Art and Art Deadlines.com

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Art and Art Deadlines.com

Category: 3 Dimensional

CALL for ENTRIES: Mono No Aware X

Learn more about Mono No Aware X!natural ABUNDANCE

The downside of eating local, in season food is familiarity.  During the peak of Summer, I grown at the site of a  crookneck squash, in Fall it is the pumpkin.  But, I have found THE solution –unexpected parings.  Combining two familiar ingredients in an unexpected way can refresh the palate and your menu.  Pumpkin & oranges, white chocolate & sage, avocados & maple syrup. Try one.  Sometimes it is all about the right combination.  The next call offers a way for you to combine your work with film to spectacular effect.  Take a look…

Check out this Call for Entries for Mono No Aware X.  Entry fee is a voluntary donation. You may have appropriate work.  This is NOT your average film festival.  Investigate…

Learn more about Mono No Aware XCALL for ENTRIES:
Mono No Aware X

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ELIGIBILITY:  Open to all artists

MEDIA:  Open to contemporary art that incorporates film, Super 8mm, 16mm, 35mm or altered light projections as part of a sculpture, installation, dance, or expanded cinema performance. For example: blending film & theater performance, musicians creating a visual experience for their sound, & experimental filmmakers working with storytellers.  Works existing on digital video will not be considered. All moving images should be from an analog source.

DEADLINE:  September 16, 2016

NOTIFICATION:  September 23, 2016

ENTRY FEE: $0 – $20 suggested donation with entry

For complete details, Read the Full Call!

Learn more about Mono No Aware Festiva!

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CALL for ENTRIES: Altered State

Learn more about the Altered States of Collage exhibit from the Collage Artists of America!INGREDIENTS a-go-go

It is casserole week at my house.  Every once in a while we spend a day assembling casseroles.  I don’t know why people consider them “easy” meals because they take excessive amounts of time, prep and organization, but I do find them convenient to have around once they are pre-prepared on a week I need free time at the end of the day.  Plus, when we have a bevy of rapidly ripening food from our local farmers market, casseroles offer an excellent long-term storage option via the freezer.  But the best part of making casseroles are the ingredients.  Like many of you, I am guilty of getting into a rut of one protein and two vegetable for meals; however, casseroles are a collage of sometimes a dozen or more ingredients.  The combination of ingredients makes for a special treat –like this next collage call.  Don’t miss this one…

Check out this Call for Entries from Collage Artists of America for the Altered States of Collage exhibit at the San Fernando Valley Arts & Cultural Center in Tarzana, CA. Great juror, cash prizes & media specific.  Take a look…

Learn more about the Altered States of Collage show!CALL for ENTRIES:
Altered States of Collage
from Collage Artists of America

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ELIGIBILITY:  Open to artists residing in the U.S.

MEDIA: Open to collage, mixed-media collage and assemblage

DEADLINE:  September 15, 2016 by 5pm Pacific Time

NOTIFICATION: October 1, 2016

ENTRY FEE: $35 for one; $45 for two.

JUROR:  Leslie Shows is an American artist who is recognized for expanding the boundaries of landscape painting. Leslie Shows’ earlier works were mixed-media collages depicting abstracted landscapes.  Her more recent paintings, while retaining the use of mixed media, have become more abstracted and focus on mineral textures and geologic features.  Solo exhibitions include:  Walter & McBean Gallery, Scottsdale Museum of Contemporary Art, Bemis Center for Contemporary Arts, Jack Hanley Gallery, Haines Gallery, San Francisco Museum of Modern Art & Berkeley Art Museum.

AWARDS:  First Place $500, 2nd Place $300, 3rd Place $200, three Honorable Mentions & Merchandise Awards.

SALES:  Gallery will receive 30% commission on any and all sales.

For complete details, Read the Full Call!

Learn more from the Collage Artists of America!

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ARTIST of the DAY: Mister Finch

"toadstool" (textile art) by Mister Finch
“toadstool” (textile art) by Mister Finch

“A story sewn in, woven in. Velvet curtains from an old hotel, a threadbare wedding dress and a vintage apron become . . . . Storytelling creatures for people who are also a little lost, found and forgotten.” Mister Finch

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I find tactile joy in vintage textiles and incorporating them into my life gives me a sense of history, of continuation, that my personal story lacks in some degree.  The works of today’s AAAD Artist of the Day, Mister Finch, are gifts of life, experience, labor and joy — of mindfulness.  These creatures have a sort of fabricated authenticity, a beautifully crafted reality.

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Find your own creature feature in the work of
today’s AAAD Artist of the Day, Mister Finch!

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CALL for ENTRIES: Red 2

Learn more about the Red 2 Exhibit from art-competition.net!another shot of RED

Lamenting the end of red foods the other day, I completely forgot about rhubarb.  The further South you live, the later in the season you can harvest rhubarb.  It isn’t a common find at fresh markets in my area, or even at my grocer, in theory because it is a pain.  It is disease resistant and hard to kill, but it requires a well-fed diet of compost and/or manure each year and SO MUCH watering.  Nonetheless, I love rhubarb jam.  Rhubarb, sugar, lemon juice.  Simple, sweet & tart.  Try it; you’ll love it.  This next Call is looking for your red work, fruits & veggies are optional.  Delicious…

Check out this Call for Entries from Art-Competition.net for Red 2. $20 entry, no shipping, plus marketing awards. Take a look…

Learn more about the Red 2 Exhibit from art-competition.net!CALL for ENTRIES:
Red 2 from Art-competition.net

 

ELIGIBILITY: All artists age 18+

MEDIA: 2-D media: painting, drawing, photography, digital, collage, fiber, etc.

THEME: Red “The color red implies many emotions and feelings; power, heat, love, sexuality, anger, joy, and war are but a few examples. Red can be used to draw the viewer closer emotionally in a way which enhances and emphasizes their reaction to the art. It may define intuitively an intended focal point that carries the viewer more deeply into the message.”

DEADLINE: August 22, 2016

NOTIFICATION: August 31, 2016

ENTRY FEE: $20 for 1, $10 ea. add’l

AWARDS: Twenty artists will be selected for a group exhibit entitled “RED 2” at G25N’s online gallery.  The exhibit and all selected artists will be extensively marketed. Click here for details.

For complete details, Read the Full Call!

Learn more from art-competition.net!

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ARTIST of the DAY: Ruth Tabancay

"Basalt Causeway" (burnt sugar) by Ruth Tabancay
“Basalt Causeway” (burnt sugar) by Ruth Tabancay

Why food?  I am asked all of the time.  Food & art are connected as inspiration, nourishment & care-giving.  Food is ripe with meaning.  My developing palate & the evolution of my culinary abilities (and responsibilities), as well as my attitude about the suitability of food, echo my growth through the years as an artist and arts administrator –all marking the passage of time. That’s why.

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“I am attracted to objects that are already
infused with meaning.”
Ruth Tabancay

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The most recent work of today’s AAAD Artist of the Day, Ruth Tabancay, features the installation of burnt sugar forms that slowly melt during their installation.  Sugar marking the passage of time, marking the beautiful fluidity, ignoring your impatience or desire to know the destination.  Beautiful.

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Be patient.  Take your time.  Enjoy the work of AAAD Artist of the Day, Ruth Tabancay!

 

 

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ARTIST of the DAY: Yana Goldfine

Two views of "Solemnity" (porcelain, steel & fabric) by Yana W. Goldfine
Two views of “Solemnity” (porcelain, steel & fabric) by Yana Goldfine

“I vividly remember playing with dolls and stuffed animals as a young girl. They brought me comfort, pleasure and new coping skills and on occasion, solutions to conflicts. This current work is an attempt to recreate some of those childhood characters and to interact with them both as an artist and as a woman.” —Yana Goldfine

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The experiences of our childhood help shape us –for the good or for the bad, often both.  But for me, my childhood was a strange place, disconnected from whom I chose to become as an adult.  Any time I am met face to face with an artifact of my youngest years, it gives me pause.  Today’s AAAD Artist of the Day, sculptor Yana Goldfine is on a journey to revisit her own artifacts.  Where do they take you?

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Explore your own artifacts through the work of the
AAAD Artist of the Day, sculptor Yana Goldfine!

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ARTIST of the DAY: Andrea Costantini

left to right "Oblivion 006, Industrial [R]evolution" & "Oblivion 005, Gravity" by Andrea Costantini
left to right “Oblivion 006, Industrial [R]evolution” & “Oblivion 005, Gravity” by Andrea Constantini

” . . . art represents for me the power to escape the constraints of social and economic differences and the limits of space and time . . . “Andrea Costantini

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Magic pills for all that ails you, emotional, psychological & physical.  Wouldn’t it be a dream if all those ails could be remedies by the transformative power of art?  Today’s AAAD Artist of the Day, Andrea Costantini, offers us at least an escape, if not a remedy, from the weight that holds you down.

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Enjoy the transformative gifts of AAAD Artist of the Day, Andrea Costantini!

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CALL for ENTRIES: Bareback

Learn more about the Bareback Exhibit from Studio C Gallery! four-legged FOODIE

Parsnips make me itchy.  My family eats copious amount of root vegetables –carrots and turnips and beets.  But the carrot’s paler cousin makes me feel like I have rolled in fiberglass insulation.  Parsnips are easy to cultivate & fetch a higher price than carrots at local farmers markets.  I have a friend that grows them because she never has any waste.  They last forever, but even if they start to get overripe, they are a favorite treat of her retired work horse.   This next Call is interested in your equine imagery, and they promise not to make you eat parsnips.  This is a lovely theme…

Check out this Call for Entries from Studio C Gallery (Los Angeles, CA) for Bareback: Symmetry in Motion.  $27 entry & open to all media.  Take a look…

Learn more about the Bareback Exhibit from Studio C Gallery!CALL for ENTRIES:
Bareback from Studio C Gallery

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“Humankind owes an enormous amount of gratitude to the horse. Domestication of the horse provided humans with mobility, survival and pleasure. Yet today, horses are facing a daunting challenge. Yearly round ups by the Bureau of Land Management, kill buyers, horse racing breakdowns, and drought that forces some owners to abandon their animals, have left horse’s lives in peril. This dilemma is not going away. It is a problem that needs to be addressed through action.” –from studiocgalleryla.com

ELIGIBILITY:  Open to woman artists

MEDIA:  Open to all media as long as it interprets the theme “Bareback: Symmetry in Motion”

DEADLINE:  August 15, 2016

NOTIFICATION:  August 22, 2016

ENTRY FEE:  $27 for up to 4, $5 each add’l

JUROR:  All entries are submitted to a jury comprised of women artists & art professionals. Each year new jurors are selected for the process.

SALES:  Studio C Gallery takes a 20% donation from each artwork sold during the duration of the exhibition.  80% of sales will go directly to the artist.  The gallery asks that each artist make a donation to the Wild Horse Sanctuary or Return to Freedom.

For complete details, Read the Full Call!

Learn more from the Studio C Gallery!

 

 

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CALL for ENTRIES: FL3TCH3R 2016

Learn more about the FL3TCH3R exhibit!circus FOOD

Popcorn is the nightly snack of choice at my home, but lately it has taken on a more symbolic nature.  The current election climate has left me feeling disconnected from the political process –as though my voice and vote don’t count.  It feels like I’m watching a movie, eating popcorn and yelling at the innocent girl to warn her that the bad guy looms just around the next corner.  This next Call strives to connect people to the political and social issues that comprises contemporary culture.  Take a look…

Check out this Call for Entries from the Reece Museum at ETSU (Johnson City, TN) for The FL3TCH3R Exhibit. Here’s your chance to speak your mind without media restriction. Don’t miss this chance…

Learn more about the 2016 FL3TCH3R Exhibit!CALL for ENTRIES:
FL3TCH3R 2016

 

The theme of THE FL3TCH3R EXHIBIT is focused on work with strong social and political content. Work entered in the exhibit should reflect current issues that affect contemporary culture and investigate societal and political concerns. Diverse media and approach to the theme are encouraged.

ELIGIBILITY: U.S. artists age 18+

MEDIA: All 2D, 3D, performance & installation & video art are eligible. Due to space & logistical considerations, large-scale & complicated installation is not encouraged.

DEADLINE: August 22, 2016 (late deadline August 31, 2016)

NOTIFICATION: September 16, 2016

ENTRY FEE: $40 for up to 3, $10 ea. add’l (by August 22). OR $45 for up to 3 & $10 ea. add’l (from August 23-31).

JUROR: Dr. Eric Avery is a celebrated printmaker and recently-retired physician who for decades has practiced medicine and art in tandem. His complexly layered work connects issues of printmaking and art history with social concerns of public health, human rights abuse and responses to HIV/AIDS, death, sexuality and the body.  Creating powerful historical records of experience with patients, he changes the ordinary role of a doctor into an artist inspired by healing, fusing the space between art and medicine.  Before his retirement, he was clinical associate professor of Psychiatry and Behavioral Sciences and member of the Institute for Medical Humanities, The University of Texas Medical Branch, specializing in issues related to HIV/AIDS.  In addition to being the subject of numerous gallery exhibitions, Avery’s work is found in many prestigious permanent collections.

AWARDS: Best of Show $300, 2 Awards of Excellence $100 ea & Appalachian Artist Award (TBA)

For complete details, Read the Full Call!

Learn more about the FL3TCH3R exhbit!

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ARTIST of the DAY: Hank Willis Thomas

"I Am A Man" by Hank Willis Thomas
“I Am A Man” by Hank Willis Thomas

“This series of paintings was inspired by a 1968 photograph by Ernest Withers of marchers during the Memphis sanitation workers March.  Martin Luther King was assassinated while there in support of the March.  The men carried signs which read ‘I am a Man’.  I found it fascinating that the the phrase I grew up with was ‘I am THE Man’.  The collective statement became individualistic in the age of integration.  Reflecting on American history I wanted to riff and remix the text, ultimately ending with the revelation ‘I Am. Amen.’  MLK showed us that our greatest gift is our consciousness and it is up to us what we choose to do with it.” —Hank Willis Thomas

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I implore you to listen.  Listen. Understand your privilege, whatever it may be.  Being defensive doesn’t serve you. Don’t just look at people; SEE them. Love people for their humanity — both strengths & flaws.  Respect the space each person needs to work and speak and react to community in which they live.  Recognize that people have the right to be who they are, regardless of, and even in spite of, your expectation of them.  I am inspired by the work of today’s AAAD Artist of the Day, Hank Willis ThomasYou can change the world. Start with you.

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Explore your truth with AAAD Artist of Day, Hank Willis Thomas!

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