CALL for ENTRIES: Harrow

Posted on May 31, 2019May 30, 2019 by R.L. Gibson

ORANGE you glad?

I’m going to have orange elbows any day now. I have been craving and eating carrots daily. In my area, they are usually around a dollar a pound for full size organics and make great chips for hummus, a great boost to Indian dishes, beautiful color in Buddha bowls. When my son was learning to eat real food, he preferred anything sweet or starchy, naturally, with a preference for carrots and sweet potatoes. His hands, feet, knees and elbows stayed a hilarious color of orange for a few weeks. I expect mine to turn any day now, ha.

Continuing with this week’s publication theme, I want to introduce you to Up the Staircase Quarterly if you’ve not yet had the privilege. Established in 2008, Up the Staircase Quarterly is an online journal of poetry, art, interviews, and reviews. New issues are published every February, May, August & November, unless otherwise stated. And for some of you that write poetry in addition to visual work, UtSQ nominates for the Pushcart, Best of the Net, and Best New Poets.

They have a 10+ year history and a detailed Masthead for you to research. So, check out this Call for Entries from Up the Staircase Quarterly (online pubication) for Harrow. There is no entry fee, but also no payment. Do you have suitable work?

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CALL for ENTRIES:
Harrow
from Up the Staircase Quarterly

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media

THEME: Paranormal. Open to any takes on this subject–serious, quirky, and everything in between, work containing ghosts/spirits, aliens, conspiracy theories, cryptozoology, near death experiences, glitches in the matrix, extrasensory perception, pseudoscience, and any experiences that can be considered supernatural.

DEADLINE: June 15, 2019

NOTIFICATION: Less than 30 days

ENTRY FEE: No fee up to 10 images

AWARD: Publishing credit, no monetary compensation. Harrow goes live on August 1st.

For complete details, Read the Full Call!

ARTIST of the DAY: Sophia Gunkel

Posted on April 2, 2019April 2, 2019 by R.L. Gibson

"Breathe" (mixed media on canvas) by AAAD Artist of the Day, painter Sophia Gunkel — *“Breathe” (mixed media on canvas) by AAAD Artist of the Day, painter Sophia Gunkel*

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“Freedom, that’s what I feel when I paint…
the freedom to explore the unknown parts of myself & our perplexing world as I see & experience it.” —Sophia Gunkel

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Why do you create? Do you have a physical response, or is the reaction solely an emotional or cerebal experience? I have the tendency to drag my feet when I should be in the studio –somedays for a lack of purpose or an unclear direction or fear of failure. But, I have learned how to put on foot in front of the other and get to IN the studio. I resoundingly feel the same way every time I get there and paint. Freedom. Every time. The work of today’s AAAD Artist of the Day, Sophia Gunkel, speaks to me and it seems we share that same sense of freedom. Please explore more of Sophia’s work. (And check out her Facebook feed for time lapse video!)

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Find a sense of freedom with the work of today’s
AAAD Artist of the Day, painter Sophia Gunkel!

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CALL for ENTRIES: On the Easel Magazine

Posted on March 18, 2019March 17, 2019 by R.L. Gibson

don’t paint with FISH SAUCE

Every week I manage to make a handful of Insta-worthy, perfectly staged lunches & dinners, completely by accident. More often, I conjure tasty dishes that are weirdly, mostly shades of brown due to carmelization, excessive de-glazing and a love for soy, fish, Worchestershire & all other sauces, brown & salty. As you might imagine, the brown food pics, outside of coffee & walnuts, aren’t really winners on social media, ha. My work is not brown or salty, but similar & not…

A few times per week I manage to pull off a perfectly Insta-worthy image of my work in progress –always at an off-kilter angle with short focus to blur unresolved issues and just the right light to allow a contrast-y filter to make me look like a rock star. It is deceptive and born out of equal measure of insecurity and social media pressure to look like I always have everything effortlessly under control. I have guilt, but not. I don’t like feeding into the notion that studio life needs to be glamourous, but I also don’t like exposing my vulnerability underbelly to nameless, faceless critics. Then enters this Call. As you might imagine, I read A LOT of Calls, and I like options for art publication. But THIS call is different. This call wants to see the mess. Finally, there is an option to show studio life, work-in-progress specifically. I think that this is the kind of aspirational we can feel good about –always real, likely messy & unresolved. Seeing yourself represented as an artist is important. This Call is the brainchild of one of our previously Featured Artists, Robyn Thompson. It is a project of her course work while working toward her Master of Arts in Social Practice, making this a great opportunity to lift up ourselves AND one of our very own.

Check out this Call for Entries from On the Easel Magazine (digital/print) for Works In Progress. No entry fee for this aspirational call for work in progress. There are no cash awards, but this Call is all pros, no cons for me. Take a look, and please contact me personally if you have concerns…

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CALL for ENTRIES:
Work in Progress
from On the Easel Mag

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“On The Easel (OTE), a new hybrid digital/paper magazine is seeking submissions of works in progress. We want to see the mess. We want to show the struggles.”

ELIGIBILITY: Open to all artists

MEDIA: Open to all media. Despite the name, this Call is not restricted to painting. They “want to show work during its awkward teen years in the hopes that it will inspire folks to push through to bring it to fruition.”

DEADLINE: Rolling. April 15, 2019 or until all spots have been filled.

NOTIFICATION: 1 week post submission.

ENTRY FEE: None

EDITOR: Robyn Thompson, visual artist who is working toward her M.A. in Social Practice program at the University of the Highlands and the Islands. This project is a part of Thompson’s course work. Your participation would be appreciated.

AWARD: Each page will include a full page image of your work in progress or a detail from it. We welcome submissions of either. Your name, links to your work and a paragraph about your process will also be included. The publication will be available for free online and you will be able to order print copies at cost if you wish.

For complete details, Read the Full Call!

Artist of the Day: Sima Schloss

Posted on August 30, 2017August 30, 2017 by R.L. Gibson

“Perhaps we never know someone until we see them
in love, despair or in danger.” —Sima Schloss

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At times I feel my life is laid bare before the world. Because I don’t have faith in the existence of privacy and an excessive desire to control my surroundings, I have beaten everyone to the punch. I have revealed almost everything to be known about me. Those few crumbs I have kept for myself are dark corners best left unexamined by most. But if Sima Schloss, today’s AAAD Artist of the Day, is right about love, despair & danger, I have nowhere to hide. I am oddly relieved. What are you not trying to hide?

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Reveal more of the work of AAAD Artist of the Day Sima Schloss!

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CALL for ENTRIES: WTP Painting

Posted on June 27, 2017September 15, 2017 by R.L. Gibson

BREATHE deeply

I often claim to be a plein air diner. Food just tastes better when eaten outside. I’ll take a picnic or patio dinner over a upscale restaurant any day. My mother swears fruit tastes even better eaten right in the field, dirt & all. This next Call doesn’t require that you paint, or eat, plein air; however, the winner’s retreat offers both of those opportunities. If you’ve been hesitant to submit to publication calls, investigate this one…

Check out this Open Call for Entries from The Woven Tale Press (print publication) for Art Competition: Painting. Regular readers know that I believe art publication is worth the effort and can be a reward of its own. But THIS publication also comes with artist’s retreat in the Hamptons. Take a look…

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CALL for ENTRIES:
Art Competition: Painting
from Woven Tale Press

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ELIGIBILITY: Open to all artists.

MEDIA: Open to painting including: acrylic, oil, or watercolor –can include mixed-media.

DEADLINE: October 31, 2017 (was July 31st. Post updated 9/15/17.)

ENTRY FEE: $25 for up to 3

JUROR: Artist Richard Malinsky, whose work has garnered awards from adjudicated museum exhibitions, art associations and prominent galleries both in the U.S. and abroad, including the Special Distinction Award at MIAB-Portugal International Biennale 2016. He is represented in the permanent collections of multiple corporate and museum collections including The Philadelphia Museum of Art, Philadelphia, PA; The New Britain Museum of American Art, New Britain, CT; the RCA Corporate Art Collection, New York, NY; and in numerous private collections throughout the United States, Canada, and Europe.

AWARDS: 1st Prize: Creative Retreat in the Hamptons, NY including accommodations for 2 within walking distance to train, ocean beach & town; full amenities & flexible booking. Also included are publication in special winners edition of The Woven Tale Press (including cover art), complimentary copy of print edition, WTP Spotlight & WTP (728 x 90 px) leaderboard homepage announcement. 2nd Prize: $300, publication in special winners edition of The Woven Tale Press, complimentary copy of the print edition, WTP Spotlight & WTP (250 x 350px) homepage announcement. 3rd prize: $100m publication in special winners edition of The Woven Tale Press, complimentary copy of the print edition & WTP Spotlight.

For complete details, Read the Open Call!

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CALL for ENTRIES: Nothing Special

Posted on June 22, 2017June 23, 2017 by R.L. Gibson

FEED me

I am trying to lose weight. Yes, again. I don’t really care about my size. I am trying to get off some meds to make me less tied to doctors & pharmacists, less tied to one place, more able to travel. Regular readers won’t be surprised to hear I’m jones-ing for goat cheese & olives right now. What ordinary item do you take for granted? Is it the bacon on your BLT? Or is it actually the mayo? Is it the peanut butter on your PBJ? Or is it actually the drizzle of honey? What I have learned is that I don’t often miss the star of the show. I miss the little extra bits that keep meals from being plain or dry or ordinary. This next Call wants to know about the ordinary bits that mean the world to you. Take a look…

Check out this Call for Entries from L.A. Photo Curator (online) for the Nothing Special exhibit. $20 entry, no shipping, plus art publication for ALL entrants. What do you have to say about the ordinary, the overlooked? I appreciate the possibilities offered by this curatorial theme…

Learn more about the Nothing Special exhibit from LA Photo Curator! — *Image above by* *Logan Bellew*

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CALL for ENTRIES:
Nothing Special from
L.A. Photo Curator

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“How do you make something compelling out of nothing special? This question has become compounded as the ubiquity of image-making and image-sharing has reached at an all-time peak and is steadily growing through various social media outlets. In a time when we are sharing, “liking,” and viewing more images than ever, how are you seeing & capturing the world around you? This call is looking for well-seen images of the everyday – the benign, the boring, the overlooked.” –from Bree Lamb via laphotocurator.com

ELIGIBILITY: Open to all artists

MEDIA: Photography

DEADLINE: July 8, 2017 (Midnight PST)

NOTIFICATION: July 28, 2017

ENTRY FEE: $20 for up to 3. 20% of artist fees go to 2 charities –½ to the curator’s choice of charity & ½ goes to the 1st place winner’s chosen charity. Bree Lamb has chosen Union of Concerned Scientists.

CURATOR: Bree Lamb is a working artist, editor, and educator based in New Mexico. She is the Asst. Editor at Fraction Magazine, Project Manager for Fraction Editions & Part-Time Faculty at NM State University. Lamb received her MFA in Photography from the University of NM. She is a Beaumont Newhall/Van Derek Coke Fellow and is represented by Gallery 19 in Chicago. She regularly exhibits her work & is represented by Gallery 19 (Chicago). Lamb has previously worked for Wildenstein & Company, The Center for Photography at Woodstock, Fovea Exhibitions & photo technique Magazine.

AWARDS: The curator chooses one 1st place winner, one 2nd place winner & 3 honorable mentions. The 1st place winner will receive a review by one or more curators including a Q&A about the photographer’s work. In addition, their image will be on the home page for a month. 2nd place & honorable mentions will have their image shown along with their bio, artist statement, C.V. and a link back to their website.

SALES: All sales are conducted between the artist & buyer. There is no commission.

For complete details, Read the Full Call!

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CALL for ENTRIES: Beyond the Blue

Posted on May 17, 2017May 16, 2017 by R.L. Gibson

pumping IRON

For a couple of years of my childhood, I was inexplicably anemic. I got used to weekly blood draws and iron shots. The careful planning of my diet to include iron-rich foods became an endless exercise in meat eating. It took a whole host of nutritionists to convince my father that spinach and seafood and peas and dried fruit were iron rich too. I still love raisins. A little extra vitamin C in my diet through citrus fruit allowed my body to absorb the iron, and voilà, my anemia disappeared, never to return. Those days may have begun my diehard belief in food as medicine. Iron was a key to my wellness just as iron plays a vital role in the cyanotypes wanted in this next Call. Take a look…

Check out this Call for Entries from Don’t Take Pictures for Beyond the Blue. I cannot wait to see this exhibit. No entry fee. Don’t miss this opportunity…

CALL for ENTRIES:
Beyond the Blue
from Don’t Take Pictures

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“Sir John Herschel invented the cyanotype process in 1842 by treating paper with an iron-salt solution. As one of the earliest photographic processes, cyanotypes are known for their signature Prussian blue color. This process is now in revival & contemporary photographers are embracing the blue hues, as well as experimenting with toning techniques for a moody, otherworldly aesthetic . . . [DTP] seeks contemporary cyanotypes that go beyond the blue.” –from donttakepictures.com

ELIGIBILITY: Open to all artists

MEDIA: Open to photography –cyanotype

DEADLINE: May 21, 2017

PUBLICATION: May 24 — August 22, 2017

ENTRY FEE: None

For complete details, Read the Full Call!

CALL for ENTRIES: Color

Posted on May 3, 2017May 2, 2017 by R.L. Gibson

TASTE perfection

These days most produce is waxy, cartoon-saturated perfection. Take baby-shaped carrots. We can’t handle carrots with their roots and imperfect skin, so now we whittle them down to miniature perfection. The other day I picked up a head of iceberg lettuce and promptly put it back down because it was pale-colored. I’ve been influenced too. Colorful food is wonderful & healthy & flavorful, but perfection is unnecessary & wasteful. This next Call is colorful, but not wasteful. Take a look…

Check out this Call for Entries from F-Stop Magazine for Color, (Issue #83). No entry fee, and it is a gorgeous publication opportunity. Take a moment to look at the last few issues. You’ll be inspired. We can’t wait to see your images published here…

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CALL for SUBMISSIONS:
Color, Issue #83
from F-Stop Magazine

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ELIGIBILITY: Open to all artists

THEME: Color

MEDIA: Photography

DEADLINE: May 15, 2017

PUBLICATION: June 1 1, 2017

ENTRY FEE: None

AWARDS: Selected artists/photographers will have images published in Issue #83

ABOUT F-Stop: F-Stop Magazine is an online magazine featuring contemporary photography from established & emerging photographers from around the world. Each issue has a theme that the unites the images to create a dynamic dialogue. Founded in 2003 and published online, bi-monthly.

For complete details, Read the Guidelines!

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CALL for ENTRIES: 2 Elizabeths

Posted on February 14, 2017February 14, 2017 by R.L. Gibson

the MISSING middle

I enjoy creative process. I find it meditative. My own visual work requires lots of repetition. I like to knit. More repetition. I have a handful of favorite recipes. Even more repetition. As a result, I often end up in looping rut of repetition. In the kitchen, I break the sameness by trying a recipe outside my comfort zone. (Today gumbo, tomorrow doughnuts;) When working visually, I find a themed Call that dictates the inspiration not only helps me start a new piece, but it sometimes marks the beginning of a whole new direction. This Call is a paying opportunity too, which I appreciate albeit meager. Maybe it is right for you…

Check out this Call for Entries from 2 Elizabeths magazine for Cover Art. Only $5 to enter. Even if you don’t win the cover spot, it is a great way to jump start your creativity this winter. Take a look…

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CALL for ENTRIES: Cover Art
for 2 Elizabeths magazine

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ELIGIBILITY: Open to all artists

MEDIA: Open to 2-dimensional representations of work including drawing, painting, illustration, photography, etc. Be inspired by their published fiction & poetry.

DEADLINE: March 28, 2017

ENTRY FEE: $5 for 1 or $9.75 for two entries

JURORS: 2 Elizabeths will select their favorite three pieces of art, and at that time their email subscribers will be given the opportunity to vote on a selection for each bi-monthly issue of the electronic magazine. You (and your friends/family) can subscribe for free.

AWARDS: If your work is chosen for the cover, you will be paid $50 for first & electronic rights to the work. Afterward, your work is your own to sell again.

For complete details, Read the Full Call!

CALL for ENTRIES: April 2017 Issue

Posted on February 3, 2017February 2, 2017 by R.L. Gibson

early EATS

I struggle with breakfast. Starting my morning with the proper fuel sets the tone for my day, but I struggle nonetheless. My art year is not that different from my work day –both go better with a little preparation. This concept of preparation is why I have been pushing art publication for the past couple of weeks. This is the time of year to drive traffic to your website in preparation for the full swing of the exhibit season. I understand that some of you like online opportunities and some of you prefer print. This next Call offers both options, plus international distribution. Get prepared…

Check out this Call for Entries from ArtMaze Mag for the April 2017 Issue. This is a great juror and a plush print. Enter for as little as $25USD. Take a look…

CALL for ENTRIES:
April 2017 Issue
from ArtMaze Mag

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ELIGIBILITY: Open to all artists

MEDIA: Open to all media

DEADLINE: February 25, 2017

NOTIFICATION: By March 15, 2017

ENTRY FEE: £20-30 for 3 to 5 images (approx $25-38 USD)

JUROR: Work chosen by jurors from the Beers London gallery.

AWARDS: Artists selected by the guest curator will receive a 1-page or 2-page spread including a brief bio, website, and 2-3 images in print and digital formats. All published artists will receive a digital copy of the magazine and will be promoted on our website/social media.

DISTRIBUTION: ArtMaze Magazine is an independent international publication which will be distributed both nationally and internationally in stores and via the online store. ArtMaze Mag will be available in New York (McNally Jackson Books), London (White Cube Gallery and Kristin Hjellegjerde Gallery) and throughout the UK in select stores such as Magalleria (Bath), Magazine Brighton (UK) and others. Print and digital copies will also be available at artmazemag.com.

For complete details, Read Full Call!

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Category: Art Magazine online

ORANGE you glad?

CALL for ENTRIES: Harrow from Up the Staircase Quarterly

For complete details, Read the Full Call!

“Freedom, that’s what I feel when I paint… the freedom to explore the unknown parts of myself & our perplexing world as I see & experience it.” —Sophia Gunkel

Find a sense of freedom with the work of today’s AAAD Artist of the Day, painter Sophia Gunkel!

don’t paint with FISH SAUCE

CALL for ENTRIES: Work in Progress from On the Easel Mag

For complete details, Read the Full Call!

“Perhaps we never know someone until we see them in love, despair or in danger.” —Sima Schloss

Reveal more of the work of AAAD Artist of the Day Sima Schloss!

BREATHE deeply

CALL for ENTRIES: Art Competition: Painting from Woven Tale Press

For complete details, Read the Open Call!

FEED me

CALL for ENTRIES: Nothing Special from L.A. Photo Curator

For complete details, Read the Full Call!

pumping IRON

CALL for ENTRIES: Beyond the Blue from Don’t Take Pictures

For complete details, Read the Full Call!

TASTE perfection

CALL for SUBMISSIONS: Color, Issue #83 from F-Stop Magazine

For complete details, Read the Guidelines!

the MISSING middle

CALL for ENTRIES: Cover Art for 2 Elizabeths magazine

For complete details, Read the Full Call!

early EATS

CALL for ENTRIES: April 2017 Issue from ArtMaze Mag

For complete details, Read Full Call!

CALL for ENTRIES:
Harrow
from Up the Staircase Quarterly

“Freedom, that’s what I feel when I paint…
the freedom to explore the unknown parts of myself & our perplexing world as I see & experience it.” —Sophia Gunkel

Find a sense of freedom with the work of today’s
AAAD Artist of the Day, painter Sophia Gunkel!

CALL for ENTRIES:
Work in Progress
from On the Easel Mag

“Perhaps we never know someone until we see them
in love, despair or in danger.” —Sima Schloss

CALL for ENTRIES:
Art Competition: Painting
from Woven Tale Press

CALL for ENTRIES:
Nothing Special from
L.A. Photo Curator

CALL for ENTRIES:
Beyond the Blue
from Don’t Take Pictures

CALL for SUBMISSIONS:
Color, Issue #83
from F-Stop Magazine

CALL for ENTRIES: Cover Art
for 2 Elizabeths magazine

CALL for ENTRIES:
April 2017 Issue
from ArtMaze Mag