CALL for ENTRIES: Women Artists

Posted on December 29, 2018January 6, 2019 by R.L. Gibson

COLD complication

As winter approaches, I am more & more distracted. I buy a handful of pantry items for single recipes. For example, I use canned cream-style corn in one indulgent corn pudding recipe and buttermilk only in cornbread. But, the problem arises because they look like similar items in the cupboard –anything canned or my regular milk. You only have to put buttermilk on one bowl of cereal to not want to make that mistake again. My solution? Organization. A simple letter or two scrawled on the container top has stopped me from wasting time and food over and over again.

In the studio, I am always walking the line between organized and over-planned. My instincts run toward scheduling, pre-planning, color-coding and efficiency. But, I also know that when I over plan, I have guilt when I stray from my original design that sometime keeps me on a path (that often isn’t really working) longer than I should. But if I don’t schedule at all, I end up procrastinating, the stereotypical downfall of beret-wearing artists in movies everywhere. This next Call is a perfect example. I love this publication. It is gorgeous. The art is phenomenal. Even their Insta feed is fun and inspiring. I keep thinking that the right work to submit will speak to me. As a result, here we are a year or two later, I’ve managed not to enter yet. So, let’s make a plan, be organized; enter early…

Check out this Call for Entries from Create! Magazine (print publication) for the Women Artists March Edition. $30 entry for this gorgeous magazine. Don’t miss this chance…

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CALL for ENTRIES:
March Women Artist Edition
of Create! Magazine

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ELIGIBILITY: Open to all women artists. “We are passionate about highlighting work by contemporary female (identifying as female) creatives and are dedicating the entire march edition to this group.” –Create! Magazine

MEDIA: Open to all media, i.e.: painting, sculpture, digital, printmaking, fiber, mixed media, photography, installation & more.

DEADLINE: January 27, 2019

NOTIFICATION: December 20, 2018

ENTRY FEE: $30 for up to 3, $35 for 5, $40 for 10. *There is also an optional $20 for online review, if selected by curator.

JURORS: Ekaterina Popova Artist, Curator, Podcaster, Editor and Founder of Create! Magazine, Alicia Puig Curator, Art Historian and Director of Business Operations at Create! Magazine, Shelby McFadden Artist, Designer and Editor of Pikchur Magazine, & Christina Nafziger Arts Writer, Journalist and Gallery Assistant.

AWARDS: Artists selected by the guest juror will receive a 2-page spread including a brief bio, website, and 2 images in print and digital formats. Published artists will receive a complimentary digital issue and will be listed on Create! Magazine’s website/social media & will be listed with images, details and information on their website/social media for life. All featured artists will automatically be considered for any upcoming curatorial projects & exhibitions organized by the Create! team.

SALES: The March 2019 Edition will be available online, in global retail locations in London, New York, Amsterdam, Stockholm, Wilmington (DE), Philadelphia & more.

For complete details, Read the Full Call!

CALL for ENTRIES: 28th Nat’l OPA

Posted on December 19, 2018December 19, 2018 by R.L. Gibson

celebratory EDIBLES

Do you make food resolutions? No, I don’t mean diets. Do you make promises to eat healthier or cleaner? Or maybe to cut some food that makes you itchy, grouchy or gas-y? Yeah, me neither. Not anymore. My eating habits go with the flow. I eat a lot of whole, fresh foods, punctuated by occasional, terribly-crappy junk food, and it seems to work for me, ha. This year, I am resolved to drink more bubbly. I love Prosecco. I like the sense of celebration, and I want to spend more time celebrating the little stuff. What is your go-to drinkable or edible celebratory treat? Chocolate? Guac? Join me for my year of Yay! We deserve it.

My last major change was the abandoning of all dairy except whole milk options, and a complete, mid-career left turn in media. Yikes. Until my change of media a couple of years ago, I was working, almost exclusively, as a xerographist. There is no Xerography Association, locally, nationally or internationally, to my knowledge. So, I never had the ability to take advantage of media-specific membership. Now that I am a watercolorist, I have more options. However, because I embroider over my paintings, my work is typically considered mixed media by painters and painting by fiber artists. I’m not sure if I’ll ever find a watercolor or fiber art society to call home. Do you have a media association that you love?

One of the benefits of association shows is the prestige. Because they are almost always juried by working master artists, the recognition of your work is meant to be a stamp of approval on your dedication to developing your skills, plus, they often have large cash prizes. There are frequently multiple show opportunities throughout the year as well as educational & critique options that can’t be found anywhere else. THOSE are all great arguments for the next Call, but I’m not an oil painter. If you are, this is a great show.

Check out this Call for Entries for the 28th Annual Nat’l Exhibition from Oil Painters of America to be exhibited at the Illume Gallery of Fine Art (Saint George, UT). $100,000 in awards including $25K Best of Show. Don’t wait…

CALL for ENTRIES:
28th Nat’l Juried
from Oil Painters of America

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ELIGIBILITY: Open to artists residing in the U.S., Canada & Mexico

MEDIA: Representational oil painting

DEADLINE: January 25, 2019

NOTIFICATION: February 22, 2019

ENTRY FEE: $30 for 1, $15 ea. add’l (plus membership fee of $70). More membership information can be found on the OPA website, under the Member Services tab.

JURORS: OPA Master Signature member Kenn Backhaus OPAM

AWARDS: The total awards will be approximately $100,000, including a $25,000 Best In Show.

SALES: Commission of 40% is required by the gallery for all paintings sold.

For complete details, Read the Full Call!

CALL for ENTRIES: New Contemporary

Posted on December 15, 2018December 16, 2018 by R.L. Gibson

real SMOOTH

I have pureed everything today. I made black bean soufflé early in the day to go with the slaw-topped taco my husband made later. I cooked & pureed extra beans to put up in the freezer as a soup base for next week. Lunch was delivery pizza. Our mid-afternoon snack was a mango-peach-guava-banana smoothie. While my husband made apple-pepper slaw for our tacos, I processed a half-bushel of apples for applesauce. I have washed my food processor four times today. (Just a reminder, no dishwasher in my house.) I am trying to keep busy.

I mean, I did finish framing a commission while I am waiting for THREE past-due notifications. I need mindless busy. How do venues take our money and not notify on time? Why not just under-promise? Why not five themselves and extra week then surprise us all with an early notification? Of course, my imagination and insecurities ramp up to a 14 & I begin to assume that I haven’t gotten an email because I have been rejected, or, that I was so bad that I didn’t warrant a response. When left with too much time to dwell on it, I start to become paranoid like an 1990s sitcom and wonder if my phone is working or if email is out-of-order. Ridiculous. So, soufflé, soup, smoothie & applesauce. Noisy. Delicious. Busy.

This next Call is screaming my name. I’ve not been interested in a lot of galleries lately because I am looking to build a very specific profile for my resume. I am trying to patiently wait for the academic & publicly funded shows I really want. But I am digging this space. There are a number of great art hot spots in New Mexico, like Satan Fe. In fact, New Mexico is on my new short list of relocation possibilities. This gallery supports a reassuringly diverse art aesthetic and range of media. I like the unapologetic nature of this Call too. I’m hoping to get my crap together & enter. Let me know how it sounds to YOU.

Check out this Call for Entries from Keep Contemporary (Santa Fe, NM) for New Contemporary. This is a great looking venue that also includes “….artists who have a limited voice in an otherwise conservative art market”. I want to show here; how about you?

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CALL for ENTRIES:
New Contemporary
from Keep Contemporary

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“We are looking for art that pushes the boundaries in a variety of genres including but not limited to: High Brow, Low Brow, Pop Surrealism, Hyperrealism, Graffiti Art, and Abstract Art.” –keepcontemporary.com

ELIGIBILITY: Open to all artists 18+

MEDIA: Open to painting, printmaking, drawing, mixed media, digital, collage, sculpture, & photography.

DEADLINE: January 14, 2019

NOTIFICATION: January 28. 2019

ENTRY FEE: $40 up to 3, $5 ea. addl

JUROR: Jared Antonio-Justo Trujillo is an artist and the gallery director at Keep Contemporary. He has curated exhibitions and public programming for a diverse set of art institutions across the US. His work has been exhibited nationally and internationally and is held in private and institutional collections.

SALES: The gallery will retain a 35% commission on all sales.

For complete details, Read the Full Call!

CALL for ENTRIES: Portraits 2018

Posted on December 3, 2018December 3, 2018 by R.L. Gibson

chuh-chuh-chuh-CHIA

I’ve often spoken of my emotional eating & closeted love for junk food. I occasionally comfort myself with the notion of artisinal junk food like lovingly, hand-made beautiful doughnuts. But, truth be known, I have an ugly Totino’s habit. I admitted here in writing once about 5 years ago, but as I push spinach salads and chia seed smoothies like a health food pimp, I like to believe that no one holds me accountable for my addiction to frozen pizza. (You can find the complete ingredient list here, OMG, assuming I can convince you I only eat the cheese variety. *lying*) I have faith in my better instincts, but I admittedly have worse ones too.

A lot of people have gut instincts about shows. Some artists are completely turned off by the concept of online shows. Some artists only want to show where they can hand-deliver work. I try to evaluate opportunities based on how they fulfill MY current needs. I don’t need resume fluff right now, so I am submitting to fewer shows and just trying to get the work DONE. I get asked about online galleries all the time, and whether or not they are scams. The easy answer is “sometimes”. You & I both need to submit work to shows that WORK for us. So what are the pros to online shows? I like them as a great way to test new, experimental work. they help me see how I stack up against other work in a more objective atmosphere than the bubble of my already engaged fan and peer base. Online shows can drive traffic to your website and give you organic social media posts. Online exhibits can force you to create themed work that gets you out of rut or unstuck. Depending upon the venue, they can help you reach a different audience. And, there’s the prize money. Is this opportunity right for you? Only you can know. I have faith in your better instincts.

Check out this Call for Entries from Art-Competition.net for Portraits 2018. $25 entry & no shipping. The theme is open to broader interpretation than you might think, and you know you want the $500 grant. Take a look…

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CALL for ENTRIES:
Portraits 2018
from Art-competition.net

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ELIGIBILITY: All artists age 18+ (int’l)

MEDIA: Open to still media, including painting, drawing, photography, sculpture, digital art, printmaking, fiber art, collage, etc.

THEME: Portraits “The curators are looking for a portrait showing the inner essence of the subject or a flattering representation, not just a literal likeness.” –art-competition.net

DEADLINE: December 10, 2018

NOTIFICATION: December 20, 2018

ENTRY FEE: $25 for up to 3, $5 ea. add’l

AWARDS: 20 artists will be selected for an online group exhibit, “PORTRAITS 2018” at Gallery25N; the exhibit and artists will be extensively marketed worldwide to over 26,000 people including art buyers, gallery owners, curators, collectors, etc. One artist will be selected to receive the “Christopher E. Burke Fine Art Grant“ of $500. That artist’s work will become the image of the exhibition and will be used on the invitation, video title screen and on all online marketing.

For complete details, Read the Full Call!

CALL for ENTRIES: 56th Annual Masur

Posted on December 2, 2018December 27, 2018 by R.L. Gibson

the SMOOTH move

I finally have a use for all those black, frozen bananas cluttering my freezer –the afternoon smoothie. I live with two high-metabolism guys, so the 4 o’clock afternoon snack is standard here. I’m not new to the concept of the smoothie, but I am new to making them regularly. Frozen cantaloupe, whole milk yogurt and a melange of other goodies like vanilla, berries, chia seeds. I am frequently still NOT hungry when dinner prep time rolls around. The best part is that they are super fast & have almost no clean up, giving me less distraction and fewer avoidance excuses.

I need fewer reasons to make excuses. Do you hibernate from responsibility when overwhelmed? Me too. I am a member of a handful of online artistic communities, and I read all the bickering about what shows are worth entering and which aren’t. No one seems to see different paths. Everyone seems to have divided up into teams “realism” vs. “abstraction”, “fine art” vs. “applied arts”. Where are you? And why can’t your decision be based on where YOU are or where you want to be? Right now, I am interested mainly in academic and museum shows because this is a period of growth and change. What shows feel right to you? Are you concentrating on publication? Are you testing new work in online venues? Are you searching for gallery representation or maybe higher volume commercial sales? All of those paths are valid. Don’t get sucked into the guilt of not fulfilling the vision someone else has for what being a successful artist means. (Remind me to talk about Insta-worthy studios sometime.)

Check out this Call for Entries for the 56th Annual Juried Exhibition from the Masur Museum of Art (Monroe, LA). $20 Entry & no commission. This is a stunning museum show with a storied history. The juror has excellent curatorial vision. I think this is a great opportunity, but is it the right fit for you? Have a smoothie and get back to me. 🙂

CALL or ENTRIES:
56th Annual Juried
from Masur Museum

ELIGIBILITY: Open to all US artists 18+

MEDIA: Open to all media

DEADLINE: January 2, 2019 (extended)

NOTIFICATION: February 1, 2018

ENTRY FEE: $20 for 2, $10 ea. add’l (5 max.)

JUROR: Catherine Futter is the Director of Curatorial Affairs at the Nelson-Atkins Museum of Art in Kansas City, MO. Futter has curated a number of permanent collection installations of European and American art from medieval to the present, organized exhibitions that highlight living artists, and also has led the museum’s efforts to spark an area conversation about creating a cultural district in midtown Kansas City. Futter’s specialty is with European and American Decorative arts from 1850-present, and she has previously held positions at the Metropolitan Museum of Art, the Yale Center for British Art, and the Chrysler Museum of Art.

AWARDS: Best in Show is $1,000, and total awards are $3,200. The People’s Choice Award is $200.00 and will be voted on by visitors throughout the run of the exhibition. Best Packed: $100 This award will honor for the artist who packs their art in the most professional manner. ♥

SALES: The Masur Museum of Art does not receive a commission on sales.

For complete details, Read the Full Call!

CHANGES for the NEW YEAR!

Posted on November 27, 2018November 28, 2018 by R.L. Gibson

CHEERS to change

I seem to always anticipate being done with the year, exhausted & ready for the idea of a fresh start do-over. This year I feel a subtle, but significant change. I am excited for the new year. 2018 has been hard and uncomfortable and has brought anxiety and fear and embarrassment AND GROWTH. My work has grown by leaps and bounds. Where are you? I fell into a rut and found my work technically more proficient, but I was creating without joy.

I languished. I talked with my friends & peers. Everyone had a story, but no one had a solution. I finally realized that it was fear that was holding me back. There is safety in the clear, known action. After 20 years, I changed media. I’ve coached a lot of artists on how to do it. Easy, right? Yeah, not. It feels like artistic, metaphorical puberty. Painful. The difference is that I now know there is something on the other side puberty. And, I can’t wait.

So, cheers to the new year. Raise a glass of whatever you crave, my current obsession is Prosecco, and let’s celebrate possibility. I’m scared but willing to gamble. How about you? That isn’t a rhetorical question. AAAD is about to change…

Have you noticed the lack of posts? I am busy. You are too. And, I’m not trying to sell the cult of busy. I am creating and screwing up and scheduling and dreaming. There hasn’t been use value in my posts FOR ME, so I have been avoiding them doing them at all, despite knowing that they ARE useful to some of you. Self-absorbed, but honest. How do we resolve this problem? My solution is to make these posts a part of my practice and process. Change is necessary but still scary.

So… food segues remain, calls remain, subscriptions remain free. Content will be less formal, more personal. Visuals will be simpler, colors softer. Some sharing of my own work (oh, the scandal) and some of yours too. ♥ I want to weigh the pros & cons of calls and opportunities for me, personally, in the hopes that my painful transparency makes you think about some portion of your own journey differently. We can’t all be on the same journey, but we all have the same issues with different food and geography and destination.

I don’t know exactly how all of this is going to look; be prepared for some trial and error. Tell me what works and what doesn’t. Tell me your stories and how your experience applies. Want to help? Follow us on Facebook, Twitter & Insta, wherever you are. Give us a thumbs up, like or re-post. Interact. We don’t need the social media boost, just YOU.

I want community.

CALL for ENTRIES: Mind, Spirit & Emotion 2018

Posted on November 24, 2018November 26, 2018 by R.L. Gibson

I love you a LATKE!

The holiday season is upon us. What are you doing to see yourself through? Whether you are a fanatic for latkes or sufganiyot, ribbon candy or fruitcake, jerk chicken or Tofurky®, chances are good your holidays involve more than glad tidings & good will. It is a hard time of year for everyone, some more than others. Be mindful, be kind, and please, take care of yourself. This next Call wants to you to reveal your mind, spirit or emotion. Do you have work to enter?

Check out this Call for Entries from Art-Competition.net for Mind, Spirit & Emotion 2018. $20 entry & no shipping. The considered media is wide open too. Take a look…

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CALL for ENTRIES:
Mind, Spirit & Emotion 2018
from Art-competition.net

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ELIGIBILITY: All artists age 18+

MEDIA: Open to still media, including painting, drawing, photography, sculpture, digital, prints, fiber art, collage, etc.

THEME: Mind, Spirit & Emotion “The visual narrative of the artist’s work should reveal their mind, spirit and emotion in the artwork. The work should express the subject through the artist’s emotions, whether it is bold energy, subtle expression, mystery deepened or revealed, inner beauty, or a unique vision.”

DEADLINE: December 3, 2018

NOTIFICATION: December 14, 2018

ENTRY FEE: $20 for 1, $10 ea. add’l

AWARDS: $8,125 in cash & marketing prizes. (e.g. 1st place $500, 2nd Place $400, 3rd Place $300, etc) + helpful marketing. There will be 7 Winners and 10 Honorable Mentions.

For complete details, Read the Full Call!

CALL for ENTRIES: Art Olympia 2019

Posted on November 19, 2018November 14, 2018 by R.L. Gibson

wholly MINE

I’ve spent a lifetime drinking 2% & skim milk without concern to its origin, only the expiration date. As the world has become more conscious of what we put in our bodies, I continued to drink lower fat options from dairies employing more healthful methods of production. But even those varieties are often too sweet and are ineffective in adding flavor and consistency to my cooking. I have finally given into the value of organic, whole milk products. Value-driven shopping isn’t always the cheapest route. This next Call costs more to enter than some others, but it offers HUGE cash award options. Is this the right value for you? Only you can decide.

Check out this Call for Entries from Art Olympia (Japan) for International Open Art Competition. $60 Entry. $120K cash award for first place plus a full range of additional cash awards from $500 to $30,000. Interested?

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CALL for ENTRIES:
Int’l Open Art Competition
from Art Olympia

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to 2D work including oil, acrylic, watercolor, pastel, mineral pigments, print, charcoal, digital/multimedia art, mixed media, photography, etc. (Calligraphy, video, sculpture, and group/collaboration works are not accepted.)

DEADLINE: March 15, 2019

NOTIFICATION: June 2019

ENTRY FEE: $60 for 1, $100 for 2, $140 for 3. (Student fees: $40 for 1, $70 for 2, $100 for 3.)

JUROR: At the primary screening, a panel of five (5) jurors will evaluate the works as digital images in March 2019. Ten (10) jurors will conduct the final review by evaluating the actual works in Tokyo in June 2019. In order to have a fair competition, all artworks will be judged without disclosing the name of the artists. Art Olympia also adopts a clear point system for their judging. Click HERE for a complete list of jurors. (Remember, research your jurors.)

AWARD: Approximately 160 artworks (80 from Japan and 80 worldwide) will be selected and undergo a final review in Tokyo by a panel of esteemed judges invited from around the world. In addition, 1,000 artists will be honored. The first place winner will receive $120,000. Add’l cash awards range from $500 to $30,000. 1,000 artists will be featured on the Art Olympia website as well as art magazines.

For complete details, Read the Full Call!

CALL for ENTRIES: Art on Paper

Posted on November 12, 2018November 14, 2018 by R.L. Gibson

nuts for NUTS

I make a lot of granola these days. I tripped across this mostly Paleo recipe & altered it to taste. (We don’t eat Paleo, specifically, but I am often drawn to the recipes.) This version is absent the oats found in most granola, so it lacks the chalky, starchy lethargic quality of the stereotypical bagged cereal. My version is mostly nuts & seeds with a bit of dried fruit, coconut oil & a dash of honey. There seems to always be a batch in the oven, and I’m going through roll after roll of parchment paper. It is brain food; try it. This next Call is looking for works on paper. Take a look…

Check out this Call for Entries from Site: Brooklyn (Brooklyn, NY) for Art on Paper. $35 entry fee & 50% commission. This could be a good opportunity for some contemporary artists. Is this one right for you?

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CALL for ENTRIES:
Art on Paper
from Site: Brooklyn

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to 2D work on paper (drawing, painting, printing, photography, collage & assemblage).

DEADLINE: November 26 2018

NOTIFICATION: December 7, 2018

ENTRY FEE: $35 up to 3, $10 ea. addl

JUROR: Rebecca Lax is a Senior Specialist in Contemporary, PWC and Prints & Multiples at Artnet auctions in New York City. Her background is extensive in contemporary art having spanned 30 years. Early in her career, she worked at several blue chip galleries: Leo Castelli at 420 West Broadway, Knoedler, Pace Prints and Galerie Lelong, NYC. Aside from the directorial, curatorial, management and sales knowledge gained from those experiences, she also worked as a corporate art consultant in acquisitions for Goldman Sachs, Banco Santander and Pitney Bowes. A very important position in her career was spent in the academic sector acting as Director of Finance for the LeRoy Neiman Center for Print Studies at Columbia University. She continues to be a contributing member to Arttable and the Association for Women Art Dealers as well as a Benefit Committee member of the International Print Center of NY.

SALES: 50% commission on all sales will go to Site: Brooklyn.

For complete details, Read the Full Call!

CALL for ENTRIES: Red 2018

Posted on October 30, 2018October 18, 2018 by R.L. Gibson

flushed FRUIT

Red is my favorite color. On an unrelated note, I’ve never eaten a red food I didn’t love. Hmmm. I find it hard to resist even the red-adjacent –raspberries, rambutan & now lychee. Lychee is like the perfect cross of soft floral rose & tart white grapes. Yum. The next Call wants to see your “red” inspiration. What’s not to love about red?

Check out this Call for Entries from Art-Competition.net for Red 2018. $25 entry & no shipping. The theme is open to broad interpretation, and one artist now receives a $500 grant. Take a look…

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CALL for ENTRIES:
Red 2018
from Art-competition.net

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ELIGIBILITY: All artists age 18+ (int’l)

MEDIA: Open to still media, including painting, drawing, photography, sculpture, digital art, printmaking, fiber art, collage, etc.

THEME: Red “Colors often symbolize a variety of emotions, an artist’s truth, perhaps wild fantasies—from war, power, heat, love, sexuality, anger, and joy to ‘soft’ idealisms—these are but a few examples. Red, in particular here, can be used to draw the viewer closer emotionally in a way which enhances their reaction to the art. It may define intuitively an intended focal point that carries the viewer more deeply into the artist’s message.” –art-competition.net

DEADLINE: November 12, 2018

NOTIFICATION: November 23, 2018

ENTRY FEE: $25 for up to 3, $5 ea. add’l

AWARDS: 20 artists will be selected for an online group exhibit, “RED 2018” at Gallery25N; the exhibit and artists will be extensively marketed worldwide to over 26,000 people including art buyers, gallery owners, curators, collectors, etc. One artist will be selected to receive the “Christopher E. Burke Fine Art Grant“ of $500. That artist’s work will become the image of the exhibition and will be used on the invitation, video title screen and on all online marketing.

Tag: Call for Art

COLD complication

CALL for ENTRIES: March Women Artist Edition of Create! Magazine

For complete details, Read the Full Call!

celebratory EDIBLES

CALL for ENTRIES: 28th Nat’l Juried from Oil Painters of America

For complete details, Read the Full Call!

real SMOOTH

CALL for ENTRIES: New Contemporary from Keep Contemporary

For complete details, Read the Full Call!

chuh-chuh-chuh-CHIA

CALL for ENTRIES: Portraits 2018 from Art-competition.net

For complete details, Read the Full Call!

the SMOOTH move

CALL or ENTRIES: 56th Annual Juried from Masur Museum

For complete details, Read the Full Call!

CHEERS to change

I want community.

I love you a LATKE!

CALL for ENTRIES: Mind, Spirit & Emotion 2018 from Art-competition.net

For complete details, Read the Full Call!

wholly MINE

CALL for ENTRIES: Int’l Open Art Competition from Art Olympia

For complete details, Read the Full Call!

nuts for NUTS

CALL for ENTRIES: Art on Paper from Site: Brooklyn

For complete details, Read the Full Call!

flushed FRUIT

CALL for ENTRIES: Red 2018 from Art-competition.net

For complete details, Read the Full Call!

CALL for ENTRIES:
March Women Artist Edition
of Create! Magazine

CALL for ENTRIES:
28th Nat’l Juried
from Oil Painters of America

CALL for ENTRIES:
New Contemporary
from Keep Contemporary

CALL for ENTRIES:
Portraits 2018
from Art-competition.net

CALL or ENTRIES:
56th Annual Juried
from Masur Museum

CALL for ENTRIES:
Mind, Spirit & Emotion 2018
from Art-competition.net

CALL for ENTRIES:
Int’l Open Art Competition
from Art Olympia

CALL for ENTRIES:
Art on Paper
from Site: Brooklyn

CALL for ENTRIES:
Red 2018
from Art-competition.net