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Art and Art Deadlines.com

Category: Art Organizations

CALL for ENTRIES: Garden Party

Posted on by R.L. Gibson

Learn more about the Garden Party exhibit from the Fine Line Creative Arts Center!a spring
APPETIZER

I wore flip flops on Christmas day because it was just that warm.  Then I got cocky and bought strawberries as if it were really Spring and I needed a treat for an upcoming garden party.  Ummhmm. The little red boulders the grocer sold me as strawberries had about as much flavor as, well, what I imagine boulders might taste like.  But this next Call is a REAL garden party.  Take a look…

Check out this Call for Entries from the Fine Line Creative Arts Center (St. Charles, IL) for Garden Party at the Kavanagh Gallery.  This theme could be just the inspiration to hang on to the promise of Spring. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Garden Party, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission & is considered theft.

Learn more about the Garden Party exhibit from the Fine Line Creative Arts Center!CALL for ENTRIES:
Garden Party

 

ELIGIBILITY: Open to all artists living & working in the U.S.

MEDIA: Open to all media. Pieces should evoke the feeling or be reminiscent of a party in the garden.

DEADLINE: January 11, 2016 *MUST BE MAILED SO DON’T DELAY

NOTIFICATION:  January 30, 2016

ENTRY FEE: $30 for up to 5 ($25 for members)

AWARDS: There will be a Best of Show award as well as a non-monetary People’s Choice Award, chosen by popular vote of the attendees of the show.

SALES: The gallery will retain a 30% commission on all sales.

For complete details, Read the Full Call!

Learn more about the Garden Party exhibit from the Fine Line Creative Arts Center!

ARTIST of the DAY: Fenella Elms

Posted on by R.L. Gibson

deep BREATHS

I met the talented James Dickey, the author of  the book Deliverance, many years ago. As I drove through the rural south today in search of the perfect patch upon which to grow the rest of my life, I felt the feral nature that must have inspired so much of the desperation with which the book reeks.  When my flight instinct kicks in, I need only look up to the trees to see the topmost tiny branches swaying in the biting cold air to find my calm again.  The work of today’s Artist of the Day, Fenella Elms, gives me that same sense of order in the disorder.  Calm in the chaos.

White Flow by Fenella Elms, individually-made beads on porcelain, attached with slip
White Flow by Fenella Elms, individually-made, ceramic beads on porcelain, attached with slip

“Aspects of my past career in mental health continue to influence my work with clay: the subconscious approach, a sense of rhythm, attention to detail and difference. I don’t seek to put my experiences into the clay, but marvel at how they emerge.” — Fenella Elms

Enjoy the calming forms of Fenella Elms!

CALL for ENTRIES: Intimate Treasures

Posted on by R.L. Gibson

Learn more about the Intimate Treasures show from the Textile Arts Factory!salty or
SWEET

As much as I love stuffed grape leaves & feta, my first thoughts of Greece are of figs.  My husband makes a mean pastitsio, but I will still take yogurt with honey & figs any day of the week.  This Call is another sweet treat from the Mediterranean.  If you are looking for an international show, this could be a golden opportunity…

Check out this Call for Entries from Textile Arts Factory (Greece) for Intimate Treasures, a textile, fiber & jewelry exhibit.  With approx. 40 days between notification & delivery, reasonable shipping rates are available for this international opportunity.  Take a look..

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Intimate Treasures, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Intimate Treasures show from the Textile Arts Factory!CALL for ENTRIES:
Intimate Treasures

 

ELIGIBILITY:  Open to all artists 18+

MEDIA:  Accepted techniques include, but are not limited to: weaving, lace, knitting, crochet, embroidery, dyeing, patchwork, sewing, felt, braiding & knotting. Experimental techniques are also welcome. Combinations of different materials are accepted; however the main material should be textile and/or fibers, synthetic or natural.

DEADLINE:  January 15, 2016

NOTIFICATION:  January 20, 2016

ENTRY FEE:  $15 for up to 3

JUROR:  A jury of acclaimed artists & designers will decide which entries will be showcased.

SALES: Textile Arts Factory will retain a 30% commission of all sales.

For complete details, Read the Full Call!

Learn more about the Intimate Treasures show from the Textile Arts Factory!

CALL for ENTRIES: Benjamin’s Banquet

Posted on by R.L. Gibson

Learn more about the Benjamins Banquet exhibit from the Chait Galleries downtown!feed me
LOUISIANA
(or Iowa)

All people have something in common –hunger.  As a product of that hunger, we all have to eat.  Some of us are more interested in food than others.  Granted, not everyone is as obsessed as I am, but I’m also not the only one contemplating food several meals (sometimes several months) in advance.  There are towns where I feel right a home simply because of the food — like New Orleans, Louisiana.  This next Call, also food obsessed, feels like home too.  Iowa is calling…

Check out this Call for Entries from the Chait Galleries Downtown (Iowa City, IA) for Benjamin’s Banquet.   $25 entry, and well, the theme.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Benjamin’s Banquet, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Benjamins Banquet exhibit from the Chait Galleries downtown!CALL for ENTRIES:
Benjamin’s Banquet

 

“What is your most closely held connection or apparent disconnection to food? What insights do you have to our global food system or perhaps there is a secret love/hate relationship in your own personal consumption? What about food moves you?” — from chaitgalleries.com

ELIGIBILITY: Open to all artists 18+ residing in the U.S.

MEDIA: Open to all 2D and 3D media considered –except photography & jewelry.

DEADLINE:  January 15, 2016

NOTIFICATION:  January 21, 2016

ENTRY FEE: $25  for up to 3, $10 ea. add’l

AWARDS: Best in Show $300 & 2 $100 Honorable Mentions

SALES: The gallery will retain 50% commission on sales.

For complete details, Read the Full Call!

Learn more from the Chait Galleries downtown!

ARTIST of the DAY: Robin Antar

Posted on by R.L. Gibson

egging on the POUNDS

This is not just a season of mass consumerism, but a season of mass consumption.  As a Southerner, I am unceasingly amazed by how many holiday dishes include mayonnaise.  It is an embedded part of the culture.  There are less-than-playful, spiteful & angry debates, conversations & argument over brands.  I stand firmly on the side of homemade.  *Please note, all hate mail containing the word “Dukes” has been filtered to my junk mail box.  The work of today’s Artist of the Day, Robin Antar takes its own stand, intention or not. (continues below)

Hellman's Real Mayonnaise (realism in stone) by Robin Antar
Hellman’s Real Mayonnaise (realism in stone) by Robin Antar

“My passion as a sculptor involves a technique I uncovered more than 20 years ago — the precise art of creating ‘virtual records’ of contemporary culture — capturing common, everyday items in stone. Essentially, I replicate these items on a real life-scale, complete with meticulous detail. I achieve this absolute realism by incorporating parts of the actual object, as well as custom-made stains, paints, plastics and gold leaf. It’s more than art imitating life, it’s art mirroring life.” —Robin Antar

Discover more from sculptor Robin Antar!

CALL for ENTRIES: Mist Gallery

Posted on by R.L. Gibson

Learn more the Mist Gallery!cheap
PROTEIN

Food challenges abound: Meatless Monday, Veggie Thursday & others.  I full believe in $5 Friday.  It doesn’t have to be Friday, but, well, alliteration.  I like the creativity required to feed my family of three for $5.  My “go to” used to be chicken quarters (75¢/lb), but chicken that cheap can be scary.  But, I can serve the best of eggs as protein, grass-fed, free-range, antibiotic free FRESH eggs and still have plenty of cash left over to round out the meal.  Fried rice & quiche are family favorites, but if you are not an egg eater, dried beans are fantastic (but require prep time).  This next Call is also a shockingly good value for $5 as well.  Take a look…

Check out this Call for Entries from the Mist Gallery (online exhibit) for the February exhibition! $5 entry & no shipping unless work sells.  What do you have to lose?

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Mist Gallery, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more the Mist Gallery!CALL for ENTRIES:
February Exhibition

 

ELIGIBILITY:  Open to U.S. & Canadian artists, age 18+

MEDIA:  Open to all media

DEADLINE:  December 31, 2015

NOTIFICATION:  by January 7, 2016

ENTRY FEE: $5 for up to 6

CURATORS: All participating artists are hand-picked by Mist Gallery founders, Elizabeth Servito & Nastassja Swift.

SALES:  Mist Gallery will take a 25% commission of each sold piece.  Artwork for sale through the Site is being sold unframed and all exceptions must be noted in the description.

For complete details, Read the Full Call!

Learn more the Mist Gallery!

ARTIST of the DAY: Greg Sand

Posted on by R.L. Gibson

CHRISTMAS future

I watched Dickens’ “A Christmas Carol” again last night.  I think the familiarity of the story along with the endless tongue-in-cheek remakes and knock-offs have taken the edge of the concept.  But what if?  What if your life was absent of you?  The work of Greg Sand, today’s Artist of the Day, reminds me of the reality of that concept.  Every vintage portrait over which I have longed in consignment and thrift stores has met their end.  Sobering.  Another thoughtful display of empathy– empathy for those connected to these unknown souls. (continues below)

Once Removed #1 (left) & Once Removed #4 by Greg Sand
Once Removed #1 (left) & Once Removed #4 (right) by Greg Sand

“The series Once Removed consists of antique portraits in which the subject is missing. In all of the images, only the photographer’s backdrop and chair–next to which the sitter once stood–remain. The photographs are now about the absence of the subject rather than about the subject itself. Hopefully the viewer ponders the removal of the person and concludes, given the obvious age of the portraits, that the subject is dead.

‘By giving me the absolute past of the pose…
the photograph tells me death in the future… I shudder…
over a catastrophe which has already occurred.’

 

“These words from Roland Barthes’s ‘Camera Lucida” describe how I feel when I view a photograph as old as the ones used in this series. I feel a connection to the person, followed by a dread of what is to come, followed by a sense of grief at what has already transpired. The removal of the subject–who is very much alive in the photograph–forces the photograph to more truthfully depict the present reality in which the subject is no longer alive.” — Greg Sand

Explore the more work by Greg Sand!

ARTIST of the DAY: Ellen Jewett

Posted on by R.L. Gibson

STRANGE and gentle

As the years go by, I have come to view the details with different eyes.   With people, I have a far greater capacity for empathy even without intimate knowledge of every detail.  But with art, I find myself captivated by the minutia.  I enjoy dissecting the elements.  The sculpture of today’s Artist of the Day, Ellen Jewett, keeps me busy for hours.  A cursory glance may reveal spectacular figurative work, but the individual elements offer tiny narratives to be combined into a more complicated world view.  Mesmerizing. (continues below)

strange and gentle by Ellen Jewett
strange and gentle by Ellen Jewett

“At first glance my work explores the more modern prosaic concept of nature: a source of serene nostalgia balanced with the more visceral experience of ‘wildness’ as remarkably alien and indifferent.  Upon closer inspection of each ‘creature’ the viewer may discover a frieze on which themes as familiar as domestication and as abrasive as domination fall into sharp relief.” — Ellen Jewett

Discover more work by Ellen Jewett!

ARTIST of the DAY: Julia Geiser

Posted on by R.L. Gibson

smoke & mirrors

Some days, one has to put one foot in front of the other and simply hope for the best.  When searching for today’s Artist of the Day for AAAD, I stumbled on to the work of Julia Geiser.  This work perfectly illustrates my week.  (continues below)

Collage work by Julia Geiser
collage work by Julia Geiser

“When I first started to work with collage (in 2012) I really got attached to the method. With collage I am allowed to work fast and the pictures I create are more likely a sketch of an idea then an in all details finished picture. I only use pictures from the Internet. So the online-voyeurism becomes an inspiration to me. In such a way my work grasps a larger ground. It becomes a debate about rights and licenses, about privacy and commons, about ownership and laws. The collages always oscillate between visual and legal borders.” — Julia Geiser

Learn more about #ArtistoftheDay, Julia Geiser!

CALL for ENTRIES: A Touch of the Blues

Posted on by R.L. Gibson

Learn more about the Touch of the Blues exhibit from the ARC Gallery in Chicago!blue
MILK

I’m not really a milk drinker –never have been.  I use it in cooking and to make cheese, but by the glass is uncommon.  It has in recent years, though, become helpful in the winter months.  In the winter, my writing for AAAD & creating my own art (both visual & performing) keeps me indoors most of the time.  A lack of sunshine for extended periods of time is often accompanied by a general malaise –the winter blues.  Milk isn’t a miracle drug, but the boost of Vitamin D does seem to help.  This next Call wants your perspective on blue.  Take a look…

Check out this Call for Entries from Arc Gallery (Chicago, IL) for A Touch of the Blues.  No commission on sales & cash awards.  Investigate…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: A Touch of the Blues, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the Touch of the Blues exhibit from the ARC Gallery in Chicago!CALL for ENTRIES:
A Touch of the Blues

“No color has as diverse a range or interpretation as Blue. It is represented by the clearest of oceans and the deepest of melancholy sadness. It is nature, music, movement, and joy. It is pain and suffering. This exhibition is an exploration of this extraordinary color and its seemingly limitless breadth of expression.” — arcgallery.org

ELIGIBILITY:  Open to all artists

MEDIA:  Open to all mediums & materials are eligible including 2-D, 3-D, mixed-media & video.

DEADLINE:  December 26, 2015

NOTIFICATION:  January 10, 2016

Learn more about the Touch of the Blues exhibit from the ARC Gallery in Chicago!ENTRY FEE:  $40 for up to 3, $10 ea. add’l

JUROR:  With an MFA from The School of the Art Institute of Chicago and a BS from Skidmore College, Sarah Krepp taught in the SAIC Painting Program for seven years before becoming Professor & Chair of the Painting Program at the University of Illinois at Urbana / Champaign. Being both a visual artist and a professor, she has worked and taught nationally at visiting artist residencies & internationally in Ireland, Italy &France, earning opportunities to exhibit at many venues.

AWARDS:  Three monetary awards: Best in Show and two honorable mentions.

SALES:  Works will be for sale unless noted as NFS (not for sale) on the entry form.  ARC does not take commission on any work sold, but will act as a liaison for sales of the artists’ work. 

For complete details, Read the Full Call!

Learn more from the ARC Gallery in Chicago!