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Art and Art Deadlines.com

Category: Encaustic

CALL for ENTRIES: No Big Heads 2019

Learn more about the No Big Heads Call from the Hugh McPeck Gallery at University of Alaska Anchorage!

hugs & QUICHES

I make the best quiche in the world. Not hyperbole. (The quiche pictured here is not of my making.) You can say what you want, but I will not be dissuaded, ha.  It is NOT, if fact, what I was hoping for as a supper super power, but it is what I got.  My husband has decided that I am allowed to have a big head regarding this one topic; however, I suspect he’s just humoring me for fear his quiche connection will dry up before he learns my secret techniques and/or ingredients.  Bwahahahaha.

This next Call indicates No Big Heads.  Do I still qualify?  Just kidding.  I like this next Call because it ticks off a lot of great mileposts for many of us.  It is an academic show, a resume builder, and it is in Alaska, a state missing on many of our resumes.  The submission size is limited to 12″ or smaller in any direction, so shipping is cheap & easy, AND there are cash prizes.

Check out this Call for Entries from University of Alaska Hugh McPeck Gallery (Anchorage, AK) for 34th Annual No Big Heads Exhibit. $25 entry, 10% commission & cash awards too.  This is open media self-portraiture, so if you’ve got work to offer, investigate this opportunity!

Learn more about the No Big Heads Call from the Hugh McPeck Gallery at University of Alaska Anchorage!CALL for ENTRIES:
34th Annual 2019 No Big Heads 
from Hugh McPeck Gallery

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all media 

DEADLINE:  September 12 2019

NOTIFICATION:  September 16, 2019

ENTRY FEE: $25 per entry, limit 2 

JUROR:  April Bey grew up in the Nassau, Bahamas & now resides and works in L.A. as a contemporary visual artist and art educator. Bey’s interdisciplinary artwork is an introspective and social critique of American and Bahamian culture, contemporary pop culture feminism, generational theory, social media, AfroFuturism and constructs of race.  

AWARD:  $1000 for Best of Show & $1000 in other cash prizes

SALES:  UAA encourages sales of work and charges a 10% commission. If your work is not for sale please clearly mark NFS on your application.

For complete details, Read the Full Call!

Learn more from the Hugh McPeck Gallery at University of Alaska Anchorage!

OPEN CALL for Proposals: IA&A at Hillyer

Learn more about the Open Call from IA and A at Hillyer!

just BREW it

How do you fuel your early afternoons?  I know some of you find it freaky that I’ve not consumed coffee in 20+ years, but I’ve just never acquired the taste.  Whether you choose sugar-full or sugar-substituted, soft drinks are a horrible alternative.  So, I am taking suggestions.  Smoothies are fantastic, and I can make pretty healthy choices that offer a little energy boost.  However, to maintain any sort of variety, I’d need a much larger amount storage space.  Has anyone tried the the soup & smoothie subscription service? (not a paid post or affiliate link).  It might be an interesting way to get variety.  Sometimes you just need a little help.

This next Call is MORE than just a little help. Many of you will live outside the qualifiers (living either within 150 miles of D.C. OR non-Americans living outside the U.S.), but on the off-chance some of you might qualify, I wanted to be certain to post this opportunity.  The award is invaluable and listed in full below.  Take a minute and investigate.  If you don’t qualify, share this post with someone that does.

Check out this Open Call from International Arts & Artists [IA&A] at Hillyer (Washington, DC) for Annual Show Proposals.  $30 Entry, HUGE award value, and no sales commission. This is a great venue…

Learn more about the Open Call from IA and A at Hillyer!OPEN CALL:
Annual Show Proposals 
from IA&A at Hillyer

This is an open call for proposals for solo exhibitions for Hillyer’s 2020/2021 season.

ELIGIBILITY: Hillyer focuses on under represented artists. We accept proposals from regional artists that live within 150 miles of Washington, DC and have not had a solo exhibition in the last three years in a professional gallery or art space OR work from international (non-American) artists that are both living & working internationally.

MEDIA: Open to all media 

DEADLINE:  September 10, 2019 (by 4pm)

ENTRY FEE: $30

AWARD:  A month long exhibition in one Hillyer’s three gallery rooms, Artist honorarium, Inclusion in annual RISE exhibition, previewing selected artists for 2020/21 season; Ongoing support from Hillyer staff, including a studio visit and exhibition consultation with Hillyer’s Director, assistance with exhibition installation and de-installation, review of exhibition materials (artist statement, bio, labels, etc), and marketing and promotion of exhibition.  Accepted artists also benefit from our Artist Advisory Program, where our highly qualified Artist Advisory Committee works individually with each artist to help them prepare their exhibitions and establish themselves in the DC-arts community. Opportunity to give artist talks, lead public programs and workshops, artist interviews featured on blog, in artist spotlight video, and a One-year membership to International Arts & Artists.

SALES: Hillyer is not a commercial establishment and does not sell the artwork on exhibit. Any interested parties will be put directly in contact with the artist. Hillyer does not take a commission on sold works.

For complete details, Read the Full Call!

Learn more from IA&A at Hillyer!

CALL for ENTRIES: Embracing our Differences 2020

Learn more about the Embracing our Differences 2020 Call from Coexistence!

KALE yeah!

How many kale lovers are among you?  I read an article recently that suggested that so many people dislike kale because of its bitterness that there are varieties being bred to tame the flavor.  Apparently people want to like kale but don’t know how.  Tell me that’s not a metaphor for the divisive nature of politics in the world today. Wow.  

I’ve made my peace with kale.  I found a balance that allows the bitter to be a complement to my diet.  I get the health benefit, the flavor, and the value of cheap-but-trendy green veg.  I have not, however, made my peace with the politics of hate.  We can co-exist, but that requires embracing our differences, and that is among the reasons I promote the Embracing our Differences call each year.  If you’ve ever entertained the idea of adding public art to your resume, here’s an opportunity.  The theme is open to really wide interpretation.  You only need to take a look at their gallery of previous winners to understand that Coexistence is truly looking for YOUR point of view.  It could be your work that opens the eyes of someone that sees this exhibit.  Take the time to do you homework.  Is this exhibit for you?

Check out the Call for Entries for the Annual Embracing our Differences 2020 Exhibit in Sarasota, FL. Your work on a billboard, no entry fee & $3000 in awards. Plus, this is a great way to try on public art for size. Don’t miss this opportunity…

Learn more about the Embracing our Differences 2020 Call from Coexistence!

CALL for ENTRIES:
Embracing our Differences 2020

ELIGIBILITY: Open to all artists

MEDIA: 2 Dimensional work (photography, digital, collage, drawing, painting, etc.)

DEADLINE: October 8, 2019 (midnight Pacific Standard Time)

NOTIFICATION: If selected for inclusion in the exhibit, you will be notified by email by late December. Due to the volume of submissions, only artists with entries selected for display will be notified individually. All winning entries will be posted on the website by early January.

ENTRY FEE: None

AWARDS: A total of $3,000 USD will be presented in the form of three separate awards – $1,000 each for “Best-in-Show Adult;” “Best-in-Show Student;” and the “People’s Choice.”

JURY PROCESS: Both “Best-in-Show” awards will be granted by a three-judge panel of art professionals. The “People’s Choice” award will be determined by visitors to the exhibits.

For complete details, Read the Full Call!

Learn more about Embracing our Differences!

CALL for ENTRIES: Harrow

Learn more about the Harrow Issue from Up the Staircase Quarterly!

ORANGE you glad?

I’m going to have orange elbows any day now.  I have been craving and eating carrots daily.  In my area, they are usually around a dollar a pound for full size organics and make great chips for hummus, a great boost to Indian dishes, beautiful color in Buddha bowls.  When my son was learning to eat real food, he preferred anything sweet or starchy, naturally, with a preference for carrots and sweet potatoes.  His hands, feet, knees and elbows stayed a hilarious color of orange for a few weeks.  I expect mine to turn any day now, ha.

Continuing with this week’s publication theme, I want to introduce you to Up the Staircase Quarterly if you’ve not yet had the privilege.  Established in 2008, Up the Staircase Quarterly is an online journal of poetry, art, interviews, and reviews. New issues are published every February, May, August & November, unless otherwise stated. And for some of you that write poetry in addition to visual work, UtSQ nominates for the Pushcart, Best of the Net, and Best New Poets

They have a 10+ year history and a detailed Masthead for you to research.  So, check out this Call for Entries from Up the Staircase Quarterly (online pubication) for Harrow.  There is no entry fee, but also no payment. Do you have suitable work?

Learn more about the Harrow Issue from Up the Staircase Quarterly!

CALL for ENTRIES:
Harrow 
from Up the Staircase Quarterly

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all media 

THEME:  Paranormal. Open to any takes on this subject–serious, quirky, and everything in between, work containing ghosts/spirits, aliens, conspiracy theories, cryptozoology, near death experiences, glitches in the matrix, extrasensory perception, pseudoscience, and any experiences that can be considered supernatural.

DEADLINE:  June 15, 2019

NOTIFICATION:  Less than 30 days

ENTRY FEE: No fee up to 10 images 

AWARD: Publishing credit, no monetary compensation.  Harrow goes live on August 1st.

For complete details, Read the Full Call!

Learn more from Up the Staircase Quarterly!

CALL for ENTRIES: Unique Abstractions

Learn more about the Unique Abstractions exhibit from Las Laguna Gallery!

abstractly DRINKING SPEAKING

The notion of eating healthy is an abstract one. Even putting ethical concerns aside, there are health benefits (and disadvantages) to embracing vegetarianism, veganism and even raw diets.  Sugar is the devil, but artificial sweetners are differently malicious.  An excessively fatty diet can lead to heart disease but when coupled with an near absence of carbohydrates puts the body in ketosis that effectively treats diabetes in many.  Chocolate and red wine and coffee and kale, all abstractions of a healthy diet.

In art, abstraction takes a lot of forms.  At it’s broadest, abstraction is work that is non-representational. But, that begs the question, non-representational of what?  From that we get non-figurative & non-linear styles that are often included in surrealism, dadaism, cubism, fauvism, suprematism, art informel, neo-plasticism, de stijl & others.    This next Call wants to see all of your abstract creations.  My heart lies with abstraction, although I find reactions to it frustrating.  What’s your experience?  Are you insulated enough not to hear the voices of those that would dismiss the non-representational?  My mantra is ‘process not product’.  Excerise your muscle memory.  Lose yourself in process.  It works for me.  What works for you?

Check out this Call for Entries from the Las Laguna Gallery (Laguna Beach, CA) for Unique Abstractions, a show of abstract work in a wide range of media. $35 entry & 35% commission.  Don’t miss this opportunity…

Learn more about the Unique Abstractions exhibit from Las Laguna Gallery!CALL for ENTRIES:
Unique Abstractions
from Las Laguna Gallery

ELIGIBILITY: Open to all artists

THEME:  Abstraction.  “True abstract art not only utilizes flexibility and freedom; it also employs bold uses of color, line, pattern, form, process and composition.” — laslagunagallery.com

MEDIA: Open to acrylic, airbrush, assemblage, charcoal, color pencil, collage, digital art, drawings, encaustic, fiber art, araphite, illustration, mixed media, new media, oil, painting, pastel, photography & watercolor.

DEADLINE:  June 7, 2019

NOTIFICATION: June 12, 2019.  If accepted, delivery of work is June 26th to July 2nd.

ENTRY FEE: $35 for up to 3 

SALES: The gallery will retain 35% commission on all sales.

For complete details, Read the Full Call!

 

Learn more from Las Laguna Gallery!

CALL for ENTRIES: Loss, Redemption & Grace

Learn more abou the Loss Redemption and Grace show from EBD4!

I’ll take the PIE to go

There are a lot of customs surrounding death & food.  Most people are familiar with people trying to feed the living by bringing the ubiquitous casserole to the living, but I’ve recently learned that many cultures feed the dead by leaving food on graves, from leaving a pie on the gravestone at Easter to pouring wine on the burial site.  I don’t have a real understanding of the symbolism (if you do, LMK) behind the traditions, but I love the love it takes to want to feed someone pie and wine, even after death. THAT is devotion.

My work has centered around human bones for a while now.  Bones indicate a pattern for me, both for the living and the lost.  I prowl cemeteries with a sense of joy, not mourning.  Gravestones are monuments for the living of the best in those no longer able to create new memories.  They are, without doubt, often erected out of obligation, but even in obligation, they document a lifespan as an accomplishment, no matter how brief.  If they include additional details, they are rare ugly, even if the truth is ugly.  This next Call speaks to me because if offers the opportunity to react to loss from a place of truth, not obligation or memorialization. I am also excited about an open opportunity in Atlanta, a rarity.

Check out this Call for Entries from EBD4 (Atlanta, GA) for Loss, Grace & Redemption.  $40 Entry & 50% commission.  The jurors are researchable, and this venue offers a rare Atlanta opportunity.  Take a look…

Learn more abou the Loss Redemption and Grace show from EBD4!CALL for ENTRIES:
Loss, Redemption & Grace 
from EBD4

“a platform to examine edgy, daring and thought-provoking contemporary artwork, which traditionally may not be available in a commercial setting”

ELIGIBILITY: Open to American artists 18+

MEDIA: Open to all media. 

THEME:  What is your response to grief? Have you spoken to loss through artistic expression? Have you been inspired to answer injustice with the energy of creation? Share your interpretation & response to loss, redemption & grace.

DEADLINE: March 31, 2019

NOTIFICATION: April 15, 2019

ENTRY FEE: $40 up to 3, $10ea. addl 

JUROR: Elyse Defoor, director of EBD4, will serve as curator. Jerry Cullum, Ph.D. & Teresa Bramlette Reeves, Ph.D., will serve as jurors. 

AWARD:  3 cash awards totaling $800 –for Best in Show, 1st place & 2nd place.

SALES:  EBD4 will retain 50% commission.

For complete details, Read the Full Call!

Learn more from EBD4!

CALL for ENTRIES: Animal Life 2018

Learn more about the Animal Life 2018 exhibit from art-competition.net!

bear-ly HUNGRY

I live in black bear country, and hyperphagia is coming to an end soon.  Hyperphagia is the time of year when the bears gorge themselves in preparation for their winter “hibernation”, although black bears don’t really hibernate, per see. (I digress.)  This means a few months on not being paranoid about leaving sunflower seeds in my car or a stray pizza box in the outdoor trash can.  Some people have raccoons, I have bears, ha.  This next Call is all about animal life.  Whatcha got?

Check out this Call for Entries from Art-Competition.net for Animal Life 2018. $20 entry, no shipping & open to all still media.  Thematically open to interpretation. Take a look…

Learn more about the Animal Life 2018 from art-competition.net!CALL for ENTRIES:
Animal Life 2018
from Art-competition.net

ELIGIBILITY: All artists age 18+

MEDIA:   Open to still media, including painting, drawing, photography, sculpture, digital, prints, fiber art, collage, etc.

THEME: Animal Life ““Animal” can be interpreted literally or conceptually for animals Wild, Domestic, On Land, In The Air or Under The Sea.  The image should intrigue and fascinate the viewer with the artist’s vision and interpretation of the animal’s beauty, elegance, strength, speed, delicateness, size, and or its environment. The work can reflect on creatures of the land, sea and air from the simplicity of a domesticated pet to a ferocious wild animal. The works depiction can range from the love one feels for a pet, the amazing diversity of life on the planet and the concern for preserving all creatures from extinction.

DEADLINE:  November 5, 2018

NOTIFICATION: November 16, 2018

ENTRY FEE: $20 for 1, $10 ea. add’l

AWARDS:   $8,125 in cash & marketing prizes.  (e.g. 1st place $500, 2nd Place $400, 3rd Place $300, etc) + helpful marketing. There will be 7 Winners and 10 Honorable Mentions. 

For complete details, Read the Full Call!

Learn more from art-competition.net!

CALL for ENTRIES: Bring Us Your Dead exhibit (Dia de los Muertos) 2018

Learn more about the Bring us your Dead exhbit from Las Laguna Gallery!

have some CANDY

My grandmother was addicted to candy. She would stock up near the candy-laden holidays Easter, Halloween and Christmas, and try to get it eaten at a faster rate than it would solidify in a solid block of colored sugar.  So, it wasn’t her sweet grandmotherly instinct to push candy on me at every occasion; it was stock rotation, ha. After she died, I could have started a candy store with the volume of candy in her kitchen. This Call is a chance for you to celebrate the life of someone who has passed from the physical world.  Take a look…

Check out this Call for Entries from the Las Laguna Gallery (Laguna Beach, CA) for Bring us Your Dead 2018, an exhibit inspired by those no longer with us. $35 entry & $35 commission. Don’t miss this opportunity…

Learn more about the Bring us your Dead exhbit from Las Laguna Gallery!

CALL for ENTRIES:
Bring us Your Dead 2018
from Las Laguna Gallery

“Dia de los Muertos (Day of the Dead) is a Mexican holiday celebrated throughout Mexico and around the world in other cultures. It is an ancient and enduring ritual when the living commune with the dead – a mystical night when the veil is lifted between their two realms and they may share a day together.” –from laslagunagallery.com

ELIGIBILITY: Open to all artists

MEDIA: Open to all media, but your entries should fit this theme, either traditionally or digitally, in some way.

DEADLINE: September 4, 2018

NOTIFICATION: September 12, 2018

ENTRY FEE: $35 for up to 3 via Submittable or $35/1 + $2 ea. add’l for up to 15 entries via CaFe.

SALES: The gallery will retain 35% commission on all sales.

For complete details, Read the Full Call!

 

Learn more from Las Laguna Gallery!

CALL for ENTRIES: Bemis Benefit

Learn more about the Bemis Center Benefit Auction!

deep ROOTS

The benefits of a vegetarian diet are undeniable, but only by most reports, only 3-6% of Americans follow a plant-based diet.  But why?  Volumes have been written expounding on the “why”, but I am just grateful for the ability to make choices –good or bad.  This next Call offers you choices and could be of benefit to you and the venue.  Take a look…

Check out this Call for Entries from Bemis Center for Contemporary Arts (Omaha, NE) for Benefit Art Auction 2018.  Do not be scared off by the words “benefit” and/or “auction”.  I am acutely aware of how often artists are asked to work for nothing.  In this case, you DO NOT have to donate all the proceeds of your work. Evaluate the opportunity…

Learn more about the Bemis Center Benefit Auction!CALL for ENTRIES: 
Benefit Art Auction 2018 
from Bemis Center
for Contemporary Arts

ELIGIBILITY:  Open to U.S. based artists

MEDIA:  Open to all physical mediaAll work must be for sell. 

DEADLINE:  July 1, 2018

NOTIFICATION:  mid July, 2018

ENTRY FEE: None

AWARDS:  Two complimentary tickets to the 2018 Benefit Art Auction, An invitation for two to the Artist + Member Preview Reception, A one-year Bemis Center Membership, FREE SHIPPING for your donated artwork, & FREE FRAMING (if applicable to your submission).

SALES:  Artists may choose to donate between 50% to 100% of the proceeds from the sale of their work to Bemis Center. Artist/Bemis Center split is based on the final sale price.  Artwork will not be sold below 60% of retail value. *Editor’s Note:  This is a great way to part with work that is relevant, but maybe not current, while developing a relationship with Bemis.  Think about it. 

For full details, Read the Full Call!

Learn more from Bemis Center for Contemporary Arts!

CALL for ENTRIES: Northern National Art Competition

Learn more about the NNAC from Nicolet College!

WINE again

Food is like clothing, trends come & go, but the classics always look the same.  I went to culinary school two decades ago & the classics were lamb chops, Béarnaise butter, tourné cut potatoes & asparagus.  I went to dinner two weeks ago, and the same dishes appeared on the menu with a tweak & a twist.  Things remain, repeat & refine.  This next Call has three decades of history and is still going strong.  Take a look… 

Check out this Call for Entries from Nicolet College Art Gallery (Rhinelander, WI) for the 31st Annual Northern National Art Competition.  This deadline is just around the corner. Please don’t miss this opportunity…

Learn more about the 31st Annual NNAC from Nicolet College of Art!CALL for ENTRIES:
NNAC
from Nicolet College

ELIGIBILITY:  Open to all U.S. resident artists 18+

MEDIA: Open to any 2D medium

DEADLINE:  June 30, 2018

NOTIFICATION:  August 11, 2018

ENTRY FEE: $35 up to 2 

JUROR:  Mark Steven Greenfield studied under Charles White & John Riddle at Otis Art Institute, received his Bachelor’s in Art Education from California State & a MFA in painting & drawing from California State. He served as director of the Watts Towers Arts Center from 1993 – 2002 and the Los Angeles Municipal Art Gallery from 2004 – 2010. Greenfield’s work has been exhibited extensively throughout the United States and internationally. His work deals primarily with the African American experience and in recent years has focused on the effects of stereotypes and racial politics on American culture. 

AWARDS:  More than $8,500 will be awarded, including three $1,000 Awards of Excellence.

For complete details, Read the Full Call!

Learn more from Nicolet College!