CALL for ENTRIES: Recycle 2019

Posted on January 13, 2019January 12, 2019 by R.L. Gibson

BA-NANA–nana-nana

How many bananas do you throw out every week? Back after the wildfire in 2016, I had to clean out my refrigerator after 9 days without power. When I opened the freezer door, the smell of bananas almost knocked me out. I’ve always bought bananas, used fewer than I bought, then tossed the remainder in the freezer for banana bread that never materializes. That ended the day I had to clean banana slime out of my freezer–until last month. Now I buy 7 or 8 fresh bananas each week; we eat 2 or 3 fresh bananas each week. With out newly re-discovered love for smoothies, I know throw my extra bananas into the freezer and re-purpose them later for smoothie. If I lose power again for an extended period of time, I may revisit the banana ban. We’ll see.

The idea of recycling and re-purposing materials and locations has been on my mind. My family downsized a year and a half ago; then six months ago, an extra family member moved into our tiny home. So, the dual use dining room / studio isn’t functioning so well with its view of the couch / bed of my 19 year old. I’ve turned to my Instagram & Pinterest feeds for inspiration. I am loving all the reading rooms with garden views and walk out basements with darkrooms, but that isn’t what I have. My husband found an 10’x20′ abandoned storage shed with a Queen Anne roof line that had once been the workshop of a Native American woodcarver. He passed away, and his family has declined the option to clean out his belongings. The building owner is willing to foot the bill for the renovation for the tiniest of rents. But in the back of my head, I am haunted by images of the big industrial studio spaces of movie and magazine spreads. This is a running theme, right? That we all fit in the same box, on the same path. Where did I leave my smock & beret?

So, 2019 is the year I try to cut that out. Join me? I will repurpose the places & things in my life to suit my needs. I will stop reshaping myself to fit the spaces in which I do not belong. This next show is all about repurposed, recycled, or reused materials, and feels like a good place to start. I like this venue, and as I mentioned last week, I am trying to spend the few dollars I have supporting the places & people & businesses that support artists. This is one.

Check out this Call for Entries from BWAC (Brooklyn, NY) for Recycle 2019. Take advantage of a discount for early entry, a distinguished juror & significant cash awards. Take a look…

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CALL for ENTRIES:
Recycle 2019
from BWAC

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“Recycle, the Brooklyn Waterfront Artists Coalition’s national juried show of art crafted from cast-off, discarded & re-purposed materials, will be a celebration of ingenuity and imagination.” –from bwac.org

ELIGIBILITY: Open to U.S. artists 18+

MEDIA: Open to all media that incorporate at least 50 percent of repurposed, recycled, or reused materials.

ENTRY FEE: $50 up to 3, $6 ea. add’l (early bird) or $70 up to 3, $6 ea add’l after Feb 4

DEADLINE: February 4, 2019 (early bird) or February 24, 2019 (final)

NOTIFICATION: March 18, 2018

JUROR: John Cloud Kaiser is the Director of Education at Materials for the Arts, one of the largest reuse centers in the U.S and a program of the New York City Department of Cultural Affairs. Through art shows he curates at MFTA Gallery and his work with his art group Free Style Arts Association, he has been championing reuse‐themed art in the museums, streets, and schools of New York City since 2000. These works have appeared broadly, from The Metropolitan Museum, to the NYC Parks Dept., to The New York Times. Kaiser graduated from New York University and is currently working on a series of temporary sculptures for Storm King Sculpture Center and Socrates Sculpture Park.

AWARDS: Best of Show Gold $1000, Most Innovative Use of Materials $500, People’s Choice $250, Curator’s Choice $250 & ten $100 Certificates of Recognition.

SALES: BWAC will retain a 30% commission on all exhibition sales.

For full details, Read the Full Call!

CALL for ENTRIES: Fantastic Fibers 2019

Posted on January 9, 2019January 6, 2019 by R.L. Gibson

I YAM what I yam

I make fantastic mashed potatoes. No, really, I do. My husband wants to know why I refuse to share my technique, but he secretly suspects it is the volume of butter involved. I can neither confirm or deny. My favorites to mash are these tiny little orange sweets I get from Aldi. I bake them (that’s the real secret) before adding butter & other goodies. I prefer to puree them in my food processor, but I am usually too lazy to wash it afterwards, so I whip them with my hand mixer instead. Whatever variety of sweet potato that Aldi has been carrying lately seems to have almost no stringy fibers to untangle from my beaters. Add a hint of nutmeg, and it is like a spoonful of Thanksgiving every time. They are great in place of rice for bowl full of stir fried root vegetables on a rainy day.

I am hyper aware of fiber lately, I suppose because of the embroidery or mark making with thread that has become a defining characteristic in my work. The work I am loving most these days is fiber. Rug tufting. Ombré string instillation. Simply over-stitched paper collages. I come from a family of quilters, and I love to sew. It isn’t a huge leap. I honestly can’t believe my own work didn’t “go there” before now. I think I felt that I couldn’t measure up as a quilter (imposter syndrome again). I still don’t know how it developed; one day I just started stitching over my paintings. Now they are incomplete without stitching. In the meantime, no one, including me, really considers my work fiber art; therefore, I may be stuck in the mixed media category forever. This next show is fiber specific. I’ve been to this show multiple years, and it is awe inspiring. Thousands of people flock to this show, and it features an ever-evolving range of work both aesthetically and narratively challenging. I want to be a part of this evolution someday. If you do this work, please be sure to do this show.

Check out this Call for Entries from Yeiser Art Center (Paducah, KY) for Fantastic Fibers 2019. $25 Entry & 40% commission. This is a great venue…

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CALL for ENTRIES:
Fantastic Fibers 2019
from Yeiser Art Center

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to fiber art –contemporary & innovative works created with fiber as the primary medium or concept.

DEADLINE: February 15, 2019

NOTIFICATION: March 1, 2019

ENTRY FEE: $25 for up to 3 images of ONE piece

JUROR: Professor and chair of the Fiber Department, Pauline Verbeek-Cowart, has been on the faculty of the Kansas City Art Institute since 1997. A native of the Netherlands, she received her BFA (1982) in Fine Art from the Maryland Institute and her MFA in textile design from the University of Kansas (1995). Ms Verbeek-Cowart’s academic and Fine Art careers have garnered her numerous awards. She is one of the leaders in the use of new technologies in hand-weaving and has also conducted research using industrial looms in The Netherlands and the US. Her industrially woven work crosses boundaries between Fine Art and applied textiles and is directed toward structurally textured fabrics for apparel as well as home-furnishings. Her work has been exhibited extensively in both national and international venues including France, Austria, Germany, Japan, Korea and Australia.

AWARD: $1,900 will be awarded: $1,000 Best of Show, $500 First Place, $250 Second Place & $150 Third Place

SALES: Yeiser Art Center will keep a 40% commission on all gallery sales.

For complete details, Read the Full Call!

CALL for ENTRIES: Scapes 2019

Posted on January 8, 2019January 5, 2019 by R.L. Gibson

WATER you up to?

It feels like it has been raining forever and may just never stop. Ever. I’ve never had a green thumb, but my grandmother tried to teach me the basic. I remember almost nothing she taught me except leaves turn yellow when you over water, and nothing is more exciting than the burst of the seed pod of a touch-me-not. So, while I can grow herbs on a windowsill, my dream of having a sustainable farming endeavor is a lost cause. But many of my friends are out there trying only to eat what they grow.

Realistically what do you grow end the land of never ending rain? Apparently taro thrives even in water logged conditions for up to weeks at a time. I could live on taro chips, right? Maybe not. Luckily I can still canoe to my local grocer. The rain is also making me hyperbolic, ha. I could paint the rain, I suppose, or gather rainwater to feed my watercolors for this next landscape call. I then I could use the prize money to buy aquaponic supplies.

Check out this Call for Entries from Art-Competition.net for Scapes 2019. $20 entry & no shipping. In addition to cash prizes, there are also marketing benefits. Take a look…

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CALL for ENTRIES:
Scapes 2019
from Art-competition.net

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ELIGIBILITY: All artists age 18+

MEDIA: Open to still media, including painting, drawing, photography, sculpture, digital, prints, fiber art, collage, etc.

THEME: ‘Scapes “…original interpretations of different types of landscapes, seascapes, or mindscapes from representational to abstract. The visual narrative of the work should transport the viewer to experience the beauty, uniqueness, or fantasy of these special places..”

DEADLINE: January 14, 2019

NOTIFICATION: January 18, 2019

ENTRY FEE: $20 for 1, $10 ea. add’l

AWARDS: $8,125 in cash & marketing prizes. (e.g. 1st place $500, 2nd Place $400, 3rd Place $300, etc) + helpful marketing. There will be 7 Winners and 10 Honorable Mentions.

For complete details, Read the Full Call!

CALL for ENTRIES: Dairy Arts Annual

Posted on January 7, 2019January 5, 2019 by R.L. Gibson

you’re the ZEST!

The hourglass on citron is running low. Citron (aka Buddha’s hand) is that freaky-looking fingered citrus fruit that is commonly found in fruitcake and other holiday baked confections. It is lovely candied and turns a gorgeous shade of lemon yellow. Not panicked about the days slipping away? You’d better be certain, because it is only available a few months of the year, and January is the last of them in most places. So what happens if I need it in June? I wait; that’s what. If you miss this next call, YOU will also have to wait.

That’s the problem with waiting until you’re ready. Artists are often, by nature, too busy or too focused or too single-minded to be looking forward by months, much less years. So, we are cast as procrastinators even if the part doesn’t quite fit. I am you; we are all you. It is easy to say “next time” when you feel unprepared, or worse yet, suffering from a reliable case of impostor syndrome. But we’re never ready enough or prepared enough or qualified enough.

This next Call is for solo exhibit opportunities in 2020 at a public art center in Boulder, Colorado, a popular arts location. Why this call? First, they only ask for 4 to 7 images, not 20. You’ve got 4 images, right? Next, they offer a map of their galleries. Why is this important? Because their galleries are numerous and of varying size, including some lobby and corridor spaces that are manageable, regardless of how prepared you feel right now. You can’t wait until you re ready because then you’ll have to wait 2 years. And, what if you don’t get in the first time? You’ll feel more prepared and less nervous the second time, not “next time”. I get that not every opportunity is right for every artist, but if you’re going to NOT enter, be certain you’re CHOOSING not to enter, not letting the fear or insecurity choose for you.

Check out this Call for Entries from Dairy Arts Center (Boulder, CO) for 2020 Exhibition Opportunities. $35 submission fee with as few as 4 images. Is this your next step? This is a great venue…

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CALL for ENTRIES:
2020 Exhibition Opps
from Dairy Arts Center

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media

DEADLINE: January 15, 2019

ENTRY FEE: $35

JURORS: A ten-member committee comprised of artists, curators, university faculty, and art collectors. A floor plan of the Dairy’s exhibition spaces has been provided for review by potential applicants, however, if selected for exhibition the Dairy’s Curator of Visual Arts will select the gallery or galleries that are most appropriate for the display of invited artist(s) work.

AWARD: Following the close of this call, applications will be reviewed by the Dairy’s Curator of Visual Arts and the Visual Arts Jury to select individual artists and groups of artists to exhibit in the Dairy’s four galleries.

For complete details, Read the Full Call!

CALL for ENTRIES: Saturated

Posted on January 6, 2019January 6, 2019 by R.L. Gibson

oh, KALE no!

Somebody help me love kale. I want to love love kale (in some other manner than deep fried kale chips, ha)., but I just don’t. If I’m gonna eat a leafy green, I’m gonna choose spinach every time. Give me arugula or chard. Meanwhile, organic kale was 99¢ a pound this week. It is a gorgeous color though. I’ve been toying with making my own watercolors. Maybe THAT is how I learn to love kale.

For years I worked in black and white, and I loved the big, bold graphic nature of that work. But, color. Color has turned my work around. I fell so in love with color that I changed media after TWENTY years. Like any grade schooler, I get that yellow + blue = green. But, when you find the right gambogue hue & add just a touch of thalo blue, you get to watch them bloom into a gorgeous shade of peacock. This newly found watercolor magic gives power & voice to what I tried to represent literally with typography and b&w symbolism for all those years.

I’ve tried to be more transparent over the past weeks about my own “which” & “why” & “what” questions because I am hoping my answers will help you formulate your own questions and discover your own answers. The Barrett Arts Center is a “yes” for me. Beautiful venue, great jurors, superb curatorial history, excellent resume builder. I have been working on a piece for months that would be the perfect piece to enter. If I can just keep myself on track to finish, I am entering this one. Do you have color you want to strut out like a proud peacock? Then THIS is a great call.

Check out this Call for Entries from Barrett Art Center (Poughkeepsie, NY) for Saturated: An Eye for Color. $45 entry fee & 30% commission. Plus, this juror has a well-documented history. Take a look…

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CALL for ENTRIES:
Saturated: An Eye for Color
from Barrett Art Center

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ELIGIBILITY: Open to all U.S. artists 18+

MEDIA: Open to drawing, painting, pastel, printmaking, photography, sculpture, fiber, mixed-media, new media & installation

THEME: Color. “Barrett Art Center seeks artworks in which color is the primary instrument of expression for this national juried exhibition to be held April 6 through May 18, 2019. The French painter Eugene Delacroix said, ‘I can paint you the skin of Venus with mud, provided you let me surround it as I will’. Delacroix was referring to the power of color dynamics. This call for works is looking for submissions in which which color plays a transformative role.”

DEADLINE: January 19, 2019

NOTIFICATION: by February 2, 2019

ENTRY FEE: $45 for up to 3, $5 ea. add’l ($35 for members)

JUROR: Michael Rooks joined the High Museum of Art as Wieland Family Curator of Modern and Contemporary Art in January 2010. Besides his responsibilities at the High, Rooks was appointed Commissioner and co-curator of the U.S. Pavilion at the 12th International Architecture Exhibition, La Biennale di Venezia in 2010 and is a member of ActArt, the President’s committee for contemporary art and social action. Prior to joining the High Museum, Mr. Rooks held curator positions at the Museum of Contemporary Art Chicago, The Contemporary Museum Honolulu, and the Honolulu Academy of Arts. At Chicago’s Museum of Contemporary Art, Rooks curated several group exhibitions and solo projects in addition to survey exhibitions of work by Roy Lichtenstein (1999) and H. C. Westermann (2001) for which he co-authored Westermann’s catalogue rasionné.

AWARDS: $825 in cash prizes –$500 Juror’s Prize, $200 2nd Prize, $125 Honorable Mention.

SALES: Barrett Art Center will retain a 30% commission for sales (20% for members).

For complete details, Read the Full Call!

CALL for ENTRIES: Blue 2019

Posted on December 31, 2018January 5, 2019 by R.L. Gibson

CUCUMBER and berries

Between granola and smoothies, I am on a constant hunt for decent fruit. This time of year, it is a challenge. The strawberries are horrific, fibrous little lumps. Bananas are great for smoothies but don’t dry well without sulfites. Cucumbers & pineapples are rocking my smoothies, but FRESH fruit is a struggle. (Yes, I can hear how that sounds.) Blueberries have saved me lately. They are relatively cheap and work in cereal and for pancakes & smoothies. If anyone has recommendations on how to dry them, I’m open to ideas. This next Call wants your blue solutions…

So why do you consider this online gallery, art publication opportunity? Well, here are some questions: Do you need a low risk, low cost way to test new, experimental work? Are you looking to drive traffic to your website and create organic content for social media posts? And, there’s the grant money. Do you want the opportunity to be awarded grant money? ha. Is this opportunity right for you? Only you can know. The deadline looms VERY CLOSE — January 7th.

Check out this Call for Entries from Art-Competition.net for Blue 2019. $25 entry & no shipping. Do you have work in blue? You know you want the $500 grant. Take a look…

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CALL for ENTRIES:
Blue 2019
from Art-competition.net

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ELIGIBILITY: All artists age 18+ (int’l)

MEDIA: Open to still media, including painting, drawing, photography, sculpture, digital art, printmaking, fiber art, collage, etc.

THEME: Blue “The art created of any subject that is enhanced by the use of the color blue, whether it is a single dot of blue or a completely blue image. The color blue should enhance the narrative of the works subject as blue can imply many emotions, symbolisms or feelings, from the blue marble we call earth to our emotions expressed in Blues music. Blue can express the future, good feelings, happiness, prosperity, ocean or sky, and we can feel blue, etc. It can be used to enhance, emphasize or be a focal point in the art.” –art-competition.net

DEADLINE: January 7, 2019

NOTIFICATION: January 14, 2019

ENTRY FEE: $25 for up to 3, $5 ea. add’l

AWARDS: 20 artists will be selected for an online group exhibit, “BLUE 2019” at Gallery25N; the exhibit and artists will be extensively marketed worldwide to over 26,000 people including art buyers, gallery owners, curators, collectors, etc. One artist will be selected to receive the “Christopher E. Burke Fine Art Grant“ of $500. That artist’s work will become the image of the exhibition and will be used on the invitation, video title screen and on all online marketing.

For complete details, Read the Full Call!

CALL for ENTRIES: Women Artists

Posted on December 29, 2018January 6, 2019 by R.L. Gibson

COLD complication

As winter approaches, I am more & more distracted. I buy a handful of pantry items for single recipes. For example, I use canned cream-style corn in one indulgent corn pudding recipe and buttermilk only in cornbread. But, the problem arises because they look like similar items in the cupboard –anything canned or my regular milk. You only have to put buttermilk on one bowl of cereal to not want to make that mistake again. My solution? Organization. A simple letter or two scrawled on the container top has stopped me from wasting time and food over and over again.

In the studio, I am always walking the line between organized and over-planned. My instincts run toward scheduling, pre-planning, color-coding and efficiency. But, I also know that when I over plan, I have guilt when I stray from my original design that sometime keeps me on a path (that often isn’t really working) longer than I should. But if I don’t schedule at all, I end up procrastinating, the stereotypical downfall of beret-wearing artists in movies everywhere. This next Call is a perfect example. I love this publication. It is gorgeous. The art is phenomenal. Even their Insta feed is fun and inspiring. I keep thinking that the right work to submit will speak to me. As a result, here we are a year or two later, I’ve managed not to enter yet. So, let’s make a plan, be organized; enter early…

Check out this Call for Entries from Create! Magazine (print publication) for the Women Artists March Edition. $30 entry for this gorgeous magazine. Don’t miss this chance…

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CALL for ENTRIES:
March Women Artist Edition
of Create! Magazine

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ELIGIBILITY: Open to all women artists. “We are passionate about highlighting work by contemporary female (identifying as female) creatives and are dedicating the entire march edition to this group.” –Create! Magazine

MEDIA: Open to all media, i.e.: painting, sculpture, digital, printmaking, fiber, mixed media, photography, installation & more.

DEADLINE: January 27, 2019

NOTIFICATION: December 20, 2018

ENTRY FEE: $30 for up to 3, $35 for 5, $40 for 10. *There is also an optional $20 for online review, if selected by curator.

JURORS: Ekaterina Popova Artist, Curator, Podcaster, Editor and Founder of Create! Magazine, Alicia Puig Curator, Art Historian and Director of Business Operations at Create! Magazine, Shelby McFadden Artist, Designer and Editor of Pikchur Magazine, & Christina Nafziger Arts Writer, Journalist and Gallery Assistant.

AWARDS: Artists selected by the guest juror will receive a 2-page spread including a brief bio, website, and 2 images in print and digital formats. Published artists will receive a complimentary digital issue and will be listed on Create! Magazine’s website/social media & will be listed with images, details and information on their website/social media for life. All featured artists will automatically be considered for any upcoming curatorial projects & exhibitions organized by the Create! team.

SALES: The March 2019 Edition will be available online, in global retail locations in London, New York, Amsterdam, Stockholm, Wilmington (DE), Philadelphia & more.

For complete details, Read the Full Call!

CALL for ENTRIES: 28th Nat’l OPA

Posted on December 19, 2018December 19, 2018 by R.L. Gibson

celebratory EDIBLES

Do you make food resolutions? No, I don’t mean diets. Do you make promises to eat healthier or cleaner? Or maybe to cut some food that makes you itchy, grouchy or gas-y? Yeah, me neither. Not anymore. My eating habits go with the flow. I eat a lot of whole, fresh foods, punctuated by occasional, terribly-crappy junk food, and it seems to work for me, ha. This year, I am resolved to drink more bubbly. I love Prosecco. I like the sense of celebration, and I want to spend more time celebrating the little stuff. What is your go-to drinkable or edible celebratory treat? Chocolate? Guac? Join me for my year of Yay! We deserve it.

My last major change was the abandoning of all dairy except whole milk options, and a complete, mid-career left turn in media. Yikes. Until my change of media a couple of years ago, I was working, almost exclusively, as a xerographist. There is no Xerography Association, locally, nationally or internationally, to my knowledge. So, I never had the ability to take advantage of media-specific membership. Now that I am a watercolorist, I have more options. However, because I embroider over my paintings, my work is typically considered mixed media by painters and painting by fiber artists. I’m not sure if I’ll ever find a watercolor or fiber art society to call home. Do you have a media association that you love?

One of the benefits of association shows is the prestige. Because they are almost always juried by working master artists, the recognition of your work is meant to be a stamp of approval on your dedication to developing your skills, plus, they often have large cash prizes. There are frequently multiple show opportunities throughout the year as well as educational & critique options that can’t be found anywhere else. THOSE are all great arguments for the next Call, but I’m not an oil painter. If you are, this is a great show.

Check out this Call for Entries for the 28th Annual Nat’l Exhibition from Oil Painters of America to be exhibited at the Illume Gallery of Fine Art (Saint George, UT). $100,000 in awards including $25K Best of Show. Don’t wait…

CALL for ENTRIES:
28th Nat’l Juried
from Oil Painters of America

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ELIGIBILITY: Open to artists residing in the U.S., Canada & Mexico

MEDIA: Representational oil painting

DEADLINE: January 25, 2019

NOTIFICATION: February 22, 2019

ENTRY FEE: $30 for 1, $15 ea. add’l (plus membership fee of $70). More membership information can be found on the OPA website, under the Member Services tab.

JURORS: OPA Master Signature member Kenn Backhaus OPAM

AWARDS: The total awards will be approximately $100,000, including a $25,000 Best In Show.

SALES: Commission of 40% is required by the gallery for all paintings sold.

For complete details, Read the Full Call!

CALL for ENTRIES: New Contemporary

Posted on December 15, 2018December 16, 2018 by R.L. Gibson

real SMOOTH

I have pureed everything today. I made black bean soufflé early in the day to go with the slaw-topped taco my husband made later. I cooked & pureed extra beans to put up in the freezer as a soup base for next week. Lunch was delivery pizza. Our mid-afternoon snack was a mango-peach-guava-banana smoothie. While my husband made apple-pepper slaw for our tacos, I processed a half-bushel of apples for applesauce. I have washed my food processor four times today. (Just a reminder, no dishwasher in my house.) I am trying to keep busy.

I mean, I did finish framing a commission while I am waiting for THREE past-due notifications. I need mindless busy. How do venues take our money and not notify on time? Why not just under-promise? Why not five themselves and extra week then surprise us all with an early notification? Of course, my imagination and insecurities ramp up to a 14 & I begin to assume that I haven’t gotten an email because I have been rejected, or, that I was so bad that I didn’t warrant a response. When left with too much time to dwell on it, I start to become paranoid like an 1990s sitcom and wonder if my phone is working or if email is out-of-order. Ridiculous. So, soufflé, soup, smoothie & applesauce. Noisy. Delicious. Busy.

This next Call is screaming my name. I’ve not been interested in a lot of galleries lately because I am looking to build a very specific profile for my resume. I am trying to patiently wait for the academic & publicly funded shows I really want. But I am digging this space. There are a number of great art hot spots in New Mexico, like Satan Fe. In fact, New Mexico is on my new short list of relocation possibilities. This gallery supports a reassuringly diverse art aesthetic and range of media. I like the unapologetic nature of this Call too. I’m hoping to get my crap together & enter. Let me know how it sounds to YOU.

Check out this Call for Entries from Keep Contemporary (Santa Fe, NM) for New Contemporary. This is a great looking venue that also includes “….artists who have a limited voice in an otherwise conservative art market”. I want to show here; how about you?

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CALL for ENTRIES:
New Contemporary
from Keep Contemporary

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“We are looking for art that pushes the boundaries in a variety of genres including but not limited to: High Brow, Low Brow, Pop Surrealism, Hyperrealism, Graffiti Art, and Abstract Art.” –keepcontemporary.com

ELIGIBILITY: Open to all artists 18+

MEDIA: Open to painting, printmaking, drawing, mixed media, digital, collage, sculpture, & photography.

DEADLINE: January 14, 2019

NOTIFICATION: January 28. 2019

ENTRY FEE: $40 up to 3, $5 ea. addl

JUROR: Jared Antonio-Justo Trujillo is an artist and the gallery director at Keep Contemporary. He has curated exhibitions and public programming for a diverse set of art institutions across the US. His work has been exhibited nationally and internationally and is held in private and institutional collections.

SALES: The gallery will retain a 35% commission on all sales.

For complete details, Read the Full Call!

CALL for ENTRIES: 56th Annual Masur

Posted on December 2, 2018December 27, 2018 by R.L. Gibson

the SMOOTH move

I finally have a use for all those black, frozen bananas cluttering my freezer –the afternoon smoothie. I live with two high-metabolism guys, so the 4 o’clock afternoon snack is standard here. I’m not new to the concept of the smoothie, but I am new to making them regularly. Frozen cantaloupe, whole milk yogurt and a melange of other goodies like vanilla, berries, chia seeds. I am frequently still NOT hungry when dinner prep time rolls around. The best part is that they are super fast & have almost no clean up, giving me less distraction and fewer avoidance excuses.

I need fewer reasons to make excuses. Do you hibernate from responsibility when overwhelmed? Me too. I am a member of a handful of online artistic communities, and I read all the bickering about what shows are worth entering and which aren’t. No one seems to see different paths. Everyone seems to have divided up into teams “realism” vs. “abstraction”, “fine art” vs. “applied arts”. Where are you? And why can’t your decision be based on where YOU are or where you want to be? Right now, I am interested mainly in academic and museum shows because this is a period of growth and change. What shows feel right to you? Are you concentrating on publication? Are you testing new work in online venues? Are you searching for gallery representation or maybe higher volume commercial sales? All of those paths are valid. Don’t get sucked into the guilt of not fulfilling the vision someone else has for what being a successful artist means. (Remind me to talk about Insta-worthy studios sometime.)

Check out this Call for Entries for the 56th Annual Juried Exhibition from the Masur Museum of Art (Monroe, LA). $20 Entry & no commission. This is a stunning museum show with a storied history. The juror has excellent curatorial vision. I think this is a great opportunity, but is it the right fit for you? Have a smoothie and get back to me. 🙂

CALL or ENTRIES:
56th Annual Juried
from Masur Museum

ELIGIBILITY: Open to all US artists 18+

MEDIA: Open to all media

DEADLINE: January 2, 2019 (extended)

NOTIFICATION: February 1, 2018

ENTRY FEE: $20 for 2, $10 ea. add’l (5 max.)

JUROR: Catherine Futter is the Director of Curatorial Affairs at the Nelson-Atkins Museum of Art in Kansas City, MO. Futter has curated a number of permanent collection installations of European and American art from medieval to the present, organized exhibitions that highlight living artists, and also has led the museum’s efforts to spark an area conversation about creating a cultural district in midtown Kansas City. Futter’s specialty is with European and American Decorative arts from 1850-present, and she has previously held positions at the Metropolitan Museum of Art, the Yale Center for British Art, and the Chrysler Museum of Art.

AWARDS: Best in Show is $1,000, and total awards are $3,200. The People’s Choice Award is $200.00 and will be voted on by visitors throughout the run of the exhibition. Best Packed: $100 This award will honor for the artist who packs their art in the most professional manner. ♥

SALES: The Masur Museum of Art does not receive a commission on sales.

Tag: Call for Submissions

BA-NANA–nana-nana

CALL for ENTRIES: Recycle 2019 from BWAC

For full details, Read the Full Call!

I YAM what I yam

CALL for ENTRIES: Fantastic Fibers 2019 from Yeiser Art Center

For complete details, Read the Full Call!

WATER you up to?

CALL for ENTRIES: Scapes 2019 from Art-competition.net

For complete details, Read the Full Call!

you’re the ZEST!

CALL for ENTRIES: 2020 Exhibition Opps from Dairy Arts Center

For complete details, Read the Full Call!

oh, KALE no!

CALL for ENTRIES: Saturated: An Eye for Color from Barrett Art Center

For complete details, Read the Full Call!

CUCUMBER and berries

CALL for ENTRIES: Blue 2019 from Art-competition.net

For complete details, Read the Full Call!

COLD complication

CALL for ENTRIES: March Women Artist Edition of Create! Magazine

For complete details, Read the Full Call!

celebratory EDIBLES

CALL for ENTRIES: 28th Nat’l Juried from Oil Painters of America

For complete details, Read the Full Call!

real SMOOTH

CALL for ENTRIES: New Contemporary from Keep Contemporary

For complete details, Read the Full Call!

the SMOOTH move

CALL or ENTRIES: 56th Annual Juried from Masur Museum

For complete details, Read the Full Call!

CALL for ENTRIES:
Recycle 2019
from BWAC

CALL for ENTRIES:
Fantastic Fibers 2019
from Yeiser Art Center

CALL for ENTRIES:
Scapes 2019
from Art-competition.net

CALL for ENTRIES:
2020 Exhibition Opps
from Dairy Arts Center

CALL for ENTRIES:
Saturated: An Eye for Color
from Barrett Art Center

CALL for ENTRIES:
Blue 2019
from Art-competition.net

CALL for ENTRIES:
March Women Artist Edition
of Create! Magazine

CALL for ENTRIES:
28th Nat’l Juried
from Oil Painters of America

CALL for ENTRIES:
New Contemporary
from Keep Contemporary

CALL or ENTRIES:
56th Annual Juried
from Masur Museum