SHOW ALREADY!
I spend a lot of time answering artists’ excuses about why they don’t enter shows or put their work out there. I have heard them all, and some of them are legitimate.
With the accessibility of digital cameras, photography has taken a hard hit in the retail arena. Many consumers no longer see the value in purchasing photos that they believe they “can take themselves.” Please don’t write to me about all the things wrong with that argument…I get it.
As a result of that sentiment, many emerging photographers have to be very savvy with how and where they choose to submit work. The cost of entry fees, packaging, matting and framing add up fast. Here’s a great Call for Entries from Vermont Photo Space Gallery that takes these concerns to heart and offers free matting and framing. Take a look…
The touch of man on the natural landscape is all around us. From shimmering cityscapes and rural farms to strip mines and garbage dumps. Let’s see images that show the touch of man, light or heavy, on the earth around us.
“Contemporary landscape photography’s insights and observations reach far beyond the natural environment. A close examination of the land will often reveal more about ourselves as individuals, communities, and society at large.” — Thomas Bachand
Up to 44 photographs will be chosen by juror Thomas Bachand for exhibition at the Vermont Photo Space Gallery, on our website and in a
full color catalog available to the public for purchase.
JUROR: Thomas Bachand has been a professional photographer for over a decade, working in both traditional and digital mediums. His photography has appeared in magazines, advertisements, brochures, and textbooks – both in print and on the web. He writes on digital imaging issues for professional trade publications and lecturers on photography and technology issues.
Tom is the author of Lake Tahoe: A Fragile Beauty. In addition to private collections, his photography can be found in the Bancroft Library and the California Historical Society.
Thomas Bachand’s photography is a consideration of the land and the competing visions that inform our interaction with the world at large. Core to the work is its accessibility to the viewer. The use of color and a documentary style allow for an open and immediate connection to the subject.
By embracing a historical perspective, the photography captures a sense of honesty characteristic of the medium’s early pioneers. Whether creating a single, evocative image inviting reflection or a series conveying a sense of time and place, Bachand’s exploration includes the role of storyteller.
He seeks a convergence of the ordinary – extraordinary only in so much as it is revealing, offering both possibility and contemplation.
RULES FOR PHOTO SUBMISSIONS:
Age: Entrants must be at least 18 years old. If younger. a parent or legal guardian may make the submission for you.
Ownership: All submitted photos must have been taken by the photographer making the entry. If you are a parent or legal guardian submitting for a minor, please make it clear.
Digital Submissions: All submissions must be made by digital files through:
1. Upload on VermontPhotoSpace.com or
2. Sent via email to submissions@VermontPhotoSpace.com. This e-mail address is being protected from spambots. You need JavaScript enabled to view it along with an application form. There is a $5.00 surcharge for email entries.
3. Images should be as large as possible but no larger than 1280 pixels on the longest side, type jpg – set to the highest quality. DPI is only relevant for output purposes and does not effect the stored size of the image. It can be set to any number, but if you must specify something go with 72 dpi.
FEES: Up to three images may be submitted for a fee of $20 US for on-line submission and $25 for email submission. Additional images may be submitted for an additional $5 US per image.
DEADLINE: Images must be received by midnight EST on the submission closing date August 18, 2010 for the exhibition for which you are submitting. Payment must be received by the close of submissions August 18, 2010 for the exhibit for which you are submitting.
RIGHTS: Photographers retain all rights to their work, except for submissions accepted for exhibition: artists grant Vermont Photo Space the right to use their images to promote the exhibition and for display on VPS website and for inclusion in an exhibit catalog.
SALES: For submissions that are accepted, photographers may offer their work for sale and establish their own price for framed and unframed prints.
For Vermont Photo Space framed work we retain 66% of the sale price.
For works framed by the artist Vermont Photo Space retains 34%.
For unframed prints Vermont Photo Space retains 25% of the print sale price.
Local sales tax of 6% is collected on all sales at the gallery.
Vermont Photo Space Gallery provides free matting and framing of accepted entries for the duration of each of our exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work, and retain all rights.
For the full Call for Entries, visit their website.
Sebastopol Center for the Arts invites artists living in the United States to submit work to Mapworks: the Map as Art. SCA is looking for art which references maps and mapmaking. 
JUROR: Kim Anno is a painter, bookmaker, collaborator and Professor and Chair of Painting, at the California College of the Arts, San Francisco. Her advocacy of the arts has enjoined her talents as curator, artist-in-residence, juror, lecturer, and interviewer. In addition, her diverse practice has led her into important collaborations with writers, visual and performance artists.
ENTRY FEES: 
The Bakehouse Art Complex
Night/Light: Bay Area Photographers Take Aim After Dark
