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Category: Online Gallery

CALL for ENTRIES: Summer Showcase

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!CHOCOLATE CHIP
on my shoulder

Summer has brought a new challenge to my cooking regime–going wheat-free.  No, it isn’t a whim, it is doctor’s orders.  I have a couple of health issues that my doctor believes is being aggravated by the inflammation that naturally accompanies the consumption of wheat.  But, classic Summer fare like chocolate chip cookies can’t be stricken from the menu, or I might get stricken from my house, ha.  So, I’ll just keep trying the get it right.  This next Call is for a classic media, and you have several chances to get it right this year.  Investigate…

Check out this Call for Entries from Oil Painters of America for their Summer Online Showcase. The entry fee is only $14 per image, but the prizes are huge. You DO have to be a member ($60 annual fee), but with three online showcases per year, it works out to be about the same as other shows. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Summer Showcase, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the show from Oil Painters of America!CALL for ENTRIES:
OPA Showcase

 

ELIGIBILITY: You must be an Associate Member. Artists must reside in the United States, Canada or Mexico.

MEDIA:
Representational Oil painting

DEADLINE:
August 15, 2013

ENTRY FEE: $14 per painting

JUROR:  Kim Casebeer was born & raised in Kansas.  As part of a fourth generation farm family, she has been connected to the land for a long time.  Kim still lives in Kansas and draws her inspiration from the simplicity of the Flint Hills, an area of wide open ranch land.  “It’s a simple landscape,” she says.  “It’s not grandiose.  You have to spend some time and let it speak to you.”  These days Kim also feels at home painting in Colorado, New Mexico, Arizona, Wyoming and Texas.  “I think the simplicity of the Kansas landscape has helped me find the essence of other places.  I’m able to focus on what’s important in a composition.  It’s as much about what’s not in the painting as what is.”

Work by Juror Kim Casebeer!Kim received her Bachelor of Fine Arts Degree from Kansas State University in 1992.  She worked as a graphic designer and art director in order to pay the bills, while spending evenings and weekends painting until 2002, when she was able to make the leap to full-time artist.  Kim has continued to study with artists such as Albert Handell, W. Scott Jennings, Michael Albrechtsen, Scott Christensen and Matt Smith.

Kim has work in many private, corporate and museum collections throughout the United States.  She is represented by American Legacy Gallery in Kansas City, Missouri; Grapevine Gallery in Oklahoma City; Hueys Fine Art in Santa Fe, New Mexico; K. Newby Gallery in Tubac, Arizona; Legacy Gallery in Scottsdale, Arizona and Jackson, Wyoming; and Strecker-Nelson Gallery in Manhattan, Kansas.

AWARDS: $3,000 for first place, $1,500 for second place and $500 for third place along with 10 honorable mentions

For complete details, Visit OPA online!

Download the Prospectus from Oil Painters of America!

CALL for ENTRIES: Cityscapes

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!SAUSAGE
please

For some reason, just the glimpse of a downtown area makes me crave Polish sausage.  No kidding.  I once flew into Atlanta & thought I would have an anxiety fit watching the city below if I couldn’t get Polish sausage & peppers as soon as I de-boarded.  It is some bizarre, vendor-cart taste memory, I suppose.  This next Call doesn’t want your sausage, but they do want the cityscape that inspires your (my) craving.  Take a look…

Check out this Call for Entries from Leading Artists Gallery for Cityscapes, an online competition to showcase talent an an international level.  This could be a great way to get a little online exposure.  For those hesitant about online calls, I invite you to think of them as art publication.  Art mags are rare these days, and online showcases are taking their place.  Maybe this opportunity is right for you…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Cityscapes, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

CALL for ENTRIES:  Cityscapes

 

Learn more from Leading Artists Gallery!

ELIGIBILITY:
Open to all artists

MEDIA:  Open to all 2D media
including photography

DEADLINE:  June 24, 2013

NOTIFICATION:  June 27, 2013

ENTRY FEE:  $10 per image

JUROR:  Glen Kessler began painting over 20 years ago.  His love for oil painting was immediate, an affair that has deepened in meaning and complexity ever since.  He earned a Bachelor of Fine Arts in Painting, graduating at the top of his class, from Maryland Institute College of Art and a Master of Fine Arts in Painting from the New York Academy of Art, where again he was distinguished for his outstanding work.

Modern World 12 by Juror Glen Kessler!Kessler’s artwork is collected widely internationally, and is in the public collections of Prince Charles, Cesar Millan, Yale University, The George Washington University, Boston University, Maryland Institute College of Art, and St. Mary’s College of Maryland.

In addition to his own studio work, Glen also teaches avidly at both the university and community level.  He currently teaches at Maryland Institute College of Art where he has taught since 2001 and The Yellow Barn Studio where he has taught since 2008.  He has previously taught at George Washington University, George Mason University, and Boston University.

For complete details, Read the Full Call!

Learn more from Leading Artists Gallery!

CALL for ENTRIES: OPA Showcase

Click to Subscribe to www.ArtAndArtDeadlinescom by Email!THE CLASSIC
strip

The classics are timeless.  For dinner last night, I had a petite New York strip, beautiful new potatoes with rosemary and broiled brussel sprouts–a rare indulgence.  Luxury is often found in the classics.  This next Call is all about one of the classic art mediums.  This is one for the oil painters…

Check out this Call for Entries from Oil Painters of America for their Spring Online Showcase.  The entry fee is only $14 per image, but the prizes are huge.  You DO have to be a member ($60 annual fee),  but there are great benefits to being a member if this is your choice of media.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: OPA Showcase, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the show from Oil Painters of America!CALL for ENTRIES:
OPA Showcase

 

ELIGIBILITY:  You must be an Associate Member.  Artists must reside in the United States, Canada or Mexico.

MEDIA:
Representational Oil painting

DEADLINE:
March 1 – May 15, 2013

ENTRY FEE:  $14 per painting

JUROR:  Mostafa Keyhani was born in Iran in 1954 and is a Canadian citizen presently residing in Canada.  It was during his years as a secondary school student that he was encouraged by one of his teachers to pursue his artistic talents.  As a result, the artist became completely devoted to painting.

Work by Juror Mostafa Keyhani!It is typical of Keyhani’s paintings to convey the lively spirit of street scenes, scenic landscapes and the beauty of floral still life.  His brilliance with color and energetic compositions enchant the viewer.

Keyhani’s works are featured in galleries and in numerous important collections.  His work is on display in the permanent collection of the Canadian Parliament Buildings and the collection of St. Michael’s Collage Cochester, Lamont, USA.

Mostafa Keyhani is a member of the Salmagundi Club, Signature member of Oil Painters of America, Tuscan Plein Air Painters Socety and the Laguna Plein Air Painteres Association.  Keyhani has become a prominent artist who has been painting for over 25 yeras.  Hundreds of his paintings are in both private and corporate collections worldwide.

AWARDS:  $3,000 for first place, $1,500 for second place and $500 for third place along with 10 honorable mentions

For complete details, Visit OPA online!

Download the Prospectus from Oil Painters of America!

CALL for ENTRIES: About Face

Click to Subscribe to www.ArtAndArtDeadlines.com by Email!HERE
piggie, piggie

I love freshly roasted pork. Roasting a whole pig is a specialty in the South.  We then gather for something called a “pig pickin”, where we pick at the pig.  Not kidding.  I love everything except the face.  I know from hence my food comes.  But, do I really need to look the pig in the face?  No thanks.   This Call is all about the face. Take a look…

Check out this Call for Entries from Art Labology for About Face. This entry fee is much less expensive than their first Call, and you know how I love portraiture.  Don’t miss this opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: About Face, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the About Face exhibit!CALL for ENTRIES:
About Face

 

THEME:  All about the face.

ELIGIBILITY:
Open to all artists

MEDIA:
Any media

DEADLINE:
April 30, 2013

NOTIFICATION:
Winners will be notified by email.

ENTRY FEE: $25 for up to 3 images.

AWARDS: $500.00 cash award. The winner will also receive a link for the use on your personal website and social media and an email announcement to their International database of art collectors and galleries.

For complete details, visit Art Labology online!

Learn more from Art Labology online!

FEATURED ARTIST: Julia Feld

Learn more about Featured Artist Julia Feld!

TOAST of the town

I love the hand-technique and the personal aspect of work in which you can see the artist’s hand.  I don’t need or want perfection.  I want to be amazed by talent and patience and thought and creativity. This month’s artist challenges me. AAAD is happy to feature the work of book carver Julia Feld. Feld’s work reminds all of the wonder found in books…words AND illustrations.  So many people dismiss the work of illustrators.  I find Feld’s work is entirely her own while at the same time, it celebrates the work of illustrators, past and present.  

Games for Two circa 1937 carved by Julia Feld!

FEATURED ARTIST: Julia Feld

Julia Feld is a scientist and artist living and working in St. Louis.  All pieces featured on her Holey Stokes! blog are her intricate creations and must be seen to be believed. 
(‘Hokey Stokes!’ is a phrase used to express wonderment or surprise in situations when ‘Holy Buckets!’ is deemed too explicit or crude. — Book Carver Julia Feld)

Feld has no formal art instruction and accidentally ended up as a book carver. 

Webster's 7th Collegiate Dictionary circa 1971 carved by Julia FeldA few years back, she found a set of Funk and Wagnalls Encyclopedias in the free box outside a used book shop.  “I didn’t know what I’d do with them but thought it was a pity that such a lovely set of books could end up in a dirty cardboard box in a parking lot, so I brought them home.”

“I really don’t remember what was going through my head the first time I thought to go at one with an exacto knife.  I do what I do because I like reminding people that books are things of beauty and that pictures and diagrams aren’t just about the information they convey.”

There is a cult-like following of Julia Feld’s work online, and a popular myth that I see over and over is that she laser cuts her shapes and images.  False.  She hand cuts every shape.  

“For some books, I carve through a page at a time, removing all the text and empty space and leaving only pictures and outlines.  For others, I gut the entire contents and rebuild it from scratch.  They all involve a ton of exact-o blades, tweezers, glue, and framing glass.  I’ve tried using power tools, but haven’t been pleased with the outcomes.”

All about House Plants carved by Julia Feld“If anyone from the future has prototype laser cutter they’d like to donate, I’d certainly be game to try it out.” — Julia Feld

 
I enjoy asking artists about their terminology for their process and media.  I find that it often gives me insight as to the frequent disconnect of an artist from the public perception of his or her work.  
 
Altered books have a long-documented history in traditional art settings as mixed media, but I find that media are becoming more and more specific over time.  Feld considers her work book carvings, but when I asked her for the school of art into which her work fit, she defers the questions to you, my loyal readers:  “I am overwhelmed by the amount of research I’d have to do to answer this question properly.  I like carving books because it draws attention to the aesthetic quality of objects that are usually valued primarily for their informational content.  Gentle readers, using the comment section below, please share with me what school of art do you think this falls into!”

Selected tables in Mathematical Statistics carved into a Butterfly specimen book by Julia FeldSo, back to the armchair psychology of it all… Feld’s Favorite Food?  Toast.  No really… toast.  I would NEVER think of asking an artist if they have a back-up plan just in case art doesn’t work out.  I’m not your momma; you don’t need something to fall back on with me. 
Nonetheless, Feld is prepared. “I want to open and operate a dining establishment called Julia’s Toasteraunt (maybe Julia’s Toastorium) where every table has a really nice toaster on it and you order big spreads of different kinds of breads and jams and cheeses and everyone feasts on toast.  If someone wants to open a soup joint next store, I’d be open to that.” Editor’s Note:  I will offer this blog and the transcripts of my interview with Julia Feld as evidence if you steal her idea, people.

Thank you Julia for sharing your work with us.

I felt a little like I was looking through the keyhole into a mad scientist’s laboratory (in the nutty, harmless 1950s definition of “mad”) during the discovery of Julia’s work.  Loved the adventure. 

Learn more about Julia Feld online!

Click to Learn More about Book Carver Julia Feld!

Should you be our next Artist of the Day?  Be sure to let us know!

FEATURED ARTIST: Kris Wlodarski

Click here to see more of Wlodarski's work.

BOTTOMS up!

The mission of AAAD is to inspire artists through resources, opportunities, and the work of your contemporaries.  Should you be our next Artist of the Day?  Be sure to let us knowAAAD is proud to feature the work of painter Kris Wlodarski.

 Krzysztof Wlodarski, aka Kali, born in 1977 in Poland. Graduated at University of Zielona Gora, Poland in philosophy. Wlodarski, influenced by the art of Gottried Helnwein, Saturno Butto, Joel Peter Witkin and modern Bodyart movements, is now showing a series “The Sleep of Reason.”  Wlodarski is also musician , film-maker, and tattoo artist, living and working in London.

Wlodarski says, “These works are reflecting a head-on collision between the primary sphere of instinct (sex & violence) and the secondary sphere of culture (taboo). This leads to a sort of synthesis, its necessary result being a transgressive form of art.

Sleep of Reason by Kris Wlodarski“I call it ‘The sleep of reason,’ a reference to Goya , because this is the manifestation of all that is pre-rational, anti-enlightenment, anti-creative. It is about the moments of insanity when the language and logic are suspended in favour of primal drives that are otherwise subject to suppression by cultural structures.”

Plagued by anxiety and bitterness from a devastating illness, Francisco Goya (1746 – 1828) created “The Sleep of Reason Produces Monsters,” one of 80 etchings in his “Los Caprichos” series–scathing critiques of human errors and vices of contemporary religious and political figures.  “The Sleep of Reason Produces Monsters” portrays Goya, often believed to be the Father of Modern Art, hounded by creatures that threaten the ignorant mind. Goya believed that imagination, combined with reason, would keep these monsters at bay.

Click here to see more of Kris Wlodarski's work!I am drawn to the passion with which Wlodarski’s interprets his vision of contemporary culture–shaped by sex and violence, destruction and morbidity.  The connection to Goya, and sometimes startling lack of connection, is a comment on Wlodarski’s view on where we are as a culture today.  His striking use of color gives us a momentary glimpse into the moments of insanity between the rational thoughts.  The moments without control or norms.

It is easy to feel transported to another place or time by these works, and maybe that’s the sugar that makes it easier to take the medicine–the knowledge that we are all there, on the cusp, all the time.  It is…the buttery taste of scotch with the charred character of bourbon.

Learn more about painter Kris Wlodarski!

Learn more about Featured Artist Kris Wlodarski!

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