CALL for ENTRIES: Las Laguna Aqueous 2019

Posted on June 26, 2019February 19, 2020 by R.L. Gibson

open up & say A-GUA

I quit smoking six and a half years ago. I entirely expected to be able to better taste food. What I didn’t expect was my sense of smell to like a blood hound. My hearing also wildly improved, but my family believes the timing is just a ridiculous coincidence. My sense of smell, while appreciated, has consequences. The trash has to go out more often. I can smell a soft spot in a potato in dry storage or an overly ripe banana all the way in my bedroom the minute I wake up. The strangest smell revelation for me is water. Water should be odorless, but it rarely is. Tap water almost always reeks of chlorine or sulphur or has an acrid metallic odor. Ugh.

Meanwhile my husband is upfitting a small barn as my new studio, and it doesn’t have running water. As a watercolorist, I have to have clean water. As a solution, I designed an inexpensive system that pumps water from exchangeable 5 gallon jugs and a separate complex filter system to allow me to send the gray water out to water the flower beds. I use non-toxic paints, and my filtration system is meant to capture the pigment, but I am going to plant white flowers… just in case. This next Call is all about the water soluble media & has fewer guidelines than the society shows. Take a look…

Check out this Call for Entries from the Las Laguna Gallery (Laguna Beach, CA) for Aqueous 2019, a show of work in water-soluble media. $35 entry & 35% commission. Don’t miss this opportunity…

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CALL for ENTRIES:
Aqueous 2019
from Las Laguna Gallery

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ELIGIBILITY: Open to all artists

THEME: This is an open theme exhibition and all subject types will be considered. From Traditional landscapes, Local views, Abstracts, Wildlife, Pets, Figure studies, Seascapes, harbors, and beach scenes, Impressionistic landscapes or more.

MEDIA: Open to water soluble media: watercolor, acrylic, casein, gouache, ink & egg tempera

DEADLINE: July 9, 2019

NOTIFICATION: June 15, 2019. If accepted, delivery of work is July 25-30.

ENTRY FEE: $35 for up to 3

SALES: The gallery will retain 35% commission on all sales.

For complete details, Read the Full Call!

CALL for ENTRIES: Real People 2019

Posted on June 25, 2019June 25, 2019 by R.L. Gibson

under PRESSURE

So, I’m selling my electric pressure cooker. I got one as a gift a couple of years ago, hesitantly, and thought I would love it. Not so much. I tried joining an online community. Didn’t help. It became a very heavy glorified rice cooker, and today it goes away. (shoutout to Facebook Marketplace) This is all a part of the new, lighter, more portable, healthier me. I don’t mean physically, although the Instant Pot IS ridiculously heavy; I mean that I am trying to lighten my load and remember to repurpose or pass along things I no longer need.

I’ve had my eye on the venue for this next Call for a while. As much as I appreciate the modern box gallery, I have a special love for spaces repurposed as galleries. In this case, the gallery is located in what used to be an old courthouse. The variance in the spaces allows curators and jurors to cater the work to the environment. I like it. This Call comes from a publicly-funded arts council in a publicly funded space. I also like that. Take a look and let me know if you enter & how your experience is. I’m going to try to get my act together and submit.

Check out this Call for Entries from Northwest Area Arts Council for Real People 2019 at the Old Court House Arts Center (Woodstock, IL). $40 entry fee & 30% commission. Do you have figurative work to show?

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CALL for ENTRIES:
Real People 2019
from Northwest Area Arts Council

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media

THEME: Submitted work must depict
the human form or face in some manner that is recognizable.

DEADLINE: July 7, 2019 (11:59pm CDT)

NOTIFICATION: July 14, 2019

ENTRY FEE: $40 up to 3, ($30 for members)

JUROR: Chicago-area artist Joyce Polance, who has exhibited internationally and is the recipient of multiple grants and awards including six Chicago CAAP grants, a George Sugarman Foundation grant, two Judith Dawn Memorial grants, and a Cliff Dwellers Artist in Residence award.

AWARD: For First, Second, Third Place, a Gallery Award, and Three Artistic Merit Awards, and others, cash prizes totaling $1,500 will be awarded. In addition, we are very pleased to announce that the online artist management platform Biafarin, has donated 2 Gold one year memberships and 2 Blue one year memberships as awards. For more information on Biafarin and the services that come with these awards, please visit biafarin.com.

SALES: 30% commission on all sales will go to NAAC.

For complete details, Read the Full Call!

CALL for ENTRIES: Unique Abstractions

Posted on May 5, 2019February 19, 2020 by R.L. Gibson

abstractly DRINKING SPEAKING

The notion of eating healthy is an abstract one. Even putting ethical concerns aside, there are health benefits (and disadvantages) to embracing vegetarianism, veganism and even raw diets. Sugar is the devil, but artificial sweetners are differently malicious. An excessively fatty diet can lead to heart disease but when coupled with an near absence of carbohydrates puts the body in ketosis that effectively treats diabetes in many. Chocolate and red wine and coffee and kale, all abstractions of a healthy diet.

In art, abstraction takes a lot of forms. At it’s broadest, abstraction is work that is non-representational. But, that begs the question, non-representational of what? From that we get non-figurative & non-linear styles that are often included in surrealism, dadaism, cubism, fauvism, suprematism, art informel, neo-plasticism, de stijl & others. This next Call wants to see all of your abstract creations. My heart lies with abstraction, although I find reactions to it frustrating. What’s your experience? Are you insulated enough not to hear the voices of those that would dismiss the non-representational? My mantra is ‘process not product’. Excerise your muscle memory. Lose yourself in process. It works for me. What works for you?

Check out this Call for Entries from the Las Laguna Gallery (Laguna Beach, CA) for Unique Abstractions, a show of abstract work in a wide range of media. $35 entry & 35% commission. Don’t miss this opportunity…

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CALL for ENTRIES:
Unique Abstractions
from Las Laguna Gallery

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ELIGIBILITY: Open to all artists

THEME: Abstraction. “True abstract art not only utilizes flexibility and freedom; it also employs bold uses of color, line, pattern, form, process and composition.” — laslagunagallery.com

MEDIA: Open to acrylic, airbrush, assemblage, charcoal, color pencil, collage, digital art, drawings, encaustic, fiber art, araphite, illustration, mixed media, new media, oil, painting, pastel, photography & watercolor.

DEADLINE: June 7, 2019

NOTIFICATION: June 12, 2019. If accepted, delivery of work is June 26th to July 2nd.

ENTRY FEE: $35 for up to 3

SALES: The gallery will retain 35% commission on all sales.

For complete details, Read the Full Call!

CALL for ENTRIES: On the Easel Magazine

Posted on March 18, 2019March 17, 2019 by R.L. Gibson

don’t paint with FISH SAUCE

Every week I manage to make a handful of Insta-worthy, perfectly staged lunches & dinners, completely by accident. More often, I conjure tasty dishes that are weirdly, mostly shades of brown due to carmelization, excessive de-glazing and a love for soy, fish, Worchestershire & all other sauces, brown & salty. As you might imagine, the brown food pics, outside of coffee & walnuts, aren’t really winners on social media, ha. My work is not brown or salty, but similar & not…

A few times per week I manage to pull off a perfectly Insta-worthy image of my work in progress –always at an off-kilter angle with short focus to blur unresolved issues and just the right light to allow a contrast-y filter to make me look like a rock star. It is deceptive and born out of equal measure of insecurity and social media pressure to look like I always have everything effortlessly under control. I have guilt, but not. I don’t like feeding into the notion that studio life needs to be glamourous, but I also don’t like exposing my vulnerability underbelly to nameless, faceless critics. Then enters this Call. As you might imagine, I read A LOT of Calls, and I like options for art publication. But THIS call is different. This call wants to see the mess. Finally, there is an option to show studio life, work-in-progress specifically. I think that this is the kind of aspirational we can feel good about –always real, likely messy & unresolved. Seeing yourself represented as an artist is important. This Call is the brainchild of one of our previously Featured Artists, Robyn Thompson. It is a project of her course work while working toward her Master of Arts in Social Practice, making this a great opportunity to lift up ourselves AND one of our very own.

Check out this Call for Entries from On the Easel Magazine (digital/print) for Works In Progress. No entry fee for this aspirational call for work in progress. There are no cash awards, but this Call is all pros, no cons for me. Take a look, and please contact me personally if you have concerns…

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CALL for ENTRIES:
Work in Progress
from On the Easel Mag

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“On The Easel (OTE), a new hybrid digital/paper magazine is seeking submissions of works in progress. We want to see the mess. We want to show the struggles.”

ELIGIBILITY: Open to all artists

MEDIA: Open to all media. Despite the name, this Call is not restricted to painting. They “want to show work during its awkward teen years in the hopes that it will inspire folks to push through to bring it to fruition.”

DEADLINE: Rolling. April 15, 2019 or until all spots have been filled.

NOTIFICATION: 1 week post submission.

ENTRY FEE: None

EDITOR: Robyn Thompson, visual artist who is working toward her M.A. in Social Practice program at the University of the Highlands and the Islands. This project is a part of Thompson’s course work. Your participation would be appreciated.

AWARD: Each page will include a full page image of your work in progress or a detail from it. We welcome submissions of either. Your name, links to your work and a paragraph about your process will also be included. The publication will be available for free online and you will be able to order print copies at cost if you wish.

For complete details, Read the Full Call!

CALL for SUBMISSIONS: 2019 Annmarie AiR

Posted on March 17, 2019March 16, 2019 by R.L. Gibson

for the love of DAIRY

I did NOT eat haggis in Scotland while in residency. No one offered it to me. It wasn’t on any menu that I saw. No one suggested that I should make or order it –except every person I know in the United States, ha. I did, however, give in to hot tea, drink liter after liter of unhomoginized, “gently pasteurized” local milk and ate a shameful number of all-butter Scottish shortbread biscuits. I ate boatloads of Dutch gouda and an embarrassing amount of brie from the local cheese shop. And the spinach quiche and sun-dried tomato bread from the local bakery was sinful. You do Scotland your way, I did it mine. The biggest news is how I approached my work differently…

I went to another continent, worked 80+ hours a week and came home with three small pieces of completed work. I spent 8 solid hours of work on an area the size of a silver dollar. I could NEVER do that at my home studio uninterrupted. I spent thirty hours over 3 days working & re-working a 2″ x 4″ section of stitching. I could NEVER do that at my home studio without massive frustration. Residency is the hardest thing to do. It is undistracted, unobstructed time to experiment and succeed and fail without excuse (that’s the hard part). Residency time is priceless. THIS residency is a working residency that requires working with the public on a project. If it lights you up, if you can envision the project and can’t wait to get started, please don’t miss this chance. Don’t let doubt or all the things you think you need to be get in the way. Just submit the project. Don’t worry about what happens if they say “yes” or if they say “no”. Take the chance because it could change the course of how you work and of how you approach your work forever.

Check out this Call for Submissions from Annmarie Sculpture Garden & Arts Center (Solomons, MD) for 2019 Summer Residency. There is no entry fee, plus there is a stipend, project funding, housing and more. This is one of those rare opportunities. Please investigate to see if it is the right fit for you…

CALL for ENTRIES:
2019 Summer Residency
from Annmarie

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“The summer residency program provides a serene place on the Western Shore of the Chesapeake Bay for visual, musical, and literary artists to design and produce a community arts project. Most artists run their project through Annmarie’s creative reuse center, called the artLAB, where artists are encouraged to incorporate recycled or repurposed materials into their project. Residencies are meant to focus on community arts projects; those that merge arts and the environment are particularly desirable. ” –from annmariegarden.org

ELIGIBILITY: All artists 18+ living & working in U.S. Professional & emerging visual artists, musicians, and literary artists may apply.

MEDIA: Open to all media

DEADLINE: April 15, 2019

ENTRY FEE: None

JUROR: Selection is made by an internal panel.

AWARDS: A modest stipend or honorarium — typically $225 per week for the summer residency; a modest project budget, typically $500-2000, depending on the project; housing (optional), the artLAB, studios, bicycle, kayak, a beautiful sculpture garden, galleries, program administration & more!

For complete details, Read the Full Call!

CALL for ENTRIES: 2019 Juried Waterloo

Posted on March 16, 2019March 16, 2019 by R.L. Gibson

working for FOOD

And, we’ve returned. I have been working as an artist in residence in Scotland for the past month, so I made the decision to shut us down for a few weeks. I’ve been back for three days –stuffing my face with all those foods one associates with home. Yours may be pasta or cheese, and mine is ALL foods, ha, but what I really missed were salads and vegetables and marinades, all the foods that I was too lazy or too time-pressed to enjoy making for myself. So many red peppers.

We need to talk about residency experiences, but let’s say hello with an exhibit to start. I have been crafting my resume to serve my current goals, and that includes public and non-profit art galleries, organizations & museums. Waterloo is one of my favorite non-profits, dedicating its resources to bringing quality programming to Cleveland, Ohio. This particular exhibit has a low entry fee and offers a small honorarium to all accepted artists ($5 less than the entry fee) while still offering thousands of dollars in awards. And to top it all off, the show’s run is during an arts festival, offering increased foot-traffic & pubicity. There are a lot of pros. Lets celebrate the good ones…

Check out this Call for Entries from Waterloo Arts (Cleveland, OH) for the 2019 Juried Exhibition. This is a unique opportunity for artists to exhibit work in the Waterloo Arts Gallery. For the third straight year, the Juried Exhibition will take place in three locations in the Waterloo Arts District: Waterloo Arts, Praxis Fiber Workshop and Brick Ceramic + Design. Artists’ work will also be to the more than 5,000 attendees of The Waterloo Arts Fest that is scheduled during the run of the show. Take a look…

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CALL for ENTRIES:
2019 Juried Exhibition
from Waterloo Arts

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ELIGIBILITY: Open to 18+ artists residing in the U.S. or Canada.

MEDIA: Open to all* 2 & 3-D media. *Time based, electronic media, performance art, and installations will NOT be accepted.

DEADLINE: April 7, 2019

NOTIFICATION: April 30, 2019

ENTRY FEE: $30 for up to 3

JUROR: TBA

AWARDS: Best of Show $500, 2nd Best of Show $250, Honorable Mentions: $100, NEOH Artist CAN Journal Prize: Cash Prize $250 and Artist feature article in fall edition of CAN Journal*, Brick Ceramic + Design Prize $150, Praxis Fiber Workshop Prize $150, tap Prize for Wearable Art $150, Waterloo Arts Trustee Prize for Painting/Illustration $150, Zygote Press Prize for Printmaking $150, Outstanding Work in Sculpture $150, Outstanding Work in Paper $150. All accepted artists will receive $25 honorarium. Artists who receive another cash award will not receive an additional honorarium.

For complete details, Read the Full Call!

CALL for ENTRIES: Wide Open 10

Posted on January 24, 2019January 24, 2019 by R.L. Gibson

a-PEELING

My mother doesn’t own a vegetable peeler. Well, didn’t. While I have the benefit of a knife skills class in culinary school, I am not great a peeling vegetables. I can tourne a potato, but if I peel potatoes for mash, you’d better hope I have a vegetable peeler… or a LOT of potatoes. When my mother requested vegetable soup over the holidays, I refused unless she let me buy a peeler. She agreed with disdain, and I spent $3 on the most generic “Domestix” variety available at the local grocer. CHANGED MY LIFE, well, my cooking anyway. With one swoop across a potato, I realized how dull my home peeler was. I put the gadget on my holiday list, and it showed up under the tree. Suddenly I have zucchini ribbons in salad & shaved carrots in my coleslaw. The possibilities are wide open, ha.

I’ve done the same with paint recently. I had access to some more highly pigmented tube watercolors recently, and it affected my approach to the work I did with them. My nature is to “make do” with what I have. It is taught as a virtue in the South. Don’t get me started on all the evils of making do. It is a mindset meant to make children grateful for what they have, but it often squashes ambition and self-value in adults. That mindset combined with all the guilt I have associated with spending money, has kept me “making do” with some watercolors that are not working for me. Now when I finish a tube that doesn’t behave in a way that serves my work, I re-order that hue or something similar from a different maker. I am exploring variations & dispersal patterns & saturation unknown. The adventure has left me open to the possibilities. Vegetable peeler & watercolors. Variations on a theme.

This next Call is also looking for variations on the theme of “Wide Open”. BWAC is one of my favorite venues, known for great jurors, reliable curatorial vision, a non-profit format & even artist run. Interested? Then check out this Call for Entries from BWAC (Brooklyn, NY) for Wide Open 10. There is a distinct discount for early entry, so don’t delay. Take a look…

CALL for ENTRIES: Wide Open 10

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ELIGIBILITY: Open to U.S. artists 18+

MEDIA: Open to all media

THEME: Wide Open “encompasses all the possibilities of knowledge and freedom & love – wide open spaces…arms wide open…eyes wide open ‐ but as with all things, there is the inevitable opposite ‐ wide open to attack…corruption…failure. What kind of fantasy is this? What does it really indicate? This juried show looks to explore the idea of “wide open” in all the hidden niches of our collective psyche.” –bwac.org

ENTRY FEE: $50 up to 3, $6 ea add’l (early) or $70 up to 3, $6 ea add’l after Jan. 19th

DEADLINE: February 4, 2019 (early bird) or February 24, 2019 (final)

NOTIFICATION: March 15, 2019

JUROR: Ylinka Barotto is an Assistant Curator at the Guggenheim Museum and has assisted on such large-scale modern and postwar retrospective exhibitions as Alberto Burri: The Trauma of Painting (2015); Moholy-Nagy: Future Present (2016); Visionaries: Creating a Modern Guggenheim, which showcased masterworks from the Guggenheim’s modern collection (2017); and Mystical Symbolism; The Salon de la Rose+Croix in Paris, 1892-1897 (2017, for which she contributed to the catalog with entries on many of the show’s artists. Barotto is also one of the organizing curators for the museum’s Young Collectors Council, which acquires the work of emerging artists for the museum’s permanent collection. Barotto received an MA in curatorial and museum studies at Accademia de Belle Arti di Brera in Milan and is currently working toward an MA in art history at Hunter College of the City University of New York with a focus on postwar and contemporary feminism.

AWARDS: Best of Show Gold $1000, Best of Show Silver $500, People’s Choice $250, Curator’s Choice $250 & ten (10) $100 (ea.) Certificates of Recognition.

SALES: BWAC will retain a 30% commission on all exhibition sales.

For full details, Read the Full Call!

CALL for ENTRIES: 47th Int’l Show

Posted on January 21, 2019January 19, 2019 by R.L. Gibson

focused and FARE

I cheated on my husband with shrimp tacos. He’s contact allergic to shellfish, and on the rare occasion I eat a meal without him, my radar is firmly set on shrimp. I feel guilty while eating them, like I’ve cheated, and then have to go through a hazmat-style sterilization process afterward. But, shrimp.

I had that shrimp-y luncheon with my a friend, an accomplished realist painter. We spent time talking about our plans for the next weeks and months. She paints prolifically and noted, “I haven’t even been looking at Calls because I can’t do anything until Fall”. Between work for galleries that represent her, a couple of invitational shows and a museum solo show that comes down this week, she can’t lose focus. Realizing that kind of focus has been my goal for months, and I am beginning to see results, but it requires tuning out the things that don’t serve my focused goal.

Are museum shows a part of your current plan? If yes, check out this Call for Entries from Brownsville Museum of Fine Art (Brownsville, TX) for 47th International Art Show. $45 entry & 30% commission, plus $3300 in cash awards. Both jurors’ work is well documented, so do your homework!

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CALL for ENTRIES:
47th Int’l Art Show
from Brownsville Museum of Fine Art

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to painting, drawing, water media, mixed media, printmaking, 3D sculpture, photography & digital media.

DEADLINE: February 20, 2019 (midnight CENTRAL time)

NOTIFICATION: February 26, 2019

ENTRY FEE: $45 up to 3, $5 ea. addl

JURORS: Joe Harjo, visual artist, MFA from the University of Texas San Antonio, and Professor of Photography at Southwest School of Art, San Antonio, TX. Mauricio Saenz, visual artist and filmmaker, MA in Artistic Production from Polytechnic University of Valencia, Spain.

AWARD: Best of Show $1000; Clara Ely Award $250 (limited to oil & acrylic), and Octavia Arneson Award $250 (limited to water media), Mayor’s Award: Commemorative Plate, First Place (in each of 8 categories) $150, 2nd Place (in each of 8 categories) $50, 3rd Place (in each of 8 categories) $25 and Honorable Mentions receive ribbons.

SALES: All art must be for sale and the BMFA will require 30% commission for any sale that was a direct result of the exhibition.

For complete details, Read the Full Call!

CALL for ENTRIES: Persistence

Posted on January 20, 2019January 19, 2019 by R.L. Gibson

the need for CHEESE

I had emergency ravioli last weekend. Well, I had emergency oral surgery. It was every bit as awful as that sounds, but necessary. Since my husband & son both have Celiac disease, so true Italian pasta deliciousness is an uncommon sight in my house. But after all the soup and oatmeal I could stand, I was craving comfort food that wouldn’t make me hate life later. I tried everything in my house, one after the other, foods were too hot, too cold, to crunchy, too crispy, too bland, too sticky. And then there was delivery cheese ravioli. It was like the clouds parted. Divine.

If only all such persistence paid dividends, right? Sometime persistence in art leads to over-working. I’ve put a lot of holes in a lot of paper, and even a few canvases, over the years. The outcome of political persistence has varied over the years from victory parties to concession speeches, rallies to protests, elections to resignation. What drives your artist persistence? What is the benchmark you trying to pass or surpass? Is it a resume qualifier? Is it a sales or publication goal? Is it a signature body of work or finding your voice? It is all of those things for me, but somewhere tied up in all of those things is belief in my own legitimacy as an artist. Again, what drives your artist persistence?

Today’s Call celebrates the persistence of women by celebrating female artists. Take a look to see if this one is right for you. This Call for Entries from the d’Art Center (Norlfolk, VA) for Persistence: A National Exhibition Celebrating Women’s Empowerment. I’m happy to publish a Call that welcomes both fine art & fine craft. Do you have work for this Call?

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CALL for ENTRIES:
Persistence
from the d’Art Center

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ELIGIBILITY: Open to all female artists residing in the U.S.

MEDIA: Open to functional, non-functional, 2D, 3D, fine art & fine craft in all mediums.

DEADLINE: February 7, 2019

NOTIFICATION: February 19, 2019

ENTRY FEE: $35 up to 3

JUROR: Lori Pratico is the founder of the Girl Noticed Community Mural Project. For Lori, her artwork is not only her passion but also her voice. She is driven to inspire people to recognize that no matter what, there is always something about them extraordinary and worth noticing. Girl Noticed reminds us to pause, acknowledge and appreciate others and ourselves. Aside from Girl Noticed, Lori serves on the Broward County Public Art and Design Committee.

AWARD: 1st Place $500, 2nd Place $300 and 3rd Place $150.

SALES: The d’Art Center retains a 40% commission, not including awards.

For complete details, Read the Full Call!

CALL for ENTRIES: Go Fish

Posted on January 17, 2019January 16, 2019 by R.L. Gibson

here FISHY FISHY FISHY

Ten years ago, I just quit eating tuna salad. I don’t know why. It has never been my favorite, but for some reason it just mysteriously disappeared from my menu-of-habit. I still eat chicken & egg salad. I even enjoy salmon patties on regular occasion. Hell, I even eat tuna fillets at dinner when I find a good deal, but mentioning tuna salad for lunch gets an immediate “no thanks.” Sometimes things just seem fishy.

In the art world, we’ve all become suspicious that someone has an alternative motive . I am leery of every call, every competition. If you read it here, it has passed a fairly thorough “seems fishy” investigation. The vanity galleries and fees-are-more-than-any-possible-reward scams are the easiest to see through. But what about the the newer spaces? The unconventional places? We want to support new endeavors from those whose passion is to serve artists and the development of best practices, but when is your “gut” enough to make it safe to gamble? When does is cease being fishy?

The landlord for my new studio space has me on high alert. It is 200 sq. ft. with power included for $50 per week. A steal right? But he is also willing to sink thousands of dollars into its renovation to make a 12-month studio space for me. Assuming the utilities are $50 a month, it will take him more than a year to recoup the cost for the renovation. Wouldn’t it be cheaper just to leave it as a storage space? Very fishy. Maybe he’s just trying to support the arts by breaking even on an unused asset. The verdict is still out. I’ll keep you updated.

This next Call is highly fishy, in a literal sense. Do you have work that is inspired by fish, fishing or aquatic fauna? Here’s your chance to trade in your suspicion for show time. Check out this Call for Entries from the Cloyde Snook Gallery at Adams State University Art Department (Alamosa, CO) for Go Fish. $35 entry & no commission for this academic show. This is a beautiful venue…

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CALL for ENTRIES:
Go Fish
the Cloyde Snook Gallery
at Adams State Univ. Art Dept

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ELIGIBILITY: Open to all artists 18+

MEDIA: Open to all media –contemporary interpretations that conceptually and/or literally are inspired by Fish, Fishing or Aquatic Fauna.

DEADLINE: Feb 1, 2019

NOTIFICATION: February 5, 2019

ENTRY FEE: $35 up to 3

AWARD: “Best in Show” will be offered a future solo exhibition at the Cloyde Snook Gallery.

SALES: The gallery will take no commission on sales but does encourage donations of 10 to 20%.

Category: Art Organizations

open up & say A-GUA

CALL for ENTRIES: Aqueous 2019 from Las Laguna Gallery

For complete details, Read the Full Call!

under PRESSURE

CALL for ENTRIES: Real People 2019 from Northwest Area Arts Council

For complete details, Read the Full Call!

abstractly DRINKING SPEAKING

CALL for ENTRIES: Unique Abstractions from Las Laguna Gallery

For complete details, Read the Full Call!

don’t paint with FISH SAUCE

CALL for ENTRIES: Work in Progress from On the Easel Mag

For complete details, Read the Full Call!

for the love of DAIRY

CALL for ENTRIES: 2019 Summer Residency from Annmarie

For complete details, Read the Full Call!

working for FOOD

CALL for ENTRIES: 2019 Juried Exhibition from Waterloo Arts

For complete details, Read the Full Call!

a-PEELING

CALL for ENTRIES: Wide Open 10

For full details, Read the Full Call!

focused and FARE

CALL for ENTRIES: 47th Int’l Art Show from Brownsville Museum of Fine Art

For complete details, Read the Full Call!

the need for CHEESE

CALL for ENTRIES: Persistence from the d’Art Center

For complete details, Read the Full Call!

here FISHY FISHY FISHY

CALL for ENTRIES: Go Fish the Cloyde Snook Gallery at Adams State Univ. Art Dept

For complete details, Read the Full Call!

CALL for ENTRIES:
Aqueous 2019
from Las Laguna Gallery

CALL for ENTRIES:
Real People 2019
from Northwest Area Arts Council

CALL for ENTRIES:
Unique Abstractions
from Las Laguna Gallery

CALL for ENTRIES:
Work in Progress
from On the Easel Mag

CALL for ENTRIES:
2019 Summer Residency
from Annmarie

CALL for ENTRIES:
2019 Juried Exhibition
from Waterloo Arts

CALL for ENTRIES:
47th Int’l Art Show
from Brownsville Museum of Fine Art

CALL for ENTRIES:
Persistence
from the d’Art Center

CALL for ENTRIES:
Go Fish
the Cloyde Snook Gallery
at Adams State Univ. Art Dept