Call for Submissions – Page 28 – Art and Art Deadlines.com

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Tag: Call for Submissions

CALL for PROPOSALS: Times Square

Posted on June 30, 2010 by R.L. Gibson

LOOKING FOR
AN ART SHOW IN NYC?

When you think about your dream gallery show, how many of you think of New York City? I think of Atlanta, Phoenix, Los Angeles, London…and New York City, of course. Tell me–What is more New York City than Times Square itself? Thanks to the Times Square Alliance, you may just have an opportunity to see your work in Times Square.

Check out this
Call for Submissions
from the Times Square Alliance:

Times Square is one of the world’s most renowned urban destinations. Its dazzling lights and teeming crowds offer an overwhelming sense of possibility. Having helped to make Times Square clean and safe, the Times Square Alliance is now working to nurture the creativity, energy and edge that are the essence of Times Square.

For that reason, they are working with a variety of arts-based curatorial groups to bring public art projects to Times Square. Times Square Arts, their pilot public art program, will incorporate diverse art elements into Times Square’s streetscape, thereby expressing the area’s uniqueness and enriching the pedestrian experience.

The Times Square Alliance seeks letters of interest from arts organizations and artists across disciplines to present contemporary art projects and art events in the public spaces in and around Times Square.

In a one-page letter, applicants should propose a single project or series for anytime between September 2010 and December 2012.

Artists and arts organizations are encouraged to propose projects that address the unique nature and rich history of Times Square. Projects should be able to have an impact in a space defined by dynamic activity and continuous, competing visual stimuli.

Organizations, curators and artists are encouraged to consider how their projects will change or effect the space during the presentation and how the 350,000 people here every day (as well millions of virtual viewers) will interact with the presentation.

Public spaces to consider as locations for art projects and events include the new Broadway plazas and Duffy Square in Times Square and other public and private spaces throughout the Theater District, 42nd Street and 8th Avenue.

Through its Public Art Program, the Times Square Alliance brings temporary high-quality, cutting-edge art and performance to Times Square’s public spaces, so that it is known globally as a place where ordinary people encounter authentic, ever-changing urban art in multiple forms and media.

For complete details on the application process and please visit www.timessquarenyc.org/arts/opencall

ART PUBLICATION: The Flaneur

Posted on June 29, 2010June 29, 2010 by R.L. Gibson

URGENT CALL!

This is the second time in under a week that I have double posted…I’m on a roll folks–lookout!

I came across this Call for Submissions for The Flaneur, an Independent Art & Culture Newspaper and the deadline is TOMORROW.

Due to the haste with which this needs to be posted, I am going to skip the customary lecture about all the reasons to pursue art publication.

I submitted my work via their web page, but when I requested additional information from the editor, he said submissions could be emailed directly to him. See Below.

Here’s the call…HURRY!

Final Call for Arts and Writing magazine submissions

The next issue of The Flaneur (click here for the name origin) is publishing as a newspaper and as an iPhone app.

If you are a writer or artist and are interested in being a part of this project please submit reviews, short fiction, flash art, cartoons, articles, poetry, short fiction.

They are interested in anything cultural. Take a look at their What We Publish Page if you have questions.

Please email your work to editor@flaneur.me.uk with ‘Flaneur submission’ in the title.

Please note that contributors are not currently paid.

CALL FOR ENTRIES: small work BIG STATEMENT

Posted on June 29, 2010June 29, 2010 by R.L. Gibson

Do YOU have a lot to say?

I have never met a good artist that didn’t have a mouthful of opinion and point-of-view. And while a lot of you have taken to working in enormous sizes, a few of you still appreciate working compact.

For years I worked in 12″x12″ for ease of shipping…nothing larger than dinner plate sized, ha. Having a lot to say doesn’t necessarily mean you need a lot of space to say it in.

Here’s a great Call for Entries for works
12″x12″ and smaller.

17th Annual Small Matters of Great Importance
Submission Deadline: August 20, 2010
Exhibition Dates: October 16-November 28, 2010

Edward Hopper House Art Center welcomes applicants to its 17th annual Small Matters of Great Importance national juried exhibition, held in three gallery rooms of Edward Hopper’s birthplace and childhood home, now a not-for-profit art center listed on the National Register of Historic Places.

Juror:

Clare Bell, Program Manager, Roy Lichtenstein Foundation.

Clare Bell began her career at the Guggenheim Museum in New York and has been a curator since 1987. She has served as Deputy Director of the Museum of the City of New York and as Director of Exhibitions at Pace Wildenstein Gallery. She has written essays on numerous artists, including Jim Dine, Jenny Holzer, Ellsworth Kelly, and Roy Lichtenstein, and on various other topics in 20th century art. Ms. Bell was an instructor at the School of Visual Arts for many years and since 2002 has been Program Manger at The Roy Lichtenstein Foundation.

The exhibit celebrates work in all styles and media that makes a big statement—through message, technique, or execution–despite its size.

Eligibility:

Open to all artists 18 and over and all media, including drawing, painting, photography, prints, mixed media, collage, computer art, video, wall relief, and sculpture.

All subjects and styles will be considered.

Artwork must not exceed 12″ x 12″ including frame; wall relief and sculpture limited to 6″ x 12″. All work submitted must have been executive within the past two years and not previously shown at Hopper House.

Judging Criteria:

Selections will be made per artist (rather than by individual works of art), so all entries should be cohesive and express a discernable creative sensibility specific to that artist. Selections will be made based on execution, technique, and originality.

Submissions:

Each artist may submit at least three, but no more than 5 entries. Only on-line entries through Online Juried Shows will be accepted.

Please submit all entries to www.OnlineJuriedShows.com (on the homepage look for Edward Hopper House Art Center, Small Matters of Great Importance and click “enter this show”).

Submission deadline is August 20, 2010. Call Erich Neubert from Online Juried Shows at 949-388-3407 if you need help with the submission process.

After you have submitted your entry please mail your check to Edward Hopper House, 82 North Broadway, Nyack, NY 10960 or pay via paypal through our website http://www.hopperhouse.org/ (reference SMGI ). Artists will be notified of their status via e-mail.

Fees:
(fees are non-refundable)

Hopper House members: $30 for first THREE entries, $5.00 for each additional entry (maximum 5 entries total).

Non-members: $35.00 for first THREE entries; $5.00 for each additional entry (up to 5 entries total)

Awards:

$500 Award for Excellence plus additional cash prizes to be awarded.

Hopper House will observe every care and precaution, but cannot be responsible for loss or damage of accepted artworks. Accepted artists must contract with Hopper House agreeing to exhibition terms including, but not limited to, installation schedule and liability waiver.

Curator reserves the right to reject work not satisfactorily represented by the images submitted or artwork that arrives in a condition not suitable for hanging. Artists are responsible for Shipping/Delivery. Instructions will be included with acceptance letters.

The Hopper House shall receive 35% commission on any art sold from the premises.

Calendar:

Submission deadline: Aug 20, 2010
Notification to artists: Sept 10
Delivery of work: Oct 10, 3 – 5 pm & Oct 12, 12 – 5 pm
Opening reception: Oct 16, 5-7 pm
Work pickup: Nov 28, 3-5 pm & Nov 29, 12-5 pm

To download the prospectus, click the link below:

http://onlinejuriedshows.com/PDF/21HopperHouseProspectus.pdf

INSPIRATION: Grafitti

Posted on June 18, 2010 by R.L. Gibson

I have a lot on my mind…
change, specifically.

It is time for a little change.

On September 12th, ArtAndArtDeadlines.com will officially be one year old. And the site has survived a number of changes, I think it is time for a few more. Here are a few ideas of my own, but feel free to leave a comment with your own suggestions too:

1. New Sponsors. I am going to take a closer look at the way sponsorships work here at AAAD. I want to make sure my links are going where they will best support the art and artists that are talented and inspired.

2. A Makeover. I have been inspired by the recent Toni’s Treehouse makeover (AAAD is a sponsor) to make a few visual changes to the header and sidebars. These will be gradual, I promise.

3. Showcases. I was recently inspired by a Tweet of Catherine Roach‘s new business cards, of all things, to showcase a handful of things that some folks do really well. For example, most of the graphic designers and illustrators out there have phenomenally creative business cards. It is a networking opportunity for those featured and hopefully an inspiration for my readers.

So if you have more suggestions, let me know by leaving a comment. In the meantime, while I was contemplating what sort of art would newly reside behind the “Art” in the header, I thought of grafitti as an option. Then, like kismet, I tripped across the call for entries…inspired by grafitti. Here’s the call:

artspace announces an open call to all artists working in any medium to submit entries for Strassen Kunst, an international exhibition of work inspired by graffiti. The exhibition juror, Martin McFadden LRPS, Director and Curator, 12 12 Gallery, Richmond, Virginia, will award up to $1000 and a solo exhibition in artspace’s Helena Davis Gallery.

ELIGIBILITY International artists age 18+, working in 2D or 3D whose work consists of or is inspired by any aspect of graffiti, including painting, tagging, stenciling, etc., may submit 3 digital images of work to be considered for the exhibition. Additional images may be submitted at additional cost, for up to a total of 5 works. Work that has been previously exhibited at artspace is not eligible.

ENTRY PROCEDURE Entrants may submit ONLY digital images on CD or online. Only one digital image may be submitted for each work. Diptychs or triptychs must be on one image. Limit size of framed work to 60 inches, in either direction, and up to 65 lbs. Space limitations do not allow for installations of work. Digital files for viewing should be JPG format at 300 ppi, saved at 10-12 quality level, with the longest dimension being 1900 pixels. Label each file with the last name, first initial, and the number corresponding to the entry number (e.g. SmithJ1). Please identify images on the entry form with the title of the work.

CD, completed entry form, entry fee, and a self-addressed, stamped envelope, for the return of your CD and notification of acceptance, must be postmarked by Friday, July 9, 2010 and sent to artspace, Zero E. 4th Street, Richmond, Virginia, 23224. If no SASE is provided, notification will be sent via e-mail.

ONLINE SUBMISSIONS In the body of an e-mail include your name, address, telephone number and e-mail address. In this e-mail provide information for the images you wish to submit. Attach images of the work corresponding to the information provided and send to the exhibition e-mail at artspacestreetart@gmail.com by 11:59 PM Friday, July 9, 2010. Notice of acceptance will be e-mailed.

ENTRY FEE All submissions require payment of a non-refundable entry fee of $25 for three (3) entries, which is accepted via PayPal, personal check or money order mailed to the gallery by the postmark deadline. Additional entries may be submitted at $5.00 (US) each, for up to five (5) total entries.

ACCEPTANCE NOTIFICATION Notice of acceptance will be mailed or e-mailed Friday, July 23, 2010. Artist bios, resumes, and statements will be requested upon acceptance to show.

QUESTIONS Contact the gallery by telephone at 804.232.6464 or by e-mail at artspacestreetart@gmail.com with questions regarding the exhibition, prospectus, or online entry process.

TWITTER: @artartdeadlines

Posted on June 16, 2010 by R.L. Gibson

I have long been tweeting posts for ArtAndArtDeadlines.com from my http://www.twitter.com/artistrlgibson.

Well, I have finally gotten around to creating a twitter account just for ArtAndArtDeadlines.com…

So make sure to follow @artartdeadlines for the latest FREE updates and artist resources.

CALL FOR ENTRIES: Strange Figurations

Posted on June 15, 2010 by R.L. Gibson

I love figurative work. My own work is almost exclusively figurative. Most of my favorite artists are figurative.

Here’s a great figurative show: Strange Figurations at the Limner Gallery in Hudson, NY brought to you by SlowArt Productions.

SlowArt Productions presents the group thematic exhibition, Strange Figurations. The exhibition will be held at the Limner Gallery from September 1 – 25, 2010. This exhibition is open to all interpretations of the concept, Strange Figurations. Included are all forms of unique and unusual figurative art from the realist to the surreal and visionary. All artist interpretations of the theme “Strange Figurations” will be reviewed and considered.

IMAGE PRESENTATION: Artwork submitted may be represented by prints up to 8.5″ x 11″, by digital images on CD, by 35mm slides, or by email entry.
* Prints: Prints of work may be up to 8.5″ x 11″ and may be digital (ink jet, laser etc.) or photographic prints. Artist name, title, size, media and price should be on the front or back of the print. If you want your prints returned, be sure to follow the return of materials guidelines below.
* Digital files: Digital image files may be submitted on CD, DVD or Zip discs. Images should be readable on PC platform and should be in TIF or JPG format. No files larger than 15MB please. Reference prints must be included. Reference prints may be any size individual prints up to 8.5″ x 11″ (label as for prints above) or may be a single sheet with multiple prints representing the images on the disc. If submitting a single sheet , next to each image write the artist, title, media and dimensions. If you submit digital files without reference prints, your disc may not be properly viewed.
* Online email entry: To enter via email: 1 )Type your contact and image list information requested on the entry form into your email message. 2)Attach your images to the email. 3) Email to LimnerEntry@aol.com. 4)Pay the entry fee using their Pay Pal payment page. [Digital files emailed should be in JPG format, 72dpi and no larger than 12″ in any dimension.]
* Slides: Slides should be 35mm. On each slide write the image list number and artists name, title of work, media and dimensions. Indicate top of work. Do not send glass slides, glass slides are almost always crushed in the mail.

RETURN OF MATERIALS: A self-addressed-stamped-envelope (SASE) must be included with sufficient postage for the return of submission materials. Artists outside the US who cannot obtain US stamps may add return postage cost to the entry fee at a rate of $1.00US per ounce of mail. Materials submitted without SASE and return postage will be discarded. To make sure you have adequate postage, view the SASE postage rate page: http://www.slowart.com/prospectus/rate.htm

NOTIFICATION: Artists will be notified of acceptance or non-acceptance no later than July 31, 2010. Results will be posted on or before this date at: http://www.slowart.com/results. Notification will be made via email and/or by mail with the return of materials in the SASE provided by the artist. Artists who do not include the SASE because they do not want their slide or print materials returned must provide a self addressed stamped #10 (letter size) envelope if they wish to be notified by mail. All artists who provide a working email address will be notified via email, if no email or return envelope is provided, artists will only be notified if accepted to exhibit. Type or print your email address clearly, if a mistake is made reading it you will not be notified. Read the notification page for details of the notification policy.

FEES: There is a $35.00 entry fee for 1-4 images. If you wish to include more than 4, please include $5.00 for each additional. Details of artwork count as an additional image. Artists accepted to exhibit will not be charged additional fees of any kind. Please make check or money order payable to SlowArt Productions. Artists who wish to pay by credit card may do so via PayPal, [use this link to make Pay Pal payments] If using PayPal and entering by mail, print the PayPal transaction page and include it with your entry.

AWARDS: One artist from Strange Figurations will be awarded a two page display in Direct Art Volume #18, Fall 2011 issue. Two artists will be awarded a single page display. Direct Art is distributed to bookstores across the USA including Borders and Barnes and Noble. For more information on Direct Art view: http://www.slowart.com/about.htm

TERMS: All works in the show must be for sale. The gallery will take a 30 percent commission on all sales. Sale price is determined by artist.

ELIGIBILITY: STRANGE FIGURATIONS is open to all artists, national and international, working in any media. All forms of art are eligible. Entrants must be 18 years of age or older to apply. 96″ maximum for wall hung work, 72″ for free standing sculpture.

DEADLINE: The Final postmarked deadline is June 30, 2010. Entries must be postmarked by this date.

CALL FOR ENTRIES: Ventura California

Posted on June 10, 2010 by R.L. Gibson

On ArtAndArtDeadlines.com, I preach the wisdom of not getting complacent…of continuing to enter shows. However…

I have been working on my show Psychomachia (see a detail of Lust: The Three Legged Man at left) for more than a year now with Arizona artist Jerry Portelli, and I have worked on it to the exclusion of almost everything else.

So, I really need to take my own advice and decide that it is time that I at least enter a couple of shows…it is all about balance…apples AND Cheetos.

NO MORE EXCUSES.

I PROMISE.

It has ceased to be about cash prizes for me. It is all about the ability to show in new places. Here is one of the shows that I think that I will enter this June:

Sylvia White Juried Show–Entry Deadline June 19th

This summer, the Sylvia White Gallery will be awarding two exhibition opportunities in our gallery space in Ventura, California’s New Art City.

COMPETITION DETAILS:

Juried by: Sylvia White. Sylvia White is founder and director of Contemporary Artists’ Services. She has been advising artists on matters related to career development since 1979. Sylvia White Gallery opened in 2008 and has exhibited artists such as Robert Rauschenberg, Robert Graham, Ed Moses, Dale Chihuly and others. Take a virtual tour of our gallery , please visit our website at http://www.sylviawhite.com/ .

PRIZES: One solo exhibition and one group exhibition.

EVENT SCHEDULE:
June 19 – Entry Deadline
July 3 – Notifications sent out
August 4 – September 4 – Group Exhibition (Solo exhibition dates to be arranged with winning artist)

ELIGIBILITY: Open to all U.S./Canadian resident artists at least 18 years of age. Eligible entries include paintings, mixed media, works on paper, photography, sculpture, installation art and performance.

ACCEPTANCE: Accepted work may be refused if it does not conform to the image entry, at the Juror’s discretion. No substitutions of accepted works will be allowed. All accepted work must remain in the gallery for the duration of the exhibit.

Artists will be responsible for delivery and return shipping of all their artwork. Sylvia White Gallery will assist in providing e-mailing lists and press contacts.

SALES: Unless otherwise specified, accepted works will be considered for sale at the price indicated and 30% of the selling price will be retained by The Sylvia White Gallery. A purchaser may not remove work until the end of the exhibition.

INSURANCE: Great care will be taken with all work, but artists are responsible for insuring their own pieces if they wish. The Sylvia White Gallery will not be responsible for any loss or damage to work while on the premises or in transit to or from the gallery. Artists are advised to get their own insurance.

DELIVERY & RETURN: All work must be suitably framed, wired and ready for hanging, or installation. Graphics, prints, watercolors and pastels must be framed under Plexiglas. NO GLASS.

Shipped work must be packaged in a reusable container. NO STYROFOAM PEANUTS. A prepaid waybill for its return must be enclosed. Please make shipping arrangements through the U.S. Postal Service, DHL, FedEx, or UPS. COD returns are not acceptable. The gallery accepts no responsibility for work not retrieved on the pick-up date and will charge the artist $5.00 a day thereafter for storage. After 30 days the gallery may dispose of the work.

APPLICATION PROCESS: To apply you need to email all of the following to juriedshow@artadvice.com.

1. Link To Website with available work (if available)
2. Three (3) Digital Images of Work – Digital Images should be submitted in JPEG format and the images’ dimensions should not exceed 1600 pixels in any dimension and should have a maximum file size of 5 MB. Please label each JPEG image as follows: Lastname_Firstname_title.jpg
3. Details of submitted work: Title, Medium, Dimensions, and Price.
4. Contact Details of Artist: Name, Email Address, Phone Number
5. Entry Fee $40 (US Dollars only)

If you have any questions, email Sylvia…she’s always quick with replies.

ART PUBLICATION: Applied Art Zine

Posted on June 8, 2010June 8, 2010 by R.L. Gibson

Proving you exist is an age-old philosophical effort and the frequent stuff of cocktail party debates. However, it is rarely an artistic endeavor.

“Proof of Myself” is a start-up art zine featuring applied art that aims to address the self-titled debate.

In December of 2009, we featured the artwork of Catherine Roach. Roach is currently attending The New England Art Institute in Boston for Graphic Design, and approaching her final semester. She has decided to start an art zine featuring applied art.

Here’s the call…

PROOF OF MYSELF is a new zine/photobook/art collaborative.

“Proof of Myself for me,” says Roach, “means anything that you have done what reflects you. Your identity, your love, your passion, your favorite color, your home, your town, whatever.

“As long as your work reflects something that is you. Something that is a piece of you, something that proves you exist.”

Roach would prefer hand-made pieces.

For instance, if you want to submit a writing piece, make it handwritten and mailed (or scanned).

If you want to submit art, scan pieces that are tangible. Mixed media with some digital aspects are cool too, as long as they have a “hand-made” feel.

Please don’t mail original artwork unless you do not want it returned.

Just scan and email your artwork to Catherine Roach.

Remember, I always suggest you research your juror, curator, gallery director or editor. Take a look at Roach’s Featured Artist post from December 2009 to get a better idea of who she is and what might make the cut.

Want to contribute? Email Catherine Roach: proofofmyself.zine@gmail.com

PHOTOGRAPHY: Emerging Work

Posted on May 28, 2010 by R.L. Gibson

Photography Week
on Art & Art Deadlines

Installment 4:
No Resume, No Problem

You know how much I love shows that don’t require artists to submit resumes.

I think artwork should be judged on its merits, not its pedigree…but I don’t often trip across artshows where they are brazenly looking for work that has been little seen or documented…the Apeture Portfolio Prize.

Finally…we don’t have to have the “chicken or the egg” conversation. Yippee.
Here’s the call for the Apeture Portfolio Prize.

The purpose of the Aperture Portfolio Prize is to identify trends in contemporary photography and specific artists whom they can help by bringing a wider audience.

In choosing the first-prize winner and runners-up, they are looking for work that is fresh and that hasn’t been widely seen in major publications or exhibition venues.

First prize is $5,000.

The first-prize winner and runners-up are featured in Aperture’s website for approximately one year.

Winners are also announced in the foundation’s e-newsletter, which reaches thousands of subscribers in the photography community.

Deadline: July 14, 2010, at 12:00 noon EST.

Results Announced: November 1, 2010.

For more information, see the Guidelines and FAQs pages.

ArtAndArtDeadlines.com is a free service–forever and always. But clicking on a sponsor’s ad can help you find additional Art Deadlines and help this service remain free. I’ve filtered the ads so they are mostly about art. I hope you find something intriguing! Thanks for your support!

PHOTOGRAPHY: Black and White

Posted on May 26, 2010June 3, 2015 by R.L. Gibson

Photography Week
on Art & Art Deadlines

Installment 3:
Black and White Photography

I live in an area with a long-standing artisan crafts tradition, and I overhear a lot of conversation about how digital and “new-fangled” media will be the end of art as we know it. As you might imagine, as a Xerographist, I couldn’t disagree more. Artist Jerry Portelli and I even went so far as to create a series of square pieces in celebration of the pixel. So, I find this call from the MPLS Photo Center fascinating. Take a look…

Here is a great call for the photographer in us all…
Black & White Photgraphy Call for Entries from the MPLS Photo Center

“Black and white are the colors of photography. To me they symbolize the alternatives of hope and despair to which mankind is forever subjected.” – Robert Frank

What does “black and white” mean to contemporary photographers in the digital age? When Robert Frank made this observation, black-and-white film and silver prints were photography’s most commonly used materials. Nearly a half century later they are approaching “alternative media” status. Or are they? Are the implications and meanings of black and white still central to photography’s unique nature as a visual medium?

Submissions to this juried exhibition are limited only by your imagination and your photographic eye. Portraits, fashion, editorial, landscapes, documentary, conceptual – all of these genres, and others not named, are open for consideration.

Prints should take whatever form they need to in order to represent the continuum of tones, including gray tone, warm tone, cool tone, sepia, or other monochromes that comprise your photographs. Whether the initial recording was made on film or pixels is immaterial. However, in the final assessment, prints will be judged on their merits. Qualities of form, content, and relation to traditions of black-and-white printing and visualization will be sought in the pool of submissions.

About the Juror: As the founder, principal, and sole employee of re:photographica, George Slade has delved into matters related to the photographic arts for nearly thirty years. Although he started these inquiries as a photographer, his work over the past twenty years has been focused on curating, consulting, and commenting on others’ images. He was the artistic director of Minnesota Center for Photography (2003-2008) and the director of the McKnight Foundation Artist Fellowships for Photographers Program (1998-2008). His writings have been published widely; he received a 2007 award from the Creative Capital/Andy Warhol Foundation Arts Writers grant program. Web sites like Flickr and Facebook, and digital imaging in general, are drawing him back into the making side of photography. On Quodlibetica, his photographs accompany Kristin Makholm’s “Five Memos on a New Museum.”

Juror: George Slade, Principal at re:photographica
Entry Fee: $35 up to 5 images; $10 each additional (no limit on number that may be submitted)
Prizes: $300 for 1st; $200 for 2nd; $100 for 3rd
Entries Due: July 23, 2010
Notice of Acceptance: August 2, 2010
Exhibition Dates: September 10 – October 25, 2010
Reception: September 10, 2010

MPLS Photo Center, 2400 North Second Street, Minneapolis, MN 55411, 612-643-3511, http://www.mplsphotocenter.com/exhibits/callforentriesBW

Contact: Clare O’Neill, clare@mplsphotocenter.com