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Category: Featured Artist

CALL for ENTRIES: Green

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!It ain’t easy
BEING GREEN

I am obsessed with green vegetables. On any given day, you can open my refrigerator and find snap beans, half runners, spinach, brussel sprouts, asparagus, romaine lettuce, celery, cabbage and broccoli.  Those are just the staples.  This next call wants to know what green means to you, eaten or otherwise. Take a look…

Check out this Call for Entries from The Shoe Factory Art Co-op (Rochester, NY) for Green: What Does It Mean?. This uniquely-themed show could be a great opportunity to put another show on your resume! This could be your chance…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Green, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Green Show!CALL for ENTRIES:
Green: What Does It Mean?

 

The Shoe Factory Art Co-op seeks artists to create and submit artwork that expresses the meaning of “green”.  Open interpretation.

ELIGIBILITY: Open to all artists

MEDIA: Open to all media related to green.

DEADLINE: August 25, 2012

ENTRY FEE: Pay $18 submission fee, $25 for non-members, by PayPal or Credit Card on the Call for Artists page.

JURORS: Green will be juried by The Shoe Factory Art Co-op.

SALES: 25% commission on the price of any artwork sold (35% for non-members).

For complete details, download the Full Call!

Download the Submission Form from Shoe Factory Art Coop!

FEATURED ARTIST: Heather Workman Rios

Featured Artist Heather Workman RiosBACON, my salty friend

Every once in a while, I find a kindred spirit.  Some make me laugh so hard that my beverage squirts out my nose.  Some become an inspiration & motivation. And this one just understands.  I get her point of view just like I get that bacon makes everything better.

This artist has taken a less-than-traditional upbringing and turned it into life lessons for those that crave a little sweet with their salty.  Like bacon on a cupcake.  I am proud to announce the Featured Artist  Heather Workman Rios. Her artwork captures the joy of the ideal without falling prey to the sappy sentiment that often accompanies it. I find myself smiling and having my faith renewed.  Clever girl.

Featured Artist Heather Workman Rios!FEATURED ARTIST:
Heather Workman Rios

When she was very young, Rios lived in rural West Virginia in a pink farm house with no running water.  Her parents were hippies who had a gigantic vegetable garden, and raised chickens (her best friends).   “We dressed how we wanted (often a t-shirt with nothing else), and I had no interactions with the “outside” world until I was nearly four years old.   Then we moved to Morgantown, West Virginia, and I remember going grocery shopping with my grandmother.  Everyone commented on what a ‘cute little boy’ I was, and my grandmother was outraged.

“I couldn’t understand why.  I knew I was a girl.  Why was my grandmother so upset, after all, they thought I was ‘cute’!  Not too long afterwards, my grandmother took me clothes shopping, and began making clothes for me (dresses, mostly pink), and I soon learned that pink was the “girl” color.

Your milk is poison and your mother’s milk is poison by Heather RiosMy training had begun.

“My work chronicles my perception of human nature. They are clearly tainted by my stringent regimen of old fashioned, American gender training.  They display my love/hate relationship with the American concept of what it means to be a woman.”

I love the retro feel of your imagery contrasted with the dark undertone. Talk to me about that. “I have this love/hate relationship with anything from post WW2 to the mid sixties.  It was a really strange time in America because the War was over and people were optimistic and trying to build these sweet, innocent little domestic lives.  Yet many of them were also building fallout shelters and there was still segregation and all kinds of crazy stuff was going on.  To me this era epitomizes the  struggle that is much of the content of my work.  I believe people are inherently good, but yet they have this propensity towards choosing evil.”

El comienzo de mi muerte by Heather Rios!Do you consider yourself a painter? Something else? “To me, it’s not really about the media but about the content.  I’ll use whatever I feel fits the need of work I want to make.   I tend to reach for paint the most, probably because of it’s plasticity.  About 90% of my art is oil on wood panel.   I sometimes use bits of collage or cut-out paper.  I sort of like to keep people guessing as to which elements are collage and which are painted, but most of it is paint.  I’ve done sculptures and printmaking, and other mixed-media works also.” 

I’m a sucker for portraiture. Why do people feature so prominently in your work? “It’s funny because even though I spent most of my childhood in nature, the most interesting things to me, even out in the forest, were the man-made– in the form of artifacts that we never found.   I am just fascinated in general with human beings.

The assassin by Heather Workman Rios!“I attempt to look at modern humans from an outside perspective–like an anthropologist studying an extinct people group.  Material culture intrigues me– clothing, hairstyles, toys, etc.

“The human body really hasn’t changed that much in thousands of years, but our material culture changes constantly, and we impose an enormous amount of meaning on many of our objects.”

You know we have to talk about food. What is your favorite?  “It has to be bacon.  My favorite combo at the moment is bacon with fried plantains.”

Bacon really goes with everything–especially vegetables.

 

“I’m Italian and my husband is Puerto Rican, so I’ve been trying to combine our food together into new recipes.  So far I’ve discovered we have a mutual love for pork and garlic–but I don’t eat garlic unless he eats it too.” Wise move, sister.

Wasted time and horrible miscalculations by Heather Workman Rios!What about snack foods? “Anything Italian, anything fresh or crunchy.  Cheese is good…and bacon!” Italian, cheese and bacon.  I love you, Heather Rios.

So, what’s coming up next for you? “I don’t really have any big plans for my life right now.  I just plan to keep making art and see what happens.”  Once a hippie, always a hippie?

Thank you, Heather for giving me a dose of salty and sweet along with a wicked smile.  You have reminded me WHY I keep producing work.

Learn more about Heather Rios online!

Learn more about Featured Artist Heather Workman Rios!

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CALL for ENTRIES: POWFest 2013

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!PEAR-A-LUG

I am not a fan of beer. But I finally found a way to have a drink in my local pub without having to sip lemonade while my hubby delights in micro brews. Williams’s Sir Perry Cider.  This isn’t your average hard apple cider.  Pears people.  Pear Cider excellence.  If you’re a beer lover, you have extra motivation to enter the next Call. Portland has over 30 breweries INSIDE the city limits. Cheers…

Check out this Call for Entries from POWFest! Here’s a great chance to have your work in film showcased in Portland, OR. You can enter for as little as $20 if you make the early deadline, but even the late deadline is only $35. Take a chance!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: POWFest 2013, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about POWFest!CALL
for ENTRIES:

POWFest

 

The Portland Oregon Women’s Film Festival (POW Fest) places a spotlight on women filmmakers by showcasing their work and strengthening the community of women in film.

POW Fest empowers women to find their voice and to share their stories through innovative and quality filmmaking.

Find POWFest on Facebook!ELIGIBILITY: Films submitted to the 2013 Portland Women’s Film Festival must be directed or co-directed by a woman. Filmmakers may submit as a General Filmmaker or Young Filmmaker (under 18).

MEDIA: Film/Video

CATEGORIES:

Short Narrative: Narrative Films of any genre under 40 mins. in length
Short Documentary: Documentary Films of any genre under 40 mins. in length
Narrative Feature:Narrative Films of any genre over 40 mins.
Documentary Feature: Documentary Films over 40 mins.
Experimental Short: Short Films of Experimental Nature under 40 mins.
Animation Short: Animated Films of any genre under 40 mins. in length
Young Filmmaker: Shorts and Features of any genre

DEADLINES and FEES:

Early Bird:
Postmarked by June 20, 2012 ~ $20

Regular:
Postmarked by Friday August 17, 2012 ~ $30

Late:
Postmarked by Friday September 14, 2012 ~ $35

WAB Extended:
Postmarked by Friday October 5, 2012 ~ $45

For complete details, visit the POWFest website!

Learn more about POWFest 2013!

 

CALL for ENTRIES: Backlash

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!OH BOY,
bananas

I am addicted to potassium-rich foods.  Beets and brussel sprouts, bananas and baked potatoes.  And now I’ve read multiple articles that indicate my choice in foods might have determined the gender of my child.  Interesting, eh?  Are you convinced?  I’m not either.  This next Call is all about gender and the rights and freedoms associated with being a female.  The show is open to both genders.  Say it with art…

Check out this Call for Entries from SOHO20 Chelsea Gallery for BACKLASH On Women’s Basic Rights & Freedoms.  Whether you just need another show on your resume or have something you really need to say, this show could be for you.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Backlash, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Backlash Show at the SOHO20 Gallery!CALL for ENTRIES:
BACKLASH
On Women’s Basic Rights & Freedoms

 

In response to the increasing tension against providing women with basic healthcare needs and the ensuing media storm, which demonizes women, Soho20 Gallery Chelsea is hosting a venue for outrage.  Backlash is in response to this ‘war on women’s basic rights and freedoms.’

ELIGIBILITY:  Open to all artists age 18+

MEDIA: Open to all media. Work must be 30×30 inches or less in any direction (including framing and/or video monitors). 30x30x30 for sculpture or 3D work.

THEME:  An exhibition addressing the current political climate towards women.

DEADLINE:  June 1, 2012

NOTIFICATION:   All entries that fit within the requirements and theme of the exhibition will be accepted! SOHO20 executive board will notify accepted artists by June 9th, 6pm.

ENTRY FEE:  $35 entry fee which must be paid via paypal when you submit your online application.

For complete details, Read the Full Call!

Learn more about the SOHO20 Gallery in Chelsea!

 

CALL for ENTRIES: June Installationz

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!HOT SUMMER
nights

Summer and a milestone birthday for me are rapidly approaching.  I feel the need to throw a theme party with garden lanterns, red plaid table cloths, paper plates and a watermelon-spitting seed contest.  Not your idea of summer?  Maybe its a Southern thing.  This next call is serving up three provoking themes.  Investigate…

Check out this Call for Entries for June Installationz from ARTs East New York (Brooklyn, NY).  There is no entry fee, and the media is NOT limited to installation art, despite the name. Please note, this prospectus does not currently appear on their site.  So, bookmark this page so that you can return when you need to print the prospectus. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: June Installationz, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the June Installationz from ARTs East New York!CALL for ENTRIES:
June Installationz

 

This June, ARTs East New York is hosting a pop-up gallery tour and invites artists in all disciplines to submit work for exhibition relating to the three themes below.  All three exhibitions will be part of a one-night pop-up gallery tour on June 22nd in East New York. I ART East New York will be displayed in establishments around the New Lots Triangle.  Juneteeth will be showcased about the perimeter of the New Lots Library.  Threadz will have a month long run at the ARTs East New York gallery.

ART East New York:  East New York might be somewhere you visit, the place where you work or the community you call home.  Even if you’ve only heard about the neighborhood, we invite you to explore East New York through your art.  Pieces that most creatively and positively portray the culture, character and community of this Brooklyn destination will be chosen for exhibition.

Juneteenth: A Revelation of Freedom:  Juneteenth commemorates the day on which African Americans in Texas, who had been kept enslaved two and a half years past the abolition of slavery, finally received news of their freedom.  For this exhibit, we are requesting works that celebrate this moment of enlightenment, pay homage to ancestors who afforded this autonomy and investigate the African diaspora at large as a legacy of liberation.  Pieces that best honor and examine the legacy of the African experience in the United States will be included in this important exhibit.

Learn more about ARTs East New York!Threadz: Untwining Mistaken Messages Within the Fabric of Hip Hop.  The tragic murder of Trayvon Martin forces us to think seriously about perceptions of Hip Hop culture and its representations in mainstream society.  The reigning image of Black youth centers on the Hip Hop aesthetic, a mode of expression that can be identified by styles of art and fashion.  We ask artists to examine Hip Hop as a depiction of the urban lifestyle, its reception by the larger public and its potential for positively reflecting the African American youth experience.  This exhibition is being held in honor of Trayvon Martin, and works speaking directly to this heartbreaking death, and its connection to Hip Hop, are especially encouraged.

ELIGIBILITY:  Open to all artists

MEDIA:  All media

DEADLINE:  May 11, 2012

NOTIFICATION:  End of May

ENTRY FEE:  No fee

JUROR:  A committee will make the final selections for the show.

SALES:  ARTs East New York will charge a 10% commission fee.

For complete details, Download the Prospectus!

Learn more about ARTs East New York!

FEATURED ARTIST: Stephanie Mead

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!LIMEY,
I’m Speechless

The $2 Art Contest makes a liar out of me sometimes. I spend a lot of time writing rejection letters.  I craft them individually and tailor them to the artist; however, I say the same things to many artists in the same month because artists often have the same challenges.  This month I wrote letters that included tips about including statements for each image, making sure that there are plenty of images from one series to view, as well as reminders about keeping biographical personal and meaningful and relevant.

This month’s artist broke all of those guidelines, and I am certain that some of the rejected artists will send sour milk thoughts (and emails) my way as a result of my breaking my own rules.  But, I just couldn’t walk away from this work.  The layers and colors and the faces.  Send sweet key lime truffle thoughts to me instead, please.

Learn more about Mixed Media Featured Stephanie Mead!I am proud to announce the Featured Artist chosen from the January and February entries is Stephanie Mead. Her artwork captures moments–not in a pastel-of-a-wagon-wheel sort of way– but from a sort of zen-like, meditative sort of way.  I find myself contemplating these scenes and these people as though they are a part of my reality.  It is simple, speechless intimacy.

FEATURED ARTIST:
Stephanie Mead

 

Stephanie Mead was born and raised in Texas but moved to California when she was 18.  Her work has shifted paths over the years, being influenced by the flat sweeping landscape of Texas, the drastic change of environment/people when she moved to California (and now to New York). But, the urge was always to create.

“I have made art my whole life.”

 

The Ascent by Featured Artist Stephanie Mead!Sometimes Mead’s work depicts dreams or nightmares, other times the focus is on the real, present, sometimes taking a political standpoint through her work.  Mead’s work is hand-made, real, and is a direct response to life.  Mead now lives in New York to pursue her lifelong love of art.

What do you consider your media? Do you primarily consider it mixed media? Something else? “I guess I consider my work mixed media painting/collage.  I have been working in this style now for a few years.  I am a collector of little papers, materials, things that I feel attached to.  These become the canvas for my visions.  I cut, tear away, cover, and glue, paint, and draw until my vision is achieved.  In this way, I consider myself a mixed media painter incorporating collage.”

Clearly, portraiture seems to appear in about 1/2 of your work.  What is the significance, if any?  “I am influenced by anything that touches me profoundly.  Social changes, my own passion for life, and human connections inspire me.  Sometimes my vision is just best expressed with portraiture.”

Talk to me about your choice of layering versus a more traditional “just paint” approach. “I was trained as an oil painter and printmaker in college but feel like I can more efficiently express myself with my layering technique I have developed since.  I feel like my technique came about pretty easily.  Combining mediums just seems logical to me.  Prints and oil paint still find their ways into my work…but so do the other mediums I enjoy using.”I started becoming physically closer with my materials while taking an Art of the Book course at San Diego State University.  It is there that I realized how precious the individual page of a book can be, and the intimate relationship that can develop between you and your viewer when they look closely.”  See, it IS speechless intimacy.  I have a sixth sense about these things.

You know we have to talk about food. What are your favorites?  “I eat beans, meat, and veggies on a daily basis.  Saturdays I completely binge and eat whatever I want.  It is the most delicious thing in the world to wake up Saturday morning and be able to eat lots of all kinds of stuff.  BUT with that said, I really appreciate a good bowl of chili.  I make a pretty mean one.” *Editor’s Note: Just once, I would appreciate it if one of the healthy freaks that get featured here looked like a dog.  I try to deny that you are what you eat, but the headshot makes it difficult.  For the record, I am mumbling the word “bitch” under my breath, luckily no one can hear me. 🙂

Communism by Mixed Media Featured Artist Stephanie Mead!What about snack foods?  “I have a strong, healthy relationship with almonds and peanut butter.  I also love key lime truffles and would probably do anything for them.”  Finally, Stephanie. Always LEAD with the truffles.  Truffles get you everywhere, ha.

So, what’s coming up next for you? “Right now I am on my way to becoming a member at the Art Students League of New York.  Ideally I will create the right connections and showcase my work in galleries someday soon.  I am young and experimenting still, so my next step is to keep making art.

“I must say I am fortunate enough to be doing all the things I want to be doing at this moment.  I hope for the chance to make lots of art.  Thank you for opening this door for me by choosing me as your artist of the month.”

No, thank you, Stephanie Mead for reminding me that I really HAVE NOT seen it all.   I love being confronted with the fact that the ways to express what you have to say are as varied as the people who say them.  Speechless Intimacy. I should talk less.  Lesson learned…maybe.

Learn more about Stephanie Mead online!

Learn more about Featured Artist Stephanie Mead!

Want to be a Featured Artist on www.ArtAndArtDeadlines.com?
Check out the
$2 Art Contest!

CALL for ENTRIES: Rogue

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!CUPCAKE
Indulgence

Bacon cupcakes were the highlight of my holiday cruise.  Mmmhmm.  I feels naughty saying “bacon cupcakes,” and it felt rogue eating bacon cupcakes.  Fantastic, really.  My cupcake was compliments of The Cupcake Cupboard on board the Freedom of the Seas, but follow the link above to find a recipe of your own.  Go rogue with this next Call.  Investigate.

Check out this Call for Entries from Rogue Video and Performance for Speculation and Spectacle, a video installation show in Brooklyn, NY.  The location is spectacular, and there is no entry fee.  Don’t delay because email submissions are not accepted.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Rogue, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Rogue Video!CALL for ENTRIES:
Speculation and Spectacle

 

Curators Elisabeth Murray and Jonathan Brantley, in collaboration with from Rogue Video and Performance seek video art to be projected out-of-doors in the Williamsburg neighborhood of Brooklyn, New York. This event will take place in the area beneath the Brooklyn-Queens Expressway, between Meeker and Union Avenues on May 3rd from 7:30pm until 9:30pm.

THEME: Gentrification

ELIGIBILITY: Open to all artists.

MEDIA:  Artists must submit their videos in DVD, .mpeg, .avi or .mov formats with an aspect ratio of 4:3. Videos cannot exceed 5 minutes in duration.

DEADLINE:  March 30, 2012

NOTIFICATION:  April 9, 2012

ENTRY FEE:   None

MAIL SUBMISSIONS TO:  Speculation and Spectacle, Walsh Gallery at Seton Hall University, 400 S. Orange Avenue, S. Orange, NJ 07079.

For complete details, Download the Prospectus!

Download the Prospectus from Rogue Video!

CALL for ENTRIES: Masur Museum

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!FAIR to FIG
…and FOWL

If you can say nothing else for my taste in food, it is fair and open to all.  I will try almost any culinary invention once.  And most of them (even the bad ones) I will give a second and/or third chance.  But if you haven’t won me over after three attempts, I’m likely done.  I give art, artists and their little-known media the same respect.  This next call offers consideration for “any” media.  I wonder if they REALLY mean that.  Let me know…

Check out this Call for Entries for the 49th Annual Juried Exhibition from the Masur Museum of Art (Monroe, LA).  The entry fee is low, and the show is open to all media.  Did I mention that there is no commission on sales?   I love the Masur, and I will bet that you will love it too!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Masur Museum, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Masur Museum!CALL or ENTRIES:
Masur Museum

 

The 49th Annual Juried Exhibition will be held May 12-July 21, 2012. The Masur Museum of Art Annual Juried Competition showcases contemporary artists throughout the United States of America working in any medium.

ELIGIBILITY: Open to all artists

MEDIA: Any media

DEADLINE: March 18, 2012

NOTIFICATION: April 3, 2012

Learn more from the Masur Museum!ENTRY FEE: There is a $10 per artwork with a minimum of 2 and a max of 5 entries

JUROR:  Liza Simone is the Founding Director of Phantom Galleries Los Angeles (PGLA), an organization launched in 2005 that facilitates and administrates temporary public arts programming in vacant storefronts throughout Los Angeles County.  PGLA’s mission to transform and bridge communities with public art through exhibitions is best exemplified by her work with artists such as Lita Albuquerque, JR, Bill Viola, Futura, and Nancy Buchanan.  She has collaborated with TED Prize, the Torrance Art Museum, LA Art Girls, the Los Angeles Art Association, and Fallen Fruit, and Farmlab.

AWARDS:  Best in Show is $1,000 and total awards are $3,000.

SALES:  The Masur Museum of Art does not receive a commission on sales.

For complete details, Download the Prospectus!

Download the Prospectus from the Masur Museum!

2011 FEATURED ARTIST: Last Day to Vote!

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!PEACHES

Sometimes the best is clearly the best— the cream of the crop, the ripest peach, the perfect raspberry, the ooey-gooeyest of chocolate sauce.  This year I have had the privelege of choosing Featured artists that are definitely the sweetest peaches on the tree.  Here is your chance to pick the best of the bushel, so to speak.

Check out these 2011 Featured Artists brought to you by AAAD.  Each artist has a chance to be named the 2011 Featured Artist of the Year.  To cast your vote, leave a comment on their original post (links below).  The rules are simple: one comment per person per artist by midnight EST on December 31, 2011.  You have to actually say something; don’t just leave a smiley face.  Editor’s Note:  Don’t worry if your comment doesn’t show up immediately because I moderate every comment.  The contest has a clearly front runner at the moment, but it is still wide open.  So make your vote count…

2011 Featured Artists

Learn more about Featured Artist Denee Black!

Click to learn more about Featured Artist Deanna Bowdish!

Click to learn more about Daniel Embree!

Click to Learn More about Book Carver Julia Feld!

Click to learn more about Featured Artist Gracelee Lawrence!

Click to learn more about Artist Terri Lloyd!

Click to learn more about Featured Artist Meredith Martens!

Learn More about Featured Artist Penny Perkins!

Learn More about Featured Artist Pamela Zimmerman!

CALL for ENTRIES: Absence of Color

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!CABBAGE,
not KRAUT

People tell me the wackiest food facts.  I love hearing them, and I usually assume I am being told the truth.  But, just to be certain, I always verify the facts if I can.  Recently someone told me that the black and white cookie, that I alway think of as German in orgin, IS actually German, but it is called an Amerikaner.  There has to be some cyclical humor in the fact that an American who thought she was a fan of German cookies is really only a fan of cookies that Germans refer to as American cookies.  Funny.  This next call is all about Black and White, too.  Take a look…

Check out this Call for Entries for Black & White: Absence of Color from MPLS Photo Center (Minneapolis, MN).  This is a great venue and a great juror.  Don’t miss this opportunity!

*Editor’s Note:  If you have read the personal portion of this post, CALL for ENTRIES: Absence of Color, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Black and White show from MPLS Photo Center!CALL for ENTRIES:
Black & White: Absence of Color

The world’s first photographic images were made in shade of gray, black, and white, and the black and white photograph continues to be an important palette for photographers today. The beauty of a well-printed black and white photograph is undeniable—it is striking, unearthly, and can be life changing.

Some of the world’s most memorable photographs are black and white—the rich blacks, glowing whites, and silvery grays of a strong, black and white photograph leave a lasting impression on the mind. For photographers, those deep blacks hold a special significance, as it is the black tones that reveal themselves first in photographic chemistry and communicate the magic, mystery, and possibility of the photographic process.

Black and white photographs can have painterly, etching-like qualities, which were celebrated by photography’s inventors and early adopters. Photography as art was first championed with The Photo-Secessionists who celebrated the pictorial aspect of the black and white image. Today photography is widely accepted as an art form and as a key medium within contemporary and conceptual art.

The choice of using black and white versus color is the photographer’s choice, and the reasons for that choice can be personal, theoretical, or aesthetic. This call for entry—Black and White—The Absence of Color—looks to grays and blacks and whites to tell the story and make the picture that color would often muddy.

Learn more about the MPLS Photo Center!ELIGIBILITY:  Open to all artists.

MEDIA:  Photography

DEADLINE:  Jan. 21st, 2012

NOTIFICATION:  Jan. 29th, 2012

ENTRY FEE:  $35 for five, $10 ea. add’l

JUROR:  Bevin Bering Dubrowski is Executive Director of Houston Center for Photography, a nonprofit organization founded in 1981 offering year-round exhibitions, workshops, publications, outreach programs, lectures, and classes.  HCP’s mission is to increase society’s understanding and appreciation of photography and its evolving role in contemporary culture, and produces 15 – 20 exhibitions annually on and off-site, balancing work by regional and internationally acclaimed emerging, mid-career, and established artists.  Bevin curates exhibition for HCP and is also editor of spot magazine, a bi-annual journal of photography that includes artist portfolios, interviews, exhibition and book excerpts, and highlights on HCP members’ work.

Learn more about the MPLS Photo Center!Prior to joining HCP as Executive Director, Bevin founded the photography division of Bering & James and served as gallery director.  Bevin is also a practicing photographer and received her BA in Art History and Visual Arts from Emory University. Bevin has reviewed portfolios for FotoFest, Lens Culture/ FotoFest Paris, Photo Nola, and Photo Lucida.  She has also recently served as a juror for Critical Mass and the Lens Culture International Exposure Awards and serves on the FotoFest Art Board.

AWARDS:  First Place – $400, Second Place – $300, Third Place – $200 and Three Honorable Mentions. Prizes and Awards include a free Black & White Exhibition Book.

For complete details, Visit the Website!

Learn more about the MPLS Photo Center!