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Tag: BWAC

CALL for ENTRIES: Color 2019

Learn more about the Color Exhibit from BWAC - Brooklyn Waterfront Artists Coalition!

FLAVOR bombs

I’ve never been a fan of frozen green veggies.  The flavor often reminds me of those little peas in one-dollar pot pies, not entirely natural.  But there is a glaring exception.  Edamame.  I love those little beans.  I like them steamed in their pods, then dipped in a little dumpling sauce (thai chili paste & soy) then sucked from their little green shells.  It isn’t pretty, but I am hooked.

Another perienniel favorite that is all about the color is the BWAC color show.  This is a great space that has grown to become Brooklyn’s largest artist-run organization with over 250 members.  Your dollars have power; spend them wisely.  I love this organization & its mission. 

So take a minute and check out this Call for Entries from Brooklyn Waterfront Artists Coalition (Brooklyn, NY) for Color. This is a great venue…

Learn more about the Color Exhibit from BWAC - Brooklyn Waterfront Artists Coalition!CALL for ENTRIES:
Color 
from BWAC

“Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways.” – Oscar Wilde

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all media 

DEADLINE:  July 28, 2019

NOTIFICATION:  August 19, 2019

ENTRY FEE: $65 up to 3 & $5 ea. 

JUROR:  Jocelyn Miller is the Assistant Curator at MoMA PS1. She also serves as Editorial Manager for MoMA PS1’s curatorial department, overseeing museum publications, and served as Editor for the 2015 Greater New York: Readers series. She received her BA in Comparative Literature at Princeton University.

AWARDS:  Best of Show Gold $800, Best of Show Silver $500, Five Certificates of Recognition of $100 ea. and People’s Choice $200.

SALES:   30% commission on all sales will go to BWAC. 

For complete details, read the Full Call!

Learn more from BWAC!

CALL for ENTRIES: Wide Open 10

Learn more about Wide Open 10 from BWAC - Brooklyn Waterfront Artists Coalition!

a-PEELING

My mother doesn’t own a vegetable peeler.  Well, didn’t.  While I have the benefit of a knife skills class in culinary school, I am not great a peeling vegetables.  I can tourne a potato, but if I peel potatoes for mash, you’d better hope I have a vegetable peeler… or a LOT of potatoes.  When my mother requested vegetable soup over the holidays, I refused unless she let me buy a peeler.  She agreed with disdain, and I spent $3 on the most generic “Domestix” variety available at the local grocer. CHANGED MY LIFE, well, my cooking anyway.  With one swoop across a potato, I realized how dull my home peeler was.  I put the gadget on my holiday list, and it showed up under the tree.   Suddenly I have zucchini ribbons in salad & shaved carrots in my coleslaw.  The possibilities are wide open, ha.

I’ve done the same with paint recently.  I had access to some more highly pigmented tube watercolors recently, and it affected my approach to the work I did with them.  My nature is to “make do” with what I have.  It is taught as a virtue in the South.  Don’t get me started on all the evils of making do.  It is a mindset meant to make children grateful for what they have, but it often squashes ambition and self-value in adults.  That mindset combined with all the guilt I have associated with spending money, has kept me “making do” with some watercolors that are not working for me.  Now when I finish a tube that doesn’t behave in a way that serves my work, I re-order that hue or something similar from a different maker.  I am exploring variations & dispersal patterns & saturation unknown.  The adventure has left me open to the possibilities.  Vegetable peeler & watercolors. Variations on a theme. 

This next Call is also looking for variations on the theme of “Wide Open”.  BWAC is one of my favorite venues, known for great jurors, reliable curatorial vision, a non-profit format & even artist run.  Interested? Then check out this Call for Entries from BWAC (Brooklyn, NY) for Wide Open 10.  There is a distinct discount for early entry, so don’t delay. Take a look…

CALL for ENTRIES: Wide Open 10

Learn more about Wide Open 10 from BWAC - Brooklyn Waterfront Artists Coalition!ELIGIBILITY: Open to U.S. artists 18+

MEDIA: Open to all media

THEME: Wide Open “encompasses all the possibilities of knowledge and freedom & love – wide open spaces…arms wide open…eyes wide open ‐ but as with all things, there is the inevitable opposite ‐ wide open to attack…corruption…failure. What kind of fantasy is this? What does it really indicate? This juried show looks to explore the idea of “wide open” in all the hidden niches of our collective psyche.” –bwac.org

ENTRY FEE: $50 up to 3, $6 ea add’l (early) or $70 up to 3, $6 ea add’l after Jan. 19th

DEADLINE:  February 4, 2019 (early bird) or February 24, 2019 (final)

NOTIFICATION: March 15, 2019

JUROR: Ylinka Barotto is an Assistant Curator at the Guggenheim Museum and has assisted on such large-scale modern and postwar retrospective exhibitions as Alberto Burri: The Trauma of Painting (2015); Moholy-Nagy: Future Present (2016); Visionaries: Creating a Modern Guggenheim, which showcased masterworks from the Guggenheim’s modern collection (2017); and Mystical Symbolism; The Salon de la Rose+Croix in Paris, 1892-1897 (2017, for which she contributed to the catalog with entries on many of the show’s artists.  Barotto is also one of the organizing curators for the museum’s Young Collectors Council, which acquires the work of emerging artists for the museum’s permanent collection. Barotto received an MA in curatorial and museum studies at Accademia de Belle Arti di Brera in Milan and is currently working toward an MA in art history at Hunter College of the City University of New York with a focus on postwar and contemporary feminism.

AWARDS: Best of Show Gold $1000, Best of Show Silver $500, People’s Choice $250, Curator’s Choice $250 & ten (10) $100 (ea.) Certificates of Recognition.

SALES: BWAC will retain a 30% commission on all exhibition sales.

For full details, Read the Full Call!

Learn more about the Wide Open 10 show from BWAC!

CALL for ENTRIES: Recycle 2019

 

Learn more about the Recycle 2019 exhbit at BWAC!

BA-NANAnana-nana

How many bananas do you throw out every week?  Back after the wildfire in 2016, I had to clean out my refrigerator after 9 days without power.  When I opened the freezer door, the smell of bananas almost knocked me out.  I’ve always bought bananas, used fewer than I bought, then tossed the remainder in the freezer for banana bread that never materializes.  That ended the day I had to clean banana slime out of my freezer–until last month.  Now I buy 7 or 8 fresh bananas each week; we eat 2 or 3 fresh bananas each week.  With out newly re-discovered love for smoothies, I know throw my extra bananas into the freezer and re-purpose them later for smoothie.  If I lose power again for an extended period of time, I may revisit the banana ban.  We’ll see.

The idea of recycling and re-purposing materials and locations has been on my mind.  My family downsized a year and a half ago; then six months ago, an extra family member moved into our tiny home.  So, the dual use dining room / studio isn’t functioning so well with its view of the couch / bed of my 19 year old.  I’ve turned to my Instagram & Pinterest feeds for inspiration.  I am loving all the reading rooms with garden views and walk out basements with darkrooms, but that isn’t what I have.  My husband found an 10’x20′ abandoned storage shed with a Queen Anne roof line that had once been the workshop of a Native American woodcarver.  He passed away, and his family has declined the option to clean out his belongings.  The building owner is willing to foot the bill for the renovation for the tiniest of rents.  But in the back of my head, I am haunted by images of the big industrial studio spaces of movie and magazine spreads.  This is a running theme, right?  That we all fit in the same box, on the same path.  Where did I leave my smock & beret?

So, 2019 is the year I try to cut that out.  Join me?  I will repurpose the places & things in my life to suit my needs.  I will stop reshaping myself to fit the spaces in which I do not belong.  This next show is all about repurposed, recycled, or reused materials, and feels like a good place to start.  I like this venue, and as I mentioned last week, I am trying to spend the few dollars I have supporting the places & people & businesses that support artists.  This is one.  

Check out this Call for Entries from BWAC (Brooklyn, NY) for Recycle 2019.  Take advantage of a discount for early entry, a distinguished juror & significant cash awards. Take a look…

Learn more about the Recycle 2019 exhibit at BWAC!CALL for ENTRIES:
Recycle 2019 
from BWAC

“Recycle, the Brooklyn Waterfront Artists Coalition’s national juried show of art crafted from cast-off, discarded & re-purposed materials, will be a celebration of ingenuity and imagination.” –from bwac.org

ELIGIBILITY: Open to U.S. artists 18+

MEDIA: Open to all media that incorporate at least 50 percent of repurposed, recycled, or reused materials.

ENTRY FEE:  $50 up to 3, $6 ea. add’l (early bird) or $70 up to 3, $6 ea add’l after Feb 4

DEADLINE:  February 4, 2019 (early bird) or February 24, 2019 (final)

NOTIFICATION:  March 18, 2018

JUROR:  John Cloud Kaiser is the Director of Education at Materials for the Arts, one of the largest reuse centers in the U.S and a program of the New York City Department of Cultural Affairs. Through art shows he curates at MFTA Gallery and his work with his art group Free Style Arts Association, he has been championing reuse‐themed art in the museums, streets, and schools of New York City since 2000.  These works have appeared broadly, from The Metropolitan Museum, to the NYC Parks Dept., to The New York Times. Kaiser graduated from New York University and is currently working on a series of temporary sculptures for Storm King Sculpture Center and Socrates Sculpture Park.

AWARDS: Best of Show Gold $1000, Most Innovative Use of Materials $500, People’s Choice $250, Curator’s Choice $250 & ten $100 Certificates of Recognition.

SALES: BWAC will retain a 30% commission on all exhibition sales.

For full details, Read the Full Call!

Learn more about the Recycle show from BWAC!

CALL for ENTRIES: Really Affordable 2018

Learn more about the Really Affordable Art Show from BWAC!

mellow MELON

I am melon obsessed lately.  Watermelon & canteloupe are around $.50/lb. or less, and I can’t seem to get enough.  I’m having them for on the side of oatmeal at breakfast, with cottage cheese & salads at lunch, and they’ve even become dessert stand-ins.  I’m excited about high value nutrition and low-cost; it doesn’t always work out quite that way.  This next Call is a selling show with a price cap, making it an affordable way for fans to become collectors.  Take a look…

Check out this Call for Entries from BWAC (Brooklyn, NY) for the Really Affordable Art Show.  There is a price cap on submissions to this show, but there is only 30% commission.  A distinguished juror & a $1000 purchase award make this is a great opportunity to find new collectors…

Learn more about the Really Affordable Art Show from BWAC!CALL for ENTRIES:
The Really Affordable Art Show
from BWAC

“This is a selling show with art priced for anyone and everyone. Thousands of NY art lovers and collectors will see your work up close
and personal. It is time to expand your collector base in NYC. The people most likely to buy your work in the future are your current
collectors. After all, they have expressed their love of your work with their wallet – the sincerest compliment. To make it easy for
new collectors, all work submitted must be for sale at $499 or less.” –from bwac.org

ELIGIBILITY: Open to U.S. artists 18+

MEDIA: Open to all 2D & 3D work including video (when self-presenting)

ENTRY FEE:  $65 for up to 5, $5 ea. add’l.

DEADLINE:  July 12, 2018 

NOTIFICATION:  August 2, 2018

JUROR:  Brinda Kumar, is an Assistant Curator in the department of Modern & Contemporary Art at The Met. She worked on Nasreen Mohamedi (2016), one of the inaugural exhibitions at The Met Breuer, was part of the team working on the exhibition Unfinished: Thoughts Left Visible (2016), and is a co‐curator of the exhibition Like Life: Sculpture, Color, and the Body (2018). She completed her BFA at the College of Art, New Delhi; MA at the School of Arts and Aesthetics, Jawaharlal Nehru University, New Delhi; and received her PhD from Cornell University.

AWARDS:  Gold $1000 Purchase Award, Silver $250 & eight $100 Certificates of Recognition.

SALES:  All work submitted must be for sale at $499 or less. One bonus work chosen by the artist will be accepted from artists with work juried into the show.  These smaller works will be priced at $399 or less.  BWAC will retain a 30% commission on all exhibition sales.

For full details, Read the Full Call!

Learn more from BWAC!

CALL for ENTRIES: Color

Learn more about the Color Exhibit from BWAC!

FLAVOR bombs

Was there a bumper crop of clementines this year?  Most winters I cling to them as a dose of orange-y sunshine while I wait for the greens to turn green and the tomatoes to lose their gray, hot house pallor.  But, truth-be-told, most clementines I buy seem flavorless starting around the end of February.  But this year we’re into April, and they are still bursting with flavor and adding beautiful color to so many of my meals.  This next Call wants to see your color inspiration.  Take a look…

Check out this Call for Entries from Brooklyn Waterfront Artists Coalition (Brooklyn, NY) for Color.  Don’t miss the early bird deadline to save on entry fees. This is a great venue…

Learn more about the Color Exhibit from BWAC!CALL for ENTRIES:
Color 
from BWAC

“In visual perception a color is almost never seen as it really is—as it physically is. This fact makes color the most relative medium in art. In order to use color effectively it is necessary to recognize that color deceives continually. Color is “passive,” “deceptive,” and “unstable,” color behaves, color  ismagic.”   – Joseph Albers, Interaction ofColor

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all media 

DEADLINE:  May 30, 2018 (final), May 9 (earlybird)

NOTIFICATION:  June 15, 2018

ENTRY FEE: $65 up to 5 & $5 ea. add’l May 10-30$45 up to 5 & $5 ea. add’l through May 9 

JUROR: Marcela Guerrero, Assistant Curator at the Whitney Museum of American Art

SALES:   30% commission on all sales will go to BWAC. 

For complete details, Learn more from BWAC!!

Learn more from BWAC!

CALL for ENTRIES: In the Groove

Learn more about the In the Groove exhibit from BWAC!

groovy FOOD

I am finally in the groove of cooking for two.  Since my kid left for college, there have been A LOT of leftovers crowding my freezer, but it is getting better.  When he comes home for a weekend, it often takes me a week to recover my cooking-for-two-ness, but it is better than it used to be.  Just remember: 1 zucchini per person, 1 potato per meal, buy broccoli crowns, not bunches; it’s a groove thing. This next Call wants you to get in the groove too.  Take a look…

Check out this Call for Entries from Brooklyn Waterfront Artists Coalition (Brooklyn, NY) for In the Groove: a national print exhibition of original album cover artwork.  The gallery takes care of printing for the show, so there is no shipping for this exhibit…

Learn more about the In the Groove exhibit from BWAC!

CALL for ENTRIES:
In the Groove 
from BWAC

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all 2-D media that can be submitted according to the VERY SPECIFIC guidelines in the prospectus.

DEADLINE:  March 10, 2018

NOTIFICATION:  March 17, 2018

ENTRY FEE: $15 for 1, $5 ea. or up to 2 add’l

JUROR:  Sal Cataldi, a NYC-based musician & publicist, leader of the critically acclaimed Spaghetti Eastern Music, Founder & Creative Director of Cataldi Public Relations and Wendi Gueorguiev, the BWAC Performance Series Coordinator & Exhibiting Artist

SALES:  Artists can set a sales price of the image printed by BWAC, at a minimum of $50, 30% commission will go to BWAC. Artwork that is not sold will be destroyed immediately after the exhibition.

For complete details, Read the Full Call!

Learn more from BWAC!

CALL for ENTRIES: Recycle 2018

Learn more about the Recycle 2018 exhibit from BWAC.org!

makeOVERs

Partial boxes and bags and cans of food drive me crazy.  I am too “thrifty” to get rid that extra half cup of evaporated milk or quarter box of pasta.  As a result my menu has become a litany of recipes that recycle the odds and ends that happen as a result of making the foods I actually intended to make.   This next Call wants your art make from all things recycled.  This is a great show.  Don’t miss the early bird deadline just days away!

Check out this Call for Entries from BWAC (Brooklyn, NY) for Recycle 2018.  Take advantage of a discount for early entry, a distinguished juror & significant cash awards. Take a look…

Learn more about the Recycle 2018 exhibit from BWAC.org!CALL for ENTRIES:
Recycle 2018 
from BWAC

 

“Recycle, the Brooklyn Waterfront Artists Coalition’s national juried show of art crafted from cast-off, discarded & re-purposed materials, will be a celebration of ingenuity and imagination.” –from bwac.org

ELIGIBILITY: Open to U.S. artists 18+

MEDIA: Open to all media

ENTRY FEE:  $45 up to 3, $5 ea. add’l (early bird) or $65 up to 3, $5 ea add’l after Feb 26

DEADLINE:  January 23, 2018 (early bird) or February 20, 2018 (final)

NOTIFICATION:  March 12, 2018

JUROR:  John Cloud Kaiser is the Director of Education at Materials for the Arts, one of the largest reuse centers in the U.S and a program of the New York City Department of Cultural Affairs. Through art shows he curates at MFTA Gallery and his work with his art group Free Style Arts Association, he has been championing reuse‐themed art in the museums, streets, and schools of New York City since 2000.  These works have appeared broadly, from The Metropolitan Museum, to the NYC Parks Dept., to The New York Times. Kaiser graduated from New York University and is currently working on a series of temporary sculptures for Storm King Sculpture Center and Socrates Sculpture Park.

AWARDS: Best of Show Gold $1000, Most Innovative Use of Materials $500, People’s Choice $250, Curator’s Choice $250 & ten $100 Certificates of Recognition.

SALES: BWAC will retain a 30% commission on all exhibition sales.

For full details, Read the Full Call!

Learn more about the Recycle 2016 show from BWAC!

CALL for ENTRIES: Wide Open 9

Learn more about the Wide Open 9 exhibit from BWAC org!

completely CRACKED open

I don’t have an electric can opener.  Any time someone cooks in my kitchen, they are puzzled by my lack of this appliance. (Insert obligatory I-don’t-buy-single-use-gadgets explanation here.)  In my defense, I don’t eat that many foods that come in cans, and a large percentage of the few canned foods I do eat come with pop tops –even my guilty secret canned salmon.  The most commonly “opened” foods in my house are eggs and nuts… and fortune cookies.  This next Call wants to see your wide open work, and the juror is fantastic…

Check out this Call for Entries from BWAC (Brooklyn, NY) for Wide Open 9.  Discounts for early entry, a distinguished juror & cash awards. This is one of my favorite venues & the early bird deadline is just around the corner. Take a look…

Learn more about the Wide Open 9 exhibit from BWAC.org!CALL for ENTRIES:
Wide Open 9

ELIGIBILITY: Open to U.S. artists 18+

MEDIA: Open to all media

THEME: Wide Open “encompasses all the possibilities of knowledge and freedom & love – wide open spaces…arms wide open…eyes wide open ‐ but as with all things, there is the inevitable opposite ‐ wide open to attack…corruption…failure. What kind of fantasy is this? What does it really indicate? This juried show looks to explore the idea of “wide open” in all the hidden niches of our collective psyche.” –bwac.org

ENTRY FEE: $45 up to 3, $5 ea add’l (early) or $65 up to 3, $5 ea add’l after Jan. 19th

DEADLINE:  January 19, 2018 (early bird) or February 16, 2018 (final)

NOTIFICATION: March 19, 2017

JUROR: Carmen Hermo is the Assistant Curator for the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. She has organized several of the initiatives &exhibitions celebrating the 10th anniversary of the Sackler Center. She is currently organizing the Brooklyn presentation of the Hammer Museum exhibition Radical Women: Latin American Art, 1960-1985. Previously, Carmen was Assistant Curator for Collections at the Solomon R. Guggenheim Museum (2010-16), where she served on the museum’s Young Collectors Council acquisition committee, and co-curated Now’s the Time (2012-13) and Storylines (2015). She has previously worked with the collections of the Whitney Museum of American Art and the Museum of Modern Art.

AWARDS: Best of Show Gold $1000, Best of Show Silver $500, People’s Choice $250, Curator’s Choice $250 & ten (10) $100 (ea.) Certificates of Recognition.

SALES: BWAC will retain a 30% commission on all exhibition sales.

For full details, Read the Full Call!

Learn more about the Wide Open 7 show from BWAC!

CALL for ENTRIES: Really Affordable

Learn more about the Really Affordable Art Show from BWAC!just a PINCH

Because I am self-employed, my food budget fluctuates from week to week.  I have learned how to make a casserole out of random refrigerator & freezer finds.  I have learned to keep affordable staples like rice & potatoes, sauces like salsa verde & marinara, vegetables like cabbage & carrots, and proteins like chickpeas & canned salmon.  I can serve a fantastic dinner for 4 for under $8 in a pinch.  This next Call offers art to patrons at a really affordable price to help artists begin to build a base of collectors while presenting work professionally and taking a low commission.  It is a thoughtful call.  Take a look…

Check out this Call for Entries from BWAC (Brooklyn, NY) for the Really Affordable Art Show.  There is a price cap on submissions to this show, but there is only 25% commission.  A distinguished juror & a $1000 purchase award make this is a great opportunity…

Learn more about the Really Affordable Art Show from BWAC!CALL for ENTRIES:
The Really Affordable Art Show
from BWAC

“The really Affordable Art $how’s broad theme encompasses all the possibilities of your imagination – allowing you to think,play and create outside the box with few inhibitions, restrictions, rules,or guidelines.  Just set yourself free to explore the possibilities of creativity. . .” –from bwac.org

ELIGIBILITY: Open to U.S. artists 18+

MEDIA: Open to all 2D & 3D work including video (when self-presenting)

ENTRY FEE:  $45 up to 5, $5 ea add’l until 7/14 (final) or $65 for up to 5 until August 6 (late).

DEADLINE:  July 14, 2017 (early bird) or August 6, 2017 (final)

NOTIFICATION:  August 24, 2017

JUROR:  Laura Phipps is an Asst. Curator at the Whitney Museum of American Art. She has been at the Whitney since the summer of 2009. She has served as a juror for New American Paintings, on the grant selection committee of the Rema Hort Mann Foundation, as a visiting critic for the Lower Manhattan Cultural Council Workspace & Smackmellon Studio Program, and as a guest curator at the Kentler Drawing Center, Brooklyn. Prior to the Whitney, Phipps worked in the curatorial department & director’s office of the Modern Art Museum, Fort Worth. She received her MA, Art History at Hunter College, CUNY & BFA, Studio Art & BS, Psychology from Texas Christian University in Fort Worth, TX.

AWARDS:  Gold $1000 Purchase Award, Silver $250, 8 $100 Certificates of Recognition.

SALES:  This is a selling show with art priced for anyone and everyone.  To make it easy for new collectors, all work submitted must be for sale at $499 or less.  BWAC will retain a 25% commission on all exhibition sales.

For full details, Read the Full Call!

Learn more from BWAC!

Save

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CALL for ENTRIES: Material Matters

Learn more about the Materials Matter from Brooklyn Waterfront Artists Coalition (BWAC)!basic BOWLS

My husband does design work for a commercial potter.  As a result, I find myself lingering over the kitchenware when I visit his office.  I am currently obsessed with the little 4-cup mixing bowls with a pour spout.  I own one in stainless steel, and it is my “go to” for small jobs like dressings, dips & marinades.  Having multiple, beautifully hand-thrown versions with a pour spout is nearly more temptation than I can take.  My inability to choose a glaze is the only thing saving me at the moment.  This next call celebrates both metal & glass, plus glass & wood.  Take a look…

Check out this Call for Entries from BWAC (Brooklyn, NY) for Material Matters.  Take advantage of 25% commission, a distinguished juror & significant cash awards.  This is a great opportunity…

Learn more about the Materials Matter from Brooklyn Waterfront Artists Coalition (BWAC)!CALL for ENTRIES:
Material Matters
from BWAC

“We are surely bound by our materiality. Ours are the ‘too, too solid flesh” of the arts — actual, not virtual, art in 3 dimensions. We may be the last bastion of brilliance in designing the material world, & isn’t this the right time to celebrate that?” –from bwac.org

ELIGIBILITY: Open to U.S. artists 18+

MEDIA: Open to clay, glass, wood or metal alone or in combination.

ENTRY FEE:  $55 up to 8, $5 ea add’l until 6/25 (final) or $65 for up to 8 until July 9 (late).

DEADLINE:  June 12, 2017 (early bird) or June 25, 2017 (final) or July 9th (late)

NOTIFICATION:  August 14, 2017

JUROR:  Lilian Tone is Assistant Curator in the Department of Painting and Sculpture at The Museum of Modern Art. At MoMA, she organized & curated exhibitions.  Her published work includes articles, interviews & essays in exhibition catalogues & other publications.

AWARDS:  Gold $500, Silver $250, Bronze $100 & five (5) Certificates of Merit.

SALES: BWAC will retain a 25% commission on all exhibition sales.

For full details, Read the Full Call!

Learn more from BWAC!