CALL for ENTRIES: Material Matters 2018

Posted on June 7, 2018June 8, 2018 by R.L. Gibson

ROLLING into spring

It matters little how well you cook if you have missing ingredients. I’m addicted to simple homemade spring rolls; fresh produce transforms into crispy little treasures. But, for the past couple of months, I’ve been unable to locate spring roll wrappers locally. Because of their delicate nature, I hesitate to have them shipped because if they arrive cracked, all their stuffing pops out when baked. Funny how one misses a simple $3 material when it has become a staple. This next Call is all about the materials. Take a look…

Check out this Call for Entries from BWAC (Brooklyn, NY) for Material Matters. Take advantage of 30% commission, a distinguished juror & cash awards. This is a great opportunity…

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CALL for ENTRIES:
Material Matters
from BWAC

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“The annual exhibition, Material Matters, asks artists who work in a variety of traditional materials — clay, glass, wood, metal or fiber / textile — to consider the traditions underpinning their work and the rules and conventions they break in method or material. Artists are invited to submit original works that change traditional “ways of seeing” by demonstrating a break with the past or suggesting a new way forward, whether toward logical or illogical conclusions. ” –from bwac.org

ELIGIBILITY: Open to U.S. artists 18+

MEDIA: Open to clay, glass, wood or metal alone or in combination.

ENTRY FEE: $35 up to 5, $5 ea. add’l until 6/28 (early) or $50 for up to 5, $5 ea. add’l until July 15 (final).

DEADLINE: June 28, 2018 (early bird) or July 15, 2018 (final)

NOTIFICATION: August 17, 2018

JUROR: Melissa Stern is an artist and journalist. Her drawing and sculpture have been exhibited in museums, galleries, private and corporate collections throughout the world. Stern uses a wide range of materials including encaustic, clay, pastel, and steel. Her sculptural work includes found objects, souvenirs, vintage magazines and books as well as fabricated images and sculpture. Her art reviews and cultural commentary have been featured in Hyperallergic, a Brooklyn-based digital arts publication, and she serves as Art Editor for Posit, a journal of literature and art.

AWARDS: Gold $250, Silver $150, Bronze $50 & five (5) Certificates of Merit.

SALES: BWAC will retain a 30% commission on all exhibition sales.

For full details, Read the Full Call!

CALL for ENTRIES: 20 St(art)ups

Posted on May 24, 2018May 22, 2018 by R.L. Gibson

GROCERY greenbacks

I have cut my own grocery budget in an effort to force myself to adapt to cooking for two instead of three. A small budget forces me to look for smaller portions of things bought by the pound like produce, cheese & meat. But once a month, I tack on a $50 to allow for a treat or two. That $50 makes all the difference. This next Call invites you to find out what an extra $5,000 art budget could do for you. Investigate this opportunity because the deadline is just around the corner…

Check out this Call for Entries from the Dean Collection for 20 St(art)ups, artist grants of $5,000 each. There is no cost to enter, no commission to pay. How much difference could $5,000 make to your art career? Apply today…

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CALL for ENTRIES:
20 St(art)ups
from the Dean Collection

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ELIGIBILITY: Open to all artists

MEDIA: Open to all media

THEME: Open to any theme. *Editor’s note: A short but detail business plan plus 4 images of work are required to apply.

DEADLINE: May 31, 2018

NOTIFICATION: Ongoing

ENTRY FEE: None

ABOUT: The Dean Collection, founded by Kasseem “Swizz Beatz” Dean and Alicia Keys, is a contemporary, family art collection focused on the support of living artists. In addition to being custodians of great artworks, TDC develops platforms that encourage progress in all facets of artistic practice. Following the success of No Commission, the art and music fair held in three continents worldwide, TDC presents The Dean Collection 20 St(art)ups #TDC20.

AWARDS: “We want to give 20 artists around the world $5,000 each, to throw their own art show, and let them keep 100% of the sales. Any medium. Any theme.” —dean-collection.com

SALES: No commission. “You keep what you sell so you can use this start up to be sustainable.”

For complete details, Read the Full Call!

CALL for ENTRIES: Tiny Acts

Posted on December 4, 2017December 4, 2017 by R.L. Gibson

Eating local is a tiny act that can have a huge impact. It isn’t a possibility for everyone, but I advocate eating local-ish. Chose the food that came from the place closest to you. Sometimes that is all you can do. Your taste buds will thank you, and it does reduce the emissions of the transport to your table. Right now, I can still get cherry tomatoes from not too far away, and I am eating them on everything. This next Call wants to you to explore tiny acts of rebellion. This is a great curatorial theme.

Check out this Call for Entries from the Woskob Family Gallery (State College, PA) at Penn State for Tiny Acts Topple Empires. This is another great academic opportunity, and entry is only $20! Take a look…

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CALL for ENTRIES:
Tiny Acts Topple Empires

from Woskob Family Gallery

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ELIGIBILITY: Open to any practicing artist creating work in the United States, with the exception of those currently enrolled in an undergraduate degree-granting program, is eligible to submit.

MEDIA: All media considered. The gallery is best-suited to displaying 2-D work, but can consider smaller and/or wall-mounted sculptural work & video. No size restrictions, but please note that wall height from ceiling to baseboard is 100”.

THEME: Rebellion. Bhandari invites artists to consider the manifold expressions of rebellion, and how they might be manifested in contemporary art. The exhibition takes its title from a quote in a 2004 essay by Danusha Goska, in which she writes, “when we study the biographies of our heroes, we learn that they spent years in preparation, doing tiny, decent things before one historical moment propelled them to center stage and used them to tilt empires.” The curator will consider work that engages with all types of rebellion: formal, material, political, and otherwise. Artworks engaging with notions of rupture, disruption, and change are sought.

DEADLINE: December 15, 2017

ENTRY FEE: $20 for up to 3

CURATOR: Heather Darcy Bhandari is a New York City-based curator, writer, and arts advocate. Her book Art/Work, written with Jonathan Melber, will be published in its second edition by Free Press this month. Bhandari was a Director at Mixed Greens gallery in New York City from 2000 to 2016 before becoming Director of Exhibitions at Smack Mellon in Brooklyn, New York. Bhandari is currently developing independent curatorial projects, teaches at Brown University, and serves on the board of directors of visual art at Omi International Art Center.

For complete details, Read the Full Call!

ARTIST of the DAY: Elizabeth White

Posted on November 21, 2017November 21, 2017 by R.L. Gibson

"Migration", a site-specific installation of concrete life-cast leaves, by Elizabeth White — **“Migration”**, a site-specific installation of concrete life-cast leaves, by **Elizabeth White**

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“In view of the current economic disasters, political conditions, military actions & climate or earth changes I see immigration as the new normal. What may be them today is us tomorrow.” — Elizabeth White

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Many people spend a lifetime without ever having to consider the need to emigrate from their homeland. Many others spend their lives learning what it means to always be an immigrant, never feeling quite at home. And then there are others, never quite at home regardless of where they are. When I saw the “Migration” installation by today’s AAAD Artist of the Day, Elizabeth White, I marveled at the simple symbolism of leaves separated from their roots. It is precisely how many of us feel, like leaves strewn about, seemingly at random. Disconnected.

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Investigate more work from AAAD
Artist of the Day, Elizabeth White.

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CALL for ENTRIES: Sanctuary

Posted on November 18, 2017November 19, 2017 by R.L. Gibson

now i’m COOKING

My kitchen is sacred; all of them have been. Studio space is sacred, all of them are. I have had them in every size, and every quality –both kitchens & studios. Now, my studio is attached to my kitchen, separated by a counter in my tiny new apartment. I cannot create art outside of the view of my stove, nor create food outside of the view paint tubes & Mason jars of brushes. It has been the most productive of marriages, compact, comfortable, safe. This Call wants to know more about YOUR sacred space. Take a look…

Check out this Call for Entries from Gallery 263 (Cambridge, MA) for the Sanctuary. $25 entry & all media considered. Investigate this space…

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CALL for ENTRIES:
Sanctuary
from Gallery 263

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“Sanctuary is a place, a feeling, where harmony, beauty, and stillness are shielded and allowed to flourish. A sanctuary can lift us up and make us feel big. Or, it can shrink us down and show us humility in the face of infinity. We find sanctuary in the presence of awesomeness. It posts up in supportive communities and makes itself known when the impossible becomes reality.” –from gallery263.com

ELIGIBILITY: Open to all U.S. artists

MEDIA: All media will be considered

THEME: Sanctuary. Work that explores, depicts, criticizes, or creates safe havens & sacred spaces.

DEADLINE: December 3, 2017

NOTIFICATION: December 22, 2017

ENTRY FEE: $25 for up to 3, $40 for 4-6.

JUROR: Maria Molteni is a multimedia & performing artist, educator & organizer. Her practice sprung from formalist roots, and has grown to incorporate research, social engagement & trans-disciplinary experimentation. From fiber to found-object sculpture, textile to movement, performance to publication, she employs processes per their ability to manifest elaborate conceptual orchestration and formal satisfaction. Her works introduce original or absurdist processes as applied aesthetic solutions & launched the international collective New Craft Artists in Action.

SALES: All proceeds from art sales go to the artist. Gallery 263 acts as the liaison between the artist & any parties interested in purchasing artwork. However, they do suggest a 30% donation to the gallery from any sales made.

For complete details, Read the Full Call!

CALL for ENTRIES: Vernacular

Posted on November 2, 2017November 2, 2017 by R.L. Gibson

teenage mutant ninja CHICKENS

My house smells like tom kha gai, a Thai coconut soup with chicken. It is my personal chicken-noodle equivalent. My husband bought chicken breast, and I weighed out the pound I needed. Chicken is ingrained in the food vocabulary of the meat-eating population of the U.S. We feed our children nuggets & tenders and our families buffalo wings & whole roasters. But today, my one pound of chicken consisted of ONE boneless breast. Regardless of how you feel about the ethical, environmental or health issues surrounding meat, you should be afraid of any chicken that has two 1lb. breasts, right? Isn’t that chicken destined to lead an uprising against factory farmers? Dude. If chicken is a part of our food vernacular, then these mutant chickens are the trendy slang that I will be happy to see fade. This next Call is about the vernacular of you and yours. Take a look…

Check out this Call for Entries from L.A. Photo Curator (online) for the Vernacular exhibit. $20 entry, no shipping, plus art publication for ALL entrants. I like the cerebral calls. Think this one through.

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CALL for ENTRIES:
Vernacular
from L.A. Photo Curator

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“I’d like the photographers to take a picture that has the elements of a snapshot, something you might find at a flea market, while at the same time including an aspect of their own aesthetic.” –from Paul Kopeikin via laphotocurator.com

ELIGIBILITY: Open to all artists

MEDIA: Photography

THEME: Vernacular. Kopeikin came up with this theme as just having seen the Walker Evans retrospective at SFMOMA, where Evans work, American vernacular, or the language of everyday life found in roadside attractions, postcards, storefronts, and signage across the country stuck out in his memory. Over five decades, Evans’s powerful images responded to and reflected the spirit, suffering, and fortitude of a nation. His iconic images of the Great Depression and his postwar photo essays depicting shop window displays, urban architecture, and junked automobiles defined a new documentary style that continues to influence generations of artists. This call is not just about American vernacular. It’s about vernacular in all countries.

DEADLINE: November 12, 2017 (Midnight PST)

NOTIFICATION: December 10, 2017

ENTRY FEE: $20 for up to 3. 20% of artist fees go to 2 charities –½ to the curator’s choice of charity & ½ goes to the 1st place winner’s choice. Paul Kopeikin has chosen A Purposeful Rescue.

CURATOR: Paul Kopeikin opened his Los Angeles Gallery in 1991 and at several locations throughout the City has produced well over 200 exhibitions of vintage, modern and contemporary photography, and to a lesser extent paintings, drawings and sculpture. The Gallery participates in major International Art Fairs and Mr. Kopeikin regularly reviews portfolios for and/or otherwise helps charitable causes, sits on art panels and talks and writes about the subject, primarily now-a-days on social media. The Kopeikin Gallery is an internationally recognized gallery of photography and contemporary art in the Culver City Arts District of Los Angeles. Following decades of exploring photography’s history, the gallery program has expanded beyond photography to include painting and works on paper.

AWARDS: The curator chooses 1st place, 2nd place & 3 honorable mentions. The 1st place winner will receive a review by one or more curators including a Q&A about the photographer’s work. In addition, their image will be on the home page for a month. 2nd place & honorable mentions will have their image shown along with their bio, artist statement, C.V. and a link back to their website.

SALES: All sales are conducted between the artist & buyer. There is no commission.

For complete details, Read the Full Call!

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CALL for ENTRIES: First Look 2017

Posted on October 29, 2017October 31, 2017 by R.L. Gibson

We’ve eaten out a lot more than usual in October. This month is always fraught with an increase in workloads and looming deadlines. As a result, cooking is often pushed to the side. This was the perfect opportunity to try new restaurants. I was looking for comfort and kept finding convenience. I love fries, but they are no substitute if you want a baked potato. My first looks weren’t a great introduction. And, while I recognize the problem might have been mine, first impressions are hard to change. This next Call wants to take a first look at your work. Be sure to give them your best…

Check out this Call for Entries from Panopticon Gallery (Boston, MA) for First Look 2017, their “first annual Juried Portfolio Showcase”. This is a great opportunity to show a full portfolio of your work in a respected media-specific gallery. Take a look…

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CALL for ENTRIES:
First Look 2017 from
Panopticon Gallery

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“Every photograph tells a story. When part of a body of work, the photograph takes on new meaning, becoming part of a bigger and more complete narrative. A portfolio allows the photographer to explore the complexities of their subject, and provide context that gives it richness and meaning that is more than the sum of its parts.” –panopticongallery.com

ELIGIBILITY: Open to all artists 18+

MEDIA: Open to photography

DEADLINE: November 8, 2017

NOTIFICATION: By December 6, 2017

ENTRY FEE: $40 for a 10-20 image portfolio

AWARDS: Five portfolios will be selected for exhibition from January 4 to February 27, 2018.

SALES: Panopticon Gallery retains a 50% commission on works sold.

For complete details, Read the Full Call!

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CALL for ENTRIES: Introductions 2018

Posted on October 15, 2017October 16, 2017 by R.L. Gibson

say “CHEESE”

Appetizers should come before the meal. It seems obvious, but my Saturday-night restaurant choice seemed to think otherwise. My baked brie, (it was really baked pimento cheese –don’t judge) showed up with my entree, but I digress. The starter is a sort of introduction* to the meal like this next call in an introduction to the Gallery. This is an excellent way to say “hello”…

Check out this Call for Entries from The Trestle Gallery (Brooklyn, NY) for Introductions 2018. This is an opportunity to introduce your work to a great non-profit contemporary art space for only a $10 entry fee. Take a look…

[*Editor’s note: Hello, my name is Rachel, and I am a bad blogger/editor. (I hear reply, “Hello, Rachel.”) Most of you know I am a working artist too. I have been an absentee editor due to deadlines & obligations to my own studio practice. I am excited by the work I am producing & a little single minded. Forgive me. I’ll try to do better.]

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CALL for ENTRIES:
Introductions 2018 from
The Trestle Gallery

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ELIGIBILITY: Open to all artists. The only qualification is that you have not participated in a show at the Trestle Gallery before (previous open calls count, member salons do not count).

MEDIA: Open to all media

DEADLINE: November 1, 2017

SHOW DATES: January 19 – February 28, 2018

ENTRY FEE: $10 for up to 3

JUROR: Enrico Gomez, founder/director of The Dorado Project, a NY / NJ based project space & compendium of select local, national & international contemporary art. With a focus on emerging artists & innovative works, The Dorado Project seeks to unearth & weigh the very best of arts’ rich reserves. The Dorado Project: mining art. sharing gold.

For complete details, Read the Full Call!

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CALL for ENTRIES: Valdosta National 2018

Posted on October 4, 2017October 3, 2017 by R.L. Gibson

ooo-ey goo-ey CENTER

I was born in Florida & spent my adolescence in north Georgia. We made an annual trip between the two, and Valdosta, GA was one of our regular stops. We would stop in the same diner every year, and I would order the same grilled cheese with a pickle on top. As I ate my sandwich & debated the merits of pickle juice on butter-toasted bread, my dad would ask the same question of our waitress, “tell me ’bout Valdosta.” I don’t remember our server being the same woman every year, but I do remember hearing the same answer every year, “The man that wrote ‘Jingle Bells’ lived here.” I think of that short interaction every year when I receive this annual Call from Valdosta State. This is a great show, story not withstanding, and you should carefully weigh this opportunity…

Check out this Call for Entries from Valdosta State University (Valdosta, GA) for Valdosta National 2018 at the Dedo Maranville Fine Arts Gallery. This is another excellent academic show with an esteemed juror. Take a look…

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CALL for ENTRIES:
Valdosta National 2018
from Valdosta State
University

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ELIGIBILITY: Open to all U.S. artists 18+

MEDIA: Open to all media

DEADLINE: November 6, 2017

NOTIFICATION: December 11, 2017

ENTRY FEE: $35 for up to 3

JUROR: Linda Hall is a multimedia artist that is inspired by the natural world and the human condition. She holds an MFA from the University of NC at Chapel Hill & is an occasional adjunct professor at FSU. Her watercolor paintings & 3D soft sculpture have been exhibited in group & solo shows in regional, nat’l & int’l publications & venues. Her work has been featured on various music CD covers, in an issue of New American Paintings & online in Oxford American & Beautiful Decay. She lives in Tallahassee, FL.

AWARDS: At least $1,500

For complete details, Read the Full Call!

ARTIST of the DAY: Terri Lloyd

Posted on October 3, 2017October 3, 2017 by R.L. Gibson

"Aquarius: Eccentric Altruism" and "Aquarius: Aloof Rebellion" by Terri Lloyd — *“Aquarius: Eccentric Altruism” and “Aquarius: Aloof Rebellion” by Terri Lloyd*

“I don’t put a lot of stock into such things personally…”
—Terri Lloyd

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I’m a Gemini. My husband is a Virgo, and my son is Leo. My mother is an Aquarius while my father is a Capricorn, like his mother Emma. My great aunt Magdalene was a Cancer. She read our horoscopes to us at the breakfast table just after riotously laughing at the B.C. comic strip — the comic & predictive located on the same page. I could always find myself in the predictions for every sign. It was either childhood narcissism or an early indicator an eventual empathetic nature. Regardless, I never put much faith in the accuracy of astrological signs, but I know many, many people try very hard to fulfill expectations that make us appear inculpable in our own journey.

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Today’s AAAD Artist of the Day Terri Lloyd, has completed a series, “As Above, So Below“ that revolves around the signs of the zodiac. The third sentence of the press release began, “I’d don’t put a lot of stock in such things personally”. It seems perfectly in line with that dark wit & humor for which her work is known. I love this series so much. I appreciate that she incorporates mudras as a sort of universal language, and just like my childhood, I could identify with every sign more than the last. It was hard for me to choose an image to feature. I finally chose Aquarius because it suited my perspective today. But they are all fantastic. Please take the time to pass an eye over each one.

FYI, all of the links to Lloyd’s work, on this page, will lead you to her Hatchfund campaign for “As Above, So Below.” This campaign will allow Terri to print & frame all 26 large-scale images to show at the StARTup Art Fair in 2018. You don’t have to donate to look at or appreciate the images (click on updates), but every $5 helps another artist fund her opportunity. You’ve been there, just steps away from grabbing what you want. Here’s your opportunity to help her grab just such an opportunity, and it offers rewards to boot. She has to get to 50% funding in just a few days; after that, she has a benefactor with matching funds. I encourage you to put yourself in her shoes & lend a hand.

Check out the full series from AAAD Artist of the Day, Terri Lloyd.

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Category: Artist to Love

ROLLING into spring

CALL for ENTRIES: Material Matters from BWAC

For full details, Read the Full Call!

GROCERY greenbacks

CALL for ENTRIES: 20 St(art)ups from the Dean Collection

For complete details, Read the Full Call!

CALL for ENTRIES: Tiny Acts Topple Empires

from Woskob Family Gallery

For complete details, Read the Full Call!

“In view of the current economic disasters, political conditions, military actions & climate or earth changes I see immigration as the new normal. What may be them today is us tomorrow.” — Elizabeth White

Investigate more work from AAAD Artist of the Day, Elizabeth White.

now i’m COOKING

CALL for ENTRIES: Sanctuary from Gallery 263

For complete details, Read the Full Call!

teenage mutant ninja CHICKENS

CALL for ENTRIES: Vernacular from L.A. Photo Curator

For complete details, Read the Full Call!

CALL for ENTRIES: First Look 2017 from Panopticon Gallery

For complete details, Read the Full Call!

say “CHEESE”

CALL for ENTRIES: Introductions 2018 from The Trestle Gallery

For complete details, Read the Full Call!

ooo-ey goo-ey CENTER

CALL for ENTRIES: Valdosta National 2018 from Valdosta State University

For complete details, Read the Full Call!

“I don’t put a lot of stock into such things personally…” —Terri Lloyd

Check out the full series from AAAD Artist of the Day, Terri Lloyd.

CALL for ENTRIES:
Material Matters
from BWAC

CALL for ENTRIES:
20 St(art)ups
from the Dean Collection

CALL for ENTRIES:
Tiny Acts Topple Empires

Investigate more work from AAAD
Artist of the Day, Elizabeth White.

CALL for ENTRIES:
Sanctuary
from Gallery 263

CALL for ENTRIES:
Vernacular
from L.A. Photo Curator

CALL for ENTRIES:
First Look 2017 from
Panopticon Gallery

CALL for ENTRIES:
Introductions 2018 from
The Trestle Gallery

CALL for ENTRIES:
Valdosta National 2018
from Valdosta State
University

“I don’t put a lot of stock into such things personally…”
—Terri Lloyd