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Art and Art Deadlines.com

CALL for ENTRIES: Aerial Red

Learn more about the RED, the Aerial Gallery, from the City of Las Vegas Office of Cultural Affairs!going, going, GONE

The season of red fruit is coming to an end.  Goodbye to glorious, vine-ripened tomatoes, berries fresh from the patch and those ruby-filled melons.  But in its place will be the season of orange goodness.  Everything in good time.  In the meantime, don’t miss this FREE Call for all things red.  Take a look…

Check out this Call for Entries from the city of Las Vegas Office of Cultural Affairs (Las Vegas, NV) for Red, an Aerial Gallery (banner exhibit).  No entry fee, but the deadline IS August 14, 2016.  Don’t delay…

Learn more about the RED, the Aerial Gallery, from the City of Las Vegas Office of Cultural Affairs!CALL for ENTRIES:
Aerial Red from the
Las Vegas Office of Cultural Affairs

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ELIGIBILITY:  Open to all artists

MEDIA: Open to all media

THEME: The unifying theme of the exhibition will be the color red.

DEADLINE:  August 14, 2016, 11:59pm PST (*please note the time zone)

ENTRY FEE: None

AWARD:  A $1000 honorarium will be offered to each selected artist/artist team per-block (8 blocks in total). Artist(s) will be selected by block, allowing for up to eight artists’ work to be selected. Each light pole will have two banners hung on it, allowing for each artist to have 6-10 images on display per-block, depending on the block. Each printed vinyl banner will be 18 inches wide by 60 inches tall, with double sided printing.

For complete details, Read the Full Call!

Learn more from the Las Vegas Office of Cultural Affairs!

 

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ARTIST of the DAY: Yana Goldfine

Two views of "Solemnity" (porcelain, steel & fabric) by Yana W. Goldfine
Two views of “Solemnity” (porcelain, steel & fabric) by Yana Goldfine

“I vividly remember playing with dolls and stuffed animals as a young girl. They brought me comfort, pleasure and new coping skills and on occasion, solutions to conflicts. This current work is an attempt to recreate some of those childhood characters and to interact with them both as an artist and as a woman.” —Yana Goldfine

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The experiences of our childhood help shape us –for the good or for the bad, often both.  But for me, my childhood was a strange place, disconnected from whom I chose to become as an adult.  Any time I am met face to face with an artifact of my youngest years, it gives me pause.  Today’s AAAD Artist of the Day, sculptor Yana Goldfine is on a journey to revisit her own artifacts.  Where do they take you?

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Explore your own artifacts through the work of the
AAAD Artist of the Day, sculptor Yana Goldfine!

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CALL for ENTRIES: Banner Project

Learn more about the Geomagic opportunity -- a part of the UAG BiAnnual Banner Project at NMSU!old MacDonald had a farm, E-I-E-I-O

Farmers markets are changing.  They used to be the place to find great fresh produce and unique varietals of mushrooms and herbs.  I love the smell of fresh dirt on fresh food in the summer heat of my car with the windows rolled down.  But things change.  Evolution is as necessary as preservation is.  It doesn’t mean that dirt on the veggies has no place, it simply means squeaky-clean hydroponic lettuce, artisinal soft drinks & ready-made gazpacho should be just as welcome.  Views on preserving the natural within the evolving landscape are sought in this Call.  Spend the time to research this theme…

Check out this Call for Entries from the University Art Gallery at New Mexico State University (Las Cruces, NM) for the Banner Project, that explores ontological responses to spirituality, technology & anthropogenic geological concerns of preservation.  Take a look…

Learn more about the Geomagic opportunity -- a part of the UAG BiAnnual Banner Project!CALL for ENTRIES:
Banner Project fm UAG
at NM State University

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ELIGIBILITY: Open to all artists

MEDIA: Open to all media that can be represented on a 2D banner.

THEME:  Work that resembles, echoes, and/or mimics the geological to explore our ever-evolving scientific and technological landscape. The project’s objective is to create an outdoor gallery experience, which echoes the exhibition within the UAG creating a platform to explore ontological responses to spirituality, technology, and anthropogenic geological concerns of preservation in relation to the natural environment.

DEADLINE: August 22, 2016

ENTRY FEE: $20 for 3 to 5 images

JURORS:  Marisa Sage, Curator of “GEOMAGIC” and Director of the UAG, the UAG Exhibition Review Board, & Julia Barello, Academic Department Head of the NMSU Department of Art

AWARDS: Up to 6 artists whose work will be reproduced onto high-quality outdoor banners and hung on the banner systems installed on the outer walls of D.W. Williams Hall. This is an exciting opportunity to have thousands of viewers see your work as they drive off of interstate 10 or 25 down University Avenue past the campus of New Mexico State University. The UAG Banner Project is open to all students, as well as amateur and professional artists.

For complete details, Read the Full Call!

Learn more from the University Art Gallery at NMSU!

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ARTIST of the DAY: Andrea Costantini

left to right "Oblivion 006, Industrial [R]evolution" & "Oblivion 005, Gravity" by Andrea Costantini
left to right “Oblivion 006, Industrial [R]evolution” & “Oblivion 005, Gravity” by Andrea Constantini

” . . . art represents for me the power to escape the constraints of social and economic differences and the limits of space and time . . . “Andrea Costantini

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Magic pills for all that ails you, emotional, psychological & physical.  Wouldn’t it be a dream if all those ails could be remedies by the transformative power of art?  Today’s AAAD Artist of the Day, Andrea Costantini, offers us at least an escape, if not a remedy, from the weight that holds you down.

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Enjoy the transformative gifts of AAAD Artist of the Day, Andrea Costantini!

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ARTIST of the DAY: Felicia Olin

(left to right) Grandma and Grandpa Cleaver by Felicia Olin
(left to right) Grandma Cleaver & Grandpa Cleaver by Felicia Olin

“. . . A family friend placed me into a basin of water and rose pedals and said ‘This is a felicitous experience’ and I was named Felicia Suzanne.  Unlike my sister, who was saying words before she was one, I rarely spoke.  My father remembers being surprised when I had my first conversation with him when I was 5 or 6.  My early communication mostly consisted of funny noises and the slamming of doors.” Felicia Olin

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A strategy for selling art is floating around that suggests that it is how interesting the artist seems, as opposed to their work, that sells work.  And several artists, gallerists & dealers have confirmed with me that when you talk to a collector about the work they buy, they almost always talk about the artists, not the art.  Interesting notion.  Social media already makes it possible for people to create a persona that fulfills any role they choose to put out into the world.  Does selling art mean that we now have to invent new artistic personas for buyers to parallel those romanticized versions we already paint for our alumni publications and holiday newsletters?  It is all too much some days.

I read the bio of today’s AAAD Artist of the Day, painter Felicia Olin, before I saw her work.  I was so enamored of the way she put herself out into the world, that I wanted to like her work.  And, I do.  I have a soft spot for portraiture and texture.  I also appreciate less “artspeak” in favor of “realspeak”.  I am entertained by the menagerie of characters created –stories easily inhabiting the shadowed corners of our dreams.  Intrigued, I am, by both the art and the truth which she speaks about herself and her work.

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Explore the characters of today’s AAAD Artist of the Day, Felicia Olin,
& don’t forget to read the rest of that bio.

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CALL for ENTRIES: The Sea

Learn more about The Sea exhibit from 1650 Gallery! hold the FISH

Although I prefer living in the mountains, I truly love coastal food –fresh fish, citrus squeezes & sticky sweet frozen treats.  But you know what really makes me think of the beach?  Muffulettas.  They are the perfect “sea-food”, like an antipasto sandwich with olives and peppers, meats and cheeses all marinated and compressed in a hollowed out crusty loaf or round.  An entire meal in a handful that doesn’t get stale or mushy.  This next Call wants to know about your sea experience.  Take a look…

Check out this Call from the 1650 Gallery (Los Angeles, CA) for The Sea, a juried photography exhibit. $35 entry & free matting and framing (pre-set sizes). There’s even a way to avoid shipping. Don’t miss this…

Learn more about The Sea exhibit from 1650 Gallery!CALL for ENTRIES:
The Sea
from 1650 Gallery

 

“Whether you prefer to shoot sandy beaches at sunset or coral reefs below the surface, moonlit seascapes with crashing waves on rocks or schools of angelfish hurrying through the salty waters below; [we’ve] got you covered . . . with the sea of possibility as we go ABOVE AND BELOW: THE SEA! ” — from 1650 Gallery

ELIGIBILITY: All artists age 18+

MEDIA: Photography

DEADLINE:  August 14, 2016

NOTIFICATION: By August 21, 2016

ENTRY FEE: $35 for up to 5, $5 ea. add’l

JUROR: Andrew Overtoom is an award-winning filmmaker & photographer living in L.A. He publishes THE UNDEAD NEG, is launching a quarterly photography journal & owns the 1650 Gallery.

AWARDS: Best In Show, 2nd Place & 3rd Place will be awarded and posted online after the show opening. Award winning photos will be featured on the show page & Best In Show winners will have a small portfolio of their work featured in the 1650 Spotlight gallery of photographic excellence.

SALES: Selected artists may choose to offer their work for sale. The gallery retains 50% commission. The 1650 Gallery offers free matting and framing for accepted photographs that fit their pre-cut mat sizes for the duration of the exhibition. Photo sizes are 8″ x 10″, 11″ x 14″ 16″ x 20″, or 20″ x 24″.

For complete details, Read the Full Call!

Learn more about the 1650 Gallery!

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CALL for ENTRIES: Bareback

Learn more about the Bareback Exhibit from Studio C Gallery! four-legged FOODIE

Parsnips make me itchy.  My family eats copious amount of root vegetables –carrots and turnips and beets.  But the carrot’s paler cousin makes me feel like I have rolled in fiberglass insulation.  Parsnips are easy to cultivate & fetch a higher price than carrots at local farmers markets.  I have a friend that grows them because she never has any waste.  They last forever, but even if they start to get overripe, they are a favorite treat of her retired work horse.   This next Call is interested in your equine imagery, and they promise not to make you eat parsnips.  This is a lovely theme…

Check out this Call for Entries from Studio C Gallery (Los Angeles, CA) for Bareback: Symmetry in Motion.  $27 entry & open to all media.  Take a look…

Learn more about the Bareback Exhibit from Studio C Gallery!CALL for ENTRIES:
Bareback from Studio C Gallery

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“Humankind owes an enormous amount of gratitude to the horse. Domestication of the horse provided humans with mobility, survival and pleasure. Yet today, horses are facing a daunting challenge. Yearly round ups by the Bureau of Land Management, kill buyers, horse racing breakdowns, and drought that forces some owners to abandon their animals, have left horse’s lives in peril. This dilemma is not going away. It is a problem that needs to be addressed through action.” –from studiocgalleryla.com

ELIGIBILITY:  Open to woman artists

MEDIA:  Open to all media as long as it interprets the theme “Bareback: Symmetry in Motion”

DEADLINE:  August 15, 2016

NOTIFICATION:  August 22, 2016

ENTRY FEE:  $27 for up to 4, $5 each add’l

JUROR:  All entries are submitted to a jury comprised of women artists & art professionals. Each year new jurors are selected for the process.

SALES:  Studio C Gallery takes a 20% donation from each artwork sold during the duration of the exhibition.  80% of sales will go directly to the artist.  The gallery asks that each artist make a donation to the Wild Horse Sanctuary or Return to Freedom.

For complete details, Read the Full Call!

Learn more from the Studio C Gallery!

 

 

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CALL for ENTRIES: S’mores & Fireflies

Learn more about the Smores and Fireflies show from LA Photo Curator!TOASTY days

It has been a delicious Summer.  And, while I know truckloads of pumpkins are already showing up at your local grocer, don’t be fooled.  There are seven weeks left in Summer.  There are still weeks left to enjoy tomatoes at their juiciest (and cheapest).  There are weeks left to crave frozen lemonade, toast marshmallows and watch fireflies.  If you haven’t had a season full of this kind of fun, this next Call offers the perfect reason to start now.  And this time, food references ARE required, ha.  Take a look…

Check out this Call for Entries from L.A. Photo Curator for the S’mores & Fireflies exhibit. $20 entry, no shipping, great prizes & exposure for ALL entrants. Great opportunity…

Learn more about the Smores and Fireflies show from LA Photo Curator!CALL for ENTRIES:
S’mores & Fireflies
from L.A. Photo Curator

 

“Show food as the focus OR the backdrop of the role it plays in your summer activities. Messy, classic, bridal, drippy, crunchy, wet. I want to see the full summertime menu that makes it fun and memorable.” –from laphotocurator.com

ELIGIBILITY: Open to all artists

MEDIA: Photography

DEADLINE: August 13, 2016 (Midnight PST)

NOTIFICATION: (and opening date) August 21, 2016

ENTRY FEE: $20 for up to 3.  15% of artist fees go to the charity of the monthly curator (gofundme.com/risingstarmusic) as well as the first place winner’s charity.

CURATOR:  Laurie Freitag founded L.A. Photo Curator in April 2015 to offer photographers a way to get P.R. & as a vehicle to raise funds for the many charities that need help.  She is a member of the Los Angeles Art Association and the Los Angeles Contemporary Exhibitions and is looking forward to showing a piece from her Blizzard series at the Van Der Plas Gallery in New York July 8-31, 2016. Freitag’s two book projects ‘Blizzard Jonas: New York City, 2016’ and ‘The Lost Years: Before Five Years Old’ are available on her website.

SALES: All sales are conducted between the artist & buyer. L.A. Photo Curator does not handle any part of sales. There is no commission.

For complete details, Read the Full Call!

Learn more about the Comic Relief exhibit from L.A. Photo Curator!

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CALL for ENTRIES: FL3TCH3R 2016

Learn more about the FL3TCH3R exhibit!circus FOOD

Popcorn is the nightly snack of choice at my home, but lately it has taken on a more symbolic nature.  The current election climate has left me feeling disconnected from the political process –as though my voice and vote don’t count.  It feels like I’m watching a movie, eating popcorn and yelling at the innocent girl to warn her that the bad guy looms just around the next corner.  This next Call strives to connect people to the political and social issues that comprises contemporary culture.  Take a look…

Check out this Call for Entries from the Reece Museum at ETSU (Johnson City, TN) for The FL3TCH3R Exhibit. Here’s your chance to speak your mind without media restriction. Don’t miss this chance…

Learn more about the 2016 FL3TCH3R Exhibit!CALL for ENTRIES:
FL3TCH3R 2016

 

The theme of THE FL3TCH3R EXHIBIT is focused on work with strong social and political content. Work entered in the exhibit should reflect current issues that affect contemporary culture and investigate societal and political concerns. Diverse media and approach to the theme are encouraged.

ELIGIBILITY: U.S. artists age 18+

MEDIA: All 2D, 3D, performance & installation & video art are eligible. Due to space & logistical considerations, large-scale & complicated installation is not encouraged.

DEADLINE: August 22, 2016 (late deadline August 31, 2016)

NOTIFICATION: September 16, 2016

ENTRY FEE: $40 for up to 3, $10 ea. add’l (by August 22). OR $45 for up to 3 & $10 ea. add’l (from August 23-31).

JUROR: Dr. Eric Avery is a celebrated printmaker and recently-retired physician who for decades has practiced medicine and art in tandem. His complexly layered work connects issues of printmaking and art history with social concerns of public health, human rights abuse and responses to HIV/AIDS, death, sexuality and the body.  Creating powerful historical records of experience with patients, he changes the ordinary role of a doctor into an artist inspired by healing, fusing the space between art and medicine.  Before his retirement, he was clinical associate professor of Psychiatry and Behavioral Sciences and member of the Institute for Medical Humanities, The University of Texas Medical Branch, specializing in issues related to HIV/AIDS.  In addition to being the subject of numerous gallery exhibitions, Avery’s work is found in many prestigious permanent collections.

AWARDS: Best of Show $300, 2 Awards of Excellence $100 ea & Appalachian Artist Award (TBA)

For complete details, Read the Full Call!

Learn more about the FL3TCH3R exhbit!

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ARTIST of the DAY: Hank Willis Thomas

"I Am A Man" by Hank Willis Thomas
“I Am A Man” by Hank Willis Thomas

“This series of paintings was inspired by a 1968 photograph by Ernest Withers of marchers during the Memphis sanitation workers March.  Martin Luther King was assassinated while there in support of the March.  The men carried signs which read ‘I am a Man’.  I found it fascinating that the the phrase I grew up with was ‘I am THE Man’.  The collective statement became individualistic in the age of integration.  Reflecting on American history I wanted to riff and remix the text, ultimately ending with the revelation ‘I Am. Amen.’  MLK showed us that our greatest gift is our consciousness and it is up to us what we choose to do with it.” —Hank Willis Thomas

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I implore you to listen.  Listen. Understand your privilege, whatever it may be.  Being defensive doesn’t serve you. Don’t just look at people; SEE them. Love people for their humanity — both strengths & flaws.  Respect the space each person needs to work and speak and react to community in which they live.  Recognize that people have the right to be who they are, regardless of, and even in spite of, your expectation of them.  I am inspired by the work of today’s AAAD Artist of the Day, Hank Willis ThomasYou can change the world. Start with you.

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Explore your truth with AAAD Artist of Day, Hank Willis Thomas!

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