CALL for ENTRIES: Is there a Mother in the House?

Posted on February 2, 2018February 3, 2018 by R.L. Gibson

finger FOOD

I have a soft spot for mothers in restaurants. I remember that struggle eat, feed the child that wasted all their good behavior in the waiting area, try to manage the mashed up mess and smile at the wait staff and hope they think you’ve got it all under control. I don’t know why so many mothers feel the need to sustain the illusion that being a mother is easy. We know better. We are better. It is hard. We are up to the task. This next Call wants all the facets of “mother” we can conjure. Up to the task?

Check out this Call for Entries from Woman Made Gallery (Chicago, IL) for Is There a Mother in the House? $30 entry & only open to female-identifying artists. There is nothing more widely-open to interpretation than the concept of “mother”. Show them your viewpoint…

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CALL for ENTRIES: Is There a Mother in the House? from Woman Made Gallery

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ELIGIBILITY: Female identified artists

MEDIA: Open to all media

THEME: Mother –work that explores the multiple facets of Mother—political, personal, comic, symbolic, historic, biological, idealized or actual—and her impact on their own lives or on the wider world.

DEADLINE: February 9, 2018

NOTIFICATION: Week of March 1, 2018

ENTRY FEE: $30 for up to 3, plus one detail if necessary

JUROR: Janet Bloch is an artist, administrator & author. She holds a Master of Fine Arts from the School of the Art Institute of Chicago. Bloch has had several solo exhibits nationwide, and her work is in numerous collections which include the South Bend Regional Museum of Art, Illinois State Museum, Deloitte and Eaton Corporations. After co-directing Woman Made Gallery from 1993 to 2000, Janet Bloch is now the Executive Director at Lubeznik Center for the Arts in Michigan City, Indiana.

SALES: WMG will retain a 40% commission.

For complete details, Read the Full Call!

CALL for ENTRIES: Facing the Wall

Posted on January 25, 2018January 25, 2018 by R.L. Gibson

GREEN walls

While on vacation recently, I was having dinner in a restaurant only to see the chef come out and clip herbs off a wall planter in the dining room. I have a friend that has installed a decorative green wall in their livingroom. And I know several others that are making vertical gardening plans. It seems planting vertical not only makes the best use of space, but it is more physically accessible for lots of people for whom bending and stooping are not an option. Walls of food, how lovely. This next Call is looking for your work surrounding the idea of walls.

Check out this Call for Entries from Art League Rhode Island for Facing the Wall at The VETs Gallery (Providence, RI). $25 entry fee, a great juror & a timely curatorial theme add up to a great opportunity…

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CALL for ENTRIES:
Facing the Wall
from Art League
Rhode Island

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all 2D & 3D media (no video)

THEME: Walls have delineated nations & cities throughout human history. Walls define what is inside as separate from what is outside, and while this definition . . . invariably includes a defining of identity. Whatever the motivation, walls identify what is within them and what is outside them, placing limits on both. We are now in an era of new walls – walls built on the borders of nations, ideologies, cultural and personal identities. Whether attempting to break through, climb over, dig under, circumvent, use as a canvas, or decorate, artists respond to the walls that confront them.

DEADLINE: February 14, 2018

NOTIFICATION: February 27, 2018

ENTRY FEE: $25 for up to 3. Note: If accepted, a $15 ALRI handling fee will be required for each box shipped.

JUROR: Julia Samuels of Overpass Projects. Overpass Projects was founded in 2015 by Julia Samuels and Henry Felton Brown, after the two completed their MFAs at the Rhode lsland School of Design. They practice all forms of intaglio, etching, engraving, photogravure, relief printing, screen printing, lithography and letterpress. Connected to a wide community of artists and designers, they are innovating new ways to bring other disciplines into the print shop and ways to push printmaking out into the world.

AWARDS: 1^st Prize $300, 2nd Prize $200 & 3rd Prize $100

SALES: Art League Rhode Island will retain 30% (members), 40% (non-members) commission on sales.

For complete details, Read the Full Call!

CALL for ENTRIES: April International

Posted on January 24, 2018January 25, 2018 by R.L. Gibson

spring GLORIOUS spring

Spring seems to come earlier every year. Have you noticed? In 2017, Spring came to most of the Northern Hemisphere of the U.S. nearly 3 weeks early. It seems like a great thing for those of us missing Spring greens and blooming flowers, but global warming has consequences that cannot be by a salad. The coming of Spring, in its own time, will bring us the results of this next Call for a beautiful art magazine. Take a look…

Check out this Call for Entries from Create! Magazine for the April 2018. The Jealous Curator is the the juror! And just wait until you get your hands on this gorgeous magazine. Don’t miss this chance…

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CALL for ENTRIES:
April 2018
of Create! Magazine

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ELIGIBILITY: Open to all artists

MEDIA: Open to all media, i.e.: painting, sculpture, digital, printmaking, fiber, mixed media, photography, installation & more.

DEADLINE: February 28, 2018

ENTRY FEE: $30 for up to 3, $35 for 5, $40 for 10. *There is also an optional $15 for online review, if selected by curator.

JUROR: Danielle Krysa has a BFA in Visual Arts, and a post-grad in graphic design. She is the writer/curator behind the contemporary art site, The Jealous Curator (est.2009). Danielle has curated shows from Washington DC to Los Angeles, San Francisco to Toronto. In 2014 she published two books, titled “Creative Block” and “Collage”. Her third book, “Your Inner Critic Is A Big Jerk” was released in October 2016, and she is currently working a new book due out Fall 2018. Danielle has also had the great pleasure of speaking at TEDx, PIXAR, Creative Mornings, CreativeLive, and was interviewed for several video segments on oprah.com.

AWARDS: Artists selected by the guest juror will receive a 2-page spread including a brief bio, website, and 2 images in print and digital formats. Published artists will receive a complimentary digital issue and will be listed on Create! Magazine’s website/social media. and will be listed with images, details and information on our website/social media for life. All featured artists will automatically be considered for any upcoming curatorial projects and exhibitions organized by the Create! team.

SALES: The April Issue will be available online, in London, New York, Philadelphia & more.

For complete details, Read the Full Call!

CALL for ENTRIES: Monsters

Posted on January 21, 2018January 22, 2018 by R.L. Gibson

toe-mate-OH

Winter is bearing down on my culinary sensibilities; it does every year. In need of tomatoes for a recipe, I ventured into the produce section of my local grocer on a mission. I was greeted with $4/lb. hot house tomatoes shipped in from a climate that should not require a hot house for them to flourish. The most amazing part is that I only had to buy one. Why? Because the one tomato I bought, while beautifully folded like so many of my favorite heirloom varieties, was dense like a cannon ball and nearly three-quarters the size of my head. Monster tomatoes are in a store near you. (Spring can’t come soon enough.) In the meantime, your monstrous work is welcomed by this next Call. It is the first Call for this online publication; don’t miss out…

Check out this inaugural Call for Entries from N.Y. Photo Curator (online) for the Monsters exhibit. $20 entry, no shipping, plus art publication for ALL entrants. $20 entry for this unique call. Take a look…

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CALL for ENTRIES:
Monsters
from N.Y. Photo Curator

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ELIGIBILITY: Open to all artists

MEDIA: Photography

THEME: Monsters. “Teratology. Cryptozoology. Therianthropy. All of these terms are related to the study of monsters. Monsters are at once foreign and familiar, and they take on a good deal of cultural work, reflecting back to us our own monstrous side as well as representing “otherness”. Protectors or destroyers, they elicit reflection on the complexities of our nature . . . As a society, we consume monster-centric media in mass quantities, from volumes of fairy tales to horror flicks to serial killers presented on screen and in podcasts. From Totoro to Pan’s Labyrinth, be they gentle or malicious, monsters demonstrate a broad and intensely creative diversity of form, and there is a rich art historical archive of images and sculpture dating back centuries and reaching across cultural boundaries.“ –Anne Eder

DEADLINE: January 31, 2018 (Midnight PST)

ENTRY FEE: $20 for up to 3. 20% of artist fees go to 2 charities –½ to the curator’s choice of charity & ½ goes to the 1st place winner’s choice. Anne Eder has chosen the Fleisher Art Memorial.

CURATOR: Anne Eder is an interdisciplinary artist and educator from Philadelphia. She holds an MFA in Photography and Integrated Media from Lesley University College of Art and Design where she studied with Christopher James and has been employed as an adjunct professor. Eder teaches courses in alternative and material processes in photography and in interdisciplinary projects, and will be joining the roster of educators at Harvard University and at Penumbra Foundation in NYC this spring. She is also a reviewer for Lensculture.

AWARDS: The curator chooses 1st place, 2nd place & 3 honorable mentions. The 1st place winner will receive a review by one or more curators including a Q&A about the photographer’s work. In addition, their image will be on the home page for a month. 2nd place & honorable mentions will have their image shown along with their bio, artist statement, C.V. and a link back to their website.

SALES: All sales are conducted between the artist & buyer. There is no commission.

For complete details, Read the Full Call!

CALL for ENTRIES: Recycle 2018

Posted on January 20, 2018January 21, 2018 by R.L. Gibson

makeOVERs

Partial boxes and bags and cans of food drive me crazy. I am too “thrifty” to get rid that extra half cup of evaporated milk or quarter box of pasta. As a result my menu has become a litany of recipes that recycle the odds and ends that happen as a result of making the foods I actually intended to make. This next Call wants your art make from all things recycled. This is a great show. Don’t miss the early bird deadline just days away!

Check out this Call for Entries from BWAC (Brooklyn, NY) for Recycle 2018. Take advantage of a discount for early entry, a distinguished juror & significant cash awards. Take a look…

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CALL for ENTRIES:
Recycle 2018
from BWAC

“Recycle, the Brooklyn Waterfront Artists Coalition’s national juried show of art crafted from cast-off, discarded & re-purposed materials, will be a celebration of ingenuity and imagination.” –from bwac.org

ELIGIBILITY: Open to U.S. artists 18+

MEDIA: Open to all media

ENTRY FEE: $45 up to 3, $5 ea. add’l (early bird) or $65 up to 3, $5 ea add’l after Feb 26

DEADLINE: January 23, 2018 (early bird) or February 20, 2018 (final)

NOTIFICATION: March 12, 2018

JUROR: John Cloud Kaiser is the Director of Education at Materials for the Arts, one of the largest reuse centers in the U.S and a program of the New York City Department of Cultural Affairs. Through art shows he curates at MFTA Gallery and his work with his art group Free Style Arts Association, he has been championing reuse‐themed art in the museums, streets, and schools of New York City since 2000. These works have appeared broadly, from The Metropolitan Museum, to the NYC Parks Dept., to The New York Times. Kaiser graduated from New York University and is currently working on a series of temporary sculptures for Storm King Sculpture Center and Socrates Sculpture Park.

AWARDS: Best of Show Gold $1000, Most Innovative Use of Materials $500, People’s Choice $250, Curator’s Choice $250 & ten $100 Certificates of Recognition.

SALES: BWAC will retain a 30% commission on all exhibition sales.

For full details, Read the Full Call!

CALL for ENTRIES: The Bitters

Posted on January 17, 2018January 17, 2018 by R.L. Gibson

cheers TO YOU

A family member gifted me with some orange bitters over the holidays. It was supposed to be a snarky jab at newly found inability to keep my opinions to myself. I accepted it with a smile, a nod and a feigned chuckle. It was an ironic gesture of politeness in the face of passive aggressiveness. The jokes on them though; the martini’s have been fantastic. This Call wants all the bitter you can muster. They’re reading my mind…

Check out this Call for Entries from Whitdel Arts (Detroit, MI) for The Bitters 2. $15 Entry & 33% commission, plus investigating how can you not have something to say about this one? Take a look…

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CALL for ENTRIES:
The Bitters 2
from Whitdel Arts

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“In times of cynicism, disgust and hopelessness, we look for outlets to express our frustrations, as well as our aspirations for action and change. We decided to take one of our favorite exhibitions and reboot it in this current time of disillusionment and subjective truth. Whitdel Arts is currently accepting submissions for The Bitters 2: We’re Fucked. This exhibition will explore how we currently cope with lies, greed, conflict, inequality, and paranoia – with all the sarcasm, and overall disenchantment that made the first “The Bitters” exhibition so satisfying. “ –from whitdelarts.com

ELIGIBILITY: Open to all artists

MEDIA: Open to all media

DEADLINE: February 3, 2018

NOTIFICATION: February 9, 2018

ENTRY FEE: $15 for up to 3 (non-members); free to members.

SALES: Whitdel Arts takes a 33% commission fee of the sales price, regardless of gallery affiliation.

For complete details, Read the Full Call!

CALL for ENTRIES: Faces of Humanity

Posted on January 12, 2018January 13, 2018 by R.L. Gibson

THAI tofu

I was out having Thai food for lunch with a friend lately. I ordered massaman curry with shrimp; she ordered green curry with tofu. I will never understand. I said, “Tofu?”, and she replied, “of course, it is my favorite”. Seriously? I am certain there are a lot of people who appreciate tofu as a vegetarian-friendly protein that will take on the flavors of other foods. But she looked me in the face and said, “it is my favorite”. NO. It isn’t really anyone’s favorite, is it? I was looking at the face of deprivation, right? Someone explain tofu to me. Again. Please. This next Call wants to see the Face of Humanity, not necessarily of a tofu lover (assuming those really exist, ha). Investigate this opportunity…

Check out this Call for Entries from Art-Competition.net for Faces of Humanity. $25 entry & no shipping. The media is pretty wide open too. Take a look…

CALL for ENTRIES:
Faces of Humanity
from Art-competition.net

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ELIGIBILITY: All artists age 18+

MEDIA: Open to still media, including painting, drawing, photography, sculpture, digital, prints, fiber art, collage, etc.

THEME: Faces of Humanity “For this group exhibition the curators will be selecting artwork that communicates the diversity of humanity by capturing the emotion, beauty, love, hope, and wisdom as seen in the faces of people from different cultures.”

DEADLINE: February 5, 2018

NOTIFICATION: February 19, 2018

ENTRY FEE: $25 for up to 3, $5 ea. add’l

AWARDS: 20 artists will be selected for an online group exhibit, “Faces of Humanity 2018” at Gallery25N; the exhibit and artists will be extensively marketed worldwide to over 26,000 people including art buyers, gallery owners, curators, collectors, etc. One artist will be selected to receive the “Christopher E. Burke Fine Art Grant“ of $500. That artist’s work will become the image of the exhibition and will be used on the invitation, video title screen and on all online marketing.

For complete details, Read the Full Call!

CALL for ENTRIES: Food

Posted on January 10, 2018January 11, 2018 by R.L. Gibson

GREEN filler

I am the queen of comfort food. I know that the secret to award-winning mac ‘n’ cheese is Dijon mustard. I know that a light coat of olive oil under the sauce prevent pizza crust from getting soggy while baking. I know a dust of cayenne makes the chocolate sauce on your sundae sing. But this week, my only comfort is salad. Thanksgiving, Christmas, New Years and then vacation. I have eaten everything that won’t run from me –none of it on the light side. Different food for different feels (and fills). This next Call wants your take on food and sustenance. Take a look…

Check out this Call for Entries from The Passporte (online gallery) for Food Photography. There is no fee & submissions are limited to a single entry. Take a look at this opportunity…

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CALL for ENTRIES:
Food Photography
from The Passporte

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ELIGIBILITY: Open to all artists 18+

MEDIA: Photography

THEME: Food – “Food in art can be a celebration of culinary joys, an exploration of society and culture, and, of course, a fascinating aesthetic exploration. Whether mass-produced or home-cooked, an elaborate restaurant affair or a meal-for-one over the kitchen sink, food means more than just sustenance.” –passporte.com

DEADLINE: January 28, 2018

NOTIFICATION: February 18, 2018

ENTRY FEE: None

AWARDS: Photos from eligible submissions will be selected for a group exhibition & displayed on ThePassporte.com & highlighted through social media to over ten thousand viewers.

For complete details, Read the Full Call!

CALL for ENTRIES: Wide Open 9

Posted on January 8, 2018January 9, 2018 by R.L. Gibson

completely CRACKED open

I don’t have an electric can opener. Any time someone cooks in my kitchen, they are puzzled by my lack of this appliance. (Insert obligatory I-don’t-buy-single-use-gadgets explanation here.) In my defense, I don’t eat that many foods that come in cans, and a large percentage of the few canned foods I do eat come with pop tops –even my guilty secret canned salmon. The most commonly “opened” foods in my house are eggs and nuts… and fortune cookies. This next Call wants to see your wide open work, and the juror is fantastic…

Check out this Call for Entries from BWAC (Brooklyn, NY) for Wide Open 9. Discounts for early entry, a distinguished juror & cash awards. This is one of my favorite venues & the early bird deadline is just around the corner. Take a look…

CALL for ENTRIES:
Wide Open 9

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ELIGIBILITY: Open to U.S. artists 18+

MEDIA: Open to all media

THEME: Wide Open “encompasses all the possibilities of knowledge and freedom & love – wide open spaces…arms wide open…eyes wide open ‐ but as with all things, there is the inevitable opposite ‐ wide open to attack…corruption…failure. What kind of fantasy is this? What does it really indicate? This juried show looks to explore the idea of “wide open” in all the hidden niches of our collective psyche.” –bwac.org

ENTRY FEE: $45 up to 3, $5 ea add’l (early) or $65 up to 3, $5 ea add’l after Jan. 19th

DEADLINE: January 19, 2018 (early bird) or February 16, 2018 (final)

NOTIFICATION: March 19, 2017

JUROR: Carmen Hermo is the Assistant Curator for the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. She has organized several of the initiatives &exhibitions celebrating the 10th anniversary of the Sackler Center. She is currently organizing the Brooklyn presentation of the Hammer Museum exhibition Radical Women: Latin American Art, 1960-1985. Previously, Carmen was Assistant Curator for Collections at the Solomon R. Guggenheim Museum (2010-16), where she served on the museum’s Young Collectors Council acquisition committee, and co-curated Now’s the Time (2012-13) and Storylines (2015). She has previously worked with the collections of the Whitney Museum of American Art and the Museum of Modern Art.

AWARDS: Best of Show Gold $1000, Best of Show Silver $500, People’s Choice $250, Curator’s Choice $250 & ten (10) $100 (ea.) Certificates of Recognition.

SALES: BWAC will retain a 30% commission on all exhibition sales.

For full details, Read the Full Call!

CALL for ENTRIES: Tangible Photograph

Posted on January 6, 2018January 9, 2018 by R.L. Gibson

not a HUNGRY holiday

I’ve been on vacation for a few days. It might be more accurate to say I’ve been eating for a solid three days. Before we set out, every restaurant was planned, and the challenge became how to fit in all the additional little eateries and diners that popped up en route. I was reminded, again, that fancy presentation & ingredients don’t make food more filling, more tangible, than the classics. I enjoyed the 7″ layer cake from the 24-hour diner just as much as the gatrique-dotted gastropub fare. This next Call wants your tangible, in the hand (not the stomach) photographs. I love this call…

Check out this Call from L.A. Photo Curator (online) for the Tangible Photograph exhibit. $20 entry, no shipping, plus art publication for ALL entrants. $20 entry for this unique call. Take a look…

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CALL for ENTRIES:
Tangible Photograph
from L.A. Photo Curator

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ELIGIBILITY: Open to all artists

MEDIA: Photography

THEME: The Tangible Photography. “One of my favorite pastimes is exploring old junk shops & antique stores. I love vintage books, old photographs, ephemera, boxes, trinkets, weird oddities, games etc. I suppose I’m a nostalgic person, but the timelessness of these objects inspires me to create things myself that have a timeless physicality to them. I enjoy artwork that have visual impactfulness & a certain contextual materiality. I practice this in both my own art making as well as my publishing projects of other artists’ work. For this call for art I’m hoping to present works of photo-based art that truly transcend the notion of the 2-d (or screen) photograph. My hope with this exhibit is for viewers to expand their understanding of what photography is – or can be.” –Blue Mitchell

DEADLINE: January 14, 2017 (Midnight PST)

ENTRY FEE: $20 for up to 3. 20% of artist fees go to 2 charities –½ to the curator’s choice of charity & ½ goes to the 1st place winner’s choice. Blue Mitchell has chosen the Caldera Arts.

CURATOR: Blue Mitchell is an independent publisher, curator, educator & photographer. Based in Portland, OR, he has been involved with many facets of the photographic arts. After Mitchell received his BFA from Oregon College of Art & Craft in 2005 he founded One Twelve Publishing. One Twelve focuses on photography based projects in both print and online gallery formats. Aside from his publishing endeavors, Mitchell has also curated & juried exhibitions for a number of galleries and organizations. He has been a juror for Critical Mass & a reviewer for numerous photo festivals across the U.S.. Mitchell teaches workshops as well as presents lectures & panels discussions on hand-crafted photography. Most recently, he was the keynote speaker at the 2016 Northwest Symposium for Alternative Process Photography in Vancouver, BC.

AWARDS: The curator chooses 1st place, 2nd place & 3 honorable mentions. The 1st place winner will receive a review by one or more curators including a Q&A about the photographer’s work. In addition, their image will be on the home page for a month. 2nd place & honorable mentions will have their image shown along with their bio, artist statement, C.V. and a link back to their website.

SALES: All sales are conducted between the artist & buyer. There is no commission.

Category: Media

finger FOOD

CALL for ENTRIES: Is There a Mother in the House? from Woman Made Gallery

For complete details, Read the Full Call!

GREEN walls

CALL for ENTRIES: Facing the Wall from Art League Rhode Island

For complete details, Read the Full Call!

spring GLORIOUS spring

CALL for ENTRIES: April 2018 of Create! Magazine

For complete details, Read the Full Call!

toe-mate-OH

CALL for ENTRIES: Monsters from N.Y. Photo Curator

For complete details, Read the Full Call!

makeOVERs

CALL for ENTRIES: Recycle 2018 from BWAC

For full details, Read the Full Call!

cheers TO YOU

CALL for ENTRIES: The Bitters 2 from Whitdel Arts

For complete details, Read the Full Call!

THAI tofu

CALL for ENTRIES: Faces of Humanity from Art-competition.net

For complete details, Read the Full Call!

GREEN filler

CALL for ENTRIES: Food Photography from The Passporte

For complete details, Read the Full Call!

CALL for ENTRIES: Wide Open 9

For full details, Read the Full Call!

not a HUNGRY holiday

CALL for ENTRIES: Tangible Photograph from L.A. Photo Curator

For complete details, Read the Full Call!

CALL for ENTRIES:
Facing the Wall
from Art League
Rhode Island

CALL for ENTRIES:
April 2018
of Create! Magazine

CALL for ENTRIES:
Monsters
from N.Y. Photo Curator

CALL for ENTRIES:
Recycle 2018
from BWAC

CALL for ENTRIES:
The Bitters 2
from Whitdel Arts

CALL for ENTRIES:
Faces of Humanity
from Art-competition.net

CALL for ENTRIES:
Food Photography
from The Passporte

CALL for ENTRIES:
Wide Open 9

CALL for ENTRIES:
Tangible Photograph
from L.A. Photo Curator