Alternative Process – Page 2 – Art and Art Deadlines.com

CALL for ENTRIES: Faces

Posted on October 4, 2013 by R.L. Gibson

SOUR PUSS

Happiness is seeing sheer joy on your teenager’s face when you bring home a ripe avocado. During the chicken finger and fries years, I got so used to the “yuck” face every time something green came across his plate that I was convinced he would end up with rickets or die of malnutrition. Now I just see a happy face at the dinner table except on the rare occasion that pickled beets get a what-the-hell face. Faces are my favorite, and this next Call is a great opportunity to concentrate on them. Just do it; you know you want to…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Faces. The entry fee at Darkroom is always low ($24), and they will provide free matting & framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. I have a soft spot for this gallery, so make me proud…

CALL for ENTRIES:
Faces

An enduring fascination with the photographic portrait.

Each portrait reveals something of the sitter, the photographer and also of us as viewers. No one image can muster a whole and complete being, no matter how much we believe this could be so. This is the part of the photograph we create in our imagination, we fill in each crack and hole with a sort of personalized reasoning. And all these unknowns in the midst of true transparency.

Eye contact is made or retracted, body language boastful, reticent or indecipherable. Facial expressions can be hard at work or numbly slack. While subjects have a power over these photographic outcomes, it is the choice of the photographer to coax or mute said expressions for their artistic offering.

Submit work depicting people, selves, faces. People that baffle us with their complexities, personalities or simplistic nature. Make us question how this person existed at this particular place and time.

ELIGIBILITY: Entrants must be at least 18 years old. If younger, you must have a legal guardian make the submission for you.

MEDIA:
Photography

DEADLINE:
November 13, 2013

NOTIFICATION:
November 20, 2013

ENTRY FEE: Up to 4 images for $24 US for on-line and $29 for email submission

JUROR: Elizabeth Avedon has forged her own path in the photography industry, collaborating with museums, publishing houses, galleries and artists. The former Director of Photo-Eye Gallery, Santa Fe and Creative Director for The Gere Foundation, she has received awards and recognition for her exhibition design and publishing projects, including the retrospective exhibition and book: Avedon: 1949–1979 at the Metropolitan Museum of Art, Dallas Museum of Fine Arts; and Richard Avedon: In the American West for the Amon Carter Museum, the Corcoran Gallery of Art, and The Art Institute of Chicago, among many others. Elizabeth is a regular contributor to the Life.com award-winning Le Journal de la Photographie, profiling notable leaders in the world of Photography.

AWARDS: All selected entries are exhibited in the Darkroom Gallery and included in a full color exhibit catalog. Juror’s Choice receives a 30×48″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submission Rules page!

For complete details, Read the Full Call!

CALL for ENTRIES: Voyages

Posted on September 26, 2013 by R.L. Gibson

wheat or
WHEAT-OUT YOU

I have been on a personal voyage for the past 9 months, and there is no end in sight. My father died in December, betrayed by his body and love of food that didn’t love him back. My grandmother struggles with Alzheimer’s and the loss of both her memory and her appetite. I have been battling my health and grappling with the loss of my decades-long love affair with wheat. I can’t help but believe that it is all a voyage taking me to some unknown path that will be my future. The voyage has already spurred new art. Let the theme of this next Call take you on your own personal voyage. Don’t miss the opportunity…

Check out this Call for Entries for Voyages from the Kiernan Gallery (Lexington, Virginia). The entry fee is very reasonable, and the theme is a classic regardless of distance or perspective. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Voyages, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Voyages

For many, the spirit of adventure plays an enormous role in their passion for photography. Whether traveling within your native land or abroad, leaving home with a camera puts a more critical set of eyes on our surroundings. Photographs of exotic landscapes and cultures, and the people and places encountered along the way broaden our understanding of the world we live in. For Voyages, The Kiernan Gallery seeks images of your explorations away from home.

ELIGIBILITY: Open to all artists

MEDIA: Photography: Alternative processes, digital, traditional, and toned images are all eligible.

DEADLINE:
October 24, 2013

NOTIFICATION:
Approx. 8 days later

ENTRY FEE:
5 for $25, each add’l $5

JUROR: Christy Karpinski is the founder and editor of F-Stop Magazine, an online photography magazine that promotes contemporary photography from established and emerging photographers from around the world with the intent to inspire and support a community of artists. Christy has an MFA in photography as well as background in Women’s Studies and Sociology. She teaches photography at Columbia College Chicago.

AWARDS: All images will be reproduced in an exhibition catalogue available for purchase. A Juror’s Choice and Director’s Choice will also be announced and both winners will receive a free copy of the catalogue.

SALES: Kiernan Gallery no longer takes commission on sold works. But, they DO still have incentive to sell your work. The Kiernan Gallery was founded by an emerging artist, and recognizes the importance of selling work; they believe that if artists are paying a submission fee, the gallery should not also take a portion of the sale. They do reserve the right to negotiate 20% in order to make a sale.

For complete details, Read the Full Call!

CALL for ENTRIES: Feast

Posted on September 9, 2013 by R.L. Gibson

minted
FOR YOU

Why is mint chocolate chip ice cream so often green? We know that the essential oils used to produce the mint flavor certainly doesn’t lend the color. Is it the manufacturer’s way of grabbing the attention of someone already searching for the flavor? Does green food say “mint” to you? Green foods say “grassy” or “produce” to me. There is no denying that food imagery helps determine choice, and this next Call drives home that point precisely. Can’t wait to see your entries…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Feast. The entry fee at Darkroom is always low ($24), and they will provide free matting & framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show! I have such a soft spot for this gallery, and considering the theme, I really want to see one of MY BELOVED FOODIE ARTISTS take Best of Show…and all the other spots as well. Make me proud…

CALL for ENTRIES:
Feast

Feast your eyes & dig in. The taste of food photography.

From farm to table; the harvesting, preparing and plating of culinary masterpieces. Food, we eat it to survive. Yet if grown and prepared with intention, these are the dishes we savor.

Cooking can be a lot like taking a great photograph. Both lend themselves to fearless experimentation, adaptation and, ultimately, the creation of something awe-inspiring.

Photography capturing this process is something that all walks of life can connect to and be stirred by. The act of breaking bread with one another is deeply ingrained in our many traditions and ancestry.

ELIGIBILITY: Entrants must be at least 18 years old. If younger, you must have a legal guardian make the submission for you.

MEDIA: Photography

DEADLINE: October 16, 2013

NOTIFICATION: October 23, 2013

ENTRY FEE: Up to 4 images for $24 US for on-line and $29 for email submission

JUROR: For the past 20 years Matt Armendariz has been immersed in food in one way or another. As a former graphic designer and art director in the food industry, he has surrounded himself with great food before he began branching out into photography and blogging as a way to expand and share his passion for all things food and drink. High and low, near and far, food and flavor have always been his driving force and the stories that shape how and what we eat have always captivated him.

Matt’s photo clients include La Brea Bakery, Target, Food Network, Cooking Channel, Coca Cola, In N Out, Pom Wonderful, Coastal Living Magazine, Time Magazine, Food + Wine, and various cookbooks.

AWARDS: All selected entries are exhibited in the Darkroom Gallery and included in a full color exhibit catalog. Juror’s Choice receives a 30×48″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submission Rules page!

For complete details, Read the Full Call!

CALL for ENTRIES: Grayscale

Posted on September 6, 2013 by R.L. Gibson

not entirely
FRIED

There are a lot of reasons not to eat fried foods on a regular basis. You’ve heard most of them: blood pressure, heart disease, vitamin deficiency. Blah, blah, blah. You already know all of the logical reasons. So, let me proffer that fried food is the culinary equivalent of institutional gray. Do you really enjoy a plate of brown and beige food that all basically tastes beige? I hate to misappropriate the Skittles slogan, but taste the rainbow people. This next Call is the best reason to appreciate gray, but walk away from the beige, folks…

Check out this Call for Entries for Grayscale from the Kiernan Gallery (Lexington, Virginia). The entry fee is very reasonable, and the theme is a classic. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Grayscale, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Grayscale

The world is a colorful place. Despite this, photographers often choose to excise color from the world they capture. Artists working in black and white eliminate the complexities of color to accentuate form, composition, and lighting. The world desaturated is in some ways made more vivid. For Grayscale, The Kiernan gallery seeks photographs of any subject matter that use and celebrate the vibrancy of monochrome.

ELIGIBILITY: Open to all artists

MEDIA: Photography: Alternative processes, digital, traditional, and toned images are all eligible.

DEADLINE:
September 19, 2013

NOTIFICATION:
Approx. 8 days later

ENTRY FEE:
5 for $25, each add’l $5

JUROR: Blue Mitchell is the Founding Editor of Diffusion: Unconventional Photography, an independent, reader and contributor supported annual that highlights and celebrates unconventional photographic processes and photo related artwork. In addition to organizing and curating physical exhibitions around the country, Mitchell curates Plates to Pixels, an online photographic gallery that bridges the gap between antiquated photographic processes and new digital media. He is a fine art photographer, educator, and graphic designer currently serving on the Board of Directors for Newspace Center for Photography in Portland, Oregon. Mitchell also teaches classes at the Oregon College of Arts and Craft’s studio school.

AWARDS: All images will be reproduced in an exhibition catalogue available for purchase. A Juror’s Choice and Director’s Choice will also be announced and both winners will receive a free copy of the catalogue.

SALES: Kiernan Gallery no longer takes commission on sold works. But, they DO still have incentive to sell your work. The Kiernan Gallery was founded by an emerging artist, and recognizes the importance of selling work; they believe that if artists are paying a submission fee, the gallery should not also take a portion of the sale. They do reserve the right to negotiate 20% in order to make a sale.

For complete details, Read the Full Call!

CALL for ENTRIES: Make Believe

Posted on August 29, 2013 by R.L. Gibson

boneless
CHICKEN
backbone

Luckily, no one has bothered to ever install hidden cameras in my kitchen. The images of my pretending to be Julia Child wouldn’t be great for my credibility. But, it’s what I do when attempting something in the kitchen for which I am untrained or unqualified–like de-boning a whole chicken. I make believe. It makes any resulting failure sting less. This next Call wants to know how YOU make believe…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Make Believe. The entry fee at Darkroom is always low ($24), and they will provide free matting & framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
Make Believe

Role-play, tell tall-tales, put on your brightest costume and let your imagination take the lead.

Images that captivate, tell a fantastical story. The hero vs. the monster, parallel universes co-mingling, colorful characters that drag us down a rabbit hole! Fantasy, horror, sci-fi, fairy-tale, steam-punk and renaissance inspired photographs.

Just as Mary Shelley’s Frankenstein emerged from a dream, her motley creation is considered to be one of the earliest examples of science fiction and a great novel for the ages, Darkroom asks you to produce and capture your dreams. “The whole series of my life appeared to me as a dream; I sometimes doubted if indeed it were all true, for it never presented itself to my mind with the force of reality.”― Mary Shelley, Frankenstein

Create your legend, weave your web and spin your yarns. Contact your inner child and dive head-first into a treasure trove of costumes. This exhibit will be on display over Halloween, so make it spooky.

ELIGIBILITY: Entrants must be at least 18 years old. If younger, you must have a legal guardian make the submission for you.

MEDIA: Photography

DEADLINE: September 18, 2013

NOTIFICATION: September 25, 2013

ENTRY FEE: Up to 4 images for $24 US for on-line and $29 for email submission

JUROR: Growing up in a small Louisiana town, Andy Bloxham turned to his imagination for activity. This playful, creative approach to life extended to Andy’s adulthood, where it took form in photography, video, and writing. Receiving an MFA in photography from Louisiana Tech University, his images have appeared throughout the world in numerous group and solo exhibitions, publications, and online media.

Bloxham’s photography centers around fictional situations and events, told through the slight hint of a smirking camera. His techniques apply the command of tools ranging from pen, paper, and storyboards, to strobe lighting and digital post-processing. He is an assistant professor of photography at West Virginia Wesleyan College, and a faculty member at the Maine Media Workshops.

AWARDS: All selected entries are exhibited in the Darkroom Gallery and included in a full color exhibit catalog. Juror’s Choice receives a 30×48″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submission Rules page!

For complete details, Read the Full Call!

CALL for ENTRIES: A Bug’s Life

Posted on July 21, 2013 by R.L. Gibson

ANTS
in my
pants cans

My kitchen is clean-ish. Can you eat off my floors? Absolutely not. I am pretty good about cleaning as I cook so there isn’t a disaster to clean up afterward. And, crumb-y counters are my pet peeve; so I keep them wiped down. But despite my best efforts, I have an ant problem. I find a dozen or so small black ants on my kitchen counters every time I go in. I’m tempted to incorporate them into my next recipe just to send a message to the rest of their kind. This next Call could be a reason to spare their little lives, or not…

Check out this Call for Entries from the 1650 Gallery (Los Angeles) for A Bug’s Life. The entry fee is only $25, and the 1650 Gallery also offer free matting and framing (if you stick to their pre-set sizes). Take a closer look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: A Bug’s Life, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
A Bug’s Life

Ah, the mysterious world of the insect. Some are cute and cuddly, like the furry caterpillar. Some are fierce and scary, wearing their skeletons on the outside to frighten us. Some are artistic and majestic like the beautiful butterfly. And some are just downright romantic, like the firefly on a warm summer evening.

Nothing stretches the photographic imagination like a visit to a strange new world, but on this trip you needn’t go far to find a photo worthy subject; the wonderful world of bugs intersects and parallels our own. Like humans, bugs are everywhere! So this month, forget the cobwebs of your mind, grab your camera and your knee pads and worm your way into the nooks and crannies of the fantastic world of the creepers and the crawly! Be here now and in tune with the buzz…. this month 1650 celebrates life — a bug’s life!

ELIGIBILITY: All artists 18 years or older

MEDIA: Photography

DEADLINE: August 3, 2013

ENTRY FEE: There is an entry fee of $25 for up to 5 images. Add’l $5 each.

JUROR: Andrew Overtoom is an award winning filmmaker and photographer living in Los Angeles. He publishes THE UNDEAD NEG photography blog and is currently launching a quarterly fine art photography journal. He is also the owner/curator of 1650 Gallery in the Echo Park neighborhood of Los Angeles.

AWARDS: Approximately 50 works will be chosen from submitted photographs to be included in the I’LL BE YOUR MIRROR exhibition at 1650 Gallery in the Echo Park neighborhood of Los Angeles. Additional works may also be selected for an online gallery exhibition page.

SALES: The gallery retains 50% of the sale price, as well as 9.25% California sales tax. The 1650 Gallery offers free matting and framing for accepted photographs that fit their pre-cut mat sizes for the duration of the exhibition. Photo sizes are 8×10″, 11×14″ 16×20″, or 20×24″.

For complete details, Read the Full Call!

CALL for ENTRIES: Eye on the Street

Posted on July 14, 2013 by R.L. Gibson

BUMPER CAR
burgers

Eating in the car is dangerous. Don’t get me wrong; I’ve done my share of car consumption. The back floorboard of my car looks like a fast food trash can sometimes. But on my way home yesterday, I watched a young woman t-bone a truck with her compact car while munching on a burger. Her view seemed blocked by the wax paper wrapper. I’m just saying, “Be careful out there.” This next Call is another reason to keep your eyes on the street. Great show…

Check out this Call for Entries for Eye on the Street from the Kiernan Gallery (Lexington, Virginia). The entry is very reasonable. The theme is fun, and the juror is active and easily researched. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Eye on the Street, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Eye on the Street

Street photographers are guerrilla documentarians. They capture the world as they see it, using small and forgotten moments to present a larger narrative. Themes of class, age, occupation, or background are brought to life by small stories that evoke our shared humanity.

The keen eyes of street photographers see what others take for granted, and depict the richness and variety of our public lives. For Eye on the Street, The Kiernan Gallery seeks street photography in all its forms.

ELIGIBILITY:
Open to all artists

MEDIA:
All photographic media are encouraged.

DEADLINE:
July 25, 2013

NOTIFICATION:
Approx. 8 days later

ENTRY FEE:
5 for $25, each add’l $5

JUROR: John N Wall is a photographer and educator from Raleigh, NC. A native of North Carolina, he is a member of the faculty at NC State University. He has exhibited his work in solo and group shows across North Carolina and the South, and has won numerous awards in regional and national competitions. His work has been supported by grants from the United Arts Council of Wake County.

Wall holds a Certificate in Documentary Photography from the Center for Documentary Studies at Duke University. Wall maintains Southern Photography: The Blog about Fine Art Photography in the American South, named one of the 100 Best Sites for Photographers in 2013 by the folks at PhotographyDegrees.org.

AWARDS: All images will be reproduced in an exhibition catalogue available for purchase. A Juror’s Choice and Director’s Choice will also be announced and both winners will receive a free copy of the catalogue.

SALES: Kiernan Gallery no longer takes commission on sold works. But, they DO still have incentive to sell your work. The Kiernan Gallery was founded by an emerging artist, and recognizes the importance of selling work; they believe that if artists are paying a submission fee, the gallery should not also take a portion of the sale. They do reserve the right to negotiate 20% in order to make a sale.

For complete details, Read the Full Call!

CALL for ENTRIES: Portfolio Edition

Posted on July 6, 2013 by R.L. Gibson

FOOD FREAKS
not so anonymous

My cupboard is the portfolio of a food freak. No joke. I can’t eat wheat. My husband is allergic to seafood. And my son is lactose intolerant. It is a little ridiculous. Let’s hope the portfolio you enter for this next call is freaky in a GOOD way. Take a look…

Check out this Call for Entries from F-Stop Magazine for their ISSUE #60: 10th Anniversary Portfolio Issue. There is no entry fee, and you can enter up to TWENTY images for publication. Be sure to tell them you found F-Stop through ArtAndArtDeadlines.com, and remember to continue to make us proud…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Portfolio Edition, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL
for ENTRIES:
Portfolio Edition

Issue #60 marks 10 years of
publishing F-Stop Magazine!
They will celebrate by
presenting a series of portfolios.
Submit a complete body
of work along with your
artist/project statement.

ELIGIBILITY: Open to all artists

MEDIA: Photography

DEADLINE: July 15, 2013

NOTIFICATION:
Publication is August 1, 2013

ENTRY FEE:
None for up to 20 images

ABOUT F-Stop: F-STOP MAGAZINE is an online photography magazine featuring contemporary photography from established and emerging photographers from around the world. Each issue has a theme or an idea that the unites the photographs to create a dynamic dialogue among the artists. Founded in 2003 and published online, bi-monthly.

For complete details, Read the Guidelines!

CALL for ENTRIES: Color-Blind

Posted on June 16, 2013 by R.L. Gibson

POOF, NOT POP
went the corn

I usually believe in moderation in all things, but lately I’m finding myself on the extremes of all the food issues out there–from dairy to beef, wheat to sugar. It seems as though everyone has a very black and white view on what is and is not good for you. Did you every thing there would be a vegetable that you were NOT supposed to eat? Me either, but corn is apparently my new nemesis. Go figure. I try to turn a blind eye to those beautiful ears, but it would be easier if I could be selectively color blind. Trust me…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Color Blind. The entry fee at Darkroom is always low ($24), and they will provide free matting & framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
Color-Blind

The inability
to distinguish one or
more chromatic colors,
distinction of space
by the edges of
darkness and light.

Color plays an important role in how we perceive the world around us. So when you take that information away what do you get in return? Without color, other elements of the photograph take on a more distinct role in telling the story. Notice how lighting, contrast, and composition are much more important in monochromatic images.

Black & white photography is a timeless art; always relevant, always contemporary despite being so historically ancient. The juror Matthew Gamber states, “There is something about how when you photograph something in black and white, it gets locked in that time frame where it just becomes obsolete as an everyday seeing experience.”

Whether you are a darkroom purist or a Photoshop crafter, show them your love for hue-less images. They want your best black and white or alternative process photographs. Pay tribute to the origins of photography.

ELIGIBILITY: Entrants must be at least 18 years old. If younger, you must have a legal guardian make the submission for you.

MEDIA: Photography

DEADLINE: July 24, 2013

NOTIFICATION: July 29, 2013

ENTRY FEE: Up to 4 images for $24 US for on-line and $29 for email submission

JUROR: Matthew Gamber, a Boston-based artist with degrees from Bowling Green State University and the School of the Museum of Fine Arts / Tufts University. Gamber’s teaching appointments include: Art Institute of Boston / Lesley University, Boston College, School of the Museum of Fine Arts, College of the Holy Cross, Savannah College of Art & Design, Massachusetts College of Art & Design. He is a founding editor of Big Red & Shiny.

Recent exhibitions include: Second Nature: Abstract Photography Then and Now, deCordova Sculpture Park and Museum, Lincoln, MA, 2012, The 2012 deCordova Biennial, deCordova Sculpture Park and Museum, Lincoln, MA, 2012; Flash Forward 2011 Exhibition, Magenta Foundation, Toronto, CA, 2011; The Sum of All Colors, Sasha Wolf Gallery, New York, 2011.

AWARDS: All selected entries are exhibited in the Darkroom Gallery and included in a full color exhibit catalog. Juror’s Choice receives a 30×48″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submission Rules page!

For complete details, Read the Full Call!

CALL for ENTRIES: City

Posted on May 24, 2013 by R.L. Gibson

CITY FRUIT
country pumpkin

I grew up right outside of Atlanta, but I’ve never really been a city girl. I love downtown anywhere as a temporary destination, but home is always somewhere rural for me. It comes with drawbacks like a lack of ethnically diverse restaurants and markets, but it also comes with the joy of connection to your food. I know who grew my tomatoes. I know who propagated the giant basil plant in my herb garden. I know who to call when I run out of ramps. The City is intoxicating, but I’ll just stay put except for vacation if that’s okay. This next Call wants to know what draws you to the City. Great Opportunity….

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for City. The entry fee at Darkroom is always low ($24), and they will provide free matting & framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
City

Uptown, downtown,
urban spaces, public places
and the life
that inhabits them!

Nothing in the city is stopping, nothing is slow. There’s never a moment of silence, a moment alone. Horns honking, people talking, vendors yelling, children laughing, doors opening & doors closing. The city has a beat, a rhythm, a constant ebb & flow. Strangers brushing shoulders, lovers holding hands, catch it all in an instant. Because in an instant it will be gone.

All except the buildings. The stoic silence of these structures juxtaposes all the life. Distinct architecture, setting the scene, a beauty so quiet in a sea of so much noise. Each brick tells a story. They are characters in this play of city life.

ELIGIBILITY: Entrants must be at least 18 years old. If younger, you must have a legal guardian make the submission for you.

MEDIA: Photography

DEADLINE: June 26, 2013

NOTIFICATION: July 1, 2013

ENTRY FEE: Up to 4 images for $24 US for on-line and $29 for email submission

JUROR: Stephen Perloff The founder and editor of The Photo Review, a critical journal of international scope publishing since 1976, and editor of The Photograph Collector, the leading source of information on the photography art market.

Perloff was the recipient of the Sol Mednick Award for 2000 from the Mid-Atlantic region of the Society for Photographic Education, the first annual Vanguard Award from the Philadelphia Center for the Photographic Image in 2007, and the Colin Ford Award from the Royal Photographic Society in 2012.

His photographs have appeared in numerous exhibitions and reside in many museum and private collections. He has curated more than a score of exhibitions, including “Philadelphia Past and Present” at the Philadelphia Art Alliance for the city’s tricentennial in 1982. He was the curator of the acclaimed series “Photography: Contemporary Prospect” at Historic Yellow Springs (1994–2001), the retrospective exhibition “Andrea Baldeck: The Heart of the Matter” at the Moore College of Art, Philadelphia (January–March 2007); and “Saving Face,” an exhibition of portraits drawn from the collection of Robert Infarinato at the Michener (November 2008 – March 2009).

AWARDS: All selected entries are exhibited in the Darkroom Gallery and included in a full color exhibit catalog. Juror’s Choice receives a 30×48″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submission Rules page!

Category: Alternative Process

SOUR PUSS

CALL for ENTRIES: Faces

For complete details, Read the Full Call!

wheat or WHEAT-OUT YOU

CALL for ENTRIES: Voyages

For complete details, Read the Full Call!

minted FOR YOU

CALL for ENTRIES: Feast

For complete details, Read the Full Call!

not entirely FRIED

CALL for ENTRIES: Grayscale

For complete details, Read the Full Call!

boneless CHICKEN backbone

CALL for ENTRIES: Make Believe

For complete details, Read the Full Call!

ANTS in my pants cans

CALL for ENTRIES: A Bug’s Life

For complete details, Read the Full Call!

BUMPER CAR burgers

CALL for ENTRIES: Eye on the Street

For complete details, Read the Full Call!

FOOD FREAKS not so anonymous

CALL for ENTRIES: Portfolio Edition

For complete details, Read the Guidelines!

POOF, NOT POP went the corn

CALL for ENTRIES: Color-Blind

For complete details, Read the Full Call!

CITY FRUIT country pumpkin

CALL for ENTRIES: City

For complete details, Read the Full Call!

CALL for ENTRIES:
Faces

wheat or
WHEAT-OUT YOU

CALL for ENTRIES:
Voyages

minted
FOR YOU

CALL for ENTRIES:
Feast

not entirely
FRIED

CALL for ENTRIES:
Grayscale

boneless
CHICKEN
backbone

CALL for ENTRIES:
Make Believe

ANTS
in my
pants cans

CALL for ENTRIES:
A Bug’s Life

BUMPER CAR
burgers

CALL for ENTRIES:
Eye on the Street

FOOD FREAKS
not so anonymous

CALL
for ENTRIES:
Portfolio Edition

POOF, NOT POP
went the corn

CALL for ENTRIES:
Color-Blind

CITY FRUIT
country pumpkin

CALL for ENTRIES:
City