Digital Art – Page 22 – Art and Art Deadlines.com

CALL for ENTRIES: Macro/Micro

Posted on April 5, 2012 by R.L. Gibson

TATER TOT
brulée

So I was watching a “hot dish” competition on Bizarre Foods America the other day. (A “hot dish” competition is sort of like a casserole contest.) This particular contest was being held in a mid-western town’s VFW or American Legion Hall. Many of the contestants sported beehive hairdos, mom jeans and gingham aprons. Then out of nowhere, a woman in Bermuda shorts whipped out a BLOW TORCH to brown the top of her tater tot casserole like it was creme brulée–proof positive that culinary technology and techniques have made it to every fishbowl, no matter how small. This next Call wants to see your techy stuff on a tiny scale or large, your choice. How big is your fishbowl?

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Macro/Micro: Photographic Extremes. The entry fee at Darkroom is always low ($20), and they will provide free matting & framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:

Macro/Micro:
Photographic Extremes

This exhibit is about two photographic extremes, regardless of what you call them: Micro Photography (AKA Macro Photography) and Macrophotography (AKA Wide Angle Photography). The Darkroom Gallery wants to see your best work using these photographic tools.

Look it up, Macro (from Greek prefix “makros-” meaning “large”). Most sciences or areas of study use this prefix as defined. Macroeconomics, for example: “dealing with the behavior of the whole economy”. Microeconomics: “study of the behavior of small economic units, such as that of individual consumers, opposite of macroeconomics”. So what happened with Photography? Commonly, photographers call images of things small and extreme closeups, Macro Photography.

What then is Microphotography? Interestingly, Nikon uses the term Micro for it’s close focusing lenses, but not Canon. So, even the manufacturers don’t agree.

Microphotography reveals a world unseen by the naked eye. It often exposes patterns and designs that create sublime abstract images. Macrophotography gathers a view often larger and grander than can be gathered with the human eye. Both introduce distortions either through lens characteristics or stitching construction techniques that are creative tools used to produce these distinctive images.

ELIGIBILITY: Entrants must be at least 18 years old. If younger, you must have a legal guardian make the submission for you.

MEDIA:
Photography.

DEADLINE:
May 2, 2012

NOTIFICATION:
May 7, 2012

JUROR: Science photographer Felice Frankel is a research scientist in the Center for Materials Science and Engineering at the Massachusetts Institute of Technology. Working in collaboration with scientists and engineers, Felice’s images have been published in over 200 journal articles and/or covers and various other publications for general audiences such as National Geographic, Nature, Science, Angewandte Chemie, Advanced Materials, Materials Today, PNAS, Newsweek, Scientific American, Discover Magazine, and New Scientist among others.

She is a fellow of the American Association for the Advancement of Science and has received awards and grants from the National Science Foundation, the National Endowment for the Arts, the Alfred P. Sloan Foundation, the Guggenheim Foundation, the Camille and Henry Dreyfus Foundation, the Graham Foundation for Advanced Studies in the Fine Arts, among others. Felice was a Loeb Fellow at Harvard University’s Graduate School of Design and was awarded the Distinguished Alumna Award at Brooklyn College, CUNY and the Lennart Nilsson Award for Scientific Photography.

Felice founded the Image and Meaning workshops and conferences whose purpose is to develop new approaches to promoting the public understanding of science through visual expression.

She and her work have been profiled in the New York Times, Wired, LIFE Magazine, the Boston Globe, the Washington Post, the Chronicle of Higher Education, National Public Radio’s All Things Considered, Science Friday, the Christian Science Monitor and various European publications. She exhibits throughout the United States and in Europe. Her limited edition photographs are included in a number of corporate and private collections.

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

CALL for ENTRIES: The Surrealist Influence

Posted on April 3, 2012 by R.L. Gibson

ENCHILAD – AHHHs?

The spirit of culinary improvisation is alive and well at my house. Exact ingredients are unheard of, and trips to the grocery store are always necessary. Greek yogurt instead of sour cream and red wine vinegar instead of rice wine vinegar will do in a pinch. We’ll see how the enchiladas turn out tonight, ha. This next Call is for a show located in the heart of improvisation, and I love the theme too. Take a look…

Check out this Call for Entries for The Surrealist Influence on Contemporary Photography being curated by Lanie McCormick for The Hideout Theatre in Austin, TX. I’ve worked with Lanie in Austin before at the Austin Figurative Gallery, and she brings a refreshing curatorial vision. Don’t miss this “no entry fee” opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: The Surrealist Influence, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
The Surrealist Influence
on Contemporary Photography

“Surrealism started out as a philosophical movement in the 1920s. The Manifesto, written by André Breton laid out the goals of the surrealist group which was comprised of writers, philosophers and artists. Freud was a huge influence on the movement with his practice of interpreting the meaning of dreams. That idea played out visually amongst the group which left us with rich visual oddities from artists such as Dali, Magritte, Ernst, Miro and Man Ray.

“I feel the surrealist artists impacted my own methods of creating, and encouraged me to look within to find a deeper significance with my art. Now I am looking for other photographers who have followed a similar path and others who have felt a kindred connection to the surrealist artists or movement.” –Lanie McCormick, Curator

ELIGIBILITY: Open to all artists

MEDIA: All Photographic media is welcomed and artwork should reflect the influence of surrealism. Artwork that shows forethought as well as strong aesthetic and compositional elements will be given priority. Work should be created within the last two years.

DEADLINE: April 14, 2012

NOTIFICATION: April 21, 2012

ENTRY FEE: None. In lieu of an entry fee selected artists will be asked to bring a bottle of wine, or snack tray for the opening celebration. If you are shipping your work, you are welcome to send a $10 contribution.

CURATOR: Learn more about photographer/curator Lanie McCormick!

SALES: No commission. The Hideout does not take a percentage of sales from artwork that is sold, and neither does the curator. The goal of this show is to celebrate art and have a strong exhibition.

For complete details, Read the Full Call!

CALL for ENTRIES: Byte Gallery in Transylvania

Posted on March 23, 2012March 31, 2012 by R.L. Gibson

BE BULGAR!

I love that more exotic foods are available in virtually any grocery store. I live in a pretty small town, but because we have a large tourist population, the grocery store selections are a little better. With Spring here, tabbouleh salad is calling my name. Ten years ago, I would had to have gone in search of an ethnic or gourmet market and paid $10 for a bad boxed mix. Now it is as simple as accessibility. This Call is a great example of new ideas in art accessibility. No invitation to this opening is necessary. Take a look…

Check out this Call for Entries for the STUDIO 300 Digital Art and Music Festival at The Byte Gallery–an interactive kiosk at Transylvania University in Kentucky. This show is free to enter, and it is a part of a larger call including sound installations and more. Investigate carefully…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Byte Gallery in Transylvania, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES: STUDIO 300 Digital Art and Music Festival

The Byte Gallery is an interactive kiosk dedicated to exhibiting digital art, music, video, and other multimedia works by artists, dramatists, and musicians from around the world. Users control the kiosk with a touch interface, exploring and listening to works via a large digital display and headphones. Transylvania University is located in Lexington, Kentucky, USA.

ELIGIBILITY: Open to all artists.

MEDIA: The Digital Print/Still Image category is for fixed/still images where digital technology as an essential part of the creative process. The Video Music category is for works that explore non-narrative abstraction with equal emphasis on electro-acoustic music/sound art and moving images. The video should be accompanied by stereo audio.

The Dramatic Video category is theatrical work of short video/film where digital technology is an essential part of the creative process. The video should be accompanied by stereo audio, unless intentionally silent. If the work includes sound, it must be stereo. The Animation category is for video that explore non-narrative abstraction with primary emphasis on moving images. Works may/may not include sound. If the work includes sound, must be stereo.

DEADLINE: Submissions must be received no later than April 15, 2012.

ENTRY FEE: There is no entry fee.

SUBMISSIONS: Submission is through email only—do not attach anything to the email, instead provide links to your application materials. Completed submissions will include: 1) web link to a pdf/text file of the application form (get the application form here); 2) web link to the submitted work (audio file, image file, movie file.. etc); 3) web link to a photo (image file) of the artist/composer/producer.

For complete details, Read the Full Call!

CALL for ENTRIES: Digital Works

Posted on March 19, 2012 by R.L. Gibson

THE
JUICE of it ALL

I have moved to a house with more cabinets space. This means trouble for my kitchen gadget budget. Typically, I stick to simple kitchen utensils; even my can opener is manual. However, I am giving up diet Coke, and I am seriously contemplating a juicer. Okay, it isn’t exactly a high-tech purchase, but you say potato, I say pa-tah-to. This next call will require use of slightly more advanced technology that a juicer. Take a look…

Check out this Call for Entries for the 2012 National Juried Competition featuring Digital Works from the Long Beach Island foundation of the Arts and Sciences (LBIF). As you may be aware, shows for digital work can be hard to find. So, don’t miss this opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Digital Works, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Digital Works

ELIGIBILITY: All emerging and established artists residing in the US.

MEDIA: The purpose of the exhibition is to showcase works created through digital processes, display distinctive characteristics of the digital, and reflect on the language and aesthetics of digital media (such as new forms of image creation and manipulation, connectivity, or participatory and generative qualities). Submissions may include all forms of digital media, such as digital prints and photography, sculpture, video, software art, online and mobile projects etc.

DEADLINE:
Postmarked by April 7, 2012

NOTIFICATION:
May 5, 2012

ENTRY FEE:
$35.00 for up to four submissions.

Fee will be received in U.S funds only, payable by check, money order, or credit card to LBIF. All fees are NON-REFUNDABLE.

JUROR: Christiane Paul is the Director of the Media Studies Graduate Programs and Associate Prof. of Media Studies at The New School, NY, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art.

She has written extensively on new media arts and lectured internationally on art and technology.

An expanded new edition of her book, Digital Art was published in spring 2008 and her edited anthology, New Media in the White Cube and Beyond – Curatorial Models for Digital Art, was published by UC Press in December 2008.

At the Whitney Museum, she curated the shows “Profiling” (2007) and “Data Dynamics” (2001); the net art selection for the 2002 Whitney Biennial; the online exhibition “CODeDOC” for artport, the Whitney Museum’s online portal to Internet art for which she is responsible; as well as “Follow Through” by Scott Paterson and Jennifer Crowe (2005).

AWARDS: Best in Show $1000, 2nd Place $500, 3rd Place $200, and Two Honorable Mentions $100 ea.

SALES: The LBIF takes 33% commission on all sales.

For complete details, Download the Prospectus!

CALL for ENTRIES: International Digital – LACDA

Posted on March 11, 2012 by R.L. Gibson

BEAM ME UP
some chocolate

As I have mentioned on so many occasions, I love kitchen gadgets. But, with my recent move, I have realized that there are some specialized gadgets that serve no real purpose. I own a CoCoMotion. Yep, it looks a little like a blender but it is more like a margarita machine in reverse…it makes hot chocolate. And, while the value of having hot chocolate at the perfect temperature to prevent the scalding of your tongue is important. There have to be limits. This next Call is an opportunity for you to show off your more useful technology skills. Take a look…

Check out this Call for Entries from Los Angeles Center for Digital Art (LACDA) for their 2012 International Juried Competition. The prize is the ultimate… a solo show, AND they will print the winner’s work FREE. What an excellent opportunity!

CALL for ENTRIES:
International Juried Show

Enter the 2012 juried competition for digital art and photography brought to you by the Los Angeles Center for Digital Art (LACDA).

ELIGIBILITY: The competition is international, open to all geographical locations.

MEDIA: All styles of artwork and photography where digital processes of any kind were integral to the creation of the images are acceptable.

DEADLINE: March 26, 2012

NOTIFICATION: April 2, 2012

ENTRY FEE: Registration fee is $30 US for up to three images. Multiple entries permitted, additional $30 entry fee for each three images.

SUBMISSIONS: All entries must be made online.

JURORS: Nancy Meyer, LACMA, Assistant Curator of Contemporary Art, L.A. County Museum of Art and Rex Bruce, LACDA, Director and Senior Curator, L.A. Center for Digital Art.

AWARDS: The selected winner receives 10 prints up to 44×60 inches on museum quality paper (approximately a $2,500-$3,000 value) to be shown in a solo exhibition in our main gallery. The show will be widely promoted and will include a reception for the artist.

2nd Place: Ten 2nd place winners will receive one print of their work up to 24×36 inches ($150-$200 in value) to be included in upcoming group exhibits. 2nd place winners will be scheduled into a group shows within 12 months of announcement of winners. Consideration is given to placing these works in shows appropriate to their style, genre and/or content. These shows will be widely promoted and will include a reception for the artists.

Special consideration will be given to all entrants for inclusion in future shows at LACDA. Many entrants from past competitions have been included in our exhibits.

For complete details, Read the Full Call!

CALL for ENTRIES: SoundVision I

Posted on March 7, 2012March 10, 2012 by R.L. Gibson

UNI YOU

I want to be head of a organized food syndicate–a food gang, if you will, smuggling uni under the cover of night. Many believe that words are defined by the user. So, let’s take the word “gang” back from the sensationalized media coverage and re appropriate it for yumminess. This next call wants your work as a part of a video gang. Super cool…

Check out this Call for Entries for SoundVision I from Video Gang Collective which be held at The Shop in Richmond, VA. There is no entry fee, but don’t delay because the deadline is Saturday, March 10th. (If you only receive this by Email Subscription, I apologize.) Hurry…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: SoundVision I, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES: SoundVision I

Video-Gang Collective is seeking electronic art work for the pilot screening of a series of Screenings that explore the relationship between the moving image and sound. Works that engage and push the boundaries of sensory perceptions are sought.

The series of screens begins with SoundVision I which be held at The Shop in Richmond, Va. All work will be screened to the public on the evening of Monday, April 2, 2012. Reception to follow.

ELIGIBILITY: Open to all

MEDIA: Sound, animation, video, film

DEADLINE: March 10, 2012

NOTIFICATION: March 20, 2012

ENTRY FEE: None

For complete details, Read the Full Call!

CALL for ENTRIES: Travelers

Posted on February 16, 2012 by R.L. Gibson

the
PERKY
part

I am not a coffee drinker, but most of you know that. Truth is…I really dislike coffee. I rarely mention this small fact because it apparently disqualifies me as a foodie, or so I’ve been told. This next Call involves coffee in a random sort of way, but this time (and in this way) I like it…I really like it. Take a look…

Check out this Call for Entries from Tenn Street ART (Denver, CO) for Travelers on Tenn 3. I am a fan of retail gallery spaces. They often spur sales. Don’t miss this one…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Travelers, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Travelers on Tenn

The theme: Journey, pilgrimage, escape, trek, junket, odyssey. There are many ways and reasons to travel. Whether it be a trip of the body, an object moving in space or an inner journey of the mind – your interpretation of movement from one place to the next is what we are looking for. The images may be concrete or abstract, realistic or fantasy.

ELIGIBILITY: Open internationally

MEDIA: Photography — traditional, digital, experimental or a mixture.

DEADLINE: March 11, 2012 by 6pm (MST)

NOTIFICATION: March 15, 2012

ENTRY FEE: $35 for up to 5 pieces, $5 each additional

JUROR: Terri Bell is a fine art photographer, mixed media artist, and graphic designer who lives and works in Denver, Colorado. Since 2006 her art has been shown extensively in special exhibitions and galleries. She is a juried artist member of CORE New Art Space in Denver and maintains a studio|gallery in the heart of Denver’s Art District on Santa Fe.

Bell enjoys challenging preconceptions about photography through the creative post production of images. She also uses her photographs in digital collage, and in combination with paint and a variety of other elements to create mixed media works on canvas. Her work is featured in the 2011 HGTV Green Home at Stapleton Denver. Her photography can often be seen as transition images on KBDI/PBS in Boulder, CO.

AWARDS: Tenn Street ART will host a First Friday Reception with refreshments and live music on Friday, April 6, 2012 from 6-9 PM. A Juror’s Best of Show, a Juror’s Honorable Mention and a Curator’s Choice will be awarded that evening.

SALES: All sales, including taxes, are handled through Tenn Street Coffee & Books during the month of the exhibit. The sales commission split is 60% Artist and 40% to the Gallery.

For complete details, Read the Full Call!

CALL for ENTRIES: Masur Museum

Posted on February 4, 2012February 4, 2012 by R.L. Gibson

FAIR to FIG
…and FOWL

If you can say nothing else for my taste in food, it is fair and open to all. I will try almost any culinary invention once. And most of them (even the bad ones) I will give a second and/or third chance. But if you haven’t won me over after three attempts, I’m likely done. I give art, artists and their little-known media the same respect. This next call offers consideration for “any” media. I wonder if they REALLY mean that. Let me know…

Check out this Call for Entries for the 49th Annual Juried Exhibition from the Masur Museum of Art (Monroe, LA). The entry fee is low, and the show is open to all media. Did I mention that there is no commission on sales? I love the Masur, and I will bet that you will love it too!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Masur Museum, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL or ENTRIES:
Masur Museum

The 49th Annual Juried Exhibition will be held May 12-July 21, 2012. The Masur Museum of Art Annual Juried Competition showcases contemporary artists throughout the United States of America working in any medium.

ELIGIBILITY: Open to all artists

MEDIA: Any media

DEADLINE: March 18, 2012

NOTIFICATION: April 3, 2012

ENTRY FEE: There is a $10 per artwork with a minimum of 2 and a max of 5 entries

JUROR: Liza Simone is the Founding Director of Phantom Galleries Los Angeles (PGLA), an organization launched in 2005 that facilitates and administrates temporary public arts programming in vacant storefronts throughout Los Angeles County. PGLA’s mission to transform and bridge communities with public art through exhibitions is best exemplified by her work with artists such as Lita Albuquerque, JR, Bill Viola, Futura, and Nancy Buchanan. She has collaborated with TED Prize, the Torrance Art Museum, LA Art Girls, the Los Angeles Art Association, and Fallen Fruit, and Farmlab.

AWARDS: Best in Show is $1,000 and total awards are $3,000.

SALES: The Masur Museum of Art does not receive a commission on sales.

For complete details, Download the Prospectus!

Download the Prospectus from the Masur Museum!

CALL for ENTRIES: Spontaneous

Posted on January 12, 2012 by R.L. Gibson

BEAM me
DOWN
an EGGLPLANT
please

I dislike the lack of spontaneity involved in home-cooking. I am fairly certain that I am not the only one that thinks Pastitsio (one of my favorite Greek dishes) is a weekends-only meal. What I really need is one of those Star Trek food replicators. Oops. Did I just unfurl my geek flag? Oh Well. At least we can count on this next show to be spontaneous. Investigate…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Spontaneous. The entry fee at Darkroom is always low ($20), and I love that they will provide free matting and framing if you work in their standard sizes. Take a look…

*Editor’s Note: If you enter, please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. We’ve got a great history with them…including Best of Show!

CALL for ENTRIES:
Spontaneous

Spontaneity is the hallmark for great documentary and street photography where the moments of life, often ironic, poignant, emotionally charged, tragic or absurd are frozen.

Photography provides the means to capture a moment but which moment makes all the difference. Well known masters include Henri Cartier-Bresson and W. Eugene Smith with recent discoveries such as Vivian Maier and Frank Oscar Larson adding to a long list of great photographers.

Many of the scenes captured by practitioners of this art, with the possible exception of war and extreme sports documentary, pass before us every day, but we do not see.

This exhibit is dedicated to those who strive to see, realize and then manifest vision and moment into an image so that we can all see what is right in front of us or inaccessible in some other way. Showing us the remarkable moments that make up the, often unconscious, Human Experience.

ELIGIBILITY:
Entrants must be at least 18 years old. If you are younger, you must have a parent or legal guardian make the submission for you.

MEDIA:
Photography.

DEADLINE: Feb 22, 2012

NOTIFICATION: Feb. 28, 2012

JUROR: Nikos Economopoulos began his photography career inn 1988 with a long-term project in Greece and Turkey. He photographed whatever he came across on his daily walks: street scenes, public gatherings, solitary meanderers, or deserted landscapes.

In 1990, Economopoulos’ photographs began to appear in newspapers and magazines worldwide. In the same year he started to take photographs in Albania, Bulgaria, Romania and the former Yugoslavia, investigating the territorial, ethnic and religious tensions of the region, as well as the endurance of traditional social and religious rites. This work earned him the Mother Jones Award in 1992.

Subsequent work includes lignite miners and the Muslim minority in Greece, people living along the Green Line dividing southern and northern Cyprus; illegal immigrants at the Greek-Albanian border; and young residents of Tokyo, mass emigration of ethnic Albanians fleeing Kosovo. He was given the Abdi Ipektsi Award for peace and friendship between Greece and Turkey in 2001.

Nikos has published ten books and his work is in the permanent collections of Centre Méditerranéen de la Photographie and the Benaki Museum. He organizes a series of photography workshops in locations in eastern Europe, Asia and Africa.

AWARDS: All selected entries are exhibited in the gallery and included in a full color exhibit catalog. Juror’s Choice receives a 20×35″ vinyl exhibit banner featuring their image. People’s Choice gains free entry into a future exhibit.

SALES: Darkroom offers free matting and framing of accepted entries for the duration of each of their exhibitions, subject to standard sizes. Photographers set their own prices if they wish to sell their work and retain all rights to their photographs. For commission details, go to the bottom of the Submisssion Rules page!

For complete details, Read the Full Call!

CALL for ENTRIES: True Colors

Posted on January 2, 2012January 2, 2012 by R.L. Gibson

MISSION
not
ACCOMPLISHED

A little girl recently asked me how I could tell which food was good for me just by looking at it. (Yes, I really do talk about food all day.) I spent a few minutes explaining that you could tell that some foods are good for you because they are deeply or brightly colored, like broccoli, swiss chard and carrots. Without missing a beat she said, “I’m glad to know I don’t have to give up jelly beans,” and she promptly turned and left. Perfect. This next show is proves color can be good for you. Take a look…

Check out this Call for Entries for True Colors, a digital and photography competition brought to you by Digital Arts: California that will feature both an online showcase AND a physical gallery exhibit. Pay attention to the details…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: True Colors, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
True Colors

“Color—in all its glory—is the theme of this exhibit. Bring on those bright, dazzling hues, or those soft, muted pastels. Explore deep, mysterious shades, or subtle, sophisticated tones. Does your palette include earth tones…or psychedelic blinders? Have you created a fuchsia-and-saffron fractal or a digital painting in chartreuse and cherry-blossom pink? Or, have you photographed the subtle range of blues and greens in an ocean vista? If color is an integral aspect of your art or photography, we want to see your images!” —from digitalartscalifornia.com

Digital Arts: California presents exhibits online and in a physical, brick-and-mortar gallery in Los Angeles, San Diego, or another California art center.

ELIGIBILITY:
Open to all artists.

MEDIA: Every discipline, genre, style, and school of thought within digital art and photography is welcome.

DEADLINE: January 15, 2012

ENTRY FEE: Entry fees are $25 for the first 5 & $4 for each add’l image.

JURORS: Selection of the finalists that will appear online in solo artist/photographer galleries will be made by Virginia and Glen Christensen. Virginia has enjoyed a long career as an editor and a publisher of photography and art books, and is, herself, an accomplished photographer. Glen has had a distinguished career as Art Director at major record companies in both New York City and Hollywood. Among his professional accolades have been two Grammy nominations for Best Album Package.

AWARDS: Works that have been awarded a Gold Stellar Art Award will be eligible for exhibition in a physical gallery setting. Such exhibits will be held periodically and will combine these award winners from various Digital Arts: California online exhibits. How often such physical exhibits are held will depend on the volume of entries to their online exhibits as well as other factors.

Category: Digital Art

CALL for ENTRIES: Macro/Micro

TATER TOT
brulée

CALL for ENTRIES:

Macro/Micro:
Photographic Extremes

For complete details, Read the Full Call!

CALL for ENTRIES: Byte Gallery in Transylvania

BE BULGAR!

CALL for ENTRIES: STUDIO 300 Digital Art and Music Festival

For complete details, Read the Full Call!

CALL for ENTRIES: Digital Works

THE
JUICE of it ALL

CALL for ENTRIES:
Digital Works

For complete details, Download the Prospectus!

CALL for ENTRIES: International Digital – LACDA

BEAM ME UP
some chocolate

CALL for ENTRIES:
International Juried Show

For complete details, Read the Full Call!

CALL for ENTRIES: SoundVision I

UNI YOU

CALL for ENTRIES: SoundVision I

For complete details, Read the Full Call!

CALL for ENTRIES: Travelers

the
PERKY
part

CALL for ENTRIES:
Travelers on Tenn

For complete details, Read the Full Call!

CALL for ENTRIES: Masur Museum

FAIR to FIG
…and FOWL

CALL or ENTRIES:
Masur Museum

For complete details, Download the Prospectus!

CALL for ENTRIES: Spontaneous

BEAM me
DOWN
an EGGLPLANT
please

CALL for ENTRIES:
Spontaneous

For complete details, Read the Full Call!

CALL for ENTRIES: True Colors

MISSION
not
ACCOMPLISHED

CALL for ENTRIES:
True Colors

For complete details, Visit California Digital Arts online!

Category: Digital Art

TATER TOT brulée

CALL for ENTRIES:

For complete details, Read the Full Call!

ENCHILAD – AHHHs?

CALL for ENTRIES: The Surrealist Influence on Contemporary Photography

For complete details, Read the Full Call!

BE BULGAR!

CALL for ENTRIES: STUDIO 300 Digital Art and Music Festival

For complete details, Read the Full Call!

THE JUICE of it ALL

CALL for ENTRIES: Digital Works

For complete details, Download the Prospectus!

BEAM ME UP some chocolate

CALL for ENTRIES: International Juried Show

For complete details, Read the Full Call!

UNI YOU

CALL for ENTRIES: SoundVision I

For complete details, Read the Full Call!

the PERKY part

CALL for ENTRIES: Travelers on Tenn

For complete details, Read the Full Call!

FAIR to FIG …and FOWL

CALL or ENTRIES: Masur Museum

For complete details, Download the Prospectus!

BEAM me DOWN an EGGLPLANT please

CALL for ENTRIES: Spontaneous

For complete details, Read the Full Call!

MISSION not ACCOMPLISHED

CALL for ENTRIES: True Colors

For complete details, Visit California Digital Arts online!

TATER TOT
brulée

CALL for ENTRIES:
The Surrealist Influence
on Contemporary Photography

THE
JUICE of it ALL

CALL for ENTRIES:
Digital Works

BEAM ME UP
some chocolate

CALL for ENTRIES:
International Juried Show

the
PERKY
part

CALL for ENTRIES:
Travelers on Tenn

FAIR to FIG
…and FOWL

CALL or ENTRIES:
Masur Museum

BEAM me
DOWN
an EGGLPLANT
please

CALL for ENTRIES:
Spontaneous

MISSION
not
ACCOMPLISHED

CALL for ENTRIES:
True Colors