All Media – Page 24 – Art and Art Deadlines.com

CALL for ENTRIES: Feminist Sex

Posted on January 11, 2015 by R.L. Gibson

WIENERS,
anyone?

How did operating a grill become a feminist issue? I can’t tell you how many female friends I have that defer grilling activities to the men in their lives under the guise of not knowing “how to do it”. Really? Amongst this group of women who are financiers, scientists, diplomats & artists, no one can operate a grill? Please. Maybe they are just faking it, like me, to avoid the additional work occasionally. *Shhh* This next Call has NOTHING to do with the grilling of meat and EVERYTHING to do with feminism. Take a look…

Check out this Call for Entries from On the Ground Floor (Los Angeles) for The Feminist Sex Shoppe. This is open to all media. The best men I know are feminists, and this Call does NOT exclude men. Don’t miss this opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Feminist Sex, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Feminist Sex

“We seek new works that explore concepts of sex-positive feminism including pleasure and desire, repression and repulsion, taboo and fantasy, body image and biology, love, lust, and eroticism. We welcome works that address sexual health and well-being and reflect the influence of family, religion, culture, politics, education, and the economy on women and their sexuality.” –from onthegroundfloor.co/fss

ELIGIBILITY: Open to all artists. (not gender specific)

MEDIA: Open to all media.

DEADLINE: February 9, 2015

NOTIFICATION: February 20, 2015

ENTRY FEE: $25

CURATOR: Malika Ali is a Los Angeles-based artist & curator working in multiple media including film & video, installation, photography, and the written word. She is an alumna of Howard University and The American Film Institute where she earned a Master of Fine Arts degree.

Malika Ali has exhibited with The Greater Cleveland Urban Film Festival, Arena 1 Gallery, Upstairs at the Market Gallery, and On The Ground Floor (OTGF), an artist-run space she co-founded in the View Park district of Los Angeles. Her blog converges contemporary art, writing, design, lifestyle, family, culture, and politics.

For complete details, Read the Full Call!

CALL for ENTRIES: 52nd Masur

Posted on December 4, 2014 by R.L. Gibson

EARLY
to rise?

Breakfast is beloved in my house. Everywhere I have ever lived, including some time in the Virgin Islands, breakfast has been the biggest meal of the day because it was always the cheapest. Even tiny islands in the Caribbean can raise chickens instead of importing eggs. So, a cheeseburger might be $18, but breakfast was always under $5. Those days have passed, and breakfast can be a pricey endeavor. It is apparently even more expensive if you get up a little later and call it brunch. Start your morning with this next Call because it is definitely cheaper than brunch. 🙂 Take a look…

Check out this Call for Entries for the 52nd Annual Juried Exhibition from the Masur Museum of Art (Monroe, LA). $10 entry fee, no commission, and the gallery is stunning. This is a great opportunity!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 52nd Masur, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL or ENTRIES:
Masur Museum
52nd Annual Juried

ELIGIBILITY: Open to all US artists 18+

MEDIA: Any media

DEADLINE: January 1, 2015 (online) and December 27, 2014 for postmarked entries

NOTIFICATION: January 21, 2015

ENTRY FEE: There is a $10 per work with a minimum of 2 and a max of 5 entries

JUROR: Sandra Q. Firmin was Curator of the UB Art Galleries, gallery of the University of Buffalo SUNY, a position she held from 2003 to 2014. Firmin is currently the Director and Chief Curator, Colorado University Art Museum.

Firmin holds an M.A. from Bard College’s Center for Curatorial Studies, and was awarded a Philadelphia Exhibitions Initiative Fellowship at Arcadia University Art Gallery. At the UB Art Galleries, Firmin established an annual residency program in which artists are presented with an empty gallery to transform over time while open to the public. These commissioned projects aim to forge meaningful interactions between artists and diverse groups of people while acknowledging a turn toward research-based and ephemeral site-specific approaches in contemporary art. In 2014 Firmin co-chaired (with Julian Cox) the Association of Art Museum Curators’ annual conference in Detroit, and moderated the panel Urban Ecologies and Cultural Exchange.

AWARDS: Best in Show is $1,000, and total awards are $3,200.00. The People’s Choice Award is $200.00 and will be voted on by visitors throughout the run of the exhibition. Best Packed: This award will honor the artist who packs their art in the most professional manner. The award is $100. *No packing peanuts, feedbags, loose papers as packing materials, no cigarette butts, etc. These types of things will disqualify you! This prize will be decided by the Masur Museum staff. I ♥ this!

SALES: The Masur Museum of Art does not receive a commission on sales.

For complete details, Read the Full Call!

CALL for ARTISTS: Pricing your ART!

Posted on December 1, 2014 by R.L. Gibson

RECIPE
for success

I hoard recipes in a little Campbell’s Soup box on my kitchen counter top. I also post them to a private group on FB & pin them to a board in Pinterest too. Honestly, I rarely follow a recipe, but I learn so much from how other people cook. Art should be the same way. I hope you are out there looking at art online & OFF line. Share & try not to be afraid of copy cats. Remember, what makes your work YOURS can’t ever be duplicated.

If it weren’t for sharing, this blog wouldn’t exist. Just in case you forgot how it all got started in the first place, here is a link. I share my experiences, recommendations & cautionary tales about food and art with all of you. But, I also share it in a series of career development workshops at the Arts & Culture Alliance in Knoxville, TN. I have one coming up in February on How to Price your Artwork, and I would love to have your input. The “right” answer is… whatever works for you. But, the real question is… does is REALLY WORK for you? Are you selling art? So, this call asks that you share your recipe for success…with me.

Check out this Call for Artists from AAAD for Pricing your Art, a call for feedback. Yours truly needs your help making sure that I am passing along a recipe for success to novice and emerging artists. Don’t worry, there’s a reward…

CALL for ARTISTS:
Pricing your ART!

ELIGIBILITY: Open to all artists

MEDIA: Open to all media

DEADLINE: December 15, 2014

NOTIFICATION of AWARDS: By December 23, 2014

ENTRY FEE: None, of course

AWARDS: I will choose 1 out of every 5 feedback forms (at random) to award a FREE Artist to Love listing & post ($15 value).

*Editor’s Note: The only REQUIRED information below is your Name, Location & Pricing strategy. I will NEVER give away or sell your information to anyone EVER. I will not reveal your pricing strategy to any with your name attached. The information will be aggregated to form a range of working options and prevailing theories for new artists that need the assistance. I will be the ONLY ONE that reads the information you fill out below. Please note, when you submit the form, it will be emailed to me at submitart@artandartdeadlines.com. If you are uncomfortable using the form below, feel free to email the information to me directly.

I want to encourage you to share your best practices below. Do you price on whim? Do you track your studio time? Do you have a formula (cost of materials+ 2x hourly labor–for example). Do you have an average cost per square inch that you apply generally. Do you charge the same amount when you are not paying commission? Please tell us more… (continues below the form)

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After the February workshop, I will publish all the information so that everyone can benefit whether you are in Knoxville or the other side of the planet!

Give us all the details for a chance to be an Artist to Love!

CALL for ENTRIES: 47th Octagon National

Posted on November 26, 2014 by R.L. Gibson

rocks
NOT CORN

What’s behind the naming of state foods? The obvious answer is that it honors a crop vital to a state’s economy and/or identity, right? Wisconsin has milk. Florida has oranges. And so on. But what about the dozen or so U.S. states that does not claim a state food. Iowa has a state rock (the geode) but no state food. If you have any idea why, I’d love to know. In the meantime, here’s a Call from an arts organization that Iowa should be proud to claim. Investigate…

Check out this Call for Entries from Octagon Center for the Arts (Ames, IA) for the 47^th Clay, Fiber, Paper, Glass, Metal, Wood National Exhibition. This all media show has a great juror. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 47th Octagon National, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
47th Octagon Nat’l

ELIGIBILITY: All artists 18+ residing in the continental U.S.

MEDIA: Any Media is eligible including paintings, photos, jewelry, sculptures, etc.

DEADLINE: December 5, 2014

NOTIFICATION: December 15, 2014

ENTRY FEE: $30 for up to 3 ($25 for Octagon members)

JUROR: Pauline Verbeek-Cowart, a native of the Netherlands, received her BFA (1982) in Fine Art from the Maryland Institute and her MFA in textile design from the University of Kansas (1995). After teaching at the University of Kansas she joined the faculty of the Kansas City Art Institute, where she has been developing the area of constructed textiles since 1997 and where she chairs the Fiber program. She is a leader in the use of new technologies in hand-weaving and has researched using industrial looms in The Netherlands & the US. Most of her weavings span several feet in both directions & comment on the nature of woven surfaces. Through structure, material, image and/or surface treatments, she demonstrates that weaving is unique in building an image.

AWARDS: Winifred V. Brown Best of Show: $1,000, 1st Place: $500, 2nd Place: $250, 3rd Place: $100, & (3) Honorable Mentions: $50 ea.

SALES: The Octagon retains a 40% commission on any artwork that is sold, so price accordingly on entry form. Artwork not for sale must be marked NFS and have a value for insurance purposes.

For complete details, Read the Full Call!

CALL for ENTRIES: Indie Grits

Posted on November 25, 2014 by R.L. Gibson

simple
STAPLE

I have grits for breakfast 3+ days per week. I have a favorite brand of organic, non-GMO grits that never cease to inspire. On a busy morning, it is scrambled eggs over the top of cheese grits. The next morning, the refrigerated left over grits are cut into cakes that are sauteed and used as the base for Eggs Benedict. This morning it was Charleston-style milk grits with a poached egg & chorizo. There is no end to the independent spirit of this simple staple. This next Call is an inspiration of grits proportions as well. Take a look…

Check out this Call for Proposals from the Nickelodeon Theatre for the Future Perfect themed Indie Grits Film Festival. Entries/Proposals ARE NOT limited to film. No entry fee either. Don’t pass this one by…

CALL for ENTRIES: Indie Grits

THEME: Future Perfect. What is Future Perfect? It is the new southern city, urban design for tomorrow in a technological environment, cars that drive themselves, plastic biology, thought-controlled machines, seeds that produce sterile offspring, invisible cities, roads that drain the sun, utopian daydreams, eminent domain, an electric imagination, drones, highly efficient minimalism, living architecture. Future Perfect is what we will make it.

ELIGIBILITY: Open to all artists with a connection to the Southeast United States. It is up to each applicant to make an argument for a valid connection.

MEDIA: ALL disciplines of art are acceptable: painting, drawing, photography, sculpture, sound, video, installation, mixed-media, etc. Artwork can be pre-existing, but it must have a connection to the 2015 theme of Future Perfect. In the application each artist must describe how their proposed work ties into Future Perfect.

DEADLINE: December 5, 2014

NOTIFICATION: January 16, 2015

ENTRY FEE: None

AWARDS: The Indie Grits Film Festival is a program of the Nickelodeon Theatre, a non profit with a tight budget; please mke an effort to hold down costs. They will select 15-25 artists/collaborations. Projects will receive $50 – $1000 with most being on the low end of that spectrum.

For complete details, Read the Full Call!

CALL for ENTRIES: 18th Woman Made

Posted on November 24, 2014 by R.L. Gibson

BACON
borders

The creativity of food preparation has fundamentally changed on a mainstream level in the past 20 years. A larger segment of the population cooks with abandon now. The great divide between foods destined to be either savory or sweet seems to have slowly disappeared. Chocolate is as likely to show up in an entree as bacon is to show up in a dessert. This next Call encourages you to explore and challenge boundaries presented by both materials & concepts. Take a look…

Check out this Call for Entries from the Woman Made Gallery (Chicago, IL) for their 18th Int’l Open. This is a special gallery with a fantastic history of well-curated shows, and I have a soft spot for this year’s juror. Do your homework, ladies…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 18th Woman Made, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
18th Int’l Open

ELIGIBILITY: Open to all female artists

MEDIA: All themes, styles, and media will be considered– explore & challenge conceptual & material boundaries!

DEADLINE: November 28, 2014

NOTIFICATION: December 17, 2014

ENTRY FEE: $30 for up to 3 images

JUROR: Gill Gatfield has MFA & Bachelor of Laws from Auckland University. In 2011, she won a major national public art competition for a site-specific sculpture in Auckland NZ. In 2012, she was nominated as a member of Global Women, a multi-sector organization of women leaders with global perspectives. A monograph on her practice, ‘Abstract Figure: Gill Gatfield,’ was released at the 2013 International Sculpture Centre Symposium. Gatfield’s work blends abstraction with conceptualism, and contemporary with classical. Trans-disciplinary in approach, she uses diverse media to create interconnected series of texts, frames, and monochromes. Her work is held in collections in NZ, Australia, USA, Canada, UK, Germany and Switzerland. *Many of you are slacking off on doing your homework on jurors. Don’t skip this step!

AWARDS: 1st Prize: Solo Show in 2016 at WMG; 2nd Prize: $500 ; 3rd Prize: $250

SALES: WMG will retain a 40% commission

For complete details, Download the Prospectus!

CALL for ENTRIES: tiny art show

Posted on November 23, 2014 by R.L. Gibson

tiny
TREATS

I am fascinated by small food & small restaurants. There is something special about the smallest of goodies served in the smallest of places. One automatically assumes great care has been taken because you have less real estate literally & figuratively to make an impression. Sel et Gras in NYC was always on my list to try, but I heard it closed. Do you have any suggestions I should try? I suggest you take part in this next study in tiny art. This could be a good opportunity for some of you.

Check out this Call for Entries from the Pitt County Arts Council (Greenville, NC) for The Tiny Art Show at Emerge Gallery & Art Center. If you are looking to add a line to your resume from a legitimate arts organization, this is a great resource. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: tiny art show, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
tiny art show

ELIGIBILITY: Open to all artists

MEDIA: Open to all artwork no larger than 5″ x 5″ x 7″. (*Editor’s Note: This is an ideal call for artists needing an extra line on their resume that happen to work on paper or any other lightweight, easily mailable media.)

DEADLINE: Arrive by January 29-31, 2015.

NOTIFICATION: All hung. However, the staff has the right to reject any work for work sized wrong or inappropriate subject matter.

ENTRY FEE: None

SALES: Work must be priced at either $5 or $10. If the “juried” box is checked on the inventory sheet, the work may be juried and MAY be repriced to be $25 or $50 by Emerge Gallery. 50% commission will go to the Pitt County Arts Council (Greenville, NC); however, they would also appreciate any additional support through a complete sale donation if the artist so chooses.

For complete details, Read the Full Call!

CALL for ENTRIES: Seeing the Land

Posted on November 13, 2014 by R.L. Gibson

tired
BUT HUNGRY

Living off the land is labor-intensive & complicated. As my husband I began planning for gardening our own little plot of land, my head swims with seed varieties, planting schedules, crop rotation, organic pest control, bee pollination & seed preservation. The advantages of having an agricultural degree is all too clear now. And then there is the livestock–goats and sheep and chickens. Farm country looks a little less serene to me now when they whiz past my window on car trips. But when I fall asleep, I still dream of fresh beets, cabbage & carrots. Wrong–I know. This next Call wants to know how YOU see the land. Take a look…

Check out this Call for Entries from Art-Competition.net (online) for Seeing the Land — a landscape photography show. The entry fee is as little as $15, and the prize packages are fantastic. Don’t miss the opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Seeing the Land, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Seeing the Land

ELIGIBILITY: All artists age 18+

MEDIA: Landscape Photography

THEME: The work can interpret the various conditions of the land of our earth, its beauty, mans impact on it, a mythological view, spiritual feeling or the disruption to it by nature. The work can express any aspect of the land from beauty to science to fiction as a representational or non-representational image.

DEADLINE: November 17, 2014

NOTIFICATION: November 24, 2014

ENTRY FEE: $15 for 1, $30 for 3, $60 for 7

AWARDS: 1st Place $500 cash & other awards valued at $5200. 2nd place – $125 cash & other awards valued at $1625. 3rd Place – $75 Cash. 4th Place – $50 cash.

For complete details, Read the Full Call!

CALL for ENTRIES: Mind, Spirit & Emotion

Posted on October 28, 2014 by R.L. Gibson

with
SPRINKLES

Hello, my name is Rachel, and I am an emotional eater. I own it most days. I have learned to indulge the tendency with care. Potato chips and dip are fine after an occasional day of stress as long as it isn’t a daily ritual. Also, I’ve learned to be more discerning about the potato chips and dip I chose, of course. I find that my celebration eating is far worse than my stress eating though. I am wishing lots of celebration cupcakes for the five of my readers (fingers crossed) that make the cut for this next Call. Take a look…

Check out this Call for Entries from Art-Competition.net (online) for Mind, Spirit & Emotion — a FIVE artist group show. If you are looking to increase your web exposure, take a look at the marketing efforts for those included in this show. This is a great opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Mind, Spirit & Emotion, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Mind, Spirit & Emotion

ELIGIBILITY: All artists age 18+

MEDIA: 2-D artwork created in any medium (paint, drawing, digital, collage, photography, etc.) and expressed from realism to abstract images.

THEME: The visual narrative of the artist’s work should reveal their mind, spirit and emotion in the artwork. The work should express the subject through the artist’s emotions, whether it is bold energy, subtle expression, mystery deepened or revealed, inner beauty, or a unique vision.

DEADLINE: November 10, 2014

NOTIFICATION: November 14, 2014

ENTRY FEE: $30 for 2, $10 ea add’l

For complete details, Read the Full Call!

CALL for ENTRIES: Chroma

Posted on October 24, 2014October 24, 2014 by R.L. Gibson

better & brighter
ROOTS

I spent the majority of my life hating beets, but I was so very wrong. They are my favorite color on the planet; that should have been my first hint. The beautiful shade of purplish-red found in sugar beets was the first clue that they held an earthly luscious quality not to be missed. Roasted or pickled, warmed or chilled, I can’t get enough of them now. This next Call wants to know all you love about hue and saturation. Let them see your best…

Check out this Call for Entries from Gallery 263 (Cambridge, MA) for the Chroma Exhibit. The entry fee is only $25, and the space is beautiful. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Chroma, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:
Chroma

A national juried exhibition of work on hue, saturation and value. Apply to Chroma at Gallery 263 with your most glowing, blushing, luscious artwork in any medium.

ELIGIBILITY:
Open to all artists in the US

MEDIA:
All media will be considered

DEADLINE: December 7, 2014

NOTIFICATION: December 15, 2014

ENTRY FEE: $25 for up to 3, $40 for 4-6.

JUROR: Lynda Schlosberg is a Boston-based abstract artist who creates intricate and process-oriented paintings that are constructed using a series of interwoven layers of meticulous repeating patterns of dots, dashes, and grids using highly saturated, vibrant and illusory colors. It is through her skillful utilization of color theory and pattern that she constructs spatial illusions that expand and recede simultaneously, when viewed, fully exercise the mind and the eye.

Schlosberg received her MFA from the Art Institute of Boston at Lesley University, and her BFA from Ohio University College of Art. She is represented by Susan Maasch Fine Art in Portland, ME and by Kingston Gallery in Boston. She has recently partnered with the non-profit Art in Giving. She maintains a studio in Waltham, MA.

SALES: All proceeds from art sales go to the artist. Gallery 263 acts as the liaison between the artist and any parties interested in purchasing artwork. However, they do suggest a 30% donation to the gallery from any sales made.

Category: All Media

WIENERS, anyone?

CALL for ENTRIES: Feminist Sex

For complete details, Read the Full Call!

EARLY to rise?

CALL or ENTRIES: Masur Museum 52nd Annual Juried

For complete details, Read the Full Call!

RECIPE for success

CALL for ARTISTS: Pricing your ART!

Give us all the details for a chance to be an Artist to Love!

rocks NOT CORN

CALL for ENTRIES: 47th Octagon Nat’l

For complete details, Read the Full Call!

simple STAPLE

CALL for ENTRIES: Indie Grits

For complete details, Read the Full Call!

BACON borders

CALL for ENTRIES: 18th Int’l Open

For complete details, Download the Prospectus!

tiny TREATS

CALL for ENTRIES: tiny art show

For complete details, Read the Full Call!

tired BUT HUNGRY

CALL for ENTRIES: Seeing the Land

For complete details, Read the Full Call!

with SPRINKLES

CALL for ENTRIES: Mind, Spirit & Emotion

For complete details, Read the Full Call!

better & brighter ROOTS

CALL for ENTRIES: Chroma

For complete details, Download the Prospectus!

WIENERS,
anyone?

CALL for ENTRIES:
Feminist Sex

EARLY
to rise?

CALL or ENTRIES:
Masur Museum
52nd Annual Juried

RECIPE
for success

CALL for ARTISTS:
Pricing your ART!

rocks
NOT CORN

CALL for ENTRIES:
47th Octagon Nat’l

simple
STAPLE

BACON
borders

CALL for ENTRIES:
18th Int’l Open

tiny
TREATS

CALL for ENTRIES:
tiny art show

tired
BUT HUNGRY

CALL for ENTRIES:
Seeing the Land

with
SPRINKLES

CALL for ENTRIES:
Mind, Spirit & Emotion

better & brighter
ROOTS

CALL for ENTRIES:
Chroma