Art and Art Deadlines.com

A food-themed FREE resource site for ARTISTS.

×
Art and Art Deadlines.com

Year: 2014

CALL for ENTRIES: Sense of Place 2014

Learn more from the Gertrude Herbert Institute of Art!FRIENDLY FRUIT
in a small world

Grocery shopping is often a small world experience for me.  I’ll be thinking of having teriyaki wings, and my husband will come home with the chicken.  Or, I’ll be dreaming of pineapple-infused rice for my salmon, and my stop at the grocery store with produce a beautifully ripe pineapple that just happens to be on sale.  I’m just lucky that way, I suppose.  Just the other day, I was thinking of a couple of pieces I saw in someone’s personal art collection, and what do you know–the juror pops up in this call.  It’s a small world…

Check out this Call for Entries from the Gertrude Herbert Institute of Art (Augusta, GA) for A Sense of Place.  $30 entry, fantastic juror, and a beautiful venue!

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Sense of Place 2014, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Gertrude Herbert Institute of Art!CALL for ENTRIES:
Sense of Place 2014

 

*This Call does not appear on their website except as a .pdf w/o navigation; therefore, links to the show on this page are to a downloadable .pdf.  Bookmark this page to find the prospectus later.

The Gertrude Herbert Institute of Art is pleased to announce a call for entries for the 2014 juried fine art competition, A Sense of Place.  Open to participants from throughout the United States, this thirty-fourth annual event seeks to recognize the outstanding quality and diversity of work being generated by contemporary American artists.

ELIGIBILITY: All US artists age 18+

Learn more about the Gertrude Herbert Institute of Art!MEDIA: Categories: painting, drawing, mixed media, printmaking, ceramics, sculpture, and photography. *Editor’s Note: “A Sense of Place” is not the theme.

DEADLINE: May 30, 2014

ENTRY FEE: $30 for up to 3, $5 ea. add’l

JUROR: Wim Roefs, independent curator, art consultant and exhibition designer as well as owner of if ART Gallery in Columbia, SC, will serve as juror for A Sense of Place 2014.

*In my previous life as a gallery owner, Wim was a great collector.  You always wanted him at your opening because if the work was spectacular, you might just sell something. He has great taste.  It has been about 12 years since I saw his personal collection, but it was fantastic as well. 

AWARDS:  $750 Best of Show Award & two $500 Juror’s Awards.

SALES: Sales will be encouraged, and all works are assumed to be available for purchase unless designated “Not For Sale” (NFS). A 35% gallery commission will be charged on sales of all exhibited artwork.

For complete details, Download the Prospectus!

Download the Prospectus from the Gertrude Herbert Institute of Art

CALL for ENTRIES: More & More

Learn more from the M S Rezny Studio and Gallery!no
BOWL
needed

Wouldn’t consumption without worry be lovely?  I have problems with portion control.  I could eat POUNDS of goat cheese, DOZENS of cookies, and GALLONS of ice cream.  But, no matter how well-made or healthy the food, enough is enough sometimes.  Art can be the same way; you have to know when to stop.  This next Call encourages more & more media.  I like this idea; take a look…

Check out this Call for Entries from the M S Rezny Studio / Gallery (Lexington, KY) for More & More. $25 Entry and the media requirement should keep it interesting. Investigate this one…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: More & More, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the More and More exhibit at the M S Rezny Studio and Gallery!CALL for ENTRIES:
More & More

 

ELIGIBILITY: Open to all individual artists working in the contemporary arts.

MEDIA:  Mixed Media.  The artist must use at least two different sources of materials to create one image.

DEADLINE:  May 15, 2014

NOTIFICATION:  June 5, 2014

ENTRY FEE: $25 entry for up to 3, $5 for add’l images

JUROR: With over twenty five years of experience working in Museums, Jenine Culligan has organized exhibitions and worked with art from all time periods, ancient to contemporary, and all styles. She received a B.A. in Art History  from the University of KY in ’84 & a M.A. in Art History & Museum Studies in ’87.

Learn more from the M S Rezny Studio and Gallery!Culligan has worked at the University of Kentucky Art Museum; The Cleveland Museum of Art; The National Gallery of Art (summer intern); & The Delaware Art Museum.  For the past 14 years, Culligan has been the Senior Curator at the Huntington Museum of Art, Huntington, WV.

AWARDS: $500 First Prize & Three $100 Merit Awards

SALES:  The gallery will take a 40% commission for works sold.

For complete details, Read the Full Call!

Read the Full Call from the M S Rezny Studio Gallery!

 

CALL for ENTRIES: Shy Rabbit 5

Learn more about the Shy Rabbit Print International!BUNS
in the oven

I’m beginning to love baking.  I spent years convinced I couldn’t do it, but now that it is even more complicated due to dietary restriction, it is suddenly getting easier.  Chocolate tortes, coconut custards, even my own crackers and granola bars are coming from my oven.  It is gratifying to be inspired by something I never thought was a part of my skill set.  This next Call could be just the inspiration you need to try a new process.  Take a look…

Check out this Call for Entries from Shy Rabbit Contemporary Arts (Colorado) for Print Int’l 5.  A printmaking show, yes, but there is more to printmaking than linocuts & wood engravings.  Stretch your skills…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Shy Rabbit 5, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Shy Rabbit Contemporary Arts!CALL for ENTRIES:
Print International 5

 

 

ELIGIBILITY:
All artists age 18+

MEDIA: Printmaking. Original contemporary works in traditional and nontraditional printmaking media including book arts, three-dimensional and mixed media prints are eligible.

DEADLINE:  May 24, 2014

NOTIFICATION: June 14, 2014

ENTRY FEE: $30 up to 3, $5 ea. add’l

JUROR:  Karen Kunc received her BFA from the University of Nebraska-Lincoln in 1975, and her MFA from Ohio State University in 1977. She is internationally known for her large scale, elaborately colored, abstract woodcut prints.

Learn more about the Shy Rabbit Print International 5!Kunc currently serves as Cather Professor & Professor of Art at the University of Nebraska-Lincoln, where she has taught since 1983. The Willa Cather Professorship was established in 2001 by the University of Nebraska-Lincoln to recognize faculty members with the rank of full professor who have established exceptional records of distinguished scholarship or creative activity.

Kunc has had one-person exhibitions at dozens of galleries throughout the United States and in the Czech Republic, Japan and Finland. Her works have been shown in more than 350 exhibits in the United States and 25 nations. She has taught workshops around the world, and has lectured as a visiting artist to over 200 institutions.

SALES:  Shy Rabbit will retain 40% commission on sales.

For complete details, Read the Full Call!

Learn more from Shy Rabbit Contemporary Arts!

CALL for ENTRIES: Me, Myself & I

Learn more from the Runnels Gallery at ENMU!over easy
benedict

SUNNY SIDE UP
hold the salsa

Don’t throw tomatoes.  I never search my own blog history before I write these segues.  So unknown to me, I might be contradicting/repeating myself, but I am always being sincere–I swear.  Having said that, I remember having written about this topic many times.  That’s right, it is time for what-would-I-be-if-I-were-food.  This week, I’m thinking I would be an egg.  Really.  They are ultimate in adaptive foods.  They are in everything from cookies to lasagna.  My family OF THREE now eats approximately 3 dozen a week.  Really.  This episode of what-would-I-be-if-I-were-food was brought to you be this self-portrait Call–the ultimate what-would-I-be-if-I-had-only-one-shot-to-show-the-world experience.  Enough hyphens; I digress…

Check out this Call for Entries from the ENMU Runnels Gallery for Me, Myself & I, a self-portrait show.  No entry fee, and this is a great institution.  Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Me, Myself & I, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and should be considered theft.

Learn more about the Me Myself and I from the Runnels Gallery at ENMU!CALL for ENTRIES:
Me, Myself & I

Social, cultural, political, gender, age and sexual orientation are part of our identities as individuals. Each of these elements play a part in how we identify within various constructs such as family, workforce, community and greater society.

The aim of this exhibition is to feature self-portraits that best depict our own individual identity and the ability to be a camellia of uniqueness or to fit within the statuesque.

ELIGIBILITY:  Open to all artists

MEDIA:  Must be 8” x 10”. No landscapes orientations accepted. B&W or color photography, digital photography or illustrations, and photos or scanned replications of drawings, paintings or sculptures. Self-portraits will not be returned; do not submit original prints/artwork.

Learn more from the Runnels Gallery at ENMU!DEADLINE:
May 1, 2014

NOTIFICATION:  “All artists will be featured. Artists are welcome to submit as many self-portraits as they wish; however, the gallery can only guarantee a minimum of six photos per artist will be displayed. If space permits, more photos will be used from each submitting artist.” — quoted from from the Me, Myself & I prospectus

ENTRY FEE:  No fee to enter

SALES:  Artwork will not be sold. (or returned)

Editor’s Note:  According the prospectus, this is a National Juried exhibit; however, it also claims to be open to ANY artist, and no juror is listed.  The quote above indicates it is a form of all-hung show.  So, my guess is it is only juried for awards.  However, the awards are not defined in the prospectus either.  Normally I wouldn’t publish a Call without getting all of these questions answered…but I  HAVE shown at this gallery myself and it was a FANTASTIC experience.  If you’re looking for a line on your resume, this is a great academic gallery with an historically great curatorial vision.

For complete details, Read the Full Call!

Learn more from the Runnels Gallery at ENMU!

CALL for ENTRIES: 6x6x2014

Learn more about the 6x6 ROCO show!SQUARE FRUIT
round hole

I truly appreciate having less space.  Since I have moved to my downsized home in November, I have conquered most of the challenges of storage by ridding my home of excess crap.  But, food storage IS still a problem.  I tripped across square apples, and now that I make my own applesauce this could come in handy.  But, call me when they drop from $7 PER apple.  Luckily, this next Call for squares has no entry fee.  Take a look…

Check out this Call for Entries from the Rochester Contemporary Art Center (Rochester, NY) for the 6x6x2014. No entry fee, and THIS all hung still looks great on your resume!  One of my favorite shows of the year…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: 6x6x2014, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission.

Learn more about the RoCo 6x6!

CALL for ENTRIES:
6x6x2014

 

Rochester Contemporary
Art Center’s

international
small art phenomenon
returns for the
7th year!

Help Rochester Contemporary build an exhibition of thousands of artworks made and donated by celebrities, international & local artists, designers, college students, youths, and YOU.  Last years exhibition included 6,000 artworks from 45 different countries and every US State!

Click to Learn More about 6x6x2014!

Past international artists contributors include Philip Glass, Jerry Uelsmann, Carl Chiarenza, Nathan Lyons, Joan Lyons, John Pfahl, Bill Viola, Dexter Dalwood, Wendell Castle, and many more. Past celebrity artists include Thich Nhat Hahn, Louise Slaughter, and Andrea Barrett among others. 

All entries will be accepted, exhibited and will be for sale to the public for $20 each (in the gallery and online for global purchasing) to benefit RoCo.

Artist names will be revealed to the buyer upon purchase and all artworks remain on display through July 13, 2014.

Sold Out artists’ names will be revealed July 4th.

ELIGIBILITY:  Open to all artists

MEDIA: All artwork must be 6×6 square inches (15cm) or mounted to a 6×6 board, and signed only on the back, to be exhibited anonymously

Learn more about the Rochester Contemporary Art Center!DEADLINE: April 20, 2014 (mail or deliver before)

NOTIFICATION:
None.
The show is all hung.

AWARDS: Six Artworks were selected last year for 6 covers of the Rochester Philharmonic Orchestra’s Bravo Magazine.

Mail your 6×6 artworks directly to:  6x6x2014, Rochester Contemporary Art Center, 137 East Ave., Rochester, NY 14604

For complete details, Read the Full Call!

Learn more about the 6x6x2014 Global show!

CALL for ENTRIES: RE: Tale

Learn more about the REtale show from the Non-Fiction Gallery!how to get rid of
CRABS

Seafood usually conjures the image of a beach-front town for most, but I always think of Savannah, Georgia.  I’m not crazy about sand, so I’d spend my lunchtime at the River House over a bowl of lobster & crab bisque over a sandy crab boil at the beach any day.  Going to the opening of this next Call would be the perfect excuse to put away some seafood.  Take a look…

Check out this Call for Entries from the Non-Fiction Gallery (Savannah, GA) for RE: Tale.  Only $20 to enter, great juror & gallery, AND the theme leaves lots of room for interpretation…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: RE: Tale, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more about the RE:tale show from the Non-Fiction Gallery!CALL for ENTRIES:
RE: Tale

Everybody has a story to tell. We are constantly creating tales in our heads. They might be our own doing, they might be partially vicarious or perhaps completely borrowed. These accounts often get restructured and retold, evolving each time. This is not unlike contemporary art, which by nature constantly strives for reinterpretation.

Fitting the concept of something that is partially untrue in a gallery called “Non-Fiction” seems to be ill-fitting. However, borrowing from the gallery’s vision statement, everybody’s tales, whether personal or fictitious, “inspire life-changing dialogue.” After all, Aesop never needed a true story to communicate his vision.

In today’s contemporary art scene, artists have deconstructed the idea of a story to fit their medium and surface preferences. This juried exhibition strives to showcase the breadth of interpretations of the concept of “visual storytelling.”

Learn more from the Non-Fiction Gallery!ELIGIBILITY:  Open to all artists

MEDIA:  Open to all media

DEADLINE:  March 28, 2014

NOTIFICATION:  March 31, 2014

ENTRY FEE: $20 for up to 3, $5 ea. add’l

JUROR:  The show will be juried by a combination of Non-Fiction delegates and guest juror MAC, originator of the RE: Tale concept & show.  Originally from Venezuela, MAC is a sequential illustrator interested in the contemporary development of storytelling.  After pursuing degrees in Illustration Design & Sequential arts, he endeavored in museum studies & gallery management, sparking a fascination in the way artist adapt their skills & disciplines in order to communicate a story.

SALES:  Gallery sales commission is 30% of the retail price named by the artist.

For complete details, Read the Full Call!

Learn more from the Non-Fiction Gallery!

CALL for ENTRIES: Artavita

Learn more from Artavita!BUTTER, GHEE
or me

The only thing missing from California cuisine is butter.  It is characterized by local, fresh ingredients and foods low in saturated fats and high in fresh vegetables and fruits with lean meats and seafood from the California coast with special attention paid to presentation–delicious & beautiful.  But why leave out the butter?  And, if it is from local, grass-fed cows, even better.  Can’t we just learn to play well with others?  The prize for this next Call hails from the land of California cuisine.  Is this opportunity the one for you?

Check out this Call for Entries from ArtAVita.com for their 10th Art Contest!  The entry fee is cheap, and it could be just the exposure for which you’ve been looking. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Artavita, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Read the Full Call from ArtAVita!CALL for ENTRIES:
10th Art Contest

 

ELIGIBILITY: Open to all artists

MEDIA: Painting, Sculpture, 3D, Mixed media, Digital, Photography, Installation & Video

DEADLINE: April 5, 2014

NOTIFICATION: April 15, 2014

ENTRY FEE: $15 per image

JURY: Despina Tunberg, Curator, Founder of the International Contemporary Masters publication, The Important World Artists, organizer of International art Festivals and Thomas Tunberg, Founder of International Masters of Photography publication.

AWARDS: 1 Winner will exhibit 3 artworks for free at the World Wide Art Los Angeles show from October 16-19, 2014 at the Los Angeles Convention Center Downtown Los Angeles, right in the heart of downtown LA, at the beginning of next year’s international art fair season. There will be over 400 exhibitors – a mixture of art galleries and solo artists – and tens of thousands of visitors will attend.

For complete details, Read the Full Call!

Read the Full Call from ArtAVita!

CALL for ENTRIES: Hue

Learn more about the Hue Exhibit from the Darkroom Gallery!anything but the
WHITE TABLE

I am addicted to salt.  I am.  I’ve given up most vices, but salt is here to stay.  I have unnaturally low blood pressure (70/50), and my doctor suspects that is WHY I crave salt.  So what does one do when faced with a salt addiction?  Become a salt aficionado, of course.  There is a rainbow-hued world of salt options out there.  My current favorite is Hawaiian alaea salt which derives its pinkish or brownish hue from it’s volcanic clay rich in iron oxide.  This next Call is all about the hue as well.  Hue CAN tell the difference, hehehe…

Check out this Call for Entries from the Darkroom Gallery (Essex Junction, VT) for Hue. The entry fee at Darkroom is always low ($24), and they will provide free matting & framing if you work in their standard sizes. Take a look…

*Editor’s Note: Please make sure to let them know that you found the Call on ArtAndArtDeadlines.com. I have a soft spot for this gallery, and I want them to know they have our support…

Learn more about the Hue Exhibit from the Darkroom Gallery!CALL for ENTRIES:
Hue

Color in photography has symbolism and meaning that travels beyond what you see.

More than the combination of red, green, and blue or cyan, magenta, yellow, and black, color is a visual tool for non-verbal communication: a viewer’s perception and connection to an image can be significantly enhanced by a certain hue.

Strip away the subject matter from a photograph, and what is left behind? Two things. The underlying geometry of the photo, its composition or balance, and the color.  The design and geometry make an image coalesce, become solid, and enduring. Whereas the color carries the opposite message, one of transience and impermanence. That’s because colors are not inherent in objects, but change  and evolve with the changing light – and we photographers know, light is always changing.

Learn more about the Darkroom Gallery online!Hues must contrast or complement one another to create a successful image, a delicate dance of visual balance. For this exhibit we are looking for works that exemplify the innate power of color.  Images that drive us through hue to an emotive response.

ELIGIBILITY: Open to all artists 18+

MEDIA:  Photography

DEADLINE: April 16, 2014

NOTIFICATION: April 23, 2014

ENTRY FEE: Up to 4 for $24 US for on-line & $29 by email

JUROR: Al Satterwhite started working as a photographer at a major daily newspaper in Florida while in high school, covering major news stories in the Southeast. After a year as the Governor of Florida’s personal photographer, he started a career as a freelance magazine photographer. Over the next 10 years he worked on assignment for almost every major magazine (Automobile, Car & Driver, Fortune, Geo, Life, Look, Money, Newsweek, People, Playboy, Sports Illustrated, Time, Travel & Leisure, to name a few).

His photographic prints are in the permanent collections of the Smithsonian National Portrait Gallery, Houston Fine Art Museum, Santa Barbara Museum of Art, Los Angeles County Museum of Art (LACMA), George Eastman House, Polaroid Collection, National Museum of African American History and Culture and numerous private collections.

Learn more from the Darkroom Gallery!In recent years he has focused his attention on making films. He has shot commercials, features & award-winning feature shorts as Director/Cameraman. He is currently working on several book and museum projects.

AWARDS: All selected entries are included in a full color exhibit catalog & gallery exhibition. Juror’s Choice: 30×48″ image banner. People’s Choice – a free future entry.

SALES: Darkroom offers free matting & framing of accepted entries for the duration of the exhibit, subject to standard sizes. For commission details, go to the bottom of the Submissions page!

For complete details, Read the Full Call!

Learn more about the Darkroom Gallery!

CALL for ENTRIES: texttexttext

Learn more about the texttexttext show from the Woman made Gallery!pained
PASTA

Today I spied organic alphabet soup in the grocery store.  There is some humor to be found in the idea that someone invested in eating organically would also want a food so tortured & processed that it can spell out words.  And, I don’t believe anyone is REALLY teaching their children to read with soup.  So do we really need to communicate with food, literally, or am I just a huge hypocrite for constantly preach about the transformative & communicative power of food?  Okay, I’m a hypocrite, ha.  But, this next Call speaks to the power of text; however, I suspect they are not searching for alphabet pasta mosaics.  Check out this fantastic venue…

Check out this Call for Entries from the Woman Made Gallery (Chicago, IL) for texttexttext.  I’ve shown my own work at this venue, and I loved my experience at this gallery. Take a look…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: texttexttext, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from the Woman Made Gallery!CALL for ENTRIES:
texttexttext

 

Text is communication: “I’ll text you”.

Text is image: TeXt. tExT.

Text is nowhere to be seen: …….

From art reduced to nothing but text, to art depicting obscured or unseen text; from Tracy Emin’s neons to Adrian Piper’s calling cards: text is limitless in its manifestations as a figurative, conceptual, and activist element within contemporary art. texttexttext seeks to explore text-based work in all media, and invites artists of all genders to submit.

ELIGIBILITY: Open to artists of all genders.

MEDIA:  Text based work in all media will be considered.

DEADLINE: April 16, 2014

NOTIFICATION: May 14, 2014

ENTRY FEE: $30 for up to 3 images

Visit the Woman Made Gallery online!JUROR: Monika Szewczyk divides her time between writing, editing, curating and teaching. She has contributed essays to numerous catalogues as well as journals such as Afterall, A Prior, C Magazine, Camera Austria, Canadian Art, F.R. David, Mousse, and e-flux journal.  From 2008 to 2012, she was head of publications at the Witte de With Center for Contemporary Art in Rotterdam.

Szewczyk was on the curatorial team of the Vancouver Art Gallery and coordinated programming at the Belkin Satellite, a space of the Morris and Helen Belkin Art Gallery at the University of British Columbia. She is Visual Arts Program Curator at the Reva and David Logan Center for the Arts at the University of Chicago.

SALES: WMG will retain a 40% commission.

For complete details, Read the Full Call

!Download the Prospectus from Woman Made Gallery!

 

 

CALL for ENTRIES: Paper Cuts

Learn more from Gallery M Squared!I’M HUNGRY
pass the paper

Would you eat something with no nutritional value just for the sake of eating if you could?  I LOVE to eat, but I’m not sure how much I would love it if I didn’t think even the most indulgent of desserts was secretly fueling my ability to live.  For example, would you eat a snack if it tasted great but happen to be made of paper? Not rice paper, not seaweed paper–PAPER paper.  Check out Slim Chips–interesting experiment.  This next Call strikes me as a much better use of paper.  Take a look…

Check out this Call for Entries from Gallery M Squared (Houston, TX) for Paper Cuts II. $30 entry for a chance to show twice with a group & a 3rd time in a solo exhibit.  Don’t miss this opportunity…

*Editor’s Note: If you have read the personal portion of this post, CALL for ENTRIES: Paper Cuts, anywhere other than by email subscription or on ArtAndArtDeadlines.com, it has been published without permission and is considered theft.

Learn more from Gallery M Squared!CALL for ENTRIES:
Paper Cuts II

 

ELIGIBILITY:  Open to all artists

MEDIA:  All works must be on paper, square, and measuring no smaller than 13” X 13” and no larger than 22” X 22”.

DEADLINE:  April 15, 2014 at 6pm

NOTIFICATION:  April 19, 2014

ENTRY FEE:  $30 for up to 3 images

JURORS:  Patrick Palmer, Dean & Studio School Faculty Chair and Department Head of Art History at the Glassell School of Art, part of The Museum of Fine Arts, Houston & John De La Cruz a member of the Art Colony Association of Directors for the Bayou City Art Festival.

AWARDS:  Up to 32 two-dimensional artists working with paper will be selected to participate in this unique exhibition opportunity. Four works by each selected artist will be displayed over a two-month period, two works per artist, each month.

1st place = A 1-month solo show/exhibition with reception. 2nd & 3rd place  = A 1-month 2-person show/exhibition with reception.

SALES:  The gallery retains a 40% commission on sales.

For complete details, Read the Full Call!

Learn more from Gallery M Squared!