CALL for ENTRIES: No Big Heads 2019

Posted on August 13, 2019September 2, 2019 by R.L. Gibson

hugs & QUICHES

I make the best quiche in the world. Not hyperbole. (The quiche pictured here is not of my making.) You can say what you want, but I will not be dissuaded, ha. It is NOT, if fact, what I was hoping for as a ~~supper~~ super power, but it is what I got. My husband has decided that I am allowed to have a big head regarding this one topic; however, I suspect he’s just humoring me for fear his quiche connection will dry up before he learns my secret techniques and/or ingredients. Bwahahahaha.

This next Call indicates No Big Heads. Do I still qualify? Just kidding. I like this next Call because it ticks off a lot of great mileposts for many of us. It is an academic show, a resume builder, and it is in Alaska, a state missing on many of our resumes. The submission size is limited to 12″ or smaller in any direction, so shipping is cheap & easy, AND there are cash prizes.

Check out this Call for Entries from University of Alaska Hugh McPeck Gallery (Anchorage, AK) for 34th Annual No Big Heads Exhibit. $25 entry, 10% commission & cash awards too. This is open media self-portraiture, so if you’ve got work to offer, investigate this opportunity!

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CALL for ENTRIES:
34th Annual 2019 No Big Heads
from Hugh McPeck Gallery

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media

DEADLINE: September 12 2019

NOTIFICATION: September 16, 2019

ENTRY FEE: $25 per entry, limit 2

JUROR: April Bey grew up in the Nassau, Bahamas & now resides and works in L.A. as a contemporary visual artist and art educator. Bey’s interdisciplinary artwork is an introspective and social critique of American and Bahamian culture, contemporary pop culture feminism, generational theory, social media, AfroFuturism and constructs of race.

AWARD: $1000 for Best of Show & $1000 in other cash prizes

SALES: UAA encourages sales of work and charges a 10% commission. If your work is not for sale please clearly mark NFS on your application.

For complete details, Read the Full Call!

CALL for ENTRIES: Art About Agriculture

Posted on August 2, 2019September 2, 2019 by R.L. Gibson

the APPLE of my eye

It is almost apple season ’round these parts, and I cannot wait. I grew up thinking Red Delicious apples were “apples”, and I wasn’t a fan. Not until I became a teenager did I understand there were many other varieties. Not until I moved to Tennessee did I realize how many varieties there really were. Now, I live within a few miles of an orchard with more varieties than I imagine I’ll never get around to trying. I appreciate being able to know about my food, about how it is grown and harvested and sold, and how those funds support the lives of my neighbors.

That connection to my food is what made me connect to this exhibit about agricultural awareness. I know that many of you are hoping to add a museum show to your resume, and this is a great opportunity to do just that. Your work doesn’t have to be literal or necessarily botanical to fit this curatorial them. Show them what you’ve got.

So, check out this Call for Entries from Santa Paula Art Museum (Santa Paula, CA) and the Ag Art Alliance for Art About Agriculture. $30 entry & 40% commission plus cash prizes. This is a great venue…

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CALL for ENTRIES:
Art About Agriculture
from Santa Paula Art Museum

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media

THEME: Agriculture “art that in some way draws its inspiration from our agricultural heritage and/or contemporary agriculture. That inspiration may include (but is not limited to) depictions of rural landscape, farm animals, farm products, and rural life. Art that in a more abstract way deals with issues and ideas related to agriculture will also be considered.”

DEADLINE: September 27, 2019

NOTIFICATION: October 4, 2019

ENTRY FEE: $30 up to 3

JUROR: Works for this exhibition will be selected by a panel of the Ag Art Alliance’s curatorial staff. “The purpose of the exhibit is to promote awareness of agriculture by using art to explore its many facets – from workers to water, machinery to fields, and to the food that goes on our plates.”

AWARD: $500 in prizes will be awarded.

SALES: The Santa Paula Art Museum & Ag Art Alliance will receive 40% commission on all sales.

For complete details, Read the Full Call!

CALL for ENTRIES: Winter Solstice

Posted on August 1, 2019September 1, 2019 by R.L. Gibson

SPRING greens

Sweet potato pie is a family favorite. As we head into fall and the the pumpkin-spice vs no-pumpin-spice debate rages on endlessly, I’m over hear making sweet potato pies from fall all the way into winter. Sweet potatoes are available year ’round, take much less time to cook from scratch than sugar pumpkins and require far less added sugar. I know you think you don’t like them, but try them. Fall in love with them and you can be eating their beautiful orange goodness, from scratch instead of can, for the entire winter.

This next Call is centered around the mood and ambiance of winter and the work that it inspires. Winter tends to be productive for me, but it often produces darker work, literally and metaphorically. Are you affected by the change in the season? This show’s call deadline is in September, so you’ll either need to pull work from last winter or predict the oncoming season. If you’re looking for a museum show for your resume, investigate Marin MOCA, it is one of my favorites.

Check out this Call for Entries from Marin Museum of Contemporary Art (Novato, CA) for Winter Solstice. $35 entry, 40% commission. Delivery is nearly a month after notification, making shipping easier. Take a look…

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CALL for ENTRIES:
Winter Solstice from
Marin MoCA

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ELIGIBILITY: Open to all U.S. resident artists 18+

MEDIA: Open to all media

THEMES: Winter Solstice: “The short days and long nights of winter are imbued with moody ambiance and spiritual significance. It is a time for contemplation, but also for celebration. Show us what concepts emerge in your art practice during the winter months.“ MarinMOCA

DEADLINE: September 26, 2019 (PST)

NOTIFICATION: October 9, 2019 (posted on website)

ENTRY FEE: $35 for up to 3; $50 for 4-5 ($30/$45 for members)

JUROR: As owner of Andrea Schwartz Gallery in San Francisco for 25 years, Andrea Schwartz has supported work that is challenging and at the forefront of contemporary practice. Her gallery represents a select group of both emerging and mid-career artists from the Bay Area and throughout the country. The range of work includes paintings, works on paper, photography and sculpture. She is a graduate of the San Francisco Art Institute and is a board member of the San Francisco Art Dealers Association.

AWARDS: 1st Place $500, 2nd Place $300 & 3rd Place $100.

SALES: Marin MOCA will retain 40% commission (30% for members) on sales.

For complete details, Read the Full Call!

CALL for SUBMISSIONS: $1000 Artist Grant

Posted on July 15, 2019July 14, 2019 by R.L. Gibson

TOFU no, VEGGIES though

Testimonials and recommendations are great, but my taste buds choose for themselves. As a welcomed side-result of writing these posts, I receive a significant amount of unsolicitied recommendations for brands of food that are meant to change my mind about tofu, kale & collard greens. And, I diligently try most to of the suggests, just in case. On occasion I muse to myself, “that wasn’t half bad”, (never about tofu though), but the important thing for me is to not get stuck in a rut or trust a single encounter as the definitive one. Did you know that I avoided asparagus for 20 years because of my experiences with the canned variety as a child. I missed 20 years of green tree goodness. Never again. So, send me your food suggestions, and I’ll send you my art experience suggestions. Here’s one now.

Yesterday, I offered a Call that chose random winners for supplies in a specific media, but today I offer a Call with a juried winner of cash open to wide array of media. More accurately, this is a purchase award of sorts. You do not have to submit the work that will be exchanged for the $1000 –that can be negotiated later. They even pay shipping costs to get the work to them. I’ve been touting this opportunity for years, so there is a long, RESEARCHABLE history of winners. Draw your own conclusions about their taste, but it is worthy of consideration.

Check out this Call to Artists from WorkingArtist.org for the $1000 Artist Grant. $25 entry & an email. It doesn’t get any easier. Don’t miss this one…

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CALL to ARTISTS:
Artist Grant
from workingartist.org

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“The Working Artist Grant/Art Purchase Award is a meager one-time art award intended to disperse small but vitalizing bursts of funding to support an artist’s ongoing art making process.” –workingartist.org

ELIGIBILITY: Open to all artists

MEDIA: Open to visual media, including but not limited to drawing, painting, conceptual, installation, prints, sculpture, new media, mixed media, photography & video.

DEADLINE: July 31, 2019

NOTIFICATION: September 15, 2019 (approx. 45 days)

ENTRY FEE: $25 for up to 5

AWARDS: If selected as the winner, the award recipient must exchange one of their original works or smaller series of original works for inclusion into a collection, in return for the award. Work considered by the artist as of equal value, and available for acquisition can be negotiated upon receipt of the award. Shipping costs will be paid by workingartist.org.

For complete details, Read the Full Call!

CALL for ENTRIES: Color 2019

Posted on July 14, 2019July 13, 2019 by R.L. Gibson

FLAVOR bombs

I’ve never been a fan of frozen green veggies. The flavor often reminds me of those little peas in one-dollar pot pies, not entirely natural. But there is a glaring exception. Edamame. I love those little beans. I like them steamed in their pods, then dipped in a little dumpling sauce (thai chili paste & soy) then sucked from their little green shells. It isn’t pretty, but I am hooked.

Another perienniel favorite that is all about the color is the BWAC color show. This is a great space that has grown to become Brooklyn’s largest artist-run organization with over 250 members. Your dollars have power; spend them wisely. I love this organization & its mission.

So take a minute and check out this Call for Entries from Brooklyn Waterfront Artists Coalition (Brooklyn, NY) for Color. This is a great venue…

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CALL for ENTRIES:
Color
from BWAC

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“Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways.” – Oscar Wilde

ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media

DEADLINE: July 28, 2019

NOTIFICATION: August 19, 2019

ENTRY FEE: $65 up to 3 & $5 ea.

JUROR: Jocelyn Miller is the Assistant Curator at MoMA PS1. She also serves as Editorial Manager for MoMA PS1’s curatorial department, overseeing museum publications, and served as Editor for the 2015 Greater New York: Readers series. She received her BA in Comparative Literature at Princeton University.

AWARDS: Best of Show Gold $800, Best of Show Silver $500, Five Certificates of Recognition of $100 ea. and People’s Choice $200.

SALES: 30% commission on all sales will go to BWAC.

For complete details, read the Full Call!

CALL for ENTRIES: MFA Print Editon

Posted on July 12, 2019July 14, 2019 by R.L. Gibson

COLD complication

The school year returns soon. Many of you know I have a kid in college, so his impending exit will mark a change in my house like so many of you with students. My grocery bill will shrink, and his eating habits will change. At home, my son eats whatever is put in front of him. At school, he can choose to fuel himself on pizza and coffee 6 out of 7 days. I choose to believe not, but a quick glance at the bucks he spends on ‘bucks reveals the ugly truth… his degree will be sugar & caffeine-fueled.

What gets you through a work day? Do you have a routine or a vice? Is there a difference, or is the label just a way to guilt yourself into less-frequent indulgence? After a hard day in the studio recently, I picked up my keys and headed out, making a quick pitstop in my husband’s studio to let him know I was going. “I’m headed to the liquor store. Want anything?” I asked. “Day that good, huh?” *blink blink blink* “How about I work on dinner while you’re gone?” Smart man. This next Call is for those of you whose memory of late night projects & exam cramming are still directly behind you.

It is no secret that this is one of my all time favorite art publications. Check out this Call for Entries from Create! Magazine (print publication) for the 2019 MFA Print Edition. $30 entry for this gorgeous magazine. Don’t miss this chance…

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CALL for ENTRIES:
MFA Print Edition
of Create! Magazine

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ELIGIBILITY: Open to MFA graduates from the past 2 years (2017-19) & current candidates from both the US & abroad.

MEDIA: Open to all media, i.e.: painting, sculpture, digital, printmaking, fiber, mixed media, photography, installation & more.

DEADLINE: July 31, 2019

ENTRY FEE: $30 for up to 3

JURORS: Kate Mothes is founder and curator of Young Space, an independent, itinerant, online-offline contemporary art platform emphasizing early career & emerging artists. Kate received a Masters in Art History, Theory & Display from Edinburgh College of Art at the University of Edinburgh, and a Bachelors in Art History from the University of Wisconsin-Madison. She has recently participated as a guest juror for BEERS London’s Contemporary Visions 2019, and was curator-in-residence at AucArt LAB, London, UK, in March 2019, and at PADA Studios in Lisbon, Portugal, in April 2019. When not traveling for exhibitions and projects, she is based in Northeast Wisconsin.

AWARDS: Artists selected by the guest juror will receive a 2-page spread including a brief bio, website, and 2 images in print and digital formats. Published artists will receive a complimentary digital issue and will be listed on Create! Magazine’s website/social media & will be listed with images, details and information on their website/social media for life. All featured artists will automatically be considered for any upcoming curatorial projects & exhibitions organized by the Create! team.

SALES: The MFA Print Edition will be available online, in global retail locations in London, New York, Los Angeles, San Francisco, Amsterdam, Stockholm, Chicago, Ft. Lauderdale, Wilmington (DE) & more.

For complete details, Read the Full Call!

CALL for ENTRIES: Unique Abstractions

Posted on May 5, 2019February 19, 2020 by R.L. Gibson

abstractly DRINKING SPEAKING

The notion of eating healthy is an abstract one. Even putting ethical concerns aside, there are health benefits (and disadvantages) to embracing vegetarianism, veganism and even raw diets. Sugar is the devil, but artificial sweetners are differently malicious. An excessively fatty diet can lead to heart disease but when coupled with an near absence of carbohydrates puts the body in ketosis that effectively treats diabetes in many. Chocolate and red wine and coffee and kale, all abstractions of a healthy diet.

In art, abstraction takes a lot of forms. At it’s broadest, abstraction is work that is non-representational. But, that begs the question, non-representational of what? From that we get non-figurative & non-linear styles that are often included in surrealism, dadaism, cubism, fauvism, suprematism, art informel, neo-plasticism, de stijl & others. This next Call wants to see all of your abstract creations. My heart lies with abstraction, although I find reactions to it frustrating. What’s your experience? Are you insulated enough not to hear the voices of those that would dismiss the non-representational? My mantra is ‘process not product’. Excerise your muscle memory. Lose yourself in process. It works for me. What works for you?

Check out this Call for Entries from the Las Laguna Gallery (Laguna Beach, CA) for Unique Abstractions, a show of abstract work in a wide range of media. $35 entry & 35% commission. Don’t miss this opportunity…

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CALL for ENTRIES:
Unique Abstractions
from Las Laguna Gallery

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ELIGIBILITY: Open to all artists

THEME: Abstraction. “True abstract art not only utilizes flexibility and freedom; it also employs bold uses of color, line, pattern, form, process and composition.” — laslagunagallery.com

MEDIA: Open to acrylic, airbrush, assemblage, charcoal, color pencil, collage, digital art, drawings, encaustic, fiber art, araphite, illustration, mixed media, new media, oil, painting, pastel, photography & watercolor.

DEADLINE: June 7, 2019

NOTIFICATION: June 12, 2019. If accepted, delivery of work is June 26th to July 2nd.

ENTRY FEE: $35 for up to 3

SALES: The gallery will retain 35% commission on all sales.

For complete details, Read the Full Call!

CALL for ENTRIES: Loss, Redemption & Grace

Posted on March 19, 2019March 17, 2019 by R.L. Gibson

I’ll take the PIE to go

There are a lot of customs surrounding death & food. Most people are familiar with people trying to feed the living by bringing the ubiquitous casserole to the living, but I’ve recently learned that many cultures feed the dead by leaving food on graves, from leaving a pie on the gravestone at Easter to pouring wine on the burial site. I don’t have a real understanding of the symbolism (if you do, LMK) behind the traditions, but I love the love it takes to want to feed someone pie and wine, even after death. THAT is devotion.

My work has centered around human bones for a while now. Bones indicate a pattern for me, both for the living and the lost. I prowl cemeteries with a sense of joy, not mourning. Gravestones are monuments for the living of the best in those no longer able to create new memories. They are, without doubt, often erected out of obligation, but even in obligation, they document a lifespan as an accomplishment, no matter how brief. If they include additional details, they are rare ugly, even if the truth is ugly. This next Call speaks to me because if offers the opportunity to react to loss from a place of truth, not obligation or memorialization. I am also excited about an open opportunity in Atlanta, a rarity.

Check out this Call for Entries from EBD4 (Atlanta, GA) for Loss, Grace & Redemption. $40 Entry & 50% commission. The jurors are researchable, and this venue offers a rare Atlanta opportunity. Take a look…

CALL for ENTRIES:
Loss, Redemption & Grace
from EBD4

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“a platform to examine edgy, daring and thought-provoking contemporary artwork, which traditionally may not be available in a commercial setting”

ELIGIBILITY: Open to American artists 18+

MEDIA: Open to all media.

THEME: What is your response to grief? Have you spoken to loss through artistic expression? Have you been inspired to answer injustice with the energy of creation? Share your interpretation & response to loss, redemption & grace.

DEADLINE: March 31, 2019

NOTIFICATION: April 15, 2019

ENTRY FEE: $40 up to 3, $10ea. addl

JUROR: Elyse Defoor, director of EBD4, will serve as curator. Jerry Cullum, Ph.D. & Teresa Bramlette Reeves, Ph.D., will serve as jurors.

AWARD: 3 cash awards totaling $800 –for Best in Show, 1st place & 2nd place.

SALES: EBD4 will retain 50% commission.

For complete details, Read the Full Call!

CALL for ENTRIES: On the Easel Magazine

Posted on March 18, 2019March 17, 2019 by R.L. Gibson

don’t paint with FISH SAUCE

Every week I manage to make a handful of Insta-worthy, perfectly staged lunches & dinners, completely by accident. More often, I conjure tasty dishes that are weirdly, mostly shades of brown due to carmelization, excessive de-glazing and a love for soy, fish, Worchestershire & all other sauces, brown & salty. As you might imagine, the brown food pics, outside of coffee & walnuts, aren’t really winners on social media, ha. My work is not brown or salty, but similar & not…

A few times per week I manage to pull off a perfectly Insta-worthy image of my work in progress –always at an off-kilter angle with short focus to blur unresolved issues and just the right light to allow a contrast-y filter to make me look like a rock star. It is deceptive and born out of equal measure of insecurity and social media pressure to look like I always have everything effortlessly under control. I have guilt, but not. I don’t like feeding into the notion that studio life needs to be glamourous, but I also don’t like exposing my vulnerability underbelly to nameless, faceless critics. Then enters this Call. As you might imagine, I read A LOT of Calls, and I like options for art publication. But THIS call is different. This call wants to see the mess. Finally, there is an option to show studio life, work-in-progress specifically. I think that this is the kind of aspirational we can feel good about –always real, likely messy & unresolved. Seeing yourself represented as an artist is important. This Call is the brainchild of one of our previously Featured Artists, Robyn Thompson. It is a project of her course work while working toward her Master of Arts in Social Practice, making this a great opportunity to lift up ourselves AND one of our very own.

Check out this Call for Entries from On the Easel Magazine (digital/print) for Works In Progress. No entry fee for this aspirational call for work in progress. There are no cash awards, but this Call is all pros, no cons for me. Take a look, and please contact me personally if you have concerns…

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CALL for ENTRIES:
Work in Progress
from On the Easel Mag

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“On The Easel (OTE), a new hybrid digital/paper magazine is seeking submissions of works in progress. We want to see the mess. We want to show the struggles.”

ELIGIBILITY: Open to all artists

MEDIA: Open to all media. Despite the name, this Call is not restricted to painting. They “want to show work during its awkward teen years in the hopes that it will inspire folks to push through to bring it to fruition.”

DEADLINE: Rolling. April 15, 2019 or until all spots have been filled.

NOTIFICATION: 1 week post submission.

ENTRY FEE: None

EDITOR: Robyn Thompson, visual artist who is working toward her M.A. in Social Practice program at the University of the Highlands and the Islands. This project is a part of Thompson’s course work. Your participation would be appreciated.

AWARD: Each page will include a full page image of your work in progress or a detail from it. We welcome submissions of either. Your name, links to your work and a paragraph about your process will also be included. The publication will be available for free online and you will be able to order print copies at cost if you wish.

For complete details, Read the Full Call!

CALL for ENTRIES: Wide Open 10

Posted on January 24, 2019January 24, 2019 by R.L. Gibson

a-PEELING

My mother doesn’t own a vegetable peeler. Well, didn’t. While I have the benefit of a knife skills class in culinary school, I am not great a peeling vegetables. I can tourne a potato, but if I peel potatoes for mash, you’d better hope I have a vegetable peeler… or a LOT of potatoes. When my mother requested vegetable soup over the holidays, I refused unless she let me buy a peeler. She agreed with disdain, and I spent $3 on the most generic “Domestix” variety available at the local grocer. CHANGED MY LIFE, well, my cooking anyway. With one swoop across a potato, I realized how dull my home peeler was. I put the gadget on my holiday list, and it showed up under the tree. Suddenly I have zucchini ribbons in salad & shaved carrots in my coleslaw. The possibilities are wide open, ha.

I’ve done the same with paint recently. I had access to some more highly pigmented tube watercolors recently, and it affected my approach to the work I did with them. My nature is to “make do” with what I have. It is taught as a virtue in the South. Don’t get me started on all the evils of making do. It is a mindset meant to make children grateful for what they have, but it often squashes ambition and self-value in adults. That mindset combined with all the guilt I have associated with spending money, has kept me “making do” with some watercolors that are not working for me. Now when I finish a tube that doesn’t behave in a way that serves my work, I re-order that hue or something similar from a different maker. I am exploring variations & dispersal patterns & saturation unknown. The adventure has left me open to the possibilities. Vegetable peeler & watercolors. Variations on a theme.

This next Call is also looking for variations on the theme of “Wide Open”. BWAC is one of my favorite venues, known for great jurors, reliable curatorial vision, a non-profit format & even artist run. Interested? Then check out this Call for Entries from BWAC (Brooklyn, NY) for Wide Open 10. There is a distinct discount for early entry, so don’t delay. Take a look…

CALL for ENTRIES: Wide Open 10

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ELIGIBILITY: Open to U.S. artists 18+

MEDIA: Open to all media

THEME: Wide Open “encompasses all the possibilities of knowledge and freedom & love – wide open spaces…arms wide open…eyes wide open ‐ but as with all things, there is the inevitable opposite ‐ wide open to attack…corruption…failure. What kind of fantasy is this? What does it really indicate? This juried show looks to explore the idea of “wide open” in all the hidden niches of our collective psyche.” –bwac.org

ENTRY FEE: $50 up to 3, $6 ea add’l (early) or $70 up to 3, $6 ea add’l after Jan. 19th

DEADLINE: February 4, 2019 (early bird) or February 24, 2019 (final)

NOTIFICATION: March 15, 2019

JUROR: Ylinka Barotto is an Assistant Curator at the Guggenheim Museum and has assisted on such large-scale modern and postwar retrospective exhibitions as Alberto Burri: The Trauma of Painting (2015); Moholy-Nagy: Future Present (2016); Visionaries: Creating a Modern Guggenheim, which showcased masterworks from the Guggenheim’s modern collection (2017); and Mystical Symbolism; The Salon de la Rose+Croix in Paris, 1892-1897 (2017, for which she contributed to the catalog with entries on many of the show’s artists. Barotto is also one of the organizing curators for the museum’s Young Collectors Council, which acquires the work of emerging artists for the museum’s permanent collection. Barotto received an MA in curatorial and museum studies at Accademia de Belle Arti di Brera in Milan and is currently working toward an MA in art history at Hunter College of the City University of New York with a focus on postwar and contemporary feminism.

AWARDS: Best of Show Gold $1000, Best of Show Silver $500, People’s Choice $250, Curator’s Choice $250 & ten (10) $100 (ea.) Certificates of Recognition.

SALES: BWAC will retain a 30% commission on all exhibition sales.

Category: Fiber

CALL for ENTRIES: No Big Heads 2019

hugs & QUICHES

CALL for ENTRIES:
34th Annual 2019 No Big Heads
from Hugh McPeck Gallery

For complete details, Read the Full Call!

CALL for ENTRIES: Art About Agriculture

the APPLE of my eye

CALL for ENTRIES:
Art About Agriculture
from Santa Paula Art Museum

For complete details, Read the Full Call!

CALL for ENTRIES: Winter Solstice

SPRING greens

CALL for ENTRIES:
Winter Solstice from
Marin MoCA

For complete details, Read the Full Call!

CALL for SUBMISSIONS: $1000 Artist Grant

TOFU no, VEGGIES though

CALL to ARTISTS:
Artist Grant
from workingartist.org

For complete details, Read the Full Call!

CALL for ENTRIES: Color 2019

FLAVOR bombs

CALL for ENTRIES:
Color
from BWAC

For complete details, read the Full Call!

CALL for ENTRIES: MFA Print Editon

COLD complication

CALL for ENTRIES:
MFA Print Edition
of Create! Magazine

For complete details, Read the Full Call!

CALL for ENTRIES: Unique Abstractions

abstractly DRINKING SPEAKING

CALL for ENTRIES:
Unique Abstractions
from Las Laguna Gallery

For complete details, Read the Full Call!

CALL for ENTRIES: Loss, Redemption & Grace

I’ll take the PIE to go

CALL for ENTRIES:
Loss, Redemption & Grace
from EBD4

For complete details, Read the Full Call!

CALL for ENTRIES: Wide Open 10

a-PEELING

CALL for ENTRIES: Wide Open 10

For full details, Read the Full Call!

Category: Fiber

hugs & QUICHES

CALL for ENTRIES: 34th Annual 2019 No Big Heads from Hugh McPeck Gallery

For complete details, Read the Full Call!

the APPLE of my eye

CALL for ENTRIES: Art About Agriculture from Santa Paula Art Museum

For complete details, Read the Full Call!

SPRING greens

CALL for ENTRIES: Winter Solstice from Marin MoCA

For complete details, Read the Full Call!

TOFU no, VEGGIES though

CALL to ARTISTS: Artist Grant from workingartist.org

For complete details, Read the Full Call!

FLAVOR bombs

CALL for ENTRIES: Color from BWAC

For complete details, read the Full Call!

COLD complication

CALL for ENTRIES: MFA Print Edition of Create! Magazine

For complete details, Read the Full Call!

abstractly DRINKING SPEAKING

CALL for ENTRIES: Unique Abstractions from Las Laguna Gallery

For complete details, Read the Full Call!

I’ll take the PIE to go

CALL for ENTRIES: Loss, Redemption & Grace from EBD4

For complete details, Read the Full Call!

don’t paint with FISH SAUCE

CALL for ENTRIES: Work in Progress from On the Easel Mag

For complete details, Read the Full Call!

a-PEELING

CALL for ENTRIES: Wide Open 10

For full details, Read the Full Call!

CALL for ENTRIES:
34th Annual 2019 No Big Heads
from Hugh McPeck Gallery

CALL for ENTRIES:
Art About Agriculture
from Santa Paula Art Museum

CALL for ENTRIES:
Winter Solstice from
Marin MoCA

CALL to ARTISTS:
Artist Grant
from workingartist.org

CALL for ENTRIES:
Color
from BWAC

CALL for ENTRIES:
MFA Print Edition
of Create! Magazine

CALL for ENTRIES:
Unique Abstractions
from Las Laguna Gallery

CALL for ENTRIES:
Loss, Redemption & Grace
from EBD4

CALL for ENTRIES:
Work in Progress
from On the Easel Mag