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Category: call for submissions

CALL for ENTRIES: Strange Figurations 2019

 

Learn more about Strange Figurations from SlowArt Productions and the Limner Gallery!

future FOOD

Netflix & popcorn nights have accompanied my new revelation… the phrase “I had no choice” may be the most commonly uttered line written for television. We always have a choice.  The choice may be unthinkable, unspeakable and emotionally-devasting, but it is still a choice.  I have made glorious choices and horrific ones.  Those choices have allowed me to follow my heart and have fueled my creativity, but they have also created an unsustainable physical reality for me.  My body is betraying me; I’m not terminal, just infuriatingly chronic.

I have created bodies of work surounding how our bodies betray us.  But really, I made many of the choices.  So, thanks to Netflix #jokingnotjoking I am making new choices.  I am trying to gently strengthen my body and make healthier food choices.  Trying.  I love my life, and I’ve come to love the physicality of the figure I inhabit, so it is time to fight to keep it.  I’m not having a mid-life crisis or looking for immortality, I just want a chance to have a productive future.  I don’t think kale or avocado are miracle cures, but clean food & more movement have to be a start. Like I said, trying.

This next Call wants your figurative work, whatever your take.  Are you fighting for a figure?  Your own? Another’s?  Check out this Call for Entries from Slow Art Productions for Strange Figurations at the Limner Gallery (Hudson, NY). $35 entry, 35% commission, open to all media and all artists.  Take a look…

Learn more about Strange Figurations from SlowArt Productions and the Limner Gallery!CALL for ENTRIES:
Strange Figurations
at the Limner Gallery

This exhibition will be held September 5-28, 2019.

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all media forms

THEME:  “This exhibition is open to all interpretations of the concept, Strange Figurations. Included are all forms of surreal, visionary and extraordinary figurative art. All interpretations of the theme “Strange Figurations” will be reviewed and considered.” — Limner Gallery

DEADLINE: June 30, 2019

NOTIFICATION: July 30, 2019

ENTRY FEE: $35 for up to 4, $5 ea. add’l 

SALES:  SlowArt Productions will retain 35% commission on sales.  Prices set by the artist.

For complete details, Read the Full Call!

Learn more from SlowArt Productions and the Limner Gallery!

CALL for ENTRIES: Harrow

Learn more about the Harrow Issue from Up the Staircase Quarterly!

ORANGE you glad?

I’m going to have orange elbows any day now.  I have been craving and eating carrots daily.  In my area, they are usually around a dollar a pound for full size organics and make great chips for hummus, a great boost to Indian dishes, beautiful color in Buddha bowls.  When my son was learning to eat real food, he preferred anything sweet or starchy, naturally, with a preference for carrots and sweet potatoes.  His hands, feet, knees and elbows stayed a hilarious color of orange for a few weeks.  I expect mine to turn any day now, ha.

Continuing with this week’s publication theme, I want to introduce you to Up the Staircase Quarterly if you’ve not yet had the privilege.  Established in 2008, Up the Staircase Quarterly is an online journal of poetry, art, interviews, and reviews. New issues are published every February, May, August & November, unless otherwise stated. And for some of you that write poetry in addition to visual work, UtSQ nominates for the Pushcart, Best of the Net, and Best New Poets

They have a 10+ year history and a detailed Masthead for you to research.  So, check out this Call for Entries from Up the Staircase Quarterly (online pubication) for Harrow.  There is no entry fee, but also no payment. Do you have suitable work?

Learn more about the Harrow Issue from Up the Staircase Quarterly!

CALL for ENTRIES:
Harrow 
from Up the Staircase Quarterly

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all media 

THEME:  Paranormal. Open to any takes on this subject–serious, quirky, and everything in between, work containing ghosts/spirits, aliens, conspiracy theories, cryptozoology, near death experiences, glitches in the matrix, extrasensory perception, pseudoscience, and any experiences that can be considered supernatural.

DEADLINE:  June 15, 2019

NOTIFICATION:  Less than 30 days

ENTRY FEE: No fee up to 10 images 

AWARD: Publishing credit, no monetary compensation.  Harrow goes live on August 1st.

For complete details, Read the Full Call!

Learn more from Up the Staircase Quarterly!

CALL for ENTRIES: Lay of the Land

Learn more from Orion, America's Finest Environmental Magazine!

dandy DISHES

I woke up sneezing this morning for the very best reason — flowers are blooming.  They’ve been blooming for a while, but today, the wildflowers have taken over my side yard.  That means it is time to remind folks about eating flowers.  Rose petals are among my favorite salad toppings & oil additives, but dandelions are truly the star of edible blooms.  The yellow flowers are delicious, the greens are considered a superfood, and I hear you can roast & grind the root as a decaf coffee substitute.  As always, never eat a flower if you don’t know its history as well as the history of the land upon which it grows.  No one wants a belly full of pesticide.

Continuing with the publication-themed calls this week, pay attention to the next one.  This environmental magazine has a 30+ year track record, so doing research on what they want is easy.  They do publish a wide variety of styles; however, environmental work is their mainstay.  I have linked to their Call, and although they have an online entry system, you will find that they prefer you to simply email them a link to your work, NOT the work itself.  This is a great way to have someone consider a portfolio of images instead of hoping you picked the single “right” image for the submission.  Free & easy…

Check out this Call for Entries from Orion Magazine (print publication) for the Lay of the Land department.  There is no fee to enter, but please do your homework on this publication so that you can craft your submission to suit.  “America’s Finest Environmental Magazine”…

Learn more from Orion, America's Finest Environmental MagazineCALL for ENTRIES:
Lay of the Land Art
from Orion Magazine

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all 2-D media 

THEME:“We are always curious to hear from artists whose work shares our concerns with nature, culture, and place. Artists are strongly encouraged to familiarize themselves with past issues of Orion before approaching us with portfolios….artwork in Orion maintains intuitive connections to the physical world.” –orionmagazine.org

DEADLINE:  June 15, 2019

NOTIFICATION:  Six months

ENTRY FEE: None

SUBMISSION NOTE: “Correspondence should ideally link to a web gallery, lightbox, or shared folder. We prefer not to receive media submissions attached directly to emails.”

For complete details, Read the Full Call!

Learn more from Orion, America's Finest Environmental Magazine!

CALL for ENTRIES: Summer 2019 Print Issue

COLD complication

For years, popcorn was the ultimate summer food.  Popcorn with a hint of olive oil, parmesan and cracked black pepper was my idea of the perfect snack food. Then, there was some weird shift for me.  Stovetop popped was too greasy.  Microwave-popped was always singed.  Air-popped was always tough.  I just quit eating it — for nearly two years.  I missed my daily snack favorite, but was resigned to the absence of popcorn. 

Then one day Facebook started feeding me ads for an Amazon listing a silicone popcorn popper (not a sponsored ad) for the microwave.  I’m guessing I did something online that Google’s algorithm decided meant I needed popcorn, and, well, it was right.  That $10 product arrived, and it was ridiculous, a floppy, ridiculous concept.  It came without instructions.  I searched and found an equally ridiculous video. Holy popcorn!  It is soft like stove-topped but without that queasy overly greasy aftertaste.  So what’s the lesson?  No lesson, except maybe… all hail Summer.  

Continuing with this week’s publication theme, here’s a call for one of my all time favorite art publications.  Check out this Call for Entries from Create! Magazine (print publication) for the Summer 2019 Print Issue.  $30 entry for this gorgeous magazine.  Don’t miss this chance…

CALL for ENTRIES:
Summer 2019 Print Issue
of Create! Magazine

ELIGIBILITY:  Open to all artists. 

MEDIA:  Open to all media, i.e.: painting, sculpture, digital, printmaking, fiber, mixed media, photography, installation & more.

DEADLINE:  May 31, 2019

ENTRY FEE:  $30 for up to 3

JURORS:  Nina Blumberg is a full-time art consultant at the New York City-based firm Samuels Creative. Outside of work, she fills her time with freelance social media contemporary art clientele and projects, most recently engaging with the art technology space. Nina received her BA in Art History from the University of Virginia and her MA from FIT’s “Art Market: Principles & Practices” program.  Nina is also the founder of @Artstagram__,the contemporary art world Instagram account that covers art happenings and exhibitions in NYC and beyond. 

AWARDS:  Artists selected by the guest juror will receive a 2-page spread including a brief bio, website, and 2 images in print and digital formats. Published artists will receive a complimentary digital issue and will be listed on Create! Magazine’s website/social media & will be listed with images, details and information on their website/social media for life. All featured artists will automatically be considered for any upcoming curatorial projects & exhibitions organized by the Create! team.  

SALES:  The Summer 2019 Print Issue will be available online, in global retail locations in London, New York, Amsterdam, Stockholm, Wilmington (DE), Philadelphia & more.

For complete details, Read the Full Call!

Learn more from Create! Magazine.

CALL for ENTRIES: Cover Art

a HUNGRY summer

I’ve had my head down working and planning and growing.  How about you?  Spring always makes me take a second look at my process, while summer makes me kick into production mode.  What are you doing to support your work?  I am contemplating meal kits and taking a day off from the studio.  I know that doesn’t make a lot of sense at first glance. But lunch is the bane of my daily schedule.  Just when I hit a creative stride, it is time for some sort of meal prep for lunch.  I live in a house with folks with dietary restrictions, and everyone eats lunch at home.  So, I’ve been exploring options.  Take out takes just as much time to pick up, and delivery is cost prohibitive.  A lot of meal kits are labor intensive despite arriving with pre-prepped foods, and many of them are the wrong quantity or, again, cost-prohibitive.  I’ve found one (Hungryroot & no, this is not sponsored) I think I am going to give a try.  The ingredients look good, the sizing is right, the cost is manageable.  I am excited about getting lunch off my plate, so to speak.

One of the other big stumbling blocks for me is juggling my boring-but-necessary household tasks with my work schedule. Finding time. I find it hard to work creatively when I am encumbered with a list of non-creative tasks to do at home.  My husband more than carries his half of the burden, but someone still has to do my half, ha.  So, I’ve been practicing taking one day off from the studio and trying to cram all of the household tasks I can into that day –laundry, appointments, meal planning, grocery shopping.  It is a work in progress.  I’ll be sure to give you an update before summer’s end.  In the meantime, I’ve had two acceptances for publication in two different magazines, and I am inspired by the positive attention it has drawn to my work and added to my social media reach.  So, I am offering a few publication calls this week.  I am running close on deadlines, so don’t delay in submitting your work.

Check out this Call for Entries from New England Review (Print & Digital Publication) for Cover Art.  There is an additional call for artwork for use on their website on the same page. This is a reputable publication option, with artist payment (albeit tiny) and little to no risk.  Is this a good fit for you?

Learn more about the Call for Cover Art from the New England Review!CALL for ENTRIES:
Cover Art 
from New England Review

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to any genre (painting, photo, sculpture, etc.) that will reproduce well as cover art. “We strongly favor abstraction.”

DEADLINE:  May 31, 2019

NOTIFICATION:  Within 12 weeks, if possible.

ENTRY FEE: $2-$3 for writing submissions, but cover art submissions appear to be no chargeFees are waived for current subscribers.

AWARD: $100 for cover art, plus two copies of the issue in which the work appears and a one-year subscription. The cover will be printed in full-color, full bleed, with the magazine’s logo in overprint and will be reproduced on the magazine’s website and electronic publications. The size of the printed cover is 6.75 inches wide by 9.75 inches tall, so the image may need to be adjusted to fit the trim size.

For complete details, Read the Full Call!

Learn more from the New England Review!

CALL for ENTRIES: Opulent Mobility 2019

Learn more about the 2019 Opulent Mobility exhibit!

practice what you PEACH

I reject the notion that extravagant dishes require exotic foods. I find that the simplest foods, treated extravagantly, remain my favorites.  Have you ever had a vanilla-poached peach? Top it with  freshly whipped cream and a drizzle of raw honey, and it makes for the the most opulent dessert (or breakfast) you could ever want.  I’ve spent many a year unimpressed by this simple stone fruit to only to realize it was my own lack of imagination at fault.

This next Call addresses mobility devices and their common ground the the common peach — a need for re-imagining.  Each year when this Call is announced, I revel in the notion of opulent mobility.  You need look no further than the work of curator A. Laura Brody as inspiration.  At its core, this show suggests that not only are we enough, but that we should celebrate our enough-ness.  That we deserve to move through our lives, through this world with a personal sense of opulence, with purposeful, extravagant creativity.  Sit with the notion of this Call and see where it takes you.

Check out this Call for Entries from curator A. Laura Brody for Opulent Mobility 2019.  This year the exhibit will be at the Dora Stern Gallery in New Jersey.  $20 Entry, 40% commission & a unique curatorial theme.  Stretch your creative muscles with this Call!

Learn more about the 2019 Opuletnt Mobility exhibit!CALL for ENTRIES: 
Opulent Mobility 2019

“I challenge you to imagine a world where mobility, disability, and access can be opulent. I challenge you to approach the work with thoughtfulness, humor, creativity, and care.  Because if we do not imagine a better world, we can’t make one happen.”  — A. Laura Brody

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all 2 & 3-D work, film, videos of performance art & music.

THEME: Radical re-imagining of the mobility of disability

DEADLINE: June 30, 2019, 5pm PST

NOTIFICATION:  by August 1, 2019

ENTRY FEE: $20 flat fee

CURATORS:  A. Laura Brody is a professional costume maker and designer who developed Opulent Mobility as a series of artworks, then built it into a juried group exhibit.  Anthony Tusler is a photographer & disability arts activist. His photographs of the 1977 disability occupation of the San Francisco Federal Building are on his site: aboutdisability.comCelene Ryan, Director of Artist Development for Arts Unbound has more than twelve years of experience as an arts management professional in NYC, working directly with many self-taught artists, most with special needs.

AWARD:  This year, Opulent Mobility 2019 will be hosted by Arts Unbound.  If accepted, artists’ work will be included in the physical exhibit at the Dora Stern Gallery in New Jersey.

SALES:  40% commission taken on sales.

For complete details, Read the Full Call!

Learn more about Opulent Mobility 2018!

AOTD: Kellee Mayfield

No 7 completed in residence at Chateau d'Orquevaux by Kellee Mayfield!
No 7 (oil on canvas) completed in residence at Chateau d’Orquevaux by Kellee Mayfield

“What are you doing this weekend?” Kellee Mayfield

I am having a tough day, not horrible, not life-altering, just tough.  My mind is elsewhere, and I’m kinda wishing my body were too.  Because it is a quiet day in the studio (code for I’m too tired & unmotivated to work), I decided to do a little paperwork, jot down some notes about some ideas that I can’t shake & scroll through Instagram hoping not to lose a half a day.  

I came across today’s Artist of the Day, Kellee Mayfield‘s Insta feed, and almost every post that I clicked said, “What are you doing this weekend?”.  I found somewhere else to be, Chateau d’Orquevaux, a French artist residency, to be precise.  Mayfield spent some time there in the Fall and completed this series of work that transported me.  There’s a food to her Insta feed with which many AAAD will appreciate as well.  So, consider this my invitation to share… what are YOU doing this week?

While I always want to visit an artist’s website, I am sending you to her Insta feed @deltamoxie to give you the same glimpse that gave me the boost my weekend needed. 

Thanks to AAAD Artist of the Day, Kellee Mayfield for the trip to Chateau d’Orquevaux!

CALL for ENTRIES: Meltdown

Learn more about the Meltdown Call from the Limner Gallery

lost in TRANSLATION

It is no secret that I’m a little, well, let’s call it cheese “focused”. But we all have our priorities.  After being seperated by an ocean for 4 weeks, my husband and I stopped by a local dairy farm less than 24 hours after reunited… to buy cheese. Priorities.  Cheese glorious cheese.  A few days later, I made summer squash au gratin also known as “squash makes all the melted cheese a legitimate choice”, au gratin for short.  Melted cheese means I’m home, ha.  Think of it as my oven’s welcome mat. It is the best kind of meltdown.

I have been known to indulge in an epic meltdown of a personal nature on occasion.  The last U.S. presidential election put me in an ugly place for weeks.  Every insuing attack on civil rights, environmental regulations, access to health insurance & the ability to govern the workings of my own body have warranted their own meltdowns.  My work has changed.  My life has changed.  I worry about becoming numb to the suffering of others, to the loss of agency, to the restrictions on the ability to speak freely.  Where is this planet’s population headed?  While I was in Scotland recently, I was regularly engaged by locals about American politics.  People want to understand what is going on in the United States.  I couldn’t explain.  I can’t explain.  So, I just keep working.  Right now, THAT is what I can do. 

This next Call in interested wants to see how your work reflects a sense of meltdown, whatever your interpretation.  What do you have to say?  Could this be the place for you to say it?  Check out this Call for Entries from Slow Art Productions for Meltdown at the Limner Gallery (Hudson, NY). $35 entry, 35% commission, open to all media and all artists.  Take a look…

Learn more about the Meltdown Exhibit from the Limner Gallery!CALL for ENTRIES:
Meltdown
at the Limner Gallery

This exhibition will be held June 14 – July 13, 2019.

ELIGIBILITY:  Open to all artists 18+

MEDIA: Open to all media forms

THEME:  “We are living in an age of global crisis – of catastrophic MELTDOWN, a crisis the proportions of which, sadly, needs no description.  Historically artists have foreseen, described and been inspired by crisis. The subject of this exhibition is every aspect of the MELTDOWN crisis, be it global, personal, environmental, financial, psychological, scientific and/or spiritual.” — Limner Gallery

DEADLINE: April 30, 2019

NOTIFICATION: May 31, 2019

ENTRY FEE: $35 for up to 4, $5 ea. add’l 

SALES:  SlowArt Productions will retain 35% commission on sales.  Prices set by the artist.

For complete details, Read the Full Call!

Learn more from SlowArt Productions and the Limner Gallery!

ARTIST of the DAY: Alice Wellinger

The Envelope by AAAD Artist of the Day Alice Wellington!
“The Envelope” (acrylic on canvas, 40cm x 40cm) by Alice Wellington

“Kunst ist schön, macht aber viel Arbeit” Karl Valentin

“Art is beautiful, but it does a lot of work.” — Karl Valentin

I was on a flight from Chicago to Atlanta recently when the pilot announced it was going to be a very bumpy ride.  I’m not a bad flyer, but it doesn’t stop me from white-knuckling the armrest everytime we drop a few feet.  But sharing my flight was a 3-year-old girl, traveling with her father, all full of energy & curiousity.  Everytime we would hit turbulence and drop a little, she would giggle & laugh & hold her stomach.  For me, turbulence is a chance I’m going to die, for her, it is a stomach drop in the elevator or over the top hill of a rollercoaster.  I will never experience airplane turbulence the same way.  Perspective.

When asked (frequently BTW) about my favorite artist or style of art, my immediate reaction is to reject being backed into a corner by that sort of reductivism, but eventually my answer boils down to “perspective”.  I want to be shown a different way to see, feel or be with something in the world, or not in the world as the case may be.  I’ll take irony, sarcasm, absurdism, realism, surrealism or any other work that makes me better, or worse, for the experience. The wit of Austrian-based artist & illustrator, Alice Wellinger, today’s AAAD Artist of the Day, drew me in immediately.  Take the time to click any of the links in this feature to explore more of her work.  “Beneath her editorial work she develops her personal art, which is surreal,ironic, dealing with the troubles of daily life and childhood memories.” You won’t be dissapointed.

Gain a new perspective with the work of today’s AAAD Artist of the Day, Alice Wellinger!

CALL for ENTRIES: Content Matters

Learn more about the Content Matters Call from Marin MOCA

SPRING greens

It is time for my seasonal obsession with ginger. I love ginger all of the time; however, about 4 to 6 weeks at the beginning of Spring, I am obsessed.  I find ways to work it into every salad, entree & dessert.  My family just smiles & nods, knowing that the ship will right itself soon.  I think it happens because the weather has just warmed up enought to inspire thoughts of light and fresh fare, but our local harvest hasn’t quite made it to summertime bounty yet.  High-quality ginger is available year ’round, and content matters.

This next Call has a deadline just around the corner (sorry for that), and it meets my resume criteria for this year (museums, publicly-funded galleries, collections or libraries).  But the theme of “Content Matters” is what really pushed me to want to enter — achingly relevant. I am finishing a piece now that I think would be perfect, but, you know… jurors.  We’ll see.  If you are interested in a museum show and have work to offer, take a look at the details.

Check out this Call for Entries from Marin Museum of Contemporary Art (Novato, CA) for Content Matters.  $35 entry, 40% commission.  Delivery is nearly a month after notification, making shipping easier. Take a look…

Learn more about the Content Matters Call from Marin MOCA!CALL for ENTRIES:
Content Matters from
Marin MoCA

ELIGIBILITY:  Open to all U.S. resident artists 18+

MEDIA: Open to all media

THEMES:  Content Matters ” ‘Content’ is the meaning conveyed by a piece of artwork – a message portrayed through images, symbols, marks, or stylistic treatment. Content communicates the artist’s point of view, their thoughts, beliefs and experiences, and it creates a response on the part of the viewer. “ MarinMOCA

DEADLINE: April 18, 2019 (PST)

NOTIFICATION: May 1, 2019 (posted on website)

ENTRY FEE: $35  for up to 3; $50 for 4-5 ($30/$45 for members)

JUROR:  This exhibit will be juried by well-known San Francisco gallerist Jack Fischer, who has been exhibiting artists for over 15 years. According to Mr. Fischer, “The work I exhibit is from the heart and the gut.” Jack Fischer Gallery shows work from a diverse group of artists working in many genres including contemporary, visionary, self-taught, and intuitive. 

AWARDS:  1st Place $500, 2nd Place $300 & 3rd Place $100. 

SALES:  Marin MOCA will retain 40% commission (30% for members) on sales.

For complete details, Read the Full Call!

Learn more from Marin MOCA!