smoky MOUNTAINS
Learn more about Laura Sellers!
A food-themed FREE resource site for ARTISTS.
Learn more about Laura Sellers!
“Odani’s works on the themes of physical sensations and psychological states, such as pain and fear, awaken latent thoughts and emotions in their viewers.” — Mori Art Museum, Tokyo
Learn more about Motohiko Odani!
on the road, again
I spend a lot of time on the road, and the work of Grant Haffner, our current Artist of the Day, serves as a great reminder to stop, take a breath and SEE. I am a huge fan of color field work, and this intersection of color field with a dash of Fauvism and huge dollop of the living landscape is stunning–nectareous, even, to this weary traveler. (continues below)
“Those that are able to see beyond the shadows & lies
of their culture will never be understood
let alone believed by the masses.” –Plato
Learn more about Grant Haffner!
It has been a truly surreal year for me, my personal art, and for many of my readers. So, with fingers crossed I began reviewing the entries hoping to find a little surrealism. Honestly, I rarely have surrealists enter, but I was hopeful. I knew what I wanted, and what-do-you-know, I found it. It was like finding that random mushroom on your pepperoni pizza just when you were hoping for veggies. On behalf of AAAD, I am proud to announce this month’s Featured Artist is Michael O’Gorman. I find this work to be endlessly complicated, but fluid.
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Michael O’Gorman is an artist from the United Kingdom who specializes in surreal oil paintings of organic and anthropomorphic subject matter, expressed through a unique ’merging’ style. He is obsessed with detail and perfection, and spends many months on a single painting, ensuring that the color gradients are smooth, that all narratives within a composition blend harmoniously, and – most importantly – that each painting is exciting and rewarding to view!
O’Gorman graduated from the University of Warwick in 2006 and works as a freelance artist and writer. He loves to create complex, detailed artworks whose narratives can be explored and observed forever, with the viewer always discovering something new and exciting.
Are you self taught or formally instructed? “I’m self-taught. I always doodled as a child, but it wasn’t until 2002 – when I was 17 years old – that I tried to create my first serious drawing. Four months of obsessive penciling by lamplight later, and ‘Black Water’ was finished!
“Three years after ‘Black Water,’ I taught myself to paint. I outlined some figures onto canvas with pencil and coloured them with acrylic paints. This was the beginning of my first painting, ‘Perpetual Fluidity,’ which remains my only improvised painting.
“I’m extremely glad that I avoided art lessons, since I cannot understand how surreal artists – artists whose works are assessed on uniqueness of expression – could benefit from an external mentor. I do have a university degree, but it’s in an unrelated field.”
Is your media paint, ink, digital? “Of the twenty-eight artworks I have created to date, two are in pencil, one is in acrylic, and the rest are in oil. It didn’t take me long to graduate from acrylic to oil after completing ‘Perpetual Fluidity.’ Though I appreciated their boldness, I found acrylics a little too shallow for my tastes. Moreover, their quick drying times maddened me; I’m a perfectionist, and I need to spend hours moving paint around the canvas until the colour gradients are seamless!“
I read your method of deriving inspiration from words randomly chosen from the dictionary, but I am also interested in knowing those pieces that have personal meaning to you. Talk to me about your favorite (non-random) piece. My favourite piece to date is probably ‘Memoirs of a Fertile Imagination’ since I feel it encapsulates the most unique aspects of my style: An unlimited sense of flow (resulting in a non-existent focal point), anthropomorphism (giving human features to non-human subjects), and a playful tone. Its warmth always brings a smile to my face.”
You state that, “Working from life is plagiarism”. That’s a pretty controversial way of explaining you’re not a fan of representational work. What does that say about your view of photography? “I appreciate photography to an extent, and the medium has incomparable value as a historical document. Unfortunately, while not everyone can compose music, write stories, or paint landscapes, everyone can take photographs. Consequently, photography has become the refuge of the amateur, and the online art world is now saturated with unremarkable photos that often eclipse the actual artwork.” Editor’s Note: Ouch. Just in case you think this contest is rigged or biased, please note this is the second Featured Artist in a row that has, innocently enough, slammed some aspect of how I work. Geez. Guess it is good that I’m not thin-skinned.
What style or school of art do you think your work fits into and why? “I’m comfortable with the surreal label, since Surrealism is an effective umbrella term for unusual artwork. I also feel that certain artworks of mine have Abstract and Visionary elements to them, though I don’t align myself with those movements.”
What artists (living and/or dead, famous or not) inspire you most? I’m not a great art lover, and I can’t claim direct inspiration from other artists. That said, I do appreciate the works of Hieronymus Bosch, Pieter Bruegel, Salvador Dali, Jacek Yerka, and Zdizslaw Beksinski. I like artists whose works are unique and instantly recognisable – artists that don’t need to signature their paintings because no-one can imitate them in the first place.
Interview continues below Perpetual Fluidity.
You know we have to talk about food. What is your favorite? “Though I’m from the UK, my mother is Italian and I was raised in a household where Mediterranean food reigned supreme: Pasta, salads, buffalo mozzarella, bruschetta, pizzas, etc. Italian food still remains my favourite.
“I’m also a big fan of British desserts, especially fruit scones with clotted cream and homemade strawberry jam (served with English breakfast tea, of course). I honestly think I could eat that every day. In fact, when I’m elderly enough to get away with it, I probably will.”
What about snack foods? “Probably arancini. They are balls of rice and cheese that have been fried and coated in breadcrumbs.” I have to admit, I have never heard of arancini, much less tasted it. Fascinating. That doesn’t happen often.
So, what’s coming up next for you? “In-between creating new artwork, I hope to put my existing artwork on sale for the first time. I’ll also create a page on my website where people can buy prints of the original work. After all, is a home truly a home without a framed print of a campfire transforming into a horned beast that writes algebra on an oversized blackboard pulsating with live flesh? Definitely not!”“
Michael, thank you for such a well-defined point of view and for being precisely that for which I was searching this month.
Hurray! Our first featured artist since August comes from August & September entries to the Featured Artist Contest. I needed something new, something uncommon, or maybe just to revisit something with a different eye… like flint corn once all the summer ears have disappeared. Guess what? I got exactly that…
This month’s artist works is a an intentional painter that developed, almost by accident, into a photographer. I appreciate the exuberance and optimism in this work –an opportunity to look with a new perspective, fresh eyes, if you will.
On behalf of ArtAndArtDeadlines.com, I am proud to announce the Featured Artist chosen from the August & September entries is Robyn Thompson. I find this work to be…a nod to a little something different.
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RoByn began her journey as an artist by being a face painter. She soon sought larger canvases and has been exploring the world of body painting for over a decade. She very much appreciates the support of her wonderful body painting models because without their bodies she would have nothing to paint on!
She initially painted bodies for several prominent photographers before picking up the camera herself. Now she enjoys the creative control of the process from initial sketch of the body paint design through the painting process culminating in capturing the images on her trusty Nikon.
RoByn’s artwork has been seen in such diverse places as the cover of Time Out New York, the Tyra Banks Show, HBO’s Flight of the Concords and Time Magazine’s website.
Are you self taught or formally instructed? “I have a BA in visual arts. I barely graduated and didn’t really get much out of school. I was young and single parenting a toddler on the autism spectrum so it really wasn’t my priority. My areas of concentration were ceramic sculpture and paper making. I haven’t touched either in a couple of decades. I didn’t take a single drawing or painting class but really wish that I had. The things I learned aren’t relevant to my current work and I learned not a single thing about the marketing of art.”
Why paint bodies, such a temporary canvas? And, was the photography a way to have a more permanent format to exhibit? “I’ve never had a formal painting class. I was initially intimidated by the idea of painting on canvas. It’s such a permanent thing. I really embraced the temporary nature of body painting and found it very freeing. It was ok to take chances because it would all be gone tomorrow.
“I initially worked with photographers as a way to document my work. I learned photography as a way to get the images more like I wanted them. Exhibition has never been the focus. I just do what I do because I have a need to do it.
“Body painting is actually a very, very small part of what I do these days. I’ve just finished shooting an inclusive nude tarot deck using light painting. The 81 cards have models ranging from 18 to 76 and from under 100 to over 300 lbs.”
Your work is both fantastical AND oddly organic. Talk to me about your inspiration. “I like transformation. I like ambiguity. I like magic. Body painting got its start as a magical religious thing. I want to bring that back.”
Why the objection to touching up you work in Photoshop? What would this technological aid change for you about what makes you work your own?
“I think that Photoshop is often used as a shortcut or as a cheat. When I was working with photographers, I had my body painting Photoshopped several times without permission. I’ve seen body painters use it to fix blotchy spots or shaky lines. I think it compromised the integrity of the work. It is easier to fix something in post rather than do it right the 1st time.
“My strong anti-Photoshop bias but me in the minority, but I am not alone on this. I’ve seen instances of photos being disqualified from competitions because of unscrupulous Photoshopping. In the light painting world, Photoshop is pretty much frowned upon. That said, I think it’s an amazing tool.” *Editor’s Note: Since my work is dependent upon photo editing, I clearly disagree.
What style or school of art do you think your work fits into and why? “I don’t know where my work fits. It’s a problem for me with trying to get my work out. I feel like our current system encourages artists to be pigeon-holed within a specific medium or genre. Life is too short. I want to explore and play.
You know we have to talk about food. What is your favorite? “I’m a chocoholic who is trying to go sugar-free so I’ve cut out chocolate among many, many things. I think for the shear sensuousness of it, nothing beats eating a mango naked. Smoked Gouda also rocks my world.” A life without chocolate isn’t worth living, Robyn.
What about snack foods? “Chocolate. Hands down. Chocolate pudding. Ohhhhhhhhh, warm chocolate pudding with just a dash of milk.” Either she gave up her sugar ban already or she’s snackless. Let’s hope for the former.
So, what’s coming up next for you? “I’ve just finished getting the tarot deck ready for publication, and I have 4 new series that I’ve just gotten the necessary supplies for. Two of them involve 3d constructions of dreams. The 3rd is a photographic series that is my take on the classical vanitas or memento mori. And, there’s also a project that I just worked out the concepts for that involve stuffed animals from one’s childhood. Body painting and painting with light photography both continue to interest me, so I’ll keep doing that. I also remain fascinated with fractals kaleidoscopes & glitches so you can expect them to pop up somewhere. And because, I am a madwoman, I try to do a painting a day. ”
Robyn, thanks for sending me something new…I needed it.
Over the years, I have only chosen two photographers’ work to feature–one of them last month. When it rains it pours. The photographic entries have been pouring in like Morton’s salt. Someone get me an umbrella; April’s coming. This month, it is 28° outside as I write this post, and I was just hoping to find a little Spring, a little humor, a little optimism. Somehow, I tripped across a breath of Spring in landscapes and an edgy sense of humor in miniature.
On behalf of AAAD, I am proud to announce this month’s Featured Artist is Laurie McCormick. I always appreciate a spoonful of sugar over vinegar. There are lessons to be learned from these delicate little scenes. Enjoy…
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Photography has always been a hobby for Laurie McCormick. She attended photography classes at various colleges on the East and West Coast, and they helped her to hone in on her artistic side and to help mold what would become her unique photographic techniques.
It wasn’t until she purchased her digital Canon 5D that her photography became much more serious. In early 2006, McCormick began traveling with other photographers to various destinations both domestically and internationally. While capturing the essence of each destination, she discovered…
Why photography? “I am a very visual person and love to tell stories with pictures. Growing up, I have always had a camera and have taken pictures. It was a way to escape my hostile, unsettling childhood. It became some sort of therapy for me to escape the ugliness of my home life and take pictures of my friends and beautiful images all around me. One thing that struck me as an adult, there were very few pictures of my family growing up. I think I have one baby picture of me and 4-5 pictures of me with my sister and one brother in either an Easter outfit, or visiting my Aunt Helen, or Aunt Betty.”
Are you self-taught photographer or were you formally instructed? And what’s your preference–film or digital? “Yes I am self taught, plus sprinkle in several individual photography classes that I have taken over the years here and there at Mass College of Art, Santa Monica College and the Julia Dean Photo Workshops. I started with Film and turned to Digital in 2006 with my Full Frame Canon 5D.”
When shooting landscape, what draws you to a specific scene? “I love how the light continuously changes a landscape. We bring all of ourselves and all that we have experienced in our lives to a landscape, so the beauty we see actually comes from within. The challenge is to capture what we are experiencing inside us.”
The subject matter, whether it be a landscape, person, building, is part of you being captured. That is why no two images will ever be identical. It is always personal.” We are featuring the miniatures, but you can glimpse McCormick’s landscapes here.
Talk to me about the miniatures. There are definitely statements being made with the most innocent of scenes. “‘I found my calling in photographing meaningful scenes with my miniatures about 3 years ago. A guest speaker in a photography class said, ‘Photograph what you love and where you are.’ A light bulb went off in my head. I love miniatures, yet mine had been stuffed away in my closets for years. Freeing them immediately brought me tremendous joy.
“I combined some of my miniatures with the painful memories of my childhood. As an adult I realized that my need to collect miniatures gave me some sense of control over the chaotic and turbulent atmosphere I was raised in as a child. I witnessed intense fighting, hatred, anger, alcoholism, verbal and mental abuse along with molestation and exploitation at a very young age; all of these of course, were our Family Secrets.
“I set up scenes that were very difficult to create because of the feelings attached to them, but the process and the feedback was very healing for me. After putting the PAST behind me, the next series that evolved allowed me the freedom to express my present day life coupled with my sense of humor.”
What style of art do I find unbearable to own? “Velvet framed pictures. I was engaged in the late 1970’s to someone who delved into a financial venture of buying Velvet Art Pictures. It was a fad back then, and needless to say, it went no where except South.” Yes, Laurie, it did come down here. Everyone needs a velvet Elvis.
You know we have to talk about food. What is your favorite? “Grilled salmon–bar none. I can eat salmon every day because it tastes delicious and is good for my cholesterol. My favorite side sauces? Southwest Fire Roasted Salsa, Fresh Mango Salsa or Pineapple Salsa.” Mix the mango and pineapple salsas and you’ll never go back.
What about snack foods? “Blueberries. My cat Peaches surreptitiously sneaks onto my counter while the blueberries are soaking and steals just one blueberry. She chases her new find until the blueberry is squished. Sad. This repeats every time I have blueberries for my snack. Blueberries are good for me, and ensure I start every day with a little laughter.” Salmon and blueberries. You’re a great role model for my current take-25-punds-off-my-rear project. Thank you!
So, what’s coming up next for you? “I am constantly taking images both with my iPhone 5 & my Canon 5D Mark II, so new work is always popping up and being published. Also, I want to teach and publish books on my work. My major at Boston College was Psychology, so I feel this would be a great niche for me. Also, I would love to teach classes on how to use the iPhone to make great captures & how to post process them to both Adult Ed & in High Schools.”
Thanks, Laurie, for a breath of Spring and a little humor therapy…