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CALL for ENTRIES: Angels and Demons

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hot!

HOT!

I have a soft spot for spicy foods. I regularly tell the folks at my favorite Thai restaurant that it isn’t hot enough if my scalp isn’t glistening.  My son, on the other hand, thinks all forms of peppers are the devil.  Mild salsa is an adventure for him…for now.  This next Call wants your take on Angels and Demons, but for the record, paintings of peppers might not be the right take on demons. Take a look…

Check out this Call for Entries for Angels and Demons from Naming Ceremony online showcase. This is a really inexpensive opportunity, and the links back to your website could be valuable. Don’t miss this art publication opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Angels and Demons, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Angels and Demons show!CALL for ENTRIES:
Angels and Demons

Traditionally, Angels have wings, demons have horns. Sometimes what looks like an angel is a demon, and a demon may be an angel.  Other times, it is impossible to estimate what is actually a demon or an angel.  They’re looking for work that blurs the line between angel and demon and that plays with people’s perception of good and evil.

ELIGIBILITY: Open to all artists

MEDIA:  Your take, interpretation, and mythology on angels and demons expressed visually in any 2-d medium

DEADLINE:  August 31, 2012

NOTIFICATION: In time for the October exhibition

ENTRY FEE: $20 for six, $5 ea add’l

AWARDS: If accepted, you will be permanently in their Online gallery (with a chance to sell it) and will appear in the periodic Magazine issue. You will be eligible for the publication of an art book that will be available worldwide online for ordering. *Not all of those accepted artists will be in the published, physical art book.

For complete details, Read the Full Call!

Learn more from Naming Ceremony magazine!

 

OPEN CALL: Baang + Burne

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CHOCOLATE

I have been looking or the perfect piece of chocolate all my life.  I don’t need a long-term relationship with it–just a year or two of flirtation.  I want the memory of the perfect bite of chocolate to savor.  This next Call could be your perfect bite, and the award is a two-year NYC flirtation.  Investigate…

Check out this Open Call from Baang + Burne for two years of gallery representation.  This is the very thing for which many of you are searching.  The gallery is new, and I don’t have any advice to give you about whether this IS or IS NOT the gallery for you.  However, I do want to remind you that you have to TRY lots of things before ANYTHING works.  Maybe now is the time…

*Editor’s Note: If you have read the personal portion of this post, OPEN CALL: Baang + Burne, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Baang and Burne!OPEN CALL:
Baang + Burne

 

ELIGIBILITY:  Open to all artists, age 18+, who wish to be considered for a two year representation contract with the gallery.

MEDIA:  All media

DEADLINE:  August 15, 2012

ENTRY FEE: $45 for 8 to 13 images.  Please note you’ll have to use the Call for Entry website (don’t worry, it is free).

JUROR:  Every submission will be personally considered and reviewed by Baang + Burne Gallery Directors Kesha Bruce and Charlie Grosso and Associate Director Erin Skaryak.

SALES:  All submitted artwork must be available and for sale.

For complete details, Read the Full Call!

Learn more from Baang and Burne!

CALL for ENTRIES: Oklahoma Centerfold

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I have been trying to get in shape.  It isn’t about losing weight; it is about building some strength in hopes of rebounding energy levels.  I have a food bucket list, and I am out to tackle it.  But in the meantime, I’m laying off the bread because it tends to make me sluggish.  This next mid-western call is in the “nation’s breadbasket.”  Sounds delicious…

Check out this Call for Entries for the 14th Biennial Oklahoma: Centerfold 2012 National Juried Art Show from the Leslie Powell Gallery (Lawton, OK).  Don’t be fooled by the name; it doesn’t have to be about Oklahoma.  Investigate…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Oklahoma Centerfold, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Oklahoma Centerfold show!CALL for ENTRIES:
14th Biennial
Oklahoma: Centerfold
2012 National Juried Art Show

 

ELIGIBILITY:  Artists, age 18+ residing in continental US

MEDIA:  All original 2-D and 3-D media accepted. Photographs and artist prints must be numbered (editioned) to be considered for an award. No mechanical reproduction of originals (including giclee prints) accepted. All entries must be of original design and personal execution, and completed within the last two years. Installations will be considered only if the artist agrees to install the work on site.

THEME:  The title of the show reflects the geographical fact that Oklahoma is located in the middle of the United States. (Open a road atlas of the United States & Oklahoma is on the Centerfold). The theme is open to the artist’s interpretation and is in no way restricted to portraying Oklahoma.

DEADLINE:  August 29, 2012

NOTIFICATION:  September 21, 2012

ENTRY FEE: 1 for $30, 2 for $35, or 3 for $40

Learn more about the Oklahoma Centerfold show!JUROR:  Kristy Deetz, professor in the Art Discipline at the University of Wisconsin—Green Bay, received her MFA in painting and drawing from Ohio State University.

Deetz has taught painting and drawing at a number of universities and art schools over the past 25 years and frequently gives encaustic painting workshops at art centers such as Anderson Ranch, OxBow, Haystack, and Penland.  Her extensive exhibition record includes competitive, invitational and solo exhibitions throughout the United States.

AWARDS:  Total of $6000 USD:  1st place $3000, 2nd place $1500, 3rd place $800, and 3 honorable mentions of $250 each.

SALES:  All sales are between the artist and the buyer. The Leslie Powell Gallery does not take a commission on any sale. Works do not need to be for sale.

For complete details, Download the Prospectus!

Learn more about the Oklahoma Centerfold!

CALL for ENTRIES: Green

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!It ain’t easy
BEING GREEN

I am obsessed with green vegetables. On any given day, you can open my refrigerator and find snap beans, half runners, spinach, brussel sprouts, asparagus, romaine lettuce, celery, cabbage and broccoli.  Those are just the staples.  This next call wants to know what green means to you, eaten or otherwise. Take a look…

Check out this Call for Entries from The Shoe Factory Art Co-op (Rochester, NY) for Green: What Does It Mean?. This uniquely-themed show could be a great opportunity to put another show on your resume! This could be your chance…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Green, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Green Show!CALL for ENTRIES:
Green: What Does It Mean?

 

The Shoe Factory Art Co-op seeks artists to create and submit artwork that expresses the meaning of “green”.  Open interpretation.

ELIGIBILITY: Open to all artists

MEDIA: Open to all media related to green.

DEADLINE: August 25, 2012

ENTRY FEE: Pay $18 submission fee, $25 for non-members, by PayPal or Credit Card on the Call for Artists page.

JURORS: Green will be juried by The Shoe Factory Art Co-op.

SALES: 25% commission on the price of any artwork sold (35% for non-members).

For complete details, download the Full Call!

Download the Submission Form from Shoe Factory Art Coop!

CALL for ENTRIES: Coup d’espace ‐ Palimpasest

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in the

DEEP END

Thanks for your patience this week while I took a little unscheduled hiatus.  Sometimes you just have to take a break and reset.  We are making some significant changes to our dietmoving toward less meat and dairy.  In addition, our musical engagements have picked up; I have art submissions to finish, and let’s not forget…blogs to post.  The layers of information I sift through everyday can be overwhelming, and then this Call fell into my lap.  So appropriate. Layers and layers and layers…

Check out this Call for Entries for Coup d’espace ‐ Palimpasest from the Washington Project for the Arts, a group show that explores Layers of Information.  There is no entry fee, but the deadline is only a couple of weeks away.  Don’t delay…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Coup d’espace ‐ Palimpasest, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Coup d’espace ‐ Palimpasest

 

Visit the Washington Project for the Arts for complete details!

We live in a society of layers. Information is plied upon other information. Metadata automatically becomes part of every digital image. Museum exhibitions now include QR codes for additional information. The recent Experimental Media 2012 exhibition included them. The National Gallery and the Museum of Natural History use them.  They are ubiquitous. 

But what if the QR code became the contemporary representation of information? What if this encoded symbol displaced the original information? It wouldn’t be the first time that newer “text” has superseded the old.  Throughout the history of the written word, parchments and vellum have been scraped clean of their original text and reused. Over time, that original text (the scriptio inferior) resurfaces through natural means or scientific research. An immediate relationship between the original text and new text is constructed through their juxtaposition. –from the Prospectus

ELIGIBILITY:  Open to all artists

MEDIA:  Any medium that explores the concepts of Layering and Information. Artists are encouraged to think beyond just the techniques of layering (i.e., Photoshop).

Check out work from Curator Steven H Silberg!DEADLINE:  Monday, July 16, 5pm EDT

NOTIFICATION:  Monday, July 23, 2012

ENTRY FEE: None

CURATOR:  Steven H Silberg, independent artist & Lecturer of Fine Arts at UMBC and Neil C Jones, independent artist & Professor at MICA and Anne Arundel Community College.

SALES:  WPA will take a 50% commission on works sold.

For complete details, Download the Full Prospectus!

Download the Prospectus from the Washington Project for the Arts!

CALL for ENTRIES: YICCA 2012

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this out

I am fascinated by the influences of one culture on another culture’s food.  Czech cuisine is heavily influenced by Germany and Hungary’s schnitzels, strudels and goulashes.  But the three national foods always found on the menu are vepro, knedlo and zelo (pork, dumplings and cabbage respectively).  This next Call could be a great way to sample these specialties first hand.  Take a look…

Check out this Call for Entries for Young International Contest of Contemporary Art (YICCA 2012) which is open to all artists and all media for an exhibition in The Chemistry Gallery in Prague.  This is a great chance to visit Prague at their expense…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: YICCA 2012, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the YICCA 2012! CALL for ENTRIES:
YICCA 2012

“YICCA is an ambitious project regarding transparency, comparison and research of new artistic talents.  Nowadays it is becoming more and more difficult to comply with the requirements of art market, in particular – facing the challenge of competing with the constantly increasing number of newly arising artists in the contemporary art field.  YICCA was founded in 2009. The decision of its foundation was taken under the great influence of new ways of making and thinking art that recently have discovered many surprising and unusual forms of art.  This general confusion and rapid change of offers is without any doubt challenging and extremely exciting.  The main goal of YICCA is to understand and to improve  new talents that in this ‘beautiful chaos’ are able to interpret better the upcoming art.” –from the YICCA website

ELIGIBILITY:  Open to all artists age 18+

MEDIA:  All media, including video, installations and performances.

Learn more about The Chemistry Gallery!DEADLINE:  July 31st, 2012 (Extended on 7/20)

NOTIFICATION:  August 13, 2012

ENTRY FEE: 30 Euros (~$37.50 USD)

JURORS:  Anabelle Rodriguez is an independent curator and visual arts consultant for collectives, institutions, and organizations throughout Philadelphia and New York City. She is the Founding Director of the ~curARTorial LAB, currently housed at The Malkovich in Crane Arts Old School.  Brad Clark is a Journalist, Writer and Curator that writes for various magazines and publications around the subjects of contemporary Fine Art, Graphic Design, Photography and Modern Aesthetic Theory.

Learn more about the YICCA 2012! Born in South Africa, Claire Breukel began her career curating the 2002 Cape Town Month of Photography biennale and the Vision Photography Festival before being introduced to Miami by the Rubell Family Collection.   Born in 1978, Sara Liuzzi is an art historian with a degree in Conservation of Cultural Heritage from the University of Siena, in Arezzo, with thesis in History of Contemporary Art: “Studio Azzurro”, she has studied and worked professionally in Arezzo (Tuscany), Milan and London.

AWARDS:  The selected by the jury artists will have the opportunity to exhibit their participating work in Prague, in “The Chemistry Gallery” in the period between October 4 to 25, 2012. They will be included in “Yicca 2012” catalogue, as well, and finally the artists will be invited to stay in Prague on the opening day at the expense of A.p.s Moho Association.

For complete details, Read the Full Call!

Learn more about the YICCA 2012!

REMINDER: Edges & Curves

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REMINDER:

AGED to PERFECTION

My taste buds are aging well. I can still tell the difference between Parmesan, Romano and Asiago cheeses–even in bad grocery-store-powdered form. And, I have fallen newly in love with beets. My art is getting better too. Who knew? Well, the Haggus Society knew; that’s who. This next Call want to prove that we all get better with age. This is a great opportunity!

Check out this Call for Entries from The Haggus Society for the 2nd Annual Edges & Curves, Nothing In Between exhibit which will be held Upstairs at The Market Gallery (Los Angeles, CA). To ensure full disclosure, I want to make sure you know I am a Hag member, in good standing. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Edges & Curves, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Read the Full Call from The Haggus Society!CALL for ENTRIES:
Edges & Curves,
Nothing in Between

 

Last year, 2011, the Haggus Society presented the 1st annual Edges & Curves, Nothing In Between exhibition which successfully challenged the myth that older artists have little to no edge.

This year’s theme “Close Your Eyes” will explore wedge issues presented in the public discourse via all channels of media consumption.

ELIGIBILITY: Open to any artist 40 years and older

Read the Full Call from The Haggus Society!MEDIA: 2D (no larger than 32″ x 44 inches), small 3D (no larger than 14″ x 10″ x 8″inches). They are considering opening up the exhibition to performance, music, spoken word/poetry. So, feel free to send those media as submissions, too.

DEADLINE: July 4, 2012

ENTRY FEE: $12.50 for up to 6 images for non-members. Submission fees are waived for Haggus Society members in good standing.

JUROR: Natalie Abrams’ work examines suspending moments in time; the physical and textural experience of those moments, the delicate beauty of our surroundings and the difficulty of preserving the present. An environmentalist, Abrams’ abstract landscapes were first exhibited at the R&F Gallery in the three person show “Not Seeing the Forest”.

Learn more about Fractured Atlas!Using a technique as fluid and unpredictable as nature itself, led to the development of her highly sculptural ribbon paintings; pieces which blur the line between painting and sculpture. The ribbon works have been exhibited in national exhibitions including the Third Annual Encaustic Invitational, as a highlighted artist at Ball State University with Encaustic Works 07, as well as the 2010 book “Encaustic & Beyond”.

Abrams’ latest work further explores humanity’s relationship to our surroundings in the form of sculptural landscapes and topography, and the mirrored societal relationships therein. Development of this work into freestanding installation works will be the focus of her upcoming Affiliate Artist Residency with the McColl Center.

SALES: The Haggus Society receives a 40% commission from all art sold. Please include this in your pricing. If a work is not for sale please indicate with NFS.

*The Haggus Society is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of The Haggus Society must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

For complete details, Read the Full Call!

Read the Full Call from The Haggus Society!

 

CALL for ENTRIES: Will’s Creek Survey

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for MILES

I miss crab.  I love my husband, but I still haven’t forgiven him for developing a shellfish allergy.  Snow crab, soft-shelled crab, crab legs, crab salad, crab, crab, crab.  But, I’m keeping the husband anyway.  Stop by the coast on your way to the opening of this next Call and have some crab for me.  Investigate…

Check out this Call for Entries for the Will’s Creek Survey Exhibition by the Allegany Arts Council (AAC) for an exhibit held annually in the Saville Gallery in Downtown Cumberland’s Arts & Entertainment District, in Western Maryland.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Will’s Creek Survey, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Wills Creek Survey Exhibition!CALL for ENTRIES:
Will’s Creek Survey

 

ELIGIBILITY:  Open to all visual artists 18+ residing in the US.

MEDIA:
All visual media

DEADLINE:
Postmarked July 2, 2012

NOTIFICATION:
August 6, 2012

ENTRY FEE:  $30 (non-members) or $25 (AAC members) for up to two entries. You may also submit up to two additional entries at $10 for each entry.

JUROR: Jay Fisher is the Senior Curator of Prints, Drawings & Photographs and Deputy Director for Curatorial Affairs at the Baltimore Museum of Art (BMA). As a curator, Fisher concentrates on 19th-century and modern French prints and drawings.

Learn more from the Allegany Arts Council! Fisher has organized exhibitions, wrote the catalogue on the prints of Chassériau, and directed a project to catalogue and create an online database of the BMA’s 19th-century French drawings, in concert with the Walters Art Museum, resulting in the publication and exhibition, The Essence of Line: French Drawings from Ingres to Degas. More recently, Mr. Fisher has focused on the BMA’s great holdings of Matisse drawings and prints. In 1999, Fisher became Deputy Director for Curatorial Affairs and oversees the Museum’s curators, conservators, and registrars. He lectures nationally and internationally in the areas of his expertise.

AWARDS:  $2000 Best of Show, $1000 1st Place, $750 2nd Place, $500 3rd Place, Three $250 Honorable Mentions, and $100 People’s Choice Award.

SALES:  The AAC will offer its services in promoting sales and will retain a 40% commission on all sales, including purchase awards.

For complete details, Download the Prospectus!

Download the Prospectus from the Allegany Arts Council!

CALL for ENTRIES: Honoring Women’s Rights

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memories

One of my first real memories of (what I thought was) cooking is inseparable from the music of Helen Reddy.  Yup.  I was standing on a stool, at around age 8, in front of the stove stirring canned corn in a pot singing “I am woman, hear me roar” at the top of my lungs.  Bizarre then.  Bizarre now.  Bizarre always.  This next Call wants an entirely different perspective, I suspect.  We’ve come a long way baby…

Check out this Call for Entries from four chapters of the Women’s Caucus for Art for Honoring Women’s Rights at the National Steinbeck Center (Salinas, CA).  Entry fee is reasonable; jurors are stellar; and, you have a lot to say.  Say it with art…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Honoring Women’s Rights, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Honoring Women’s Rights

Learn more about the Honoring Women's Rights exhbit sponsored by the WCA!

Historically women play a central role in the struggle for Civil Rights, yet their voices and experiences are generally ignored.  We believe their roles should be examined and
interpreted.  We propose an exhibition to visually interpret this struggle, from the local Salinas Valley community to the global level.  By promoting and striving for protection and actualization of women’s rights, we are paving a path for a stronger and fuller civil and personal life. We can join our visual voices together to create authentic recognition, validation and compassion for each other.  We can review our collective history as females, take stock of our present positions and envision our future, knowing what we want to improve, empowering ourselves and those who follow us.  Rise to the challenge given by Hillary Rodham Clinton in her remarks to the U.N. 4th World Conference at the Women Plenary Session, in Beijing, China, Women’s Rights Are Human Rights!

“The great challenge…is to give voice to women everywhere whose experiences go unnoticed, whose words go unheard.”

 

Learn more about the Women's Caucus for Art! ELIGIBILITY:  All self-identified women in the US

MEDIA:  All media accepted

DEADLINE:  June 17, 2012

NOTIFICATION:  July 20, 2012

ENTRY FEE:  $25/3 for WCA members, $35/3 for non-members and $15 install fee for those accepted.

JURORS:  Dr. Joyce Aiken, Professor Emerita of Art from California State University, Fresno, taught Feminist Art from 1973 to 1992 when she retired from full time teaching, but continues to teach for the University in their London Semester Program.  She was the Director of the Fresno Arts Council from 2004 to 2008 and represents them as the Public Art Consultant for both the City and County of Fresno.  Her current art is conceptual and centers on social issues.

Separating the Waters by Dr Ruth WeisbergDr. Ruth Weisburg, Professor of Fine Arts and former Dean at the Roski School, University of Southern California, received the Foundation for Jewish Culture’s 50th Anniversary Cultural Achievement Award in September 2011.  Weisberg has had over 80 solo and 185 group exhibitions, including a recent major exhibition at the Norton Simon Museum, Pasadena and a retrospective, at the Skirball Museum, Los Angeles as well as a solo exhibition at the Huntington in San Marino.   Her work is included in sixty major Museum collections.

Patricia Rodriguez, co-founder of the “Mujeres Muralistas”, is one of the first Chicana Artist to create a course on Chicano Art History and a reader for the Chicano Art History course, at UC Berkeley 1977.  She also taught at The Institute of American Indian Arts , Espanola Community college, and at Los Alamos Community College.  Having just completed a 10-year career as gallery curator, for Mission Cultural Center for Latino Arts, Ms. Rodriguez continues to curate shows, through the Internet and locally.  Her exhibition artwork has been monotype prints, box constructions, in the Bay Area; The Museum of Modern Art, Smithsonian, Mexican Fine Arts Museum, Daniel Saxon Gallery, and De Young Museum, The Triton Museum and many other community galleries and venues.

For complete details, Read the Full Call!

Learn more about the Women's Caucus for Art!

CALL for ENTRIES: The Art of Food

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My food obsession strikes me as, well, obsessive sometimes.  I cannot explain it really.  As a kid raised by a single father, dinner was our time to hang out.  Once I was old enough to cook (age eight), food became my familial contribution. As a teenager, food was comfort.  And as a fully-grown adult, food is often my adventure amongst the many jobs that limit my time: executive, blogger, artist, musician, and last-but-not-least, mother.  It is a passion, an entertaining and delicious escape as well as a quest for health.  My desire to have you all enter and represent with this next Call has obvious motivation.  Make me proud…

Check out this Call for Entries from the Dawson County Arts Council  for The Art of Food for exhibit at the Bowen Center (Dawsonville, GA).  This show is open to all media, including the written word. Investigate…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: The Art of Food, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about The Art of Food from the Dawson County Arts Council!CALL for ENTRIES:
The Art of Food

 

Food is vital to our lives, but its concepts and standards are as diverse as the culture that consumes it. What is the connection between food and art?

The Art of Food, calls for artists and writers who seek to explore representations of food, food consumption, food production, culinary traditions and emotional manifestations of this relationship.

ELIGIBILITY:  Open to all artists.

MEDIA:  Open to all art media including the written word, traditional to contemporary work, 2D or 3D, using a singular method or using a variety of techniques and imaginative interpretations.

Learn more about The Art of Food from the Dawson County Arts Council! DEADLINE:  June 16, 2012

NOTIFICATION:  June 30, 2012

ENTRY FEE:  $35 for nonmembers of DCAC and $25 for members of DCAC.  Writer jury fee is $10 for nonmembers of DCAC and $5 for members of DCAC.

JURORS:  Kathy Rennell Forbes earned her BFA in Art and Art Education at the University of Georgia. The artist has exhibited in many solo art shows and has won awards in local, regional and national shows. She teaches art classes in the Atlanta area and workshops around the country. Kathy works in watercolors, acrylics and oils. Her representational paintings are in private and corporate collections throughout the United States, Australia and Europe, to include the French Olympic Committee in Paris. She is a Signature Member of the Georgia Watercolor Society and past President and is a Member of Excellence in the Atlanta Artists Center.

Learn more about The Art of Food from the Dawson County Arts Council!Tonette Taylor Long earned her Ph.D. in British Literature from Florida State University in Tallahassee. Her M.A. in British Lit. and her B.A. in French are from Auburn University. Excluding seven years of graduate school teaching, she has taught at the college or university level for eighteen years. She authored a reference book, edited a collection of scholarly essays, and published a number of scholarly articles and reviews on Southern women writers.

AWARDS: Visual art:  Best in Show $500, Award of Merit (1) $250 and Honorable Mentions $125.  Writing Art:  Best Literary Piece $150, Literary Award of Merit $75, and Literary Honorable Mentions $50.

For complete details, Read the Full Call!

Read the Full Call from the Dawson County Arts Council!