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Art and Art Deadlines.com

Year: 2014

FEATURED ARTIST: Emily Mitchell

Learn more about Featured Artist painter Emily Mitchell!CORNY
fun results

The December mayhem has set in, and we’re only 3 days into the month.   And my own art has taken a back seat to other commitments and tasks once again. It seems I can’t every find the time to plot and illustrate and plan and follow through on those plans.  I vow this year will be different.  I’m putting up a real tree (rare in my household), and this month’s artist has inspired me to string popcorn in addition to my well-planned and plotted decorative theme.  And this year, art will happen IN ADDITION TO and inspite of all the holiday mayhem.  AND without all the traditional plotting and planning.  I am excited to see where it goes…

This month’s artist has spent years learning the art of letting go and production through play.   Her work reflects a deep connection to the beauty of nature without hidden agendas–just connection and PLAY.

Learn more about Featured Artist Painter Emily Mitchell!ArtAndArtDeadlines.com is proud to claim Emily Mitchell as this month’s Featured Artist. This work spotlights home and family and parenting and human connection–life, really.  And, I really needed it.  Please let it sink it and consider it a holiday gift.

FEATURED
ARTIST:

Emily Mitchell

 

For the past 20 years, Emily Mitchell has been working as an art educator, and holds a M.A. Ed. in Art Education.  The joy of teaching artists has allowed her to thrive on inspiration from others including teaching High School Art, including AP Studio Art, at Champlain Valley Union High School in Hinesburgh, Vermont.  Mitchell had the opportunity to work with John Crowe from Massachusetts College of Art, and with Peter London, Professor Emeritus of Art Education, UMass Dartmouth.  “I am eternally grateful to them both for allowing me to simply play in my work.”

The Village by Featured Artist Painter Emily Mitchell!When not making art or managing family, Mitchell can often be found swimming with the BASS Masters Swim team, riding her bike with the kids,  battling weeds in the garden, GF baking, obsessing about acappella music, reading, or exploring a small corner of Vermont.

How has the teaching art to others informed your own approach? Has years of teaching informed your sense of play?Without question, I love making art with people, and I find that interacting with them, through is invaluable to my own art. My mind works in a very spiral manner – my train of thought will go from a process, to thinking and making connections through art history – helping others grow. Right now I teach adults and do the occasional workshop. But before this, I spent 16 years teaching K-5 in Massachusetts, and then 9-12 here in Vermont. Back in 2000, after reading “The Dot” by Peter Reynolds to my 4th graders, I saved their responses to the story, and often, when I am stuck, or frustrated, I will look at it. Its truly magic, free, full of joy, and THAT feeds me! Plus, kids are hilarious – and I learn so much from what they bring (mainly joy and abandon) to art making!”

My Friends are Leaving Soon by Featured Artist Painter Emily Mitchell!Talk to me about your paint process. For example, which comes first, the title and concept or the work?  “The process I currently use is an amalgamation of three amazing art course I have taken in my life – plus about 40 years of making art. The first was called “Vigorous Play for Artists/Teachers” and it was taught at UMASS by John Crowe.  I took the course in the summer of 1998, and it changed my life–Crowe did not talk for the entire week!  He pushed us through readings, critiques, and playful challenges, which for me, resulted in a wonderful body of artists books, and a show of my work and the work of my elementary students. The second was called “Drawing Closer to Nature” with Peter London – that one was hosted by Kirpalu.”

Garden City by Featured Artist Painter Emily Mitchell!“The third class I took just last year in January of 2013.  Flora Bowley’s e-course, Bloom True, reinvigorated all that I “knew” in terms of process, approach, but had neglected, forgotten and moved away from after 8 years of teaching more “formal” technical drawing.  Most importantly, Flora’s class helped me let go of needing to know what my work was going to look like.

“Now, I literally feel my way through my work…”

 

“…working in layers, responding to colors, patterns, textures, feelings, a word in a song… the title could come from any of those things, or simply a feeling weeks later (or if I’m hanging a show and I’m like, “Crap! I need a title fast!”).  I find that the final pieces really reflect a mood or idea in my own life, and the visual result is part of the process of understanding.”

You seem to have VISUAL connection to nature?  Is there a deeper underlying meaning or connection for you?  I spent 5 summers working at summer camp in Connecticut.  I found that this place helped me find myself more than college or traveling ever did.  It was a place of deep personal growth and connections–and it happens to be on its own private lake, surrounded by trees.  The light & sounds there are unlike any other.  I still hear them in dreams.  Now, I am lucky enough to live in Vermont (where it gets damn cold!), but there is beauty everywhere here–in the food, in the woods.

While I love the culture of cities,
I need space, air and green to fully breathe and live!

 

Horizon 2 by Featured Artist Painter Emily Mitchell!
Detail of Horizon 2 by Featured Artist Painter Emily Mitchell!

What are you trying to say with your work? How does it connect to your need to explore human connection?  “Because I do not plan anything at all, I really feel like each piece is a response or story about the paint, my heart, and everyone’s desire to feel connected to others.  While the characters in the work may be realistic (birds, trees) or abstract (bubbles or circles) the connection and harmony within the space is there and somewhat intentional.  Ironically, I need to plan less in my daily life–but that’s hard to do with two busy kids!”

Nebula by Featured Artist Painter Emily Mitchell!What style or school of art do you think work fits into?  “My work is probably Realistic Expressionist, maybe?  Color is certainly predominant in the art, but so is space and depth.”

What is your favorite food addiction?  “Ok, this is going to sound really boring, but I actually LOVE salad with roasted veggies, my own greens, chicken and either goat or feta cheese. I essentially chop up whatever I have in my veggie drawer season with “slacker herbs” (aka Mrs. Dash) and a bit of oil. My husband also makes a mean maple balsamic dressing – I DO live in Vermont so any excuse to use Maple…We also have a pretty large localvore movement here in Vermont with about 10 CSAs (community-supported or shared agriculture) I can think of right around me! I have a garden, where I grow purple carrots, beans, lettuce, etc. and when possible, I do try to purchase as much meat and produce locally.”  You are a woman after my heart.  Veggies rock my world sometimes, and we certainly have goat cheese in common.  But honestly, I’m going to pick chocolate every time.

Roots by Featured Artist Painter Emily Mitchell!What if your favorite snack food obsession?  “Popcorn. I could easily eat about 12 cups of it. We make it old school with Oil in our “Whirly Pop”, and I use an herb salt on it, and when I’m feeling really VT hippy, I also toss a bit of nutritional yeast on it.”   Okay, I edit responses to questions–usually only for length.  So, most readers have NO IDEA how often I hear about nutritional yeast.  Clearly, I am going to have to give in and try it.

On a more personal note , most of my readers know I don’t’ eat gluten due to the ugly presence of Celiac disease in my household–2 of the 3 of us. So,  if you don’t mind my asking, how long have you been GF?  *Editor’s Note:  Published with full permission of the artist.  “I have Thyroid Disease, and it was suggested I try being GF to help my thyroid function. It was also suggested to ditch dairy to be truly on the anti-inflammatory free diet…but man I LIVE IN VERMONT–there is NO WAY I am bailing on cheese!  We have so much amazing cheese!  So I limit cheese and diary but skip the wheat.  Ironically, my asthma went away after eliminating wheat.”  My son’s lactose intolerance completely disappeared, and he is happy to trade gluten for cheese any day.

What’s coming up next for you?  “I have this idea for 20-30 small wood panel paintings to be displayed together – I may do this as part of an upcoming art-a-day event.  I have also been pushing myself to do two portrait drawings per month to keep the ‘classical’ drawing skills fresh!”

Thank you, Emily, for reminding us that
play is productive.

Learn more about Featured Artist Painter Emily Mitchell!

If you’re interested in becoming a Featured Artist,
Click to Learn How!

CALL for ARTISTS: Pricing your ART!

Give us your feedback at artandartdeadlines.com!RECIPE
for success

I hoard recipes in a little Campbell’s Soup box on my kitchen counter top.  I also post them to a private group on FB & pin them to a board in Pinterest too.  Honestly, I rarely follow a recipe, but I learn so much from how other people cook.  Art should be the same way.  I hope you are out there looking at art online & OFF line.  Share & try not to be afraid of copy cats.  Remember, what makes your work YOURS can’t ever be duplicated.

If it weren’t for sharing, this blog wouldn’t exist.  Just in case you forgot how it all got started in the first place, here is a link.  I share my experiences, recommendations & cautionary tales about food and art with all of you.  But, I also share it in a series of career development workshops at the Arts & Culture Alliance in Knoxville, TN.  I have one coming up in February on How to Price your Artwork, and I would love to have your input.  The “right” answer is… whatever works for you.  But, the real question is… does is REALLY WORK for you?  Are you selling art?  So, this call asks that you share your recipe for success…with me.

Check out this Call for Artists from AAAD for Pricing your Art, a call for feedback.  Yours truly needs your help making sure that I am passing along a recipe for success to novice and emerging artists.  Don’t worry, there’s a reward…

Give us your feedback at artandartdeadlines.com!CALL for ARTISTS:
Pricing your ART!

ELIGIBILITY:  Open to all artists

MEDIA:  Open to all media

DEADLINE:  December 15, 2014

NOTIFICATION of AWARDS:  By December 23, 2014

ENTRY FEE:  None, of course

AWARDS:  I will choose 1 out of every 5 feedback forms (at random) to award a FREE Artist to Love listing & post ($15 value).

*Editor’s Note: The only REQUIRED information below is your Name, Location & Pricing strategy.  I will NEVER give away or sell your information to anyone EVER.  I will not reveal your pricing strategy to any with your name attached.  The information will be aggregated to form a range of working options and prevailing theories for new artists that need the assistance.  I will be the ONLY ONE that reads the information you fill out below.  Please note, when you submit the form, it will be emailed to me at submitart@artandartdeadlines.com.  If you are uncomfortable using the form below, feel free to email the information to me directly.

I want to encourage you to share your best practices below.  Do you price on whim?  Do you track your studio time?  Do you have a formula (cost of materials+ 2x hourly labor–for example).  Do you have an average cost per square inch that you apply generally.  Do you charge the same amount when you are not paying commission?  Please tell us more(continues below the form)

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After the February workshop, I will publish all the information so that everyone can benefit whether you are in Knoxville or the other side of the planet!

Give us all the details for a chance to be an Artist to Love!

CALL for ENTRIES: Animals

Learn more from art-competition.net!corn, hay or
ALFALFA

Grass or corn or both?  Research on how to feed the animals we choose to raise after the move to the farm continues.  Most commercially-available feed consists of a high percentage of cornGMO corn.  Feeding our chickens and goats and sheep GMO corn really negates the reason behind raising our own animals.  So grass fed, right?  Why not just turn them out into the field since it has green stuff growing on it? Well, it is more complicated than that.  You have PLANT and sometimes re-plant that field of “grass” in most cases. Then, what variety do you plant.  If we are what we eat, they are what they eat.  In the end, the animal depends on the plant.  Interesting.  This next Call depends on only the animal.  Take a look…

Check out this Call for Entries from Art-Competition.net (online) for Animals.  The entry fee is as little as $15, and the prize packages are fantastic.  Don’t miss the opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Animals, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from art-competition.net!CALL for ENTRIES:
Animals

 

ELIGIBILITY: All artists age 18+

MEDIA: Painting, drawing, mixed media, photography or digital medium

THEME: Animals” Wild, Domestic, On Land, In The Air or Under The Sea.
The image should intrigue and fascinate the viewer with the artist’s vision and interpretation of the animal’s beauty, elegance, strength, speed, delicateness, size, and or its environment.

DEADLINE:   December 15, 2014

NOTIFICATION: December 19, 2014

ENTRY FEE: $15 for 1, $30 for 3, $60 for 7

AWARDS: 1st Place $500 cash & other awards valued at $5200. 2nd place – $125 cash & other awards valued at $1625. 3rd Place – $75 Cash. 4th Place – $50 cash.

For complete details, Read the Full Call!

Learn more from art-competitions dot net! 2

CALL for ENTRIES: 47th Octagon National

Learn more from the Octagon Center for the Arts!rocks
NOT CORN

What’s behind the naming of state foods?  The obvious answer is that it honors a crop vital to a state’s economy and/or identity, right?  Wisconsin has milk. Florida has oranges.  And so on.  But what about the dozen or so U.S. states that does not claim a state food.  Iowa has a state rock (the geode) but no state food.  If you have any idea why, I’d love to know.  In the meantime, here’s a Call from an arts organization that Iowa should be proud to claim.  Investigate…

Check out this Call for Entries from Octagon Center for the Arts (Ames, IA) for the 47th Clay, Fiber, Paper, Glass, Metal, Wood National Exhibition.  This all media show has a great juror.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 47th Octagon National, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Octagon Center for the Arts!CALL for ENTRIES:
47th Octagon Nat’l

 

ELIGIBILITY:  All artists 18+ residing in the continental U.S.

MEDIA:  Any Media is eligible including paintings, photos, jewelry, sculptures, etc.

DEADLINE:  December 5, 2014

NOTIFICATION:  December 15, 2014

ENTRY FEE:  $30 for up to 3 ($25 for Octagon members)

JUROR:  Pauline Verbeek-Cowart, a native of the Netherlands, received her BFA (1982) in Fine Art from the Maryland Institute and her MFA in textile design from the University of Kansas (1995). After teaching at the University of Kansas she joined the faculty of the Kansas City Art Institute, where she has been developing the area of constructed textiles since 1997 and where she chairs the Fiber program.  She is a leader  in the use of new technologies in hand-weaving and has researched using industrial looms in The Netherlands & the US.  Most of her weavings span several feet in both directions & comment on the nature of woven surfaces.  Through structure, material, image and/or surface treatments, she demonstrates that weaving is unique in building an image.

AWARDS:  Winifred V. Brown Best of Show: $1,000, 1st Place: $500, 2nd Place: $250, 3rd Place: $100, & (3) Honorable Mentions:  $50 ea.

SALES:  The Octagon retains a 40% commission on any artwork that is sold, so price accordingly on entry form. Artwork not for sale must be marked NFS and have a value for insurance purposes.

For complete details, Read the Full Call!

Learn more from the Octagon Center for the Arts!

 

CALL for ENTRIES: Indie Grits

Learn more about the Indie Grits Film Festival!simple
STAPLE

I have grits for breakfast 3+ days per week.  I have a favorite brand of organic, non-GMO grits that never cease to inspire.  On a busy morning, it is scrambled eggs over the top of cheese grits.  The next morning, the refrigerated left over grits are cut into cakes that are sauteed and used as the base for Eggs Benedict.  This morning it was Charleston-style milk grits with a poached egg & chorizo.  There is no end to the independent spirit of this simple staple.  This next Call is an inspiration of grits proportions as well.  Take a look…

Check out this Call for Proposals from the Nickelodeon Theatre for the Future Perfect themed Indie Grits Film Festival.  Entries/Proposals ARE NOT limited to film.  No entry fee either.  Don’t pass this one by…

Learn more about the Indie Grits Film Festival!CALL for ENTRIES: Indie Grits

 

THEME:  Future Perfect.  What is Future Perfect? It is the new southern city, urban design for tomorrow in a technological environment, cars that drive themselves, plastic biology, thought-controlled machines, seeds that produce sterile offspring, invisible cities, roads that drain the sun, utopian daydreams, eminent domain, an electric imagination, drones, highly efficient minimalism, living architecture.  Future Perfect is what we will make it.

ELIGIBILITY:  Open to all artists with a connection to the Southeast United States.  It is up to each applicant to make an argument for a valid connection.

MEDIA:  ALL disciplines of art are acceptable: painting, drawing, photography, sculpture, sound, video, installation, mixed-media, etc. Artwork can be pre-existing, but it must have a connection to the 2015 theme of Future Perfect. In the application each artist must describe how their proposed work ties into Future Perfect.

DEADLINE:  December 5, 2014

NOTIFICATION:  January 16, 2015

ENTRY FEE:  None

AWARDS:  The Indie Grits Film Festival is a program of the Nickelodeon Theatre, a non profit  with a tight budget; please mke an effort to hold down costs.  They will select 15-25 artists/collaborations.  Projects will receive $50 – $1000 with most being on the low end of that spectrum.

For complete details, Read the Full Call!

Learn more about the Indie Grits Film Festival!

CALL for ENTRIES: 18th Woman Made

Learn more from the Woman Made Gallery!BACON
borders

The creativity of food preparation has fundamentally changed on a mainstream level in the past 20 years.  A larger segment of the population cooks with abandon now.  The great divide between foods destined to be either savory or sweet seems to have slowly disappeared.  Chocolate is as likely to show up in an entree as bacon is to show up in a dessert.  This next Call encourages you to explore and challenge boundaries presented by both materials & concepts.  Take a look…

Check out this Call for Entries from the Woman Made Gallery (Chicago, IL) for their 18th Int’l Open.  This is a special gallery with a fantastic history of well-curated shows, and I have a soft spot for this year’s juror.  Do your homework, ladies…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 18th Woman Made, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Woman Made Gallery!CALL for ENTRIES:
18th Int’l Open

 

ELIGIBILITY:  Open to all female artists

MEDIA: All themes, styles, and media will be considered– explore & challenge conceptual & material boundaries!

DEADLINE:  November 28, 2014

NOTIFICATION:  December 17, 2014

ENTRY FEE:  $30 for up to 3 images

JUROR:  Gill Gatfield has MFA & Bachelor of Laws from Auckland University.  In 2011, she won a major national public art competition for a site-specific sculpture in Auckland NZ.  In 2012, she was nominated as a member of Global Women, a multi-sector organization of women leaders with global perspectives.  A monograph on her practice, ‘Abstract Figure: Gill Gatfield,’ was released at the 2013 International Sculpture Centre Symposium.  Gatfield’s work blends abstraction with conceptualism, and contemporary with classical. Trans-disciplinary in approach, she uses diverse media to create interconnected series of texts, frames, and monochromes. Her work is held in collections in NZ, Australia, USA, Canada, UK, Germany and Switzerland. *Many of you are slacking off on doing your homework on jurors.  Don’t skip this step!

AWARDS: 1st Prize:  Solo Show in 2016 at WMG; 2nd Prize: $500 ; 3rd Prize: $250

SALES:  WMG will retain a 40% commission

For complete details, Download the Prospectus!Download the Prospectus from Woman Made Gallery!

 

CALL for ENTRIES: tiny art show

Learn more about The Tiny Art Show!tiny
TREATS

I am fascinated by small food & small restaurants.  There is something special about the smallest of goodies served in the smallest of places.  One automatically assumes great care has been taken because you have less real estate literally & figuratively to make an impression.  Sel et Gras in NYC was always on my list to try, but I heard it closed.  Do you have any suggestions I should try?  I suggest you  take part in this next study in tiny art.  This could be a good opportunity for some of you.

Check out this Call for Entries from the Pitt County Arts Council (Greenville, NC) for The Tiny Art Show at Emerge Gallery & Art Center.  If you are looking to add a line to  your resume from a legitimate arts organization, this is a great resource.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: tiny art show, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about The Tiny Art Show!CALL for ENTRIES:
tiny art show

 

ELIGIBILITY:  Open to all artists

MEDIA:  Open to all artwork no larger than 5″ x 5″ x 7″.  (*Editor’s Note:  This is an ideal call for artists needing an extra line on their resume that happen to work on paper or any other lightweight, easily mailable media.)

DEADLINE:  Arrive by January 29-31, 2015.

NOTIFICATION:  All hung.  However, the staff has the right to reject any work for work sized wrong or inappropriate subject matter.

ENTRY FEE:  None

SALES:  Work must be priced at either $5 or $10.  If the “juried” box is checked on the inventory sheet, the work may be juried and MAY be repriced to be $25 or $50 by Emerge Gallery.  50% commission will go to the Pitt County Arts Council (Greenville, NC); however,  they would also appreciate any additional support through a complete sale donation if the artist so chooses.

For complete details, Read the Full Call!

Learn more from the Pitt County Arts Council!

CALL for ENTRIES: Seeing the Land

Learn more from art-competition.net!tired
BUT HUNGRY

Living off the land is labor-intensive & complicated.  As my husband I began planning for gardening our own little plot of land, my head swims with seed varieties, planting schedules, crop rotation, organic pest control, bee pollination  & seed preservation.  The advantages of having an agricultural degree is all too clear now.  And then there is the livestock–goats and sheep and chickens.  Farm country looks a little less serene to me now when they whiz past my window on car trips.  But when I fall asleep, I still dream of fresh beets, cabbage & carrots.  Wrong–I know.  This next Call wants to know how YOU see the land.  Take a look…

Check out this Call for Entries from Art-Competition.net (online) for Seeing the Land — a landscape photography show.  The entry fee is as little as $15, and the prize packages are fantastic.  Don’t miss the opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Seeing the Land, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from art-competition.net!CALL for ENTRIES:
Seeing the Land

 

ELIGIBILITY: All artists age 18+

MEDIA: Landscape Photography

THEME:    The work can interpret the various conditions of the land of our earth, its beauty, mans impact on it, a mythological view, spiritual feeling or the disruption to it by nature.  The work can express any aspect of the land from beauty to science to fiction as a representational or non-representational image.

DEADLINE: November 17, 2014

NOTIFICATION: November 24, 2014

ENTRY FEE: $15 for 1, $30 for 3, $60 for 7

AWARDS:  1st Place $500 cash & other awards valued at $5200.  2nd place – $125 cash & other awards valued at $1625. 3rd Place – $75 Cash. 4th Place – $50 cash.

For complete details, Read the Full Call!

Learn more from art-competitions dot net! 2

CALL for APPLICATIONS: Emerging Curator

Learn more from VisArts at Rockville!stingy
BENEDICT

I don’t share well.  I never have.  I like to believe it is an only-child-thing, but I’ll stab your hand with a fork if you get too close to my plate during some dishes–Eggs Benedict, for example.  Just ask my kid; it doesn’t leave marks, but apparently it is memorable, ha.  Regarding this next Call, I need you to be generous and share.  I hope this Call is just the opportunity YOU want.  But if it isn’t, please share it far and wide so that this dream doesn’t go unrealized for someone out there.  Take a look…

Check out this Call for Applications from VisArts (Rockville, MD) for VisArts Emerging Curator Program 2015.  For those of you with curatorial vision but needing additional experience, this is a rare chance to learn with a budget…

*Editor’s Note: If you have read the personal portion of this post, CALL for APPLICATIONS: Emerging Curator, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from VisArts at Rockville!CALL for APPLICATIONS:
Emerging Curator

 

ELIGIBILITY:  Open to all artists

DEADLINE:  December 3, 2014

NOTIFICATION:  December 19, 2014

APPLICATION FEE:  $15

SELECTION PANEL:  Includes the VisArts’ Curator, Artist Advisory Council, Gallery Committee and 2015 Mentoring Curator

AWARDS:  VisArts will provide the Emerging Curator with an exhibition budget of $10,000.  Additional funding and staff support for printing, promotions, and execution of exhibition programming is available.

*I understand that this Call is meant for a very limited audience.  My best hope is that if this opportunity doesn’t speak to your career development that you will kindly share it.

For complete details, Read the Full Call!

Learn more from VisArts at Rockville!

CALL for ENTRIES: The UN Show

Learn more from The Haggus Society!unplanned
MENU

Frequently, the most memorable kitchen creations are happy accidents.  As much as I love a list, theme and a plan, sometimes I find myself in a situation that forces me to create a masterpiece from what I have on hand or try something new on the spur of the moment.  My favorite chicken-cheddar-broccoli soup came about as a necessary use of what I could find in the frig.  Now it is a winter menu staple in our house. This next Call is a show that is both un-juried & un-curated, but I KNOW this organization.  It will definitely be a show not to be missed, and you can be a part of it.  Please investigate this one…

Check out this Call for Entries from The Haggus Society (Los Angeles) for The UN Show.  Enter for only $12.50 or FREE if you’re a member.  This is a great resume builder…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES:  The UN Show, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Read the Full Call from The Haggus Society!CALL for ENTRIES:
The UN Show

 

ELIGIBILITY:  Female artists age 40+

MEDIA: Open to 2D work. There is no official theme to this exhibit.  However, works need to be gallery ready, no exceptions.  This location is a family friendly venue; if your work contains explicit nudity, violence or other content not acceptable in a family oriented environment, it will be rejected.

DEADLINE:   Delivered by December 27, 2014.  Please remember to ship in plenty of time due to delays expected during the holidays.

NOTIFICATION:  Ongoing.  This is an unjuried show.  You still need to email a submission of the work you intend to send.

ENTRY FEE:  $12.50 for up to  works.  No fee for Haggus Society members.

SALES:  Suggested donation of 20% back to the Haggus Society for all sales, in lieu of commission.

For complete details, Read the Full Call!

Learn more from The Haggus Society!