check out this Call for Entries for Your American Farmer Photo Contest, a FREE online photo competition from Photographer Paul Mobley, the Darkroom Gallery (Essex Junction, VT), and Hoodman. There is no entry fee and LOTS of great prizes. BUT THE DEADLINE IS FRIDAY…

*Editor’s Note: If you are reading the personal portion of the post CALL for ENTRIES: Free Photo Contest anywhere other than by email subscription or on www.ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
American Farmer
Photo Contest

Photographer Paul Mobley traveled the country documenting America’s unsung heroes of industry and agriculture in his book: “American Farmer: Portraits of the Heartland”. What began as a break from his commercial photography soon became a journey which led Mobley down a path of self-discovery with a renewal in his passion for making images.

Mobley’s work for American Farmer was recently optioned for presentation as a feature-length documentary. The film goes deep into our nation’s agricultural heartland to tell the personal stories of the indomitable men and women who literally sustain us all. Dubbed “American Farmer” by its producers, the documentary will launch followed by a national PBS broadcast.

Mobley would like you to share your experiences with the country’s beautiful agriculture, farm, farmer’s market and garden world. Capturing your favorite fall harvest scene, summer fruit stand, farmer’s market or road-side stand, share your view this country’s beautiful landscape, agriculture and harvest. Contest is open to both amateur and professional photographers from across the country.

ELIGIBILITY: Open to all artists.

MEDIA: Photography

DEADLINE: November 11, 2011

NOTIFICATION: November 21, 2011

ENTRY FEE: None

JURORS: Paul Mobley will be joined by Reid Callanan of Sante Fe Workshops, Gregory Wakabayashi from Welcome Books, Andrew Barbusca of the National Farmer’s Market Nutrition Association (NFMNA) and Joe Murphy of the Iowa State Farm Bureau.

Jurors will choose first, second and third prize selections based on originality, beauty and capturing the heart of America’s agriculture society and strength. People, places, farms, landscape-these photos should embody America’s rich harvest. Capture the human spirit in each subject.

JURORS’ AWARDS: 1st Place: Gift Certificate to attend Paul’s Summer 2012 Sante Fe Workshop July 29-August 3, 2012. ($1200 value. Travel, meals and accommodations not included); Signed 16×20 Limited Edition American Farmer Print from Paul Mobley; Hoodman Loupe & Memory Card; and a Signed Copy of “American Farmer” Book. 2nd Place: Signed 11×14 Limited Edition American Farmer Print from Paul Mobley, Hoodman Loupe & Memory Card, and a Signed copy of “American Farmer” Book. 3rd Place: Signed copy of “American Farmer” Book and a Hoodman Loupe & Memory Card.

PEOPLE’S CHOICE AWARDS: 1st Place: Signed 16×20 Limited Edition American Farmer Print from Paul Mobley, Hoodman Loupe & Memory Card, and a Signed copy of “American Farmer” Book. 2nd Place: Signed 11×14 Limited Edition American Farmer Print from Paul Mobley, Hoodman Loupe & Memory Card, and a Signed copy of “American Farmer” Book. 3rd Place: Signed copy of Paul Mobley’s “American Farmer” Book and a Hoodman Lupe & Memory Card.

Tag: Darkroom Gallery

I’M BAD, Yeah, I’m Bad…

CALL for ENTRIES: Night Light

For complete details, Read the Full Call!

a BERRY in a BASKET worth TWO in a BUSH?

CALL for ENTRIES: Spontaneous

For complete details, Read the Full Call!

Muncha, Muncha, Yawn…

CALL for ENTRIES: Night Light

For complete details, Read the Full Call!

BEAM me DOWN an EGGLPLANT please

CALL for ENTRIES: Spontaneous

For complete details, Read the Full Call!

LATER TATER

CALL for ENTRIES: Monochromatic

For complete details, Read the Full Call!

BEET me PURPLE

CALL for ENTRIES: Monochromatic

For complete details, Read the Full Call!

BERRY me in BRIE

CALL for ENTRIES: The Human Form

The Human Form, simple yet subtly complex, always present yet hidden, expose your vision.

For complete details, Read the Full Call!

GLORIOUS GÂTEAUX!

CALL FOR ENTRIES: The Built Environment

PHOTO SUBMISSIONS:

For the full Call for Entries, visit the website.

A SOUL of SALMON

CALL for ENTRIES: The Human Form

The Human Form, simple yet subtly complex, always present yet hidden, expose your vision.

For complete details, Read the Full Call!

PUMPKIN eater!

CALL for ENTRIES: American Farmer Photo Contest

For complete details, Read the Full Call!

I’M BAD,
Yeah, I’m Bad…

CALL for ENTRIES:
Night Light

a BERRY in a BASKET
worth TWO in a BUSH?

CALL for ENTRIES:
Spontaneous

Muncha,
Muncha, Yawn…

CALL for ENTRIES:
Night Light

BEAM me
DOWN
an EGGLPLANT
please

CALL for ENTRIES:
Spontaneous

CALL for ENTRIES:
Monochromatic

CALL for ENTRIES:
Monochromatic

BERRY me
in BRIE

CALL for ENTRIES:
The Human Form

The Human Form,
simple yet subtly complex,
always present yet hidden,
expose your vision.

GLORIOUS
GÂTEAUX!

CALL FOR ENTRIES:
The Built Environment

PHOTO
SUBMISSIONS:

For the full Call for Entries,
visit the website.

CALL for ENTRIES:
The Human Form

The Human Form,
simple yet subtly complex,
always present yet hidden,
expose your vision.

PUMPKIN
eater!

CALL for ENTRIES:
American Farmer
Photo Contest