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Category: textile art

CALL for ENTRIES: Fantastic Fibers 2019

Learn more about the Fantastic Fibers 2019 exhibit from Yeiser Art Center in Paducah, Kentucky! I YAM what I yam

I make fantastic mashed potatoes.  No, really, I do.  My husband wants to know why I refuse to share my technique, but he secretly suspects it is the volume of butter involved.  I can neither confirm or deny.  My favorites to mash are these tiny little orange sweets I get from Aldi.  I bake them (that’s the real secret) before adding butter & other goodies.  I prefer to puree them in my food processor, but I am usually too lazy to wash it afterwards, so I whip them with my hand mixer instead.  Whatever variety of sweet potato that Aldi has been carrying lately seems to have almost no stringy fibers to untangle from my beaters.  Add a hint of nutmeg, and it is like a spoonful of Thanksgiving every time.  They are great in place of rice for bowl full of stir fried root vegetables on a rainy day.

I am hyper aware of fiber lately, I suppose because of the embroidery or mark making with thread that has become a defining characteristic in my work.  The work I am loving most these days is fiber.  Rug tufting. Ombré string instillation. Simply over-stitched paper collages.  I come from a family of quilters, and I love to sew.  It isn’t a huge leap.  I honestly can’t believe my own work didn’t “go there” before now.  I think I felt that I couldn’t measure up as a quilter (imposter syndrome again).  I still don’t know how it developed; one day I just started stitching over my paintings.  Now they are incomplete without stitching.  In the meantime, no one, including me, really considers my work fiber art; therefore, I may be stuck in the mixed media category forever.  This next show is fiber specific.  I’ve been to this show multiple years, and it is awe inspiring.  Thousands of people flock to this show, and it features an ever-evolving range of work both aesthetically and narratively challenging. I want to be a part of this evolution someday.  If you do this work, please be sure to do this show.

Check out this Call for Entries from Yeiser Art Center (Paducah, KY) for Fantastic Fibers 2019.  $25 Entry & 40% commission. This is a great venue…

Learn more about the Fantastic Fibers 2019 exhibit from Yeiser Art Center in Paducah, Kentucky!CALL for ENTRIES:
Fantastic Fibers 2019 
from Yeiser Art Center

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to fiber art –contemporary & innovative works created with fiber as the primary medium or concept. 

DEADLINE:  February 15, 2019

NOTIFICATION:  March 1, 2019

ENTRY FEE: $25 for up to 3 images of ONE piece

JUROR:  Professor and chair of the Fiber Department, Pauline Verbeek-Cowart, has been on the faculty of the Kansas City Art Institute since 1997. A native of the Netherlands, she received her BFA (1982) in Fine Art from the Maryland Institute and her MFA in textile design from the University of Kansas (1995). Ms Verbeek-Cowart’s academic and Fine Art careers have garnered her numerous awards. She is one of the leaders in the use of new technologies in hand-weaving and has also conducted research using industrial looms in The Netherlands and the US. Her industrially woven work crosses boundaries between Fine Art and applied textiles and is directed toward structurally textured fabrics for apparel as well as home-furnishings. Her work has been exhibited extensively in both national and international venues including France, Austria, Germany, Japan, Korea and Australia.

AWARD: $1,900 will be awarded:  $1,000 Best of Show, $500 First Place, $250 Second Place & $150 Third Place 

SALES:  Yeiser Art Center will keep a 40% commission on all gallery sales.

For complete details, Read the Full Call!

Learn more from Yeiser Art Center in Paducah, Kentucky!

CALL for ENTRIES: Wearable Expressions

Learn more about the Wearable Expressions exhibit from Palos Verdes Art Center!wear EAT me

You don’t have to wear a coconut brassiere to make food wearable. Coconut fiber, banana silk & pineapple leather are being used to create the latest and most fashionable textiles.  So, if Gaga’s meat dress isn’t your groove, try banana silk.  The next Call wants the wearable version of your art–from clothing to jewelry, but it doesn’t have to be edible. (Brownie points from me if it is, though.)  So, make it work…

Check out this Call for Entries from Palos Verdes Art Center (Rancho Palos Verdes, CA) for Wearable Expressions. $3000 EACH for 1st Place in 3 Categories.  Take a look…

Learn more about the Wearable Expressions exhibit from the Palos Verdes Art Center!CALL for ENTRIES:
Wearable Expressions
from Palos Verdes Art Center

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ELIGIBILITY:  Open to all artists 18+

MEDIA:  Open to wearable art designed for the human body in all media, including jewelry and accessories.

DEADLINE:  October 1, 2016

NOTIFICATION:  November 15, 2016

ENTRY FEE: $40 US for up to 3

JURORS: FIBER, ACCESSORIES:
Joris Debo, Belgium – Creative Director of Materialise.
• Jo Ann C. Stabb, USA – Senior Lecturer Emeritus, Design Department, University of California, Davis.
• Beatrijs Sterk, Germany – Publisher of Textile Forum Blog, former publisher of Textile Forum magazine.

JEWELRY:
• Robert K. Liu – Ornament, USA –  Self-trained as a photographer & jeweler.
• Charles Lewton-Brain, Canada – Distinguished Fellow of the Society of North American Goldsmiths and Fellow of the Gemological Association of Great Britain.
• Anneta Valious, France & Russia – Jewelry designer, finalist and winner of the international competition Bead Dreams (Milwaukee, USA, 2010-2015).

AWARDS: First Prize Fiber, Jewelry & Accessories $3,000 ea.; 2nd Prize Fiber, Jewelry & Accessories $1200 ea., 3rd Prize Fiber; Jewelry & Accessories $500 ea., Unique Use of Materials in Fiber, Jewelry & Accessories $700 ea.; Popular Choice Award $1,500; Circle Award $800; Associates Award: $800; and Art Patrons Award $800.

For complete details, Read the Full Call!

Learn more about the Wearable Expressions exhibit from the Palos Verdes Art Center!

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ARTIST of the DAY: Mister Finch

"toadstool" (textile art) by Mister Finch
“toadstool” (textile art) by Mister Finch

“A story sewn in, woven in. Velvet curtains from an old hotel, a threadbare wedding dress and a vintage apron become . . . . Storytelling creatures for people who are also a little lost, found and forgotten.” Mister Finch

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I find tactile joy in vintage textiles and incorporating them into my life gives me a sense of history, of continuation, that my personal story lacks in some degree.  The works of today’s AAAD Artist of the Day, Mister Finch, are gifts of life, experience, labor and joy — of mindfulness.  These creatures have a sort of fabricated authenticity, a beautifully crafted reality.

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Find your own creature feature in the work of
today’s AAAD Artist of the Day, Mister Finch!

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ARTIST of the DAY: Rosalind Wyatt

"I wish I were with you" by textile artist Rosalind Wyatt
“I wish I were with you” by textile artist Rosalind Wyatt

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“My work is about words – the ‘sound’ of them, the ‘feel’ of them and the forming of letters.   The choice of tool is uninhibited and relevant to the content of the text – therefore my range of writing tools has expanded from nib, through to brush and now to a needle.” Rosalind Wyatt, textile artist

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Words have meanings; chose them carefully.  The repercussions can be irreversible.  The textile work of today’s AAAD Artist of the Day, Rosalind Wyatt, investigates the emotion held within every individual mark of the hand to uncover the how each story “feels” as it unfolds.  Spectacularly intimate.

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Discover the meaning of both the words & works of
today’s AAAD Artist of the Day, Rosalind Wyatt.

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