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Category: Tips

CALL for ENTRIES: Instamatic

Learn more from Don't Take Pictures!
image credit to ohmyveggies.com

kiss my
GRITS

Everyone wants everything yesterday.  Sometimes slow is better than instant.  No instant grits. (But I ♥ this hot recipe from ohmyveggies.com instead.)  No instant oatmeal (mush).  But, this next Call is proof that some things are made all the more fantastic–instantlyTake a look…

Check out this Call for Entries from Don’t Take Pictures (art publication) for Instamatic.  This is a gorgeous biannual print, online & tablet-ready magazine. Did I mention no entry fee? Make us proud…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Instamatic, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Don't Take Pictures!CALL for ENTRIES:
Instamatic

 

Don’t Take Pictures exists to showcase the work of emerging photographers.  In addition to publishing photographers in print & online in their monthly columns, they are now publishing online quarterly exhibitions.

ELIGIBILITY: Open to all artists

MEDIA:  Instant film photography

DEADLINE:  February 22, 2015

ENTRY FEE: None

AWARDS: Inclusion in the upcoming Instamatic exhibition. The exhibit will be published online from February 25 – May 26.

For complete details, Read the Full Call!

Learn more from Don't Take Pictures!

CALL for ENTRIES: All Watercolors

Learn more from art-competition.net!WATER
hold the bottle

I have never been a water drinker.  I prefer cold-brewed, black tea–decaf, no ice.  But, I do force myself to drink a few glasses a day.  But I never cease to be amazed by the bizarre marketing methods used to sell water to us at a premium.  You can buy water from melted icebergs, from springs at the base of Mt. Figi & even from the demilitarized zone between North & South Korea.  This next Call leaves the source of your water to you.  Take a look…

Check out this Call for Entries from Art-Competition.net (online) for All Watercolors. $15 entry, & the prize packages are thoughtful & actually useful. Take a look

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: All Watercolors, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from art-competition.net!CALL for ENTRIES:
All Watercolors

 

ELIGIBILITY: All artists age 18+

MEDIA: Watercolor

THEME: “All Watercolors”  is open to all watercolors— traditional to contemporary.

DEADLINE:  March 2, 2015

NOTIFICATION:  March 6, 2015

ENTRY FEE: $15 for 1, $30 for 3, $60 for 7

AWARDS: 1st Place: $500 cash & other awards valued at $5200. 2nd place: $125 cash & other awards valued at $1625. 3rd Place: $75 cash. 4th Place: $50 cash. 5th Place: $25 cash.

For complete details, Read the Full Call!

Learn more from art-competitions dot net! 2
We are thrilled to have Art-Competition.net as a sponsor of AAAD!

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CALL for ENTRIES: The Book as Work of Art for All

Learn more from Autonomie Projects!THAI
me up

Cookbook authors have my number.  Make the food look fantastic on the cover, and I’ll buy it.  Yes, I judge books (some books) by their covers.  I recent bought quick & easy thai.  I’m just going to say that my judgement of the cover resulted in sticky rice with mangoes.  It was worth it.  This next Call encourages you to judge books by their covers as well.  Sometimes is just WORKS…

Check out this Call for Entries from Autonomie Projects for The Book as a Work of Art for All.  Small works AND open to many media & interpretations.  This one sounds inspiring…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: The Book as a Work of Art for All, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Autonomie Projects!CALL for ENTRIES:
The Book as
a Work of Art
for All

This Artist Call invites artists to explore a panoply of creative interpretations of the book cover as a two-dimensional artwork, or of the book cover as a three-dimensional conceptualized art object.

ELIGIBILITY:  Open to all artists

MEDIA:  Various Media:  Drawing, painting, sculpture, photography, printmaking, collage & mixed media.  Max size 10” W x 13”H x 6”D

DEADLINE:  February 22, 2015

NOTIFICATION:  March 4, 2015

ENTRY FEE: $25 for 1 & $40 for two

CURATORS:  Autonomie Projects’ curatorial team of Chelle Barbour, M.A. Art and Curatorial Practices, USC and Vincent Johnson, MFA Art Center College of Design, will select the works for both its gallery space, electronic catalog and virtual gallery space on-line exhibition.

SALES:  Sales are encouraged. Artists receive 50% of the sale price.

For complete details, Read the Full Call!

Learn more from Autonomie Projects!

FEATURED ARTIST: Emilyann Gachko

Learn more from Photographer and Featured Artist Emilyann Gachko!CHEESE,
not stinky

With the arrival of February, I find myself restless and ready to move on.  My family is on the cusp of big changes, and I am finding it hard to do more than hold my breath and wait.  The problem with that is that the changes aren’t going to happen in any real way for two years.   I can’t hold my breath for two years–literally or figuratively.  I like aged cheese, but two year in my fridge would not be a good thing, really.

This month’s artist shows both gratitude for “right now” as well as hope for the future.   Her work explores the both comfort and the claustrophobia associated with staying where you are–without denying the need to go.

Learn more from Photographer and Featured Artist Emilyann Gachko!

ArtAndArtDeadlines.com is proud to claim Emilyann Gachko as this month’s Featured Artist.  This work calls attention to self-expression through your personal landscape.  It can’t be all cheddar for everyone all the time, folks.  To be fair, there’s also mozzarella and brie and Stilton and...

FEATURED
ARTIST:

Emilyann Gachko

Emily Gachko was raised in Cranford, New Jersey–where all the shooting for her current project has taken place.  Gachko majored in Fine Arts with a concentration in Photography at Ramapo College of NJ –winnging Best in Show with her Senior Thesis Exhibition.  She aspires to get her MFA in Photography and teach photography at the collegiate level.  Gachko currently lives in Spring Lake, New Jersey, where she has a variety of jobs teaching kids and and working with horses.

Learn more from Photographer and Featured Artist Emilyann Gachko!Talk to me about your process when searching for subjects.  Are the models friends, peers or acquaintances?  “So, I got the idea for the project living at home with parents, which quite frankly, I was not thrilled about.  I wanted to make lemonade out of the lemons that was living situation, so to speak.  That’s how I landed on the idea.  I started out with friends, and then friends of friends, and then eventually I would go to bars with said friends, and they would point people out to me that they vaguely knew and thought might live at home with their parents.  And I would approach them, and explain the project, and ask if I come home to their house and photograph them.  Despite being a total stranger to most of these people, only one person ever said no!”

Learn more from Photographer and Featured Artist Emilyann Gachko!

Talk to me about the portraiture aspect of your work.   “I wanted the people in the image to be very matter of fact, in that they didn’t give you any kind of overt emotion to go off or decide the tone of the photograph by say, their expressions. But in a way, the sitters are still the most important part of the photograph, in that they designed the space that envelops them. I wanted people to look at each photo and really get a feel for that person, of their individuality. The whole photograph makes up the portrait, not just the sitter, but the sitter is who assigns the most important part of the photograph’s identity.”

Learn more from Photographer and Featured Artist Emilyann Gachko!Finding the balance between people & their self-imposed habitats or between gratitude & anxiety creates a beautiful tension in your work.   Was that your intention?   Thank you!  Yes, I definitely sough to portray the tension between the individuals and the rooms themselves, mostly in that a lot of the environments have things that are clearly left over from childhood, and all of the sitters are young adults.”

What style or school of art do you think work fits into?    “I would say environmental portraiture. Even after this project, this is a style of art that I’m very much interested. The way that people both interact with and are informed by their environments. I really fascinates me.”

Learn more from Photographer and Featured Artist Emilyann Gachko!Talk to me about the two artists (one living, one dead) that have most influenced your work and why. “Photographer William Eggleston is one of my favorites, and a huge inspiration, in the way that he so elegantly captures every day life. Dead? Joseph Cornell.  He was one of the first artists I really loved, and he way he works with color, objects, and space within his shadow boxes is really beautiful.”

What is your favorite food addiction? It IS a food-themed blog after all. “Can I say pizza, even though that is super basic?  I don’t care, my answer is definitely pizza, haha!”  Pizza is always the right answer.  Always.

Learn more from Photographer and Featured Artist Emilyann Gachko! What if your favorite snack food obsession? “Cheese and crackers, so not too far off from pizza, haha.  Or Phish Food Ben & Jerry’s ice cream, depending on my mood.”

What’s coming up next for you? “I’m hoping to start work on another project that’s also sort of about suburban living, but I don’t really have the details hashed out yet so I don’t want to say too much about it until the idea comes into fruition! Other than that, I’d like to experiment with some collage and mixed media work. I took a class on it in college and it was my favorite one.”

Thank you, Emilyann, for reminding us
to appreciate where we are RIGHT NOW.

Learn more about Featured Artist & Photographer Emilyann Gachko 600x

If you’re interested in becoming a Featured Artist,
Click to Learn How!

CALL for ENTRIES: Trans*

Learn more from Waterloo Arts!BREAKFAST
in bed

Gender rolls are “squishy” at my house.  My husband does most of the cooking.  I am the disciplinarian.  Even our mail comes bizarrely addressed since I didn’t take his last name.  It works for us.  It is what we know.  And, well, the food is good. 🙂  I use #imarriedforthefood a lot.  This next Call explores gender identity & the experience of being trans.  If this isn’t the Call for you, please pass it along…

Check out this Call for Entries from Waterloo Arts (Cleveland, OH) for Transgender Art Exhibit.  I realize this applies to only a small percentage of AAAD readers; however, I am hoping you will post, re-post & tweet this Call so it can be found by artists that would best benefit.  Thank you…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Trans*, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Waterloo Arts!CALL for ENTRIES: Trans*

 

Waterloo Arts is seeking artwork which addresses the experience of being trans* or the topic of gender identity more broadly.

ELIGIBILITY:  Artists must identify as trans* individuals & reside in the U.S. or Canada.

MEDIA:  Sculpture, painting, drawing, photography, printmaking, mixed media, collage, assemblage, ceramics, fiber art, artist book – original artwork only.

DEADLINE:  February 28, 2015

NOTIFICATION:  March 11, 2015

ENTRY FEE:  $5 for up to 10 images

JUROR:  Will include professional artists & members of the trans* community.

SALES:  Waterloo Arts Gallery takes a 30% commission on artwork sold during the exhibit

For complete details, Read the Full Call!

Learn more from Waterloo Arts!

CALL for ENTRIES: Int’l Digital & Photo

Learn more from LACDA!too hot
TO HANDLE

Mozzarella-making is at a standstill at my house.  Okay, to be truthful, no one has ever mistaken this house for a cheese factory.  But lately, we’ve suffered the loss of one digital thermometer after another.  They don’t just stop; the temps slowly start veering from accurate.  I don’t normally advocate technology-forward kitchen gadgetry, but a digital thermometer results in far fewer failed batches of cheese–when it works.  I think it may be time to just shell out the bucks for one I KNOW won’t die easily.  I surrender.  You should surrender your digital art to this next call. Take a look…

Check out this Call for Entries from Los Angeles Center for Digital Art (LACDA) for the LACDA 2015 International Juried Competition.  Digital calls are sometimes a rare find.  See if this one is for you…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Int’l Digital & Photo, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from LACDA!CALL for ENTRIES:
Int’l Digital & Photo

 

ELIGIBILITY:  Open to all artists

MEDIA:  Open to all styles of art where digital processes of any kind were integral to the creating the images–including photography.

DEADLINE:  February 23, 2015

NOTIFICATION:  March 2, 2015

ENTRY FEE:  $35 for up to 3, $35 for each add’l 3

CURATORS:  Leigh Gleason, Curator of Collections, California Museum of Photography AND Shana Nys Dambrot, Critic, L.A. Weekly, Whitehot Magazine, Huffington Post, Art Ltd.

AWARDS: The selected winner receives 10 prints up to 44″x60″ (approx. $2,500-$3,000 value) to be shown in a solo exhibition–widely promoted and including a reception.  2nd place: Ten 2nd place winners will receive a print up to 24″x36″ ($150-$200 in value) to be included in the winners’ exhibit.  Special consideration will be given to all entrants for inclusion in future shows.

For complete details, Read the Full Call!

Learn more about LACDA online!

CALL for ENTRIES: Constructed

Learn more from Sweetwater Center for the Arts!on a ROLL

Stuffed cabbage is a recipe that takes me back to my childhood.  My grandmother had such a talent for making perfect little rolls.  I wish I had paid better attention to how she did that because I struggle to make them presentable.  Imagine my delight when I found a recipe for Deconstructed Stuffed Cabbage.  So excited to try this one.  In the meantime, this next Call is all about the CONstructed not the DEconstructed.  Loving this theme…

Check out this Call for Entries from Sweetwater Center for the Arts (Sewickley, PA) for Shaping New Worlds an exhibition of Constructed Photography. Only $20 to enter, and this is a rarely seen theme.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Constructed, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Sweetwater Center for the Arts!CALL for ENTRIES:
Constructed

 

ELIGIBILITY:  Open to all artists residing in the U.S.

MEDIA:  Photography–specifically, the constructed image by means of handmade montage, collage, darkroom manipulation, computer manipulation, constructed and photographed tableaux or dioramas, and/or alteration of real scenes, etc.

DEADLINE:  March 16, 2015

NOTIFICATION:  March 24, 2015

ENTRY FEE:  $20 for 3 works

JUROR:  Lori Kella received a BFA from the Cleveland Institute of Art in 1997, and later attended Cornell University where she received her MFA in photography.  A selection of her recent work was exhibited at Gallery Drei, in Germany, The Print Center (PA), Flux Space in (PA) & Roy G Biv Gallery (OH).  Kella’s work has been featured in several other major exhibitions including a one-person exhibition, Lori Kella: Coordinates, as part of the Wendy L. Moore Emerging Artist Series at MOCA Cleveland and Global Anxieties: Nine Perspectives on a Changing Planet at the College of Wooster Art Museum.  Kella lives in Cleveland, OH and she is currently a part-time Assistant Professor at Kent State University’s School of Art.

For complete details, Read the Full Call!

Learn more about the Sweetwater Center for the Arts!

OPEN CALL: Show #25

Learn more from Field Projects!my
BLACK BEAN
habit

Ethnic grocery stores are gateway habits for foodies.  My favorite Cuban cookbook led me to my local Hispanic grocery in search of ingredients for authentic congri, and I came home with products I cannot pronounce and for which I have no use.  So exciting.  I appreciate being introduced to new food organically, so to speak.  *snicker*  This Gallery discovers artists for future shows from entries to open calls like this one.  Organically…

Check out this Open Call for Entries from Field Projects (Chelsea, NY) for Show #25.  $25 entry, great curator, ALL media & a gorgeous space to boot.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, OPEN CALL: Show #25 anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Field Projects!OPEN CALL:
Show #25

 

Field Projects announces the 2015 Winter Open Call curated by Olivia Smith, Director of Exhibition A.  Emerging & mid-career artists are invited to submit their work for consideration in the March 2015 exhibition. –from Field Projects

ELIGIBILITY: Open to all artists

MEDIA: Open to all media

DEADLINE:  February 20, 2015

NOTIFICATION:  1st week of March

ENTRY FEE:  $25 for up to 5

Learn more from Field Projects!CURATOR:   Olivia Anne Smith is an artist, writer, and the Director of Exhibition A, where she has worked in collaboration with over one hundred artists to produce and distribute new limited edition art. Born in Dallas, Smith received a BFA in Studio Art, Art History, and English from SMU Meadows School of the Arts in 2011 and completed residencies at Les Subsistances in Lyon, France and Ubud, Indonesia. After concluding an internship at the Chinati Foundation in Marfa, she moved to New York City in 2012. Her interest in conceptual and socially-engaged art led her to stints at Artists Space and Creative Time, in addition to her role as curatorial assistant for a new Center for Art & Urbanism in Dallas. Smith lives in Brooklyn and works in Manhattan.

AWARDS:   All submissions received will be considered not only for Show #25, but also for future exhibitions at Field Projects and a coinciding online exhibition to Show #25.

SALES: All artwork will be for sale at the gallery during the exhibition.

For complete details, Read the Full Call!

Learn more from Field Projects!

CALL for Entries: Still Life / Life Still

Learn more from Darkroom Gallery!ATE hours later

Cooking has moved into slow motion in my house.  As much as I want to hurry Spring along, I am reminded of our current Winter status by the icy wind that greets me at my front door each morning.  So, my slow cooker lives in a perpetual circuit from counter to refrigerator to sink to counter to refrigerator to sink–almost daily.  Tonight is lentil soup with bacon. This next Call wants to see what happens when life stills completely.  An intriguing take on a traditional form…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Still Life / Life Still. They always have a low entry fee ($24) & a great juror.  This theme leaves room for the traditionalist as well as those with a vastly different point of view. Take a look

*Editor’s Note: If you have read the personal portion of this post, CALL for Entries: Still Life / Life Still, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Darkroom Gallery!CALL for ENTRIES:
Still Life / Life Still

The study of inanimate objects; subject matter, placement and compositional balance imply meaning that surmount everyday functionality.  Historically, a still life composition is an array of commonplace objects, inert and set in space.  These objects often include natural components such as plants, fruits, vegetables, nuts, flowers accompanied by man made objects like dishes, boxes, mirrors and vases within an interior setting at eye level like a table top.  Darkroom Gallery wants to contextually explore the Still Life; some may take a traditional approach.  Others may see Still Life/Life Still as a vehicle to explore new artistic possibilities, in form, function or to convey political or emotive meanings.  Objects caught in their natural surroundings & documented on the fly can make just as poignant an image, i.e., Life Still.  — from darkroomgallery.com

ELIGIBILITY: Open to all artists 18+

MEDIA: Photography (line-themed)

Learn more about the Darkroom Gallery online!DEADLINE:  February 18, 2015

NOTIFICATION:  February 23, 2015

ENTRY FEE: 4 for $24 (online)/$29 (email)

JUROR:  Independent photography curator, editor, researcher and consultant Yumi Goto focuses on the development of cultural exchanges that transcend borders.

She collaborates with local and international artists who live and work in areas affected by conflict, natural disasters, current social problems, human rights abuses and women’s issues. She often works with human rights advocates, international and local NGOs, humanitarian organizations and as well as being involved as a nominator and juror for the international photographic organizations, festivals and events. She is now based in Tokyo and also a co-funder and curator for the Reminders Photography Stronghold.

AWARDS: All selected entries are included in a full color exhibit catalog & gallery exhibition. Juror’s Choice: 30×48″ image banner. People’s Choice – a free future entry. Honorable Mentions receive free exhibition catalogs and free entry in a future exhibition.

SALES: Free matting & framing of accepted entries, subject to standard sizes. For commission details, go to the bottom of the Submissions page!

For complete details, Read the Full Call!

Learn more from the Darkroom Gallery!

*Editor’s Note: It is important to let Darkroom Gallery know you found their Call on artandartdeadlines.com. They are friends & sponsors of AAAD, and I always want them to know they have our support…

CALL for ENTRIES: Spring in NYC

Learn more from the Sylvia White Gallery!TOMATO
time

The height of the foodie season is Summer thanks to all that beautiful fresh local produce.  But I frequently find myself jumping the gun” and convincing something in early Spring is Summer-worthy.  Tomatoes get me every time.  Take my advice and wait.  This next Call for a spring art show in NYC simply won’t wait for Summer.  This is a great way to dip your toe in the pool of mega-shows while leaving the details to the professionals.  Investigate…

Check out this Call for Entries from Sylvia White Gallery (Sylvia White’s Art Advice is one of our sponsors) for a NYC Art Show space.  If you always wanted to be a part of one of these shows (minus the booth-sitting), this is a great opportunity.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Spring in NYC, anywhere other than by email subscription or via ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Sylvia White Gallery!CALL for ENTRIES:
Spring in NYC

 

ELIGIBILITY: Open to all artists age 18+

MEDIA:  Various media, including: paintings, mixed media, works on paper, photography, sculpture, installation art, and digital media

DEADLINE:  February 15, 2015

NOTIFICATION:  March 1, 2015

ENTRY FEE:  $45 includes review of 5 images

Learn more from the Sylvia White Gallery!

AWARDS:  SWG will be awarding ONE or more artists, an entire wall of booth space  (10’x10’) at one of the best NYC Art Fairs.  More artists may be selected (up to 5) depending on the number of entries received.  As many of you know, galleries spend thousands of dollars purchasing booths and individual artists are not allowed to participate without gallery representation.  This year, up to 5 lucky artists will join our stable to be represented by SWG.  Entries will be judged as a whole, instead of by individual piece.  Each artist may submit up to 3 applications.  For example, if you are a painter AND a sculptor, you should submit two applications, one in each medium.  All work submitted must be available for sale.

SALES:  NO commission will be retained by the Sylvia White Gallery.

For complete details, Read the Full Call!

Learn more about the Sylvia White Gallery!